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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76627D it is the complementary color #899D82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76627D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76627D shade: #7B6278, #8C748B, #9D869E, #AE98B1 and #BFAAC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76627D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76627D shade: #76627D, #65506A, #543E57, #432C44 and #321A31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76627D shade: #76627D, #7D627D, #7D6276, #7D626E and #7D6267

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76627D shade: #76627D, #6F627D, #68627D and #62627D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76627D shade matches the following richer shades: #76627D, #7F508F, #883EA1, #902CB4 and #991AC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76627D shade: #76627D, #6D746B, #658759, #5C9947 and #53AB35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76627D shade: #68627D, #6F627D, #76627D, #7D627D and #7D6276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76627D shade: #4B3E4F, #605066, #76627D, #8B7693 and #9F8DA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76627D shade: #76627D, #7D6264 and #627D6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76627D shade: #76627D, #7D7662 and #627D76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76627D shade: #76627D, #7D6264, #697D62 and #627D7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76627D shade: #76627D, #7D6962, #697D62 and #62777D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

Complementary color

CMYK 13 / 0 / 17 / 38

HEX #899D82

RGB 137 157 130

HSL 104.44, 0.12%, 0.56%

LAB 62.54, -12.31, 11.79

 

CMYK 0 / 20 / 2 / 52

HEX #7B6278

RGB 123 98 120

HSL 307.2, 0.11%, 0.43%

LAB 44.66, 14.17, -8.51

 

CMYK 0 / 17 / 1 / 45

HEX #8C748B

RGB 140 116 139

HSL 302.5, 0.09%, 0.5%

LAB 51.76, 13.63, -9.02

 

CMYK 1 / 15 / 0 / 38

HEX #9D869E

RGB 157 134 158

HSL 297.5, 0.11%, 0.57%

LAB 58.68, 13.15, -9.52

 

CMYK 2 / 14 / 0 / 31

HEX #AE98B1

RGB 174 152 177

HSL 292.8, 0.14%, 0.65%

LAB 65.46, 12.71, -10

 

CMYK 3 / 13 / 0 / 23

HEX #BFAAC4

RGB 191 170 196

HSL 288.46, 0.18%, 0.72%

LAB 72.1, 12.31, -10.47

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 5 / 25 / 0 / 58

HEX #65506A

RGB 101 80 106

HSL 288.46, 0.14%, 0.36%

LAB 37.01, 13.95, -11.68

 

CMYK 3 / 29 / 0 / 66

HEX #543E57

RGB 84 62 87

HSL 292.8, 0.17%, 0.29%

LAB 29.46, 14.63, -11.27

 

CMYK 1 / 35 / 0 / 73

HEX #432C44

RGB 67 44 68

HSL 297.5, 0.21%, 0.22%

LAB 21.62, 15.42, -10.83

 

CMYK 0 / 48 / 2 / 80

HEX #321A31

RGB 50 26 49

HSL 302.5, 0.32%, 0.15%

LAB 13.46, 16.34, -10.3

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 0 / 22 / 0 / 51

HEX #7D627D

RGB 125 98 125

HSL 300, 0.12%, 0.44%

LAB 45.05, 15.94, -10.93

 

CMYK 0 / 22 / 6 / 51

HEX #7D6276

RGB 125 98 118

HSL 315.56, 0.12%, 0.44%

LAB 44.81, 14.53, -7.06

 

CMYK 0 / 22 / 12 / 51

HEX #7D626E

RGB 125 98 110

HSL 333.33, 0.12%, 0.44%

LAB 44.55, 13, -2.6

 

CMYK 0 / 22 / 18 / 51

HEX #7D6267

RGB 125 98 103

HSL 348.89, 0.12%, 0.44%

LAB 44.34, 11.75, 1.33

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 11 / 22 / 0 / 51

HEX #6F627D

RGB 111 98 125

HSL 268.89, 0.12%, 0.44%

LAB 43.65, 10.83, -13.18

 

CMYK 17 / 22 / 0 / 51

HEX #68627D

RGB 104 98 125

HSL 253.33, 0.12%, 0.44%

LAB 43, 8.34, -14.22

 

CMYK 22 / 22 / 0 / 51

HEX #62627D

RGB 98 98 125

HSL 240, 0.12%, 0.44%

LAB 42.48, 6.25, -15.06

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 11 / 44 / 0 / 44

HEX #7F508F

RGB 127 80 143

HSL 284.76, 0.28%, 0.44%

LAB 41.58, 31.16, -27.1

 

CMYK 16 / 61 / 0 / 37

HEX #883EA1

RGB 136 62 161

HSL 284.85, 0.44%, 0.44%

LAB 40, 47.37, -40.35

 

CMYK 20 / 76 / 0 / 29

HEX #902CB4

RGB 144 44 180

HSL 284.12, 0.61%, 0.44%

LAB 39.62, 60.78, -52.21

 

