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Color name
HEX #75E622

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75E622 it is the complementary color #8A19DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75E622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75E622 shade: #7AE61D, #8BF830, #9CFF43, #ADFF56 and #BEFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75E622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75E622 shade: #75E622, #64D40F, #53C200, #42B000 and #319E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75E622 shade: #75E622, #AAE622, #DFE622, #E6B822 and #E68422

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75E622 shade: #75E622, #40E622, #22E639, #22E66E and #22E6A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75E622 shade matches the following richer shades: #75E622 and #72FA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75E622 shade: #75E622, #78D236, #7BBE4A, #7EAB5E and #819771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75E622 shade: #DFE622, #ABE622, #77E622, #43E622 and #22E636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75E622 shade: #50A412, #62C916, #75E622, #8CEA47 and #A3EE6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75E622 shade: #75E622, #22E6B8 and #E622C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75E622 shade: #75E622, #2277E6 and #E62277

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75E622 shade: #75E622, #22E6B8, #9122E6 and #E62250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75E622 shade: #75E622, #22D9E6, #9122E6 and #E62F22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

Complementary color

CMYK 38 / 89 / 0 / 13

HEX #8A19DD

RGB 138 25 221

HSL 274.59, 0.8%, 0.48%

LAB 40.11, 73.64, -75.32

 

CMYK 47 / 0 / 87 / 10

HEX #7AE61D

RGB 122 230 29

HSL 92.24, 0.8%, 0.51%

LAB 82.28, -60.05, 76.37

 

CMYK 44 / 0 / 81 / 3

HEX #8BF830

RGB 139 248 48

HSL 92.7, 0.93%, 0.58%

LAB 88.37, -60.9, 77.82

 

CMYK 39 / 0 / 74 / 0

HEX #9CFF43

RGB 156 255 67

HSL 91.6, 1%, 0.63%

LAB 91.23, -57.28, 75.33

 

CMYK 32 / 0 / 66 / 0

HEX #ADFF56

RGB 173 255 86

HSL 89.11, 1%, 0.67%

LAB 92.17, -50.4, 69.9

 

CMYK 25 / 0 / 59 / 0

HEX #BEFF69

RGB 190 255 105

HSL 86, 1%, 0.71%

LAB 93.23, -42.98, 63.7

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 53 / 0 / 93 / 17

HEX #64D40F

RGB 100 212 15

HSL 94.11, 0.87%, 0.45%

LAB 75.97, -60.24, 72.92

 

CMYK 57 / 0 / 100 / 24

HEX #53C200

RGB 83 194 0

HSL 94.33, 1%, 0.38%

LAB 69.77, -58.76, 69.32

 

CMYK 63 / 0 / 100 / 31

HEX #42B000

RGB 66 176 0

HSL 97.5, 1%, 0.35%

LAB 63.52, -56.82, 64.16

 

CMYK 69 / 0 / 100 / 38

HEX #319E00

RGB 49 158 0

HSL 101.39, 1%, 0.31%

LAB 57.18, -54.59, 58.95

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 26 / 0 / 85 / 10

HEX #AAE622

RGB 170 230 34

HSL 78.37, 0.8%, 0.52%

LAB 84.62, -43.52, 78.31

 

CMYK 3 / 0 / 85 / 10

HEX #DFE622

RGB 223 230 34

HSL 62.14, 0.8%, 0.52%

LAB 88.16, -22.4, 82.7

 

CMYK 0 / 20 / 85 / 10

HEX #E6B822

RGB 230 184 34

HSL 45.92, 0.8%, 0.52%

LAB 76.81, 3.74, 73.68

 

CMYK 0 / 43 / 85 / 10

HEX #E68422

RGB 230 132 34

HSL 30, 0.8%, 0.52%

LAB 64.52, 31.27, 63.58

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 72 / 0 / 85 / 10

HEX #40E622

RGB 64 230 34

HSL 110.82, 0.8%, 0.52%

LAB 80.63, -73.44, 73.3

 

CMYK 85 / 0 / 75 / 10

HEX #22E639

RGB 34 230 57

HSL 127.04, 0.8%, 0.52%

LAB 80.31, -75.85, 66.69

 

CMYK 85 / 0 / 52 / 10

HEX #22E66E

RGB 34 230 110

HSL 143.27, 0.8%, 0.52%

LAB 80.77, -70.12, 45.56

 

CMYK 85 / 0 / 30 / 10

HEX #22E6A2

RGB 34 230 162

HSL 159.18, 0.8%, 0.52%

LAB 81.59, -60.63, 20.61

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 54 / 0 / 94 / 2

HEX #72FA0E

RGB 114 250 14

HSL 94.58, 0.96%, 0.52%

LAB 87.96, -69.68, 82.99

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 43 / 0 / 74 / 18

HEX #78D236

RGB 120 210 54

HSL 94.62, 0.63%, 0.52%

LAB 76.29, -51.92, 64.43

 

