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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #759FB1 it is the complementary color #8A604E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #759FB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #759FB1 shade: #7A9FAC, #8BB1BF, #9CC3D2, #ADD5E5 and #BEE7F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #759FB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #759FB1 shade: #759FB1, #648D9E, #537B8B, #426978 and #315765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #759FB1 shade: #759FB1, #758FB1, #757FB1, #7C75B1 and #8C75B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #759FB1 shade: #759FB1, #758FB1, #757FB1 and #7575B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #759FB1 shade matches the following richer shades: #759FB1, #64A6C3, #53ADD4, #41B4E5 and #30BBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #759FB1 shade: #759FB1, #8798A0, #98928F, #A98B7D and #BB846C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #759FB1 shade: #75B1A3, #75AFB1, #759FB1, #758FB1 and #757FB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #759FB1 shade: #4C7688, #5B8DA2, #759FB1, #90B2C0 and #AAC4CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #759FB1 shade: #759FB1, #9375B1 and #B1AB75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #759FB1 shade: #759FB1, #B1759F and #9FB175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #759FB1 shade: #759FB1, #9375B1, #B18775 and #93B175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #759FB1 shade: #759FB1, #A575B1, #B18775 and #81B175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

Complementary color

CMYK 0 / 30 / 43 / 46

HEX #8A604E

RGB 138 96 78

HSL 18, 0.28%, 0.42%

LAB 44.69, 14.72, 17.11

 

CMYK 29 / 8 / 0 / 33

HEX #7A9FAC

RGB 122 159 172

HSL 195.6, 0.23%, 0.58%

LAB 63.27, -9.5, -10.88

 

CMYK 27 / 7 / 0 / 25

HEX #8BB1BF

RGB 139 177 191

HSL 196.15, 0.29%, 0.65%

LAB 69.96, -9.52, -11.32

 

CMYK 26 / 7 / 0 / 18

HEX #9CC3D2

RGB 156 195 210

HSL 196.67, 0.38%, 0.72%

LAB 76.53, -9.54, -11.76

 

CMYK 24 / 7 / 0 / 10

HEX #ADD5E5

RGB 173 213 229

HSL 197.14, 0.52%, 0.79%

LAB 82.98, -9.56, -12.2

 

CMYK 23 / 7 / 0 / 3

HEX #BEE7F8

RGB 190 231 248

HSL 197.59, 0.81%, 0.86%

LAB 89.34, -9.59, -12.63

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 37 / 11 / 0 / 38

HEX #648D9E

RGB 100 141 158

HSL 197.59, 0.23%, 0.51%

LAB 56.32, -9.66, -13.51

 

CMYK 40 / 12 / 0 / 45

HEX #537B8B

RGB 83 123 139

HSL 197.14, 0.25%, 0.44%

LAB 49.34, -9.57, -13.11

 

CMYK 45 / 13 / 0 / 53

HEX #426978

RGB 66 105 120

HSL 196.67, 0.29%, 0.36%

LAB 42.18, -9.44, -12.69

 

CMYK 51 / 14 / 0 / 60

HEX #315765

RGB 49 87 101

HSL 196.15, 0.35%, 0.29%

LAB 34.82, -9.23, -12.27

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 34 / 19 / 0 / 31

HEX #758FB1

RGB 117 143 177

HSL 214, 0.28%, 0.58%

LAB 58.6, -0.8, -20.8

 

CMYK 34 / 28 / 0 / 31

HEX #757FB1

RGB 117 127 177

HSL 230, 0.28%, 0.58%

LAB 54.17, 8.49, -27.62

 

CMYK 30 / 34 / 0 / 31

HEX #7C75B1

RGB 124 117 177

HSL 247, 0.28%, 0.58%

LAB 52.04, 16.52, -30.88

 

CMYK 21 / 34 / 0 / 31

HEX #8C75B1

RGB 140 117 177

HSL 263, 0.28%, 0.58%

LAB 53.46, 21.43, -28.56

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 34 / 19 / 0 / 31

HEX #758FB1

RGB 117 143 177

HSL 214, 0.28%, 0.58%

LAB 58.6, -0.8, -20.8

 

CMYK 34 / 28 / 0 / 31

HEX #757FB1

RGB 117 127 177

HSL 230, 0.28%, 0.58%

LAB 54.17, 8.49, -27.62

 

CMYK 34 / 34 / 0 / 31

HEX #7575B1

RGB 117 117 177

HSL 240, 0.28%, 0.58%

LAB 51.47, 14.45, -31.82

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 49 / 15 / 0 / 24

HEX #64A6C3

RGB 100 166 195

HSL 198.32, 0.44%, 0.58%

LAB 64.9, -13.1, -21.39

 

CMYK 61 / 18 / 0 / 17

HEX #53ADD4

RGB 83 173 212

HSL 198.14, 0.6%, 0.58%

LAB 66.88, -15.34, -27.82

 