CMYK 23 / 87 / 0 / 22

HEX #991AC6

RGB 153 26 198

HSL 284.3, 0.77%, 0.44%

LAB 40.55, 70.94, -61.21

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 6 / 0 / 8 / 55

HEX #6D746B

RGB 109 116 107

HSL 106.67, 0.04%, 0.44%

LAB 48.01, -4.48, 4.06

 

CMYK 25 / 0 / 34 / 47

HEX #658759

RGB 101 135 89

HSL 104.35, 0.21%, 0.44%

LAB 52.75, -21.21, 20.98

 

CMYK 40 / 0 / 54 / 40

HEX #5C9947

RGB 92 153 71

HSL 104.63, 0.37%, 0.44%

LAB 57.57, -35.73, 36.63

 

CMYK 51 / 0 / 69 / 33

HEX #53AB35

RGB 83 171 53

HSL 104.75, 0.53%, 0.44%

LAB 62.69, -48.02, 50.52

 

CMYK 17 / 22 / 0 / 51

HEX #68627D

RGB 104 98 125

HSL 253.33, 0.12%, 0.44%

LAB 43, 8.34, -14.22

 

CMYK 11 / 22 / 0 / 51

HEX #6F627D

RGB 111 98 125

HSL 268.89, 0.12%, 0.44%

LAB 43.65, 10.83, -13.18

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 0 / 22 / 0 / 51

HEX #7D627D

RGB 125 98 125

HSL 300, 0.12%, 0.44%

LAB 45.05, 15.94, -10.93

 

CMYK 0 / 22 / 6 / 51

HEX #7D6276

RGB 125 98 118

HSL 315.56, 0.12%, 0.44%

LAB 44.81, 14.53, -7.06

 

CMYK 5 / 22 / 0 / 69

HEX #4B3E4F

RGB 75 62 79

HSL 285.88, 0.12%, 0.28%

LAB 28.13, 9.27, -8.17

 

CMYK 6 / 22 / 0 / 60

HEX #605066

RGB 96 80 102

HSL 283.64, 0.12%, 0.36%

LAB 36.34, 11.17, -10.26

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 5 / 20 / 0 / 42

HEX #8B7693

RGB 139 118 147

HSL 283.45, 0.12%, 0.52%

LAB 52.46, 13.74, -12.68

 

CMYK 4 / 15 / 0 / 35

HEX #9F8DA5

RGB 159 141 165

HSL 285, 0.12%, 0.6%

LAB 60.9, 11.26, -10.18

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 0 / 22 / 20 / 51

HEX #7D6264

RGB 125 98 100

HSL 355.56, 0.12%, 0.44%

LAB 44.26, 11.23, 3.03

 

CMYK 22 / 0 / 14 / 51

HEX #627D6B

RGB 98 125 107

HSL 140, 0.12%, 0.44%

LAB 49.89, -13.65, 6.64

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 0 / 6 / 22 / 51

HEX #7D7662

RGB 125 118 98

HSL 44.44, 0.12%, 0.44%

LAB 49.74, -0.86, 12

 

CMYK 22 / 0 / 6 / 51

HEX #627D76

RGB 98 125 118

HSL 164.44, 0.12%, 0.44%

LAB 50.18, -11.28, 0.61

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 0 / 22 / 20 / 51

HEX #7D6264

RGB 125 98 100

HSL 355.56, 0.12%, 0.44%

LAB 44.26, 11.23, 3.03

 

CMYK 16 / 0 / 22 / 51

HEX #697D62

RGB 105 125 98

HSL 104.44, 0.12%, 0.44%

LAB 50.16, -12.8, 12.34

 

CMYK 22 / 0 / 2 / 51

HEX #627D7B

RGB 98 125 123

HSL 175.56, 0.12%, 0.44%

LAB 50.33, -10.13, -2.12

 

CMYK 6 / 22 / 0 / 51

HEX #76627D

RGB 118 98 125

HSL 284.44, 0.12%, 0.44%

LAB 44.33, 13.37, -12.08

 

CMYK 0 / 16 / 22 / 51

HEX #7D6962

RGB 125 105 98

HSL 15.56, 0.12%, 0.44%

LAB 46.1, 6.73, 6.88

 

CMYK 16 / 0 / 22 / 51

HEX #697D62

RGB 105 125 98

HSL 104.44, 0.12%, 0.44%

LAB 50.16, -12.8, 12.34

 

CMYK 22 / 5 / 0 / 51

HEX #62777D

RGB 98 119 125

HSL 193.33, 0.12%, 0.44%

LAB 48.6, -6.25, -5.85

 

Description

Color code: HEX #76627D | qconv.com Color code: HEX #76627D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 98 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 98 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 22 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 22% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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