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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7625E4 it is the complementary color #89DA1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7625E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7625E4 shade: #7B25DF, #8C37F2, #9D49FF, #AE5BFF and #BF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7625E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7625E4 shade: #7625E4, #6513D1, #5401BE, #4300AB and #320098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7625E4 shade: #7625E4, #A925E4, #DD25E4, #E425B7 and #E42584

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7625E4 shade: #7625E4, #4225E4 and #2525E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7625E4 shade matches the following richer shades: #7625E4 and #7311F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7625E4 shade: #7625E4, #7938D0, #7C4CBC, #7F60A8 and #827494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7625E4 shade: #253BE4, #4125E4, #7425E4, #A725E4 and #DA25E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7625E4 shade: #5014A2, #6218C7, #7625E4, #8D49E8 and #A46EED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7625E4 shade: #7625E4, #E4256E and #25E428

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7625E4 shade: #7625E4, #E47425 and #25E474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7625E4 shade: #7625E4, #E4256E, #94E425 and #25E49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7625E4 shade: #7625E4, #E42535, #94E425 and #25E4D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

Complementary color

CMYK 37 / 0 / 88 / 15

HEX #89DA1B

RGB 137 218 27

HSL 85.45, 0.78%, 0.48%

LAB 79.35, -50.63, 74.52

 

CMYK 45 / 83 / 0 / 13

HEX #7B25DF

RGB 123 37 223

HSL 267.74, 0.74%, 0.51%

LAB 39.35, 69.12, -77.8

 

CMYK 42 / 77 / 0 / 5

HEX #8C37F2

RGB 140 55 242

HSL 267.27, 0.88%, 0.58%

LAB 45.25, 69.52, -78.82

 

CMYK 38 / 71 / 0 / 0

HEX #9D49FF

RGB 157 73 255

HSL 267.69, 1%, 0.64%

LAB 50.87, 67.89, -76.82

 

CMYK 32 / 64 / 0 / 0

HEX #AE5BFF

RGB 174 91 255

HSL 270.37, 1%, 0.68%

LAB 55.79, 62.9, -68.75

 

CMYK 25 / 57 / 0 / 0

HEX #BF6DFF

RGB 191 109 255

HSL 273.7, 1%, 0.71%

LAB 60.99, 57.87, -60.28

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 52 / 91 / 0 / 18

HEX #6513D1

RGB 101 19 209

HSL 265.89, 0.83%, 0.45%

LAB 33.64, 68.35, -79.23

 

CMYK 56 / 99 / 0 / 25

HEX #5401BE

RGB 84 1 190

HSL 266.35, 0.99%, 0.37%

LAB 28.44, 65.79, -76.76

 

CMYK 61 / 100 / 0 / 33

HEX #4300AB

RGB 67 0 171

HSL 263.51, 1%, 0.34%

LAB 24.11, 60.5, -72.66

 

CMYK 67 / 100 / 0 / 40

HEX #320098

RGB 50 0 152

HSL 259.74, 1%, 0.3%

LAB 19.82, 55, -68.24

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 26 / 84 / 0 / 11

HEX #A925E4

RGB 169 37 228

HSL 281.47, 0.78%, 0.52%

LAB 46.12, 76.5, -69.31

 

CMYK 3 / 84 / 0 / 11

HEX #DD25E4

RGB 221 37 228

HSL 297.8, 0.78%, 0.52%

LAB 54.34, 85.01, -55.63

 

CMYK 0 / 84 / 20 / 11

HEX #E425B7

RGB 228 37 183

HSL 314.14, 0.78%, 0.52%

LAB 53.21, 80.11, -31.54

 

CMYK 0 / 84 / 42 / 11

HEX #E42584

RGB 228 37 132

HSL 330.16, 0.78%, 0.52%

LAB 51.25, 74.63, -4.28

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 71 / 84 / 0 / 11

HEX #4225E4

RGB 66 37 228

HSL 249.11, 0.78%, 0.52%

LAB 34.15, 65.04, -89.42

 

CMYK 84 / 84 / 0 / 11

HEX #2525E4

RGB 37 37 228

HSL 240, 0.78%, 0.52%

LAB 32.52, 63.61, -92.18

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 53 / 93 / 0 / 3

HEX #7311F7

RGB 115 17 247

HSL 265.57, 0.93%, 0.52%

LAB 39.18, 78.46, -91.73

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 42 / 73 / 0 / 18

HEX #7938D0

RGB 121 56 208

HSL 265.66, 0.62%, 0.52%

LAB 40.32, 57.97, -67.58

 

