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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75E054 it is the complementary color #8A1FAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75E054. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75E054 shade: #7AE04F, #8BF262, #9CFF75, #ADFF88 and #BEFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75E054. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75E054 shade: #75E054, #64CE41, #53BC2E, #42AA1B and #319808

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75E054 shade: #73DF52, #99DF52, #BFDF52, #DFD952 and #DFB352

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75E054 shade: #73DF52, #52DF57, #52DF7D, #52DFA3 and #52DFC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75E054 shade matches the following richer shades: #73DF52 and #6BEF42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75E054 shade: #73DF52, #7CCE63, #85BE73, #8DAD84 and #969D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75E054 shade: #C0DF52, #9BDF52, #75DF52, #52DF54 and #52DF7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75E054 shade: #46BC22, #57D82F, #73DF52, #8FE575 and #ACEC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75E054 shade: #75E054, #52DFD8 and #DF52AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75E054 shade: #75E054, #5275DF and #DF5275

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75E054 shade: #75E054, #52DFD8, #BC52DF and #DF5259

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75E054 shade: #75E054, #52BCDF, #BC52DF and #DF7552

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 63 / 12

HEX #75E054

RGB 117 224 84

HSL 105.86, 0.69%, 0.6%

LAB 80.59, -55.95, 57.47

 

Complementary color

CMYK 19 / 82 / 0 / 33

HEX #8A1FAB

RGB 138 31 171

HSL 285.86, 0.69%, 0.4%

LAB 36.6, 62.11, -51.78

 

CMYK 46 / 0 / 65 / 12

HEX #7AE04F

RGB 122 224 79

HSL 102.21, 0.7%, 0.59%

LAB 80.75, -54.94, 59.76

 

CMYK 43 / 0 / 60 / 5

HEX #8BF262

RGB 139 242 98

HSL 102.92, 0.85%, 0.67%

LAB 86.94, -55.14, 58.9

 

CMYK 39 / 0 / 54 / 0

HEX #9CFF75

RGB 156 255 117

HSL 103.04, 1%, 0.73%

LAB 91.63, -53.2, 56.19

 

CMYK 32 / 0 / 47 / 0

HEX #ADFF88

RGB 173 255 136

HSL 101.34, 1%, 0.77%

LAB 92.66, -45.62, 48.88

 

CMYK 25 / 0 / 39 / 0

HEX #BEFF9B

RGB 190 255 155

HSL 99, 1%, 0.8%

LAB 93.81, -37.58, 41.39

 

CMYK 48 / 0 / 63 / 12

HEX #75E054

RGB 117 224 84

HSL 105.86, 0.69%, 0.6%

LAB 80.59, -55.95, 57.47

 

CMYK 51 / 0 / 68 / 19

HEX #64CE41

RGB 100 206 65

HSL 105.11, 0.59%, 0.53%

LAB 74.34, -55.59, 58.22

 

CMYK 56 / 0 / 76 / 26

HEX #53BC2E

RGB 83 188 46

HSL 104.37, 0.61%, 0.46%

LAB 68.02, -54.97, 58.53

 

CMYK 61 / 0 / 84 / 33

HEX #42AA1B

RGB 66 170 27

HSL 103.64, 0.73%, 0.39%

LAB 61.64, -53.96, 58.02

 

CMYK 68 / 0 / 95 / 40

HEX #319808

RGB 49 152 8

HSL 102.92, 0.9%, 0.31%

LAB 55.2, -52.38, 56.1

 

CMYK 48 / 0 / 63 / 13

HEX #73DF52

RGB 115 223 82

HSL 105.96, 0.69%, 0.6%

LAB 80.2, -56.32, 57.85

 

CMYK 31 / 0 / 63 / 13

HEX #99DF52

RGB 153 223 82

HSL 89.79, 0.69%, 0.6%

LAB 81.92, -44.15, 60.24

 

