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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7629B7 it is the complementary color #89D648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7629B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7629B7 shade: #7B29B2, #8C3BC5, #9D4DD8, #AE5FEB and #BF71FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7629B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7629B7 shade: #7629B7, #6517A4, #540591, #43007E and #32006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7629B7 shade: #7629B6, #9C29B6, #B629AB, #B62985 and #B6295F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7629B7 shade: #7629B6, #5029B6, #2929B6 and #2929B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7629B7 shade matches the following richer shades: #7629B6, #7717C9 and #7905DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7629B7 shade: #7629B6, #743BA4, #734D92, #715F80 and #70726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7629B7 shade: #2929B6, #4F29B6, #7429B6, #9A29B6 and #B629AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7629B7 shade: #4A1A73, #602195, #7629B6, #8B37D1 and #9E59D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7629B7 shade: #7629B7, #B6294F and #29B63C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7629B7 shade: #7629B7, #B67429 and #29B674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7629B7 shade: #7629B7, #B6294F, #6BB629 and #29B691

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7629B7 shade: #7629B7, #B62E29, #6BB629 and #29B2B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 78 / 0 / 28

HEX #7629B7

RGB 118 41 183

HSL 272.54, 0.63%, 0.44%

LAB 35.71, 57.8, -60.51

 

Complementary color

CMYK 36 / 0 / 66 / 16

HEX #89D648

RGB 137 214 72

HSL 92.54, 0.63%, 0.56%

LAB 78.39, -46.67, 60.24

 

CMYK 31 / 77 / 0 / 30

HEX #7B29B2

RGB 123 41 178

HSL 275.91, 0.63%, 0.43%

LAB 36.01, 57.53, -57.03

 

CMYK 29 / 70 / 0 / 23

HEX #8C3BC5

RGB 140 59 197

HSL 275.22, 0.54%, 0.5%

LAB 42.36, 57.55, -57.78

 

CMYK 27 / 64 / 0 / 15

HEX #9D4DD8

RGB 157 77 216

HSL 274.53, 0.64%, 0.57%

LAB 48.8, 57.11, -58.22

 

CMYK 26 / 60 / 0 / 8

HEX #AE5FEB

RGB 174 95 235

HSL 273.86, 0.78%, 0.65%

LAB 55.26, 56.42, -58.47

 

CMYK 25 / 56 / 0 / 0

HEX #BF71FE

RGB 191 113 254

HSL 273.19, 0.99%, 0.72%

LAB 61.69, 55.63, -58.61

 

CMYK 36 / 78 / 0 / 28

HEX #7629B7

RGB 118 41 183

HSL 272.54, 0.63%, 0.44%

LAB 35.71, 57.8, -60.51

 

CMYK 38 / 86 / 0 / 36

HEX #6517A4

RGB 101 23 164

HSL 273.19, 0.75%, 0.37%

LAB 29.56, 57.02, -59.28

 

CMYK 42 / 97 / 0 / 43

HEX #540591

RGB 84 5 145

HSL 273.86, 0.93%, 0.29%

LAB 23.8, 54.84, -57.2

 

CMYK 47 / 100 / 0 / 51

HEX #43007E

RGB 67 0 126

HSL 271.9, 1%, 0.25%

LAB 18.8, 49.98, -53.58

 

CMYK 53 / 100 / 0 / 58

HEX #32006B

RGB 50 0 107

HSL 268.04, 1%, 0.21%

LAB 14.06, 43.91, -49.21

 

CMYK 35 / 77 / 0 / 29

HEX #7629B6

RGB 118 41 182

HSL 272.77, 0.63%, 0.44%

LAB 35.63, 57.57, -60.05

 

CMYK 14 / 77 / 0 / 29

HEX #9C29B6

RGB 156 41 182

HSL 288.94, 0.63%, 0.44%

LAB 41.27, 64.5, -50.65

 

CMYK 0 / 77 / 6 / 29

HEX #B629AB

RGB 182 41 171

HSL 304.68, 0.63%, 0.44%

LAB 44.9, 67.93, -38.09

 

CMYK 0 / 77 / 27 / 29

HEX #B62985

RGB 182 41 133

HSL 320.85, 0.63%, 0.44%

LAB 43.1, 62.68, -18.01

 

CMYK 0 / 77 / 48 / 29

HEX #B6295F

RGB 182 41 95

HSL 337.02, 0.63%, 0.44%

LAB 41.78, 58.65, 3.61

 

CMYK 35 / 77 / 0 / 29

HEX #7629B6

RGB 118 41 182

HSL 272.77, 0.63%, 0.44%

LAB 35.63, 57.57, -60.05

 

CMYK 56 / 77 / 0 / 29

HEX #5029B6

RGB 80 41 182

HSL 256.6, 0.63%, 0.44%

LAB 31.04, 51.81, -67.74

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 35 / 77 / 0 / 29

HEX #7629B6

RGB 118 41 182

HSL 272.77, 0.63%, 0.44%

LAB 35.63, 57.57, -60.05

 

CMYK 41 / 89 / 0 / 21

HEX #7717C9

RGB 119 23 201

HSL 272.36, 0.79%, 0.44%

LAB 35.5, 67.55, -71.42

 

CMYK 45 / 98 / 0 / 14

HEX #7905DB

RGB 121 5 219

HSL 272.52, 0.96%, 0.44%

LAB 36.53, 74.51, -80.14

 