CMYK 34 / 60 / 0 / 26

HEX #7C4CBC

RGB 124 76 188

HSL 265.71, 0.46%, 0.52%

LAB 42.89, 43.43, -51.78

 

CMYK 24 / 43 / 0 / 34

HEX #7F60A8

RGB 127 96 168

HSL 265.83, 0.29%, 0.52%

LAB 46.58, 27.65, -34.16

 

CMYK 12 / 22 / 0 / 42

HEX #827494

RGB 130 116 148

HSL 266.25, 0.13%, 0.52%

LAB 51.12, 11.97, -15.36

 

CMYK 84 / 74 / 0 / 11

HEX #253BE4

RGB 37 59 228

HSL 233.09, 0.78%, 0.52%

LAB 36.22, 52.88, -86.04

 

CMYK 71 / 84 / 0 / 11

HEX #4125E4

RGB 65 37 228

HSL 248.8, 0.78%, 0.52%

LAB 34.08, 64.98, -89.54

 

CMYK 49 / 84 / 0 / 11

HEX #7425E4

RGB 116 37 228

HSL 264.82, 0.78%, 0.52%

LAB 38.96, 69.47, -81.31

 

CMYK 27 / 84 / 0 / 11

HEX #A725E4

RGB 167 37 228

HSL 280.84, 0.78%, 0.52%

LAB 45.83, 76.2, -69.8

 

CMYK 4 / 84 / 0 / 11

HEX #DA25E4

RGB 218 37 228

HSL 296.86, 0.78%, 0.52%

LAB 53.85, 84.49, -56.45

 

CMYK 51 / 88 / 0 / 36

HEX #5014A2

RGB 80 20 162

HSL 265.35, 0.78%, 0.36%

LAB 26.2, 54.78, -63.7

 

CMYK 51 / 88 / 0 / 22

HEX #6218C7

RGB 98 24 199

HSL 265.37, 0.78%, 0.44%

LAB 32.64, 64.51, -75.06

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 39 / 69 / 0 / 9

HEX #8D49E8

RGB 141 73 232

HSL 265.66, 0.78%, 0.6%

LAB 47.31, 59.55, -69.81

 

CMYK 31 / 54 / 0 / 7

HEX #A46EED

RGB 164 110 237

HSL 265.51, 0.78%, 0.68%

LAB 57.23, 46.69, -56.49

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 0 / 84 / 52 / 11

HEX #E4256E

RGB 228 37 110

HSL 337.07, 0.78%, 0.52%

LAB 50.62, 72.83, 8.15

 

CMYK 84 / 0 / 82 / 11

HEX #25E428

RGB 37 228 40

HSL 120.94, 0.78%, 0.52%

LAB 79.63, -76.03, 70.9

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 0 / 49 / 84 / 11

HEX #E47425

RGB 228 116 37

HSL 24.82, 0.78%, 0.52%

LAB 60.89, 38.78, 59.37

 

CMYK 84 / 0 / 49 / 11

HEX #25E474

RGB 37 228 116

HSL 144.82, 0.78%, 0.52%

LAB 80.26, -68.31, 42.07

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 0 / 84 / 52 / 11

HEX #E4256E

RGB 228 37 110

HSL 337.07, 0.78%, 0.52%

LAB 50.62, 72.83, 8.15

 

CMYK 35 / 0 / 84 / 11

HEX #94E425

RGB 148 228 37

HSL 85.13, 0.78%, 0.52%

LAB 82.87, -50.56, 75.71

 

CMYK 84 / 0 / 32 / 11

HEX #25E49A

RGB 37 228 154

HSL 156.75, 0.78%, 0.52%

LAB 80.86, -61.38, 23.76

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 0 / 84 / 77 / 11

HEX #E42535

RGB 228 37 53

HSL 354.97, 0.78%, 0.52%

LAB 49.59, 69.78, 40.98

 

CMYK 35 / 0 / 84 / 11

HEX #94E425

RGB 148 228 37

HSL 85.13, 0.78%, 0.52%

LAB 82.87, -50.56, 75.71

 

CMYK 84 / 0 / 7 / 11

HEX #25E4D4

RGB 37 228 212

HSL 174.97, 0.78%, 0.52%

LAB 82.18, -47.29, -4.85

 

Description

Color code: HEX #7625E4 | qconv.com Color code: HEX #7625E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 37 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 37 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 84 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 84% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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