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Color name
HEX #75D72A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75D72A it is the complementary color #8A28D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75D72A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75D72A shade: #7AD725, #8BE938, #9CFB4B, #ADFF5E and #BEFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75D72A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75D72A shade: #75D72A, #64C517, #53B304, #42A100 and #318F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75D72A shade: #73D628, #A2D628, #D1D628, #D6AC28 and #D67D28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75D72A shade: #73D628, #45D628, #28D63B, #28D669 and #28D698

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75D72A shade matches the following richer shades: #73D628 and #71EA14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75D72A shade: #73D628, #76C13D, #79AC52, #7C9866 and #7E837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75D72A shade: #D3D628, #A5D628, #76D628, #48D628 and #28D637

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75D72A shade: #4E901B, #61B322, #73D628, #8ADC4B and #A0E36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75D72A shade: #75D72A, #28D6AA and #D628BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75D72A shade: #75D72A, #2876D6 and #D62876

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75D72A shade: #75D72A, #28D6AA, #8828D6 and #D62854

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75D72A shade: #75D72A, #28CDD6, #8828D6 and #D63128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 80 / 16

HEX #75D72A

RGB 117 215 42

HSL 93.99, 0.68%, 0.5%

LAB 77.61, -55.45, 69.26

 

Complementary color

CMYK 35 / 81 / 0 / 16

HEX #8A28D5

RGB 138 40 213

HSL 273.99, 0.68%, 0.5%

LAB 40.78, 67.98, -69.64

 

CMYK 43 / 0 / 83 / 16

HEX #7AD725

RGB 122 215 37

HSL 91.35, 0.71%, 0.49%

LAB 77.8, -54.1, 70.79

 

CMYK 40 / 0 / 76 / 9

HEX #8BE938

RGB 139 233 56

HSL 91.86, 0.8%, 0.57%

LAB 83.99, -54.75, 71.53

 

CMYK 38 / 0 / 70 / 2

HEX #9CFB4B

RGB 156 251 75

HSL 92.39, 0.96%, 0.64%

LAB 90.12, -55.21, 71.55

 

CMYK 32 / 0 / 63 / 0

HEX #ADFF5E

RGB 173 255 94

HSL 90.56, 1%, 0.68%

LAB 92.23, -49.8, 66.86

 

CMYK 25 / 0 / 56 / 0

HEX #BEFF71

RGB 190 255 113

HSL 87.46, 1%, 0.72%

LAB 93.3, -42.27, 60.35

 

CMYK 46 / 0 / 80 / 16

HEX #75D72A

RGB 117 215 42

HSL 93.99, 0.68%, 0.5%

LAB 77.61, -55.45, 69.26

 

CMYK 49 / 0 / 88 / 23

HEX #64C517

RGB 100 197 23

HSL 93.45, 0.79%, 0.43%

LAB 71.35, -54.56, 67.85

 

CMYK 54 / 0 / 98 / 30

HEX #53B304

RGB 83 179 4

HSL 92.91, 0.96%, 0.36%

LAB 65.03, -53.33, 65.09

 

CMYK 59 / 0 / 100 / 37

HEX #42A100

RGB 66 161 0

HSL 95.4, 1%, 0.32%

LAB 58.65, -51.6, 60.31

 

CMYK 66 / 0 / 100 / 44

HEX #318F00

RGB 49 143 0

HSL 99.44, 1%, 0.28%

LAB 52.17, -49.53, 54.97

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 24 / 0 / 81 / 16

HEX #A2D628

RGB 162 214 40

HSL 77.93, 0.69%, 0.5%

LAB 79.57, -39.36, 72.4

 

CMYK 2 / 0 / 81 / 16

HEX #D1D628

RGB 209 214 40

HSL 61.72, 0.69%, 0.5%

LAB 82.81, -20.33, 76.47

 

CMYK 0 / 20 / 81 / 16

HEX #D6AC28

RGB 214 172 40

HSL 45.52, 0.69%, 0.5%

LAB 72.2, 3.28, 67.5

 

CMYK 0 / 42 / 81 / 16

HEX #D67D28

RGB 214 125 40

HSL 29.31, 0.69%, 0.5%

LAB 60.88, 28.51, 57.48

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 68 / 0 / 81 / 16

HEX #45D628

RGB 69 214 40

HSL 110, 0.69%, 0.5%

LAB 75.77, -67.34, 67.55

 

CMYK 81 / 0 / 72 / 16

HEX #28D63B

RGB 40 214 59

HSL 126.55, 0.69%, 0.5%

LAB 75.36, -70.44, 61.07

 

CMYK 81 / 0 / 51 / 16

HEX #28D669

RGB 40 214 105

HSL 142.41, 0.69%, 0.5%

LAB 75.8, -65.11, 41.84

 

CMYK 81 / 0 / 29 / 16

HEX #28D698

RGB 40 214 152

HSL 158.62, 0.69%, 0.5%

LAB 76.56, -56.34, 18.9

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 52 / 0 / 91 / 8

HEX #71EA14

RGB 113 234 20

HSL 93.93, 0.84%, 0.5%

LAB 83.13, -64.32, 78.36

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 39 / 0 / 68 / 24

HEX #76C13D

RGB 118 193 61

HSL 94.09, 0.52%, 0.5%

LAB 71.1, -45.18, 56.62

 

