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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76209C it is the complementary color #89DF63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76209C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76209C shade: #7B2097, #8C32AA, #9D44BD, #AE56D0 and #BF68E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76209C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76209C shade: #76209C, #650E89, #540076, #430063 and #320050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76209C shade: #76209C, #98209C, #9C207F, #9C205E and #9C203C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76209C shade: #76209C, #54209C, #33209C and #20209C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76209C shade matches the following richer shades: #76209C, #7C10AB and #8201BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76209C shade: #76209C, #702F8D, #6A3E7E, #644D6E and #5E5D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76209C shade: #32209C, #53209C, #75209C, #96209C and #9C2081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76209C shade: #421258, #5C197A, #76209C, #9027BE and #A638D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76209C shade: #76209C, #9C202E and #209C43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76209C shade: #76209C, #9C7520 and #209C75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76209C shade: #76209C, #9C202E, #479C20 and #209C8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76209C shade: #76209C, #9C3620, #479C20 and #20859C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

Complementary color

CMYK 39 / 0 / 56 / 13

HEX #89DF63

RGB 137 223 99

HSL 101.61, 0.66%, 0.63%

LAB 81.29, -47.94, 51.93

 

CMYK 19 / 79 / 0 / 41

HEX #7B2097

RGB 123 32 151

HSL 285.88, 0.65%, 0.36%

LAB 32.87, 55.1, -45.84

 

CMYK 18 / 71 / 0 / 33

HEX #8C32AA

RGB 140 50 170

HSL 285, 0.55%, 0.43%

LAB 39.17, 55.63, -47.03

 

CMYK 17 / 64 / 0 / 26

HEX #9D44BD

RGB 157 68 189

HSL 284.13, 0.48%, 0.5%

LAB 45.6, 55.5, -47.79

 

CMYK 16 / 59 / 0 / 18

HEX #AE56D0

RGB 174 86 208

HSL 283.28, 0.56%, 0.58%

LAB 52.07, 55.03, -48.3

 

CMYK 16 / 54 / 0 / 11

HEX #BF68E3

RGB 191 104 227

HSL 282.44, 0.69%, 0.65%

LAB 58.53, 54.38, -48.65

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 26 / 90 / 0 / 46

HEX #650E89

RGB 101 14 137

HSL 282.44, 0.81%, 0.3%

LAB 26.41, 53.55, -47.83

 

CMYK 29 / 100 / 0 / 54

HEX #540076

RGB 84 0 118

HSL 282.71, 1%, 0.23%

LAB 20.8, 50.22, -45.06

 

CMYK 32 / 100 / 0 / 61

HEX #430063

RGB 67 0 99

HSL 280.61, 1%, 0.19%

LAB 15.97, 43.96, -40.68

 

CMYK 38 / 100 / 0 / 69

HEX #320050

RGB 50 0 80

HSL 277.5, 1%, 0.16%

LAB 10.97, 37.48, -36.15

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 3 / 79 / 0 / 39

HEX #98209C

RGB 152 32 156

HSL 298.06, 0.66%, 0.37%

LAB 38.04, 61.81, -40.33

 

CMYK 0 / 79 / 19 / 39

HEX #9C207F

RGB 156 32 127

HSL 314.03, 0.66%, 0.37%

LAB 37.18, 58.23, -23.85

 

CMYK 0 / 79 / 40 / 39

HEX #9C205E

RGB 156 32 94

HSL 330, 0.66%, 0.37%

LAB 35.81, 54.18, -5.08

 

CMYK 0 / 79 / 62 / 39

HEX #9C203C

RGB 156 32 60

HSL 346.45, 0.66%, 0.37%

LAB 34.86, 51.24, 15.55

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 46 / 79 / 0 / 39

HEX #54209C

RGB 84 32 156

HSL 265.16, 0.66%, 0.37%

LAB 27.62, 49.37, -57.68

 

CMYK 67 / 79 / 0 / 39

HEX #33209C

RGB 51 32 156

HSL 249.19, 0.66%, 0.37%

LAB 24.12, 45.11, -63.57

 

CMYK 79 / 79 / 0 / 39

HEX #20209C

RGB 32 32 156

HSL 240, 0.66%, 0.37%

LAB 22.79, 43.49, -65.81

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 27 / 91 / 0 / 33

HEX #7C10AB

RGB 124 16 171

HSL 281.81, 0.83%, 0.37%

LAB 33.13, 63.45, -57.53

 

CMYK 30 / 99 / 0 / 27

HEX #8201BB

RGB 130 1 187

HSL 281.61, 0.99%, 0.37%

LAB 34.71, 69.53, -64.43

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 21 / 67 / 0 / 45

HEX #702F8D

RGB 112 47 141

HSL 281.49, 0.5%, 0.37%

LAB 32.7, 44.39, -40.06

 

