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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7660B8 it is the complementary color #899F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7660B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7660B8 shade: #7B60B3, #8C72C6, #9D84D9, #AE96EC and #BFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7660B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7660B8 shade: #7660B8, #654EA5, #543C92, #432A7F and #32186C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7660B8 shade: #7660B7, #8D60B7, #A560B7, #B760B2 and #B7609B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7660B8 shade: #7660B7 and #6060B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7660B8 shade matches the following richer shades: #7660B7, #6D4ECA, #633BDC and #5A28EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7660B8 shade: #7660B7, #7F73A5, #898592, #929880 and #9BAA6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7660B8 shade: #6079B7, #6062B7, #7660B7, #8D60B7 and #A460B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7660B8 shade: #503D88, #604AA5, #7660B7, #8E7DC4 and #A799D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7660B8 shade: #7660B8, #B76090 and #6DB760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7660B8 shade: #7660B8, #B77660 and #60B776

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7660B8 shade: #7660B8, #B76090, #A2B760 and #60B787

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7660B8 shade: #7660B8, #B76076, #A2B760 and #60B7A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 48 / 0 / 28

HEX #7660B8

RGB 118 96 184

HSL 255, 0.38%, 0.55%

LAB 46.55, 29.29, -43.63

 

Complementary color

CMYK 14 / 0 / 55 / 38

HEX #899F47

RGB 137 159 71

HSL 75, 0.38%, 0.45%

LAB 62.14, -21.44, 42.71

 

CMYK 31 / 46 / 0 / 30

HEX #7B60B3

RGB 123 96 179

HSL 259.52, 0.35%, 0.54%

LAB 46.75, 29.31, -40.36

 

CMYK 29 / 42 / 0 / 22

HEX #8C72C6

RGB 140 114 198

HSL 258.57, 0.42%, 0.61%

LAB 53.69, 28.38, -40.26

 

CMYK 28 / 39 / 0 / 15

HEX #9D84D9

RGB 157 132 217

HSL 257.65, 0.53%, 0.68%

LAB 60.5, 27.55, -40.19

 

CMYK 26 / 36 / 0 / 7

HEX #AE96EC

RGB 174 150 236

HSL 256.74, 0.69%, 0.76%

LAB 67.18, 26.8, -40.15

 

CMYK 25 / 34 / 0 / 0

HEX #BFA8FF

RGB 191 168 255

HSL 255.86, 1%, 0.83%

LAB 73.74, 26.12, -40.15

 

CMYK 36 / 48 / 0 / 28

HEX #7660B8

RGB 118 96 184

HSL 255, 0.38%, 0.55%

LAB 46.55, 29.29, -43.63

 

CMYK 39 / 53 / 0 / 35

HEX #654EA5

RGB 101 78 165

HSL 255.86, 0.36%, 0.48%

LAB 39.47, 30.42, -43.84

 

CMYK 42 / 59 / 0 / 43

HEX #543C92

RGB 84 60 146

HSL 256.74, 0.42%, 0.4%

LAB 32.24, 31.68, -44.06

 

CMYK 47 / 67 / 0 / 50

HEX #432A7F

RGB 67 42 127

HSL 257.65, 0.5%, 0.33%

LAB 24.89, 33.05, -44.23

 

CMYK 54 / 78 / 0 / 58

HEX #32186C

RGB 50 24 108

HSL 258.57, 0.64%, 0.26%

LAB 17.53, 34.33, -44.15

 

CMYK 36 / 48 / 0 / 28

HEX #7660B7

RGB 118 96 183

HSL 255.17, 0.38%, 0.55%

LAB 46.49, 29.02, -43.14

 

CMYK 23 / 48 / 0 / 28

HEX #8D60B7

RGB 141 96 183

HSL 271.03, 0.38%, 0.55%

LAB 48.82, 35.38, -39.31

 

CMYK 10 / 48 / 0 / 28

HEX #A560B7

RGB 165 96 183

HSL 287.59, 0.38%, 0.55%

LAB 51.59, 42.32, -34.75

 

CMYK 0 / 48 / 3 / 28

HEX #B760B2

RGB 183 96 178

HSL 303.45, 0.38%, 0.55%

LAB 53.65, 46.7, -28.47

 

CMYK 0 / 48 / 15 / 28

HEX #B7609B

RGB 183 96 155

HSL 319.31, 0.38%, 0.55%

LAB 52.73, 42.77, -16.47

 

CMYK 36 / 48 / 0 / 28

HEX #7660B7

RGB 118 96 183

HSL 255.17, 0.38%, 0.55%

LAB 46.49, 29.02, -43.14

 

CMYK 48 / 48 / 0 / 28

HEX #6060B7

RGB 96 96 183

HSL 240, 0.38%, 0.55%

LAB 44.62, 23.45, -46.24

 

CMYK 36 / 48 / 0 / 28

HEX #7660B7

RGB 118 96 183

HSL 255.17, 0.38%, 0.55%

LAB 46.49, 29.02, -43.14

 

CMYK 46 / 61 / 0 / 21

HEX #6D4ECA

RGB 109 78 202

HSL 255, 0.54%, 0.55%

LAB 42.71, 42.8, -60.29

 

CMYK 55 / 73 / 0 / 14

HEX #633BDC

RGB 99 59 220

HSL 254.91, 0.7%, 0.55%

LAB 39.49, 56.35, -75.94

 

CMYK 62 / 83 / 0 / 6

HEX #5A28EF

RGB 90 40 239

HSL 255.08, 0.86%, 0.55%

LAB 37.7, 68.64, -89.73

 