CMYK 30 / 0 / 52 / 33

HEX #79AC52

RGB 121 172 82

HSL 94, 0.35%, 0.5%

LAB 65.1, -32.86, 40.59

 

CMYK 18 / 0 / 33 / 40

HEX #7C9866

RGB 124 152 102

HSL 93.6, 0.2%, 0.5%

LAB 59.62, -19.23, 23.19

 

CMYK 4 / 0 / 6 / 49

HEX #7E837B

RGB 126 131 123

HSL 97.5, 0.03%, 0.5%

LAB 54.13, -3.44, 3.67

 

CMYK 1 / 0 / 81 / 16

HEX #D3D628

RGB 211 214 40

HSL 61.03, 0.69%, 0.5%

LAB 82.96, -19.49, 76.67

 

CMYK 23 / 0 / 81 / 16

HEX #A5D628

RGB 165 214 40

HSL 76.9, 0.69%, 0.5%

LAB 79.75, -38.2, 72.63

 

CMYK 45 / 0 / 81 / 16

HEX #76D628

RGB 118 214 40

HSL 93.1, 0.69%, 0.5%

LAB 77.34, -54.85, 69.56

 

CMYK 66 / 0 / 81 / 16

HEX #48D628

RGB 72 214 40

HSL 108.97, 0.69%, 0.5%

LAB 75.84, -66.76, 67.63

 

CMYK 81 / 0 / 74 / 16

HEX #28D637

RGB 40 214 55

HSL 125.17, 0.69%, 0.5%

LAB 75.34, -70.75, 62.43

 

CMYK 46 / 0 / 81 / 44

HEX #4E901B

RGB 78 144 27

HSL 93.85, 0.68%, 0.34%

LAB 53.65, -40.54, 50.87

 

CMYK 46 / 0 / 81 / 30

HEX #61B322

RGB 97 179 34

HSL 93.93, 0.68%, 0.42%

LAB 65.67, -48.13, 60.22

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 37 / 0 / 66 / 14

HEX #8ADC4B

RGB 138 220 75

HSL 93.93, 0.67%, 0.58%

LAB 80.23, -48.59, 61.02

 

CMYK 30 / 0 / 52 / 11

HEX #A0E36E

RGB 160 227 110

HSL 94.36, 0.68%, 0.66%

LAB 83.72, -40.78, 50.04

 

CMYK 46 / 0 / 80 / 16

HEX #75D72A

RGB 117 215 42

HSL 93.99, 0.68%, 0.5%

LAB 77.61, -55.45, 69.26

 

CMYK 81 / 0 / 21 / 16

HEX #28D6AA

RGB 40 214 170

HSL 164.83, 0.69%, 0.5%

LAB 76.95, -52.16, 9.9

 

CMYK 0 / 81 / 12 / 16

HEX #D628BC

RGB 214 40 188

HSL 308.97, 0.69%, 0.5%

LAB 51.2, 77.27, -37.76

 

CMYK 46 / 0 / 80 / 16

HEX #75D72A

RGB 117 215 42

HSL 93.99, 0.68%, 0.5%

LAB 77.61, -55.45, 69.26

 

CMYK 81 / 45 / 0 / 16

HEX #2876D6

RGB 40 118 214

HSL 213.1, 0.69%, 0.5%

LAB 49.81, 11.17, -55.89

 

CMYK 0 / 81 / 45 / 16

HEX #D62876

RGB 214 40 118

HSL 333.1, 0.69%, 0.5%

LAB 48.41, 69.32, -0.25

 

CMYK 46 / 0 / 80 / 16

HEX #75D72A

RGB 117 215 42

HSL 93.99, 0.68%, 0.5%

LAB 77.61, -55.45, 69.26

 

CMYK 81 / 0 / 21 / 16

HEX #28D6AA

RGB 40 214 170

HSL 164.83, 0.69%, 0.5%

LAB 76.95, -52.16, 9.9

 

CMYK 36 / 81 / 0 / 16

HEX #8828D6

RGB 136 40 214

HSL 273.1, 0.69%, 0.5%

LAB 40.58, 67.9, -70.53

 

CMYK 0 / 81 / 61 / 16

HEX #D62854

RGB 214 40 84

HSL 344.83, 0.69%, 0.5%

LAB 47.56, 66.79, 19.43

 

CMYK 46 / 0 / 80 / 16

HEX #75D72A

RGB 117 215 42

HSL 93.99, 0.68%, 0.5%

LAB 77.61, -55.45, 69.26

 

CMYK 81 / 4 / 0 / 16

HEX #28CDD6

RGB 40 205 214

HSL 183.1, 0.69%, 0.5%

LAB 75.43, -36.25, -15.98

 

CMYK 36 / 81 / 0 / 16

HEX #8828D6

RGB 136 40 214

HSL 273.1, 0.69%, 0.5%

LAB 40.58, 67.9, -70.53

 

CMYK 0 / 77 / 81 / 16

HEX #D63128

RGB 214 49 40

HSL 3.1, 0.69%, 0.5%

LAB 47.81, 62.38, 45.35

 

Description

Color code: HEX #75D72A | qconv.com Color code: HEX #75D72A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 215 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 215 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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