CMYK 14 / 0 / 63 / 13

HEX #BFDF52

RGB 191 223 82

HSL 73.62, 0.69%, 0.6%

LAB 84.21, -29.92, 63.37

 

CMYK 0 / 3 / 63 / 13

HEX #DFD952

RGB 223 217 82

HSL 57.45, 0.69%, 0.6%

LAB 84.96, -14.09, 64.88

 

CMYK 0 / 20 / 63 / 13

HEX #DFB352

RGB 223 179 82

HSL 41.28, 0.69%, 0.6%

LAB 75.16, 5.44, 54.3

 

CMYK 48 / 0 / 63 / 13

HEX #73DF52

RGB 115 223 82

HSL 105.96, 0.69%, 0.6%

LAB 80.2, -56.32, 57.85

 

CMYK 63 / 0 / 61 / 13

HEX #52DF57

RGB 82 223 87

HSL 122.13, 0.69%, 0.6%

LAB 79.19, -63.96, 54.32

 

CMYK 63 / 0 / 44 / 13

HEX #52DF7D

RGB 82 223 125

HSL 138.3, 0.69%, 0.6%

LAB 79.64, -58.82, 37.04

 

CMYK 63 / 0 / 27 / 13

HEX #52DFA3

RGB 82 223 163

HSL 154.47, 0.69%, 0.6%

LAB 80.3, -51.73, 18.43

 

CMYK 63 / 0 / 10 / 13

HEX #52DFC9

RGB 82 223 201

HSL 170.64, 0.69%, 0.6%

LAB 81.17, -42.88, -0.41

 

CMYK 48 / 0 / 63 / 13

HEX #73DF52

RGB 115 223 82

HSL 105.96, 0.69%, 0.6%

LAB 80.2, -56.32, 57.85

 

CMYK 55 / 0 / 72 / 6

HEX #6BEF42

RGB 107 239 66

HSL 105.78, 0.84%, 0.6%

LAB 84.61, -65.62, 68.48

 

CMYK 48 / 0 / 63 / 13

HEX #73DF52

RGB 115 223 82

HSL 105.96, 0.69%, 0.6%

LAB 80.2, -56.32, 57.85

 

CMYK 40 / 0 / 52 / 19

HEX #7CCE63

RGB 124 206 99

HSL 105.98, 0.52%, 0.6%

LAB 75.66, -44.94, 45.09

 

CMYK 30 / 0 / 39 / 25

HEX #85BE73

RGB 133 190 115

HSL 105.6, 0.37%, 0.6%

LAB 71.59, -32.7, 32.1

 

CMYK 18 / 0 / 24 / 32

HEX #8DAD84

RGB 141 173 132

HSL 106.83, 0.2%, 0.6%

LAB 67.44, -18.87, 17.55

 

CMYK 4 / 0 / 6 / 38

HEX #969D94

RGB 150 157 148

HSL 106.67, 0.04%, 0.6%

LAB 63.95, -4.24, 3.83

 

CMYK 14 / 0 / 63 / 13

HEX #C0DF52

RGB 192 223 82

HSL 73.19, 0.69%, 0.6%

LAB 84.27, -29.53, 63.46

 

CMYK 30 / 0 / 63 / 13

HEX #9BDF52

RGB 155 223 82

HSL 88.94, 0.69%, 0.6%

LAB 82.03, -43.44, 60.38

 

CMYK 48 / 0 / 63 / 13

HEX #75DF52

RGB 117 223 82

HSL 105.11, 0.69%, 0.6%

LAB 80.27, -55.75, 57.96

 

CMYK 63 / 0 / 62 / 13

HEX #52DF54

RGB 82 223 84

HSL 120.85, 0.69%, 0.6%

LAB 79.16, -64.28, 55.57

 

CMYK 63 / 0 / 45 / 13

HEX #52DF7A

RGB 82 223 122

HSL 137.02, 0.69%, 0.6%

LAB 79.6, -59.3, 38.47

 