CMYK 36 / 48 / 0 / 28

HEX #7660B7

RGB 118 96 183

HSL 255.17, 0.38%, 0.55%

LAB 46.49, 29.02, -43.14

 

CMYK 23 / 30 / 0 / 35

HEX #7F73A5

RGB 127 115 165

HSL 254.4, 0.22%, 0.55%

LAB 51.26, 15.58, -25.12

 

CMYK 6 / 9 / 0 / 43

HEX #898592

RGB 137 133 146

HSL 258.46, 0.06%, 0.55%

LAB 56.26, 4.11, -6.42

 

CMYK 4 / 0 / 16 / 40

HEX #929880

RGB 146 152 128

HSL 75, 0.1%, 0.55%

LAB 61.76, -6.59, 11.91

 

CMYK 9 / 0 / 36 / 33

HEX #9BAA6D

RGB 155 170 109

HSL 74.75, 0.26%, 0.55%

LAB 67.14, -15.49, 29.74

 

CMYK 48 / 34 / 0 / 28

HEX #6079B7

RGB 96 121 183

HSL 222.76, 0.38%, 0.55%

LAB 51.36, 8.08, -35.56

 

CMYK 48 / 46 / 0 / 28

HEX #6062B7

RGB 96 98 183

HSL 238.62, 0.38%, 0.55%

LAB 45.14, 22.21, -45.41

 

CMYK 36 / 48 / 0 / 28

HEX #7660B7

RGB 118 96 183

HSL 255.17, 0.38%, 0.55%

LAB 46.49, 29.02, -43.14

 

CMYK 23 / 48 / 0 / 28

HEX #8D60B7

RGB 141 96 183

HSL 271.03, 0.38%, 0.55%

LAB 48.82, 35.38, -39.31

 

CMYK 10 / 48 / 0 / 28

HEX #A460B7

RGB 164 96 183

HSL 286.9, 0.38%, 0.55%

LAB 51.47, 42.03, -34.95

 

CMYK 41 / 55 / 0 / 47

HEX #503D88

RGB 80 61 136

HSL 255.2, 0.38%, 0.39%

LAB 31.39, 27.11, -39.29

 

CMYK 42 / 55 / 0 / 35

HEX #604AA5

RGB 96 74 165

HSL 254.51, 0.38%, 0.47%

LAB 38.02, 31.6, -46.18

 

CMYK 36 / 48 / 0 / 28

HEX #7660B7

RGB 118 96 183

HSL 255.17, 0.38%, 0.55%

LAB 46.49, 29.02, -43.14

 

CMYK 28 / 36 / 0 / 23

HEX #8E7DC4

RGB 142 125 196

HSL 254.37, 0.38%, 0.63%

LAB 56.49, 22.02, -34.72

 

CMYK 20 / 27 / 0 / 18

HEX #A799D1

RGB 167 153 209

HSL 255, 0.38%, 0.71%

LAB 66.21, 16.65, -26.78

 

CMYK 36 / 48 / 0 / 28

HEX #7660B8

RGB 118 96 184

HSL 255, 0.38%, 0.55%

LAB 46.55, 29.29, -43.63

 

CMYK 0 / 48 / 21 / 28

HEX #B76090

RGB 183 96 144

HSL 326.9, 0.38%, 0.55%

LAB 52.34, 41.06, -10.58

 

CMYK 40 / 0 / 48 / 28

HEX #6DB760

RGB 109 183 96

HSL 111.03, 0.38%, 0.55%

LAB 67.99, -40.19, 37

 

CMYK 36 / 48 / 0 / 28

HEX #7660B8

RGB 118 96 184

HSL 255, 0.38%, 0.55%

LAB 46.55, 29.29, -43.63

 

CMYK 0 / 36 / 48 / 28

HEX #B77660

RGB 183 118 96

HSL 15.17, 0.38%, 0.55%

LAB 55.96, 23, 22.66

 

CMYK 48 / 0 / 36 / 28

HEX #60B776

RGB 96 183 118

HSL 135.17, 0.38%, 0.55%

LAB 67.77, -40.6, 25.17

 

CMYK 36 / 48 / 0 / 28

HEX #7660B8

RGB 118 96 184

HSL 255, 0.38%, 0.55%

LAB 46.55, 29.29, -43.63

 

CMYK 0 / 48 / 21 / 28

HEX #B76090

RGB 183 96 144

HSL 326.9, 0.38%, 0.55%

LAB 52.34, 41.06, -10.58

 

CMYK 11 / 0 / 48 / 28

HEX #A2B760

RGB 162 183 96

HSL 74.48, 0.38%, 0.55%

LAB 71.14, -20.86, 41.59

 

CMYK 48 / 0 / 26 / 28

HEX #60B787

RGB 96 183 135

HSL 146.9, 0.38%, 0.55%

LAB 68.1, -37.37, 16.46

 

CMYK 36 / 48 / 0 / 28

HEX #7660B8

RGB 118 96 184

HSL 255, 0.38%, 0.55%

LAB 46.55, 29.29, -43.63

 

CMYK 0 / 48 / 36 / 28

HEX #B76076

RGB 183 96 118

HSL 344.83, 0.38%, 0.55%

LAB 51.54, 37.47, 3.67

 

CMYK 11 / 0 / 48 / 28

HEX #A2B760

RGB 162 183 96

HSL 74.48, 0.38%, 0.55%

LAB 71.14, -20.86, 41.59

 

CMYK 48 / 0 / 11 / 28

HEX #60B7A2

RGB 96 183 162

HSL 165.52, 0.38%, 0.55%

LAB 68.72, -31.4, 2.58

 

Description

Color code: HEX #7660B8 | qconv.com Color code: HEX #7660B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 96 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 96 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 48 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 48% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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