CMYK 35 / 0 / 61 / 25

HEX #7BBE4A

RGB 123 190 74

HSL 94.66, 0.47%, 0.52%

LAB 70.55, -41.08, 50.66

 

CMYK 26 / 0 / 45 / 33

HEX #7EAB5E

RGB 126 171 94

HSL 95.06, 0.31%, 0.52%

LAB 65.25, -29.08, 34.78

 

CMYK 15 / 0 / 25 / 41

HEX #819771

RGB 129 151 113

HSL 94.74, 0.15%, 0.52%

LAB 59.88, -15.05, 17.51

 

CMYK 3 / 0 / 85 / 10

HEX #DFE622

RGB 223 230 34

HSL 62.14, 0.8%, 0.52%

LAB 88.16, -22.4, 82.7

 

CMYK 26 / 0 / 85 / 10

HEX #ABE622

RGB 171 230 34

HSL 78.06, 0.8%, 0.52%

LAB 84.67, -43.14, 78.39

 

CMYK 48 / 0 / 85 / 10

HEX #77E622

RGB 119 230 34

HSL 93.98, 0.8%, 0.52%

LAB 82.18, -60.78, 75.26

 

CMYK 71 / 0 / 85 / 10

HEX #43E622

RGB 67 230 34

HSL 109.9, 0.8%, 0.52%

LAB 80.68, -72.94, 73.38

 

CMYK 85 / 0 / 77 / 10

HEX #22E636

RGB 34 230 54

HSL 126.12, 0.8%, 0.52%

LAB 80.29, -76.05, 67.62

 

CMYK 51 / 0 / 89 / 36

HEX #50A412

RGB 80 164 18

HSL 94.52, 0.8%, 0.36%

LAB 60.16, -48.26, 58.96

 

CMYK 51 / 0 / 89 / 21

HEX #62C916

RGB 98 201 22

HSL 94.53, 0.8%, 0.44%

LAB 72.51, -56.66, 68.98

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 40 / 0 / 70 / 8

HEX #8CEA47

RGB 140 234 71

HSL 94.6, 0.8%, 0.6%

LAB 84.42, -53.9, 66.94

 

CMYK 32 / 0 / 55 / 7

HEX #A3EE6C

RGB 163 238 108

HSL 94.62, 0.79%, 0.68%

LAB 87.01, -44.76, 54.88

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 85 / 0 / 20 / 10

HEX #22E6B8

RGB 34 230 184

HSL 165.92, 0.8%, 0.52%

LAB 82.05, -55.57, 9.75

 

CMYK 0 / 85 / 14 / 10

HEX #E622C5

RGB 230 34 197

HSL 310.1, 0.8%, 0.52%

LAB 54.03, 82.85, -38.34

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 85 / 48 / 0 / 10

HEX #2277E6

RGB 34 119 230

HSL 213.98, 0.8%, 0.52%

LAB 50.97, 16.15, -63.05

 

CMYK 0 / 85 / 48 / 10

HEX #E62277

RGB 230 34 119

HSL 333.98, 0.8%, 0.52%

LAB 51.04, 74.6, 3.32

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 85 / 0 / 20 / 10

HEX #22E6B8

RGB 34 230 184

HSL 165.92, 0.8%, 0.52%

LAB 82.05, -55.57, 9.75

 

CMYK 37 / 85 / 0 / 10

HEX #9122E6

RGB 145 34 230

HSL 273.98, 0.8%, 0.52%

LAB 42.58, 74.29, -76.38

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 49 / 0 / 85 / 10

HEX #75E622

RGB 117 230 34

HSL 94.59, 0.8%, 0.52%

LAB 82.1, -61.36, 75.17

 

CMYK 85 / 6 / 0 / 10

HEX #22D9E6

RGB 34 217 230

HSL 183.98, 0.8%, 0.52%

LAB 79.43, -37.41, -18.54

 

CMYK 37 / 85 / 0 / 10

HEX #9122E6

RGB 145 34 230

HSL 273.98, 0.8%, 0.52%

LAB 42.58, 74.29, -76.38

 

CMYK 0 / 80 / 85 / 10

HEX #E62F22

RGB 230 47 34

HSL 3.98, 0.8%, 0.52%

LAB 50.65, 67.42, 52.02

 

Description

Color code: HEX #75E622 | qconv.com Color code: HEX #75E622 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 230 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 230 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 85% 10% C M Y K

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Provide designers and agencies with accurate color values.

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