CMYK 72 / 21 / 0 / 10

HEX #41B4E5

RGB 65 180 229

HSL 197.93, 0.76%, 0.58%

LAB 69.06, -16.47, -33.83

 

CMYK 81 / 24 / 0 / 3

HEX #30BBF7

RGB 48 187 247

HSL 198.09, 0.93%, 0.58%

LAB 71.48, -16.04, -39.88

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 16 / 5 / 0 / 37

HEX #8798A0

RGB 135 152 160

HSL 199.2, 0.12%, 0.58%

LAB 61.78, -4.3, -6.24

 

CMYK 0 / 4 / 6 / 40

HEX #98928F

RGB 152 146 143

HSL 20, 0.04%, 0.58%

LAB 60.97, 1.65, 2.37

 

CMYK 0 / 18 / 26 / 34

HEX #A98B7D

RGB 169 139 125

HSL 19.09, 0.2%, 0.58%

LAB 60.23, 9.17, 11.74

 

CMYK 0 / 29 / 42 / 27

HEX #BB846C

RGB 187 132 108

HSL 18.23, 0.37%, 0.58%

LAB 60.02, 18.15, 21.38

 

CMYK 34 / 0 / 8 / 31

HEX #75B1A3

RGB 117 177 163

HSL 166, 0.28%, 0.58%

LAB 67.93, -22.57, 0.99

 

CMYK 34 / 1 / 0 / 31

HEX #75AFB1

RGB 117 175 177

HSL 182, 0.28%, 0.58%

LAB 67.74, -18.24, -7.04

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 34 / 19 / 0 / 31

HEX #758FB1

RGB 117 143 177

HSL 214, 0.28%, 0.58%

LAB 58.6, -0.8, -20.8

 

CMYK 34 / 28 / 0 / 31

HEX #757FB1

RGB 117 127 177

HSL 230, 0.28%, 0.58%

LAB 54.17, 8.49, -27.62

 

CMYK 44 / 13 / 0 / 47

HEX #4C7688

RGB 76 118 136

HSL 198, 0.28%, 0.42%

LAB 47.33, -9.52, -14.42

 

CMYK 44 / 13 / 0 / 36

HEX #5B8DA2

RGB 91 141 162

HSL 197.75, 0.28%, 0.5%

LAB 55.97, -11.04, -16.38

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 25 / 7 / 0 / 25

HEX #90B2C0

RGB 144 178 192

HSL 197.5, 0.28%, 0.66%

LAB 70.58, -8.31, -10.92

 

CMYK 18 / 5 / 0 / 19

HEX #AAC4CF

RGB 170 196 207

HSL 197.84, 0.28%, 0.74%

LAB 77.6, -6.43, -8.45

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 17 / 34 / 0 / 31

HEX #9375B1

RGB 147 117 177

HSL 270, 0.28%, 0.58%

LAB 54.13, 23.64, -27.47

 

CMYK 0 / 3 / 34 / 31

HEX #B1AB75

RGB 177 171 117

HSL 54, 0.28%, 0.58%

LAB 69.3, -6.21, 28.63

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 0 / 34 / 10 / 31

HEX #B1759F

RGB 177 117 159

HSL 318, 0.28%, 0.58%

LAB 56.66, 30.07, -12.93

 

CMYK 10 / 0 / 34 / 31

HEX #9FB175

RGB 159 177 117

HSL 78, 0.28%, 0.58%

LAB 69.54, -16.47, 28.69

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 17 / 34 / 0 / 31

HEX #9375B1

RGB 147 117 177

HSL 270, 0.28%, 0.58%

LAB 54.13, 23.64, -27.47

 

CMYK 0 / 24 / 34 / 31

HEX #B18775

RGB 177 135 117

HSL 18, 0.28%, 0.58%

LAB 59.85, 13.51, 15.88

 

CMYK 17 / 0 / 34 / 31

HEX #93B175

RGB 147 177 117

HSL 90, 0.28%, 0.58%

LAB 68.7, -21.05, 27.43

 

CMYK 34 / 10 / 0 / 31

HEX #759FB1

RGB 117 159 177

HSL 198, 0.28%, 0.58%

LAB 63.14, -9.73, -13.91

 

CMYK 7 / 34 / 0 / 31

HEX #A575B1

RGB 165 117 177

HSL 288, 0.28%, 0.58%

LAB 55.98, 29.45, -24.46

 

CMYK 0 / 24 / 34 / 31

HEX #B18775

RGB 177 135 117

HSL 18, 0.28%, 0.58%

LAB 59.85, 13.51, 15.88

 

CMYK 27 / 0 / 34 / 31

HEX #81B175

RGB 129 177 117

HSL 108, 0.28%, 0.58%

LAB 67.57, -27.59, 25.72

 

Description

Color code: HEX #759FB1 | qconv.com Color code: HEX