CMYK 35 / 77 / 0 / 29

HEX #7629B6

RGB 118 41 182

HSL 272.77, 0.63%, 0.44%

LAB 35.63, 57.57, -60.05

 

CMYK 29 / 64 / 0 / 36

HEX #743BA4

RGB 116 59 164

HSL 272.57, 0.47%, 0.44%

LAB 36.97, 44.66, -47.16

 

CMYK 21 / 47 / 0 / 43

HEX #734D92

RGB 115 77 146

HSL 273.04, 0.31%, 0.44%

LAB 39.63, 29.9, -32.08

 

CMYK 12 / 26 / 0 / 50

HEX #715F80

RGB 113 95 128

HSL 272.73, 0.15%, 0.44%

LAB 43.14, 14.06, -15.74

 

CMYK 2 / 0 / 4 / 55

HEX #70726E

RGB 112 114 110

HSL 90, 0.02%, 0.44%

LAB 47.76, -1.57, 1.94

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 57 / 77 / 0 / 29

HEX #4F29B6

RGB 79 41 182

HSL 256.17, 0.63%, 0.44%

LAB 30.94, 51.68, -67.91

 

CMYK 36 / 77 / 0 / 29

HEX #7429B6

RGB 116 41 182

HSL 271.91, 0.63%, 0.44%

LAB 35.35, 57.23, -60.51

 

CMYK 15 / 77 / 0 / 29

HEX #9A29B6

RGB 154 41 182

HSL 288.09, 0.63%, 0.44%

LAB 40.95, 64.12, -51.17

 

CMYK 0 / 77 / 5 / 29

HEX #B629AD

RGB 182 41 173

HSL 303.83, 0.63%, 0.44%

LAB 45.01, 68.24, -39.1

 

CMYK 36 / 77 / 0 / 55

HEX #4A1A73

RGB 74 26 115

HSL 272.36, 0.63%, 0.28%

LAB 21.7, 39.73, -41.74

 

CMYK 36 / 78 / 0 / 42

HEX #602195

RGB 96 33 149

HSL 272.59, 0.64%, 0.36%

LAB 28.76, 49.2, -51.47

 

CMYK 35 / 77 / 0 / 29

HEX #7629B6

RGB 118 41 182

HSL 272.77, 0.63%, 0.44%

LAB 35.63, 57.57, -60.05

 

CMYK 33 / 74 / 0 / 18

HEX #8B37D1

RGB 139 55 209

HSL 272.73, 0.63%, 0.52%

LAB 42.5, 61.77, -64.52

 

CMYK 27 / 59 / 0 / 15

HEX #9E59D9

RGB 158 89 217

HSL 272.34, 0.63%, 0.6%

LAB 51.18, 51.61, -54.96

 

CMYK 36 / 78 / 0 / 28

HEX #7629B7

RGB 118 41 183

HSL 272.54, 0.63%, 0.44%

LAB 35.71, 57.8, -60.51

 

CMYK 0 / 77 / 57 / 29

HEX #B6294F

RGB 182 41 79

HSL 343.83, 0.63%, 0.44%

LAB 41.37, 57.36, 13.1

 

CMYK 77 / 0 / 67 / 29

HEX #29B63C

RGB 41 182 60

HSL 128.09, 0.63%, 0.44%

LAB 65.16, -60.3, 49.96

 

CMYK 36 / 78 / 0 / 28

HEX #7629B7

RGB 118 41 183

HSL 272.54, 0.63%, 0.44%

LAB 35.71, 57.8, -60.51

 

CMYK 0 / 36 / 77 / 29

HEX #B67429

RGB 182 116 41

HSL 31.91, 0.63%, 0.44%

LAB 54.65, 19.77, 49.76

 

CMYK 77 / 0 / 36 / 29

HEX #29B674

RGB 41 182 116

HSL 151.91, 0.63%, 0.44%

LAB 65.89, -51.71, 23.45

 

CMYK 36 / 78 / 0 / 28

HEX #7629B7

RGB 118 41 183

HSL 272.54, 0.63%, 0.44%

LAB 35.71, 57.8, -60.51

 

CMYK 0 / 77 / 57 / 29

HEX #B6294F

RGB 182 41 79

HSL 343.83, 0.63%, 0.44%

LAB 41.37, 57.36, 13.1

 

CMYK 41 / 0 / 77 / 29

HEX #6BB629

RGB 107 182 41

HSL 91.91, 0.63%, 0.44%

LAB 67.08, -45.68, 59.59

 

CMYK 77 / 0 / 20 / 29

HEX #29B691

RGB 41 182 145

HSL 164.26, 0.63%, 0.44%

LAB 66.5, -45.14, 8.53

 

CMYK 36 / 78 / 0 / 28

HEX #7629B7

RGB 118 41 183

HSL 272.54, 0.63%, 0.44%

LAB 35.71, 57.8, -60.51

 

CMYK 0 / 75 / 77 / 29

HEX #B62E29

RGB 182 46 41

HSL 2.13, 0.63%, 0.44%

LAB 41.31, 53.65, 36.23

 

CMYK 41 / 0 / 77 / 29

HEX #6BB629

RGB 107 182 41

HSL 91.91, 0.63%, 0.44%

LAB 67.08, -45.68, 59.59

 

CMYK 77 / 2 / 0 / 29

HEX #29B2B6

RGB 41 178 182

HSL 181.7, 0.63%, 0.44%

LAB 66.28, -33.12, -12.24

 

Description

Color code: HEX #7629B7 | qconv.com Color code: HEX #7629B7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 41 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 41 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 78 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 78% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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