CMYK 16 / 51 / 0 / 51

HEX #6A3E7E

RGB 106 62 126

HSL 281.25, 0.34%, 0.37%

LAB 34.02, 31.23, -28.74

 

CMYK 9 / 30 / 0 / 57

HEX #644D6E

RGB 100 77 110

HSL 281.82, 0.18%, 0.37%

LAB 36.26, 16.36, -15.33

 

CMYK 1 / 2 / 0 / 63

HEX #5E5D5F

RGB 94 93 95

HSL 270, 0.01%, 0.37%

LAB 39.64, 0.82, -1.01

 

CMYK 68 / 79 / 0 / 39

HEX #32209C

RGB 50 32 156

HSL 248.71, 0.66%, 0.37%

LAB 24.04, 45.01, -63.71

 

CMYK 47 / 79 / 0 / 39

HEX #53209C

RGB 83 32 156

HSL 264.68, 0.66%, 0.37%

LAB 27.5, 49.22, -57.89

 

CMYK 25 / 79 / 0 / 39

HEX #75209C

RGB 117 32 156

HSL 281.13, 0.66%, 0.37%

LAB 32.29, 54.98, -49.87

 

CMYK 4 / 79 / 0 / 39

HEX #96209C

RGB 150 32 156

HSL 297.1, 0.66%, 0.37%

LAB 37.69, 61.4, -40.89

 

CMYK 0 / 79 / 17 / 39

HEX #9C2081

RGB 156 32 129

HSL 313.06, 0.66%, 0.37%

LAB 37.27, 58.51, -24.94

 

CMYK 25 / 80 / 0 / 65

HEX #421258

RGB 66 18 88

HSL 281.14, 0.66%, 0.21%

LAB 16.97, 35.01, -31.72

 

CMYK 25 / 80 / 0 / 52

HEX #5C197A

RGB 92 25 122

HSL 281.44, 0.66%, 0.29%

LAB 24.88, 45.41, -40.93

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 24 / 79 / 0 / 25

HEX #9027BE

RGB 144 39 190

HSL 281.72, 0.66%, 0.45%

LAB 39.75, 64.47, -57.9

 

CMYK 22 / 74 / 0 / 16

HEX #A638D6

RGB 166 56 214

HSL 281.77, 0.66%, 0.53%

LAB 46.7, 67.43, -60.41

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 0 / 79 / 71 / 39

HEX #9C202E

RGB 156 32 46

HSL 353.23, 0.66%, 0.37%

LAB 34.6, 50.42, 24.19

 

CMYK 79 / 0 / 57 / 39

HEX #209C43

RGB 32 156 67

HSL 136.94, 0.66%, 0.37%

LAB 56.57, -51.96, 36.97

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 0 / 25 / 79 / 39

HEX #9C7520

RGB 156 117 32

HSL 41.13, 0.66%, 0.37%

LAB 51.72, 7.15, 49.53

 

CMYK 79 / 0 / 25 / 39

HEX #209C75

RGB 32 156 117

HSL 161.13, 0.66%, 0.37%

LAB 57.43, -42.21, 11.24

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 0 / 79 / 71 / 39

HEX #9C202E

RGB 156 32 46

HSL 353.23, 0.66%, 0.37%

LAB 34.6, 50.42, 24.19

 

CMYK 54 / 0 / 79 / 39

HEX #479C20

RGB 71 156 32

HSL 101.13, 0.66%, 0.37%

LAB 57.29, -47.23, 52.62

 

CMYK 79 / 0 / 9 / 39

HEX #209C8E

RGB 32 156 142

HSL 173.23, 0.66%, 0.37%

LAB 58.07, -35.55, -2

 

CMYK 24 / 79 / 0 / 39

HEX #76209C

RGB 118 32 156

HSL 281.61, 0.66%, 0.37%

LAB 32.45, 55.16, -49.61

 

CMYK 0 / 65 / 79 / 39

HEX #9C3620

RGB 156 54 32

HSL 10.65, 0.66%, 0.37%

LAB 37.5, 41.33, 35.75

 

CMYK 54 / 0 / 79 / 39

HEX #479C20

RGB 71 156 32

HSL 101.13, 0.66%, 0.37%

LAB 57.29, -47.23, 52.62

 

CMYK 79 / 15 / 0 / 39

HEX #20859C

RGB 32 133 156

HSL 191.13, 0.66%, 0.37%

LAB 51.25, -19.75, -20.3

 

Description

Color code: HEX #76209C | qconv.com Color code: HEX #76209C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 32 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 32 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 79 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 79% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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