CMYK 63 / 0 / 82 / 26

HEX #46BC22

RGB 70 188 34

HSL 105.97, 0.69%, 0.44%

LAB 67.56, -58.89, 61.61

 

CMYK 60 / 0 / 78 / 15

HEX #57D82F

RGB 87 216 47

HSL 105.8, 0.68%, 0.52%

LAB 76.89, -63.77, 66.8

 

CMYK 48 / 0 / 63 / 13

HEX #73DF52

RGB 115 223 82

HSL 105.96, 0.69%, 0.6%

LAB 80.2, -56.32, 57.85

 

CMYK 38 / 0 / 49 / 10

HEX #8FE575

RGB 143 229 117

HSL 106.07, 0.68%, 0.68%

LAB 83.53, -46.48, 46.29

 

CMYK 27 / 0 / 36 / 7

HEX #ACEC98

RGB 172 236 152

HSL 105.71, 0.69%, 0.76%

LAB 87.5, -35.41, 34.45

 

CMYK 48 / 0 / 63 / 12

HEX #75E054

RGB 117 224 84

HSL 105.86, 0.69%, 0.6%

LAB 80.59, -55.95, 57.47

 

CMYK 63 / 0 / 3 / 13

HEX #52DFD8

RGB 82 223 216

HSL 177.02, 0.69%, 0.6%

LAB 81.58, -38.98, -7.78

 

CMYK 0 / 63 / 22 / 13

HEX #DF52AE

RGB 223 82 174

HSL 320.85, 0.69%, 0.6%

LAB 56.86, 64.02, -20.73

 

CMYK 48 / 0 / 63 / 12

HEX #75E054

RGB 117 224 84

HSL 105.86, 0.69%, 0.6%

LAB 80.59, -55.95, 57.47

 

CMYK 63 / 48 / 0 / 13

HEX #5275DF

RGB 82 117 223

HSL 225.11, 0.69%, 0.6%

LAB 51.66, 20.66, -57.93

 

CMYK 0 / 63 / 48 / 13

HEX #DF5275

RGB 223 82 117

HSL 345.11, 0.69%, 0.6%

LAB 55.08, 57.58, 10.13

 

CMYK 48 / 0 / 63 / 12

HEX #75E054

RGB 117 224 84

HSL 105.86, 0.69%, 0.6%

LAB 80.59, -55.95, 57.47

 

CMYK 63 / 0 / 3 / 13

HEX #52DFD8

RGB 82 223 216

HSL 177.02, 0.69%, 0.6%

LAB 81.58, -38.98, -7.78

 

CMYK 16 / 63 / 0 / 13

HEX #BC52DF

RGB 188 82 223

HSL 285.11, 0.69%, 0.6%

LAB 54.08, 63.25, -53.5

 

CMYK 0 / 63 / 60 / 13

HEX #DF5259

RGB 223 82 89

HSL 357.02, 0.69%, 0.6%

LAB 54.49, 55.38, 25.85

 

CMYK 48 / 0 / 63 / 12

HEX #75E054

RGB 117 224 84

HSL 105.86, 0.69%, 0.6%

LAB 80.59, -55.95, 57.47

 

CMYK 63 / 16 / 0 / 13

HEX #52BCDF

RGB 82 188 223

HSL 194.89, 0.69%, 0.6%

LAB 71.61, -20.01, -26.58

 

CMYK 16 / 63 / 0 / 13

HEX #BC52DF

RGB 188 82 223

HSL 285.11, 0.69%, 0.6%

LAB 54.08, 63.25, -53.5

 

CMYK 0 / 48 / 63 / 13

HEX #DF7552

RGB 223 117 82

HSL 14.89, 0.69%, 0.6%

LAB 60.8, 38.33, 37.7

 

Description

Color code: HEX #75E054 | qconv.com Color code: HEX #75E054 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 224 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 224 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 63 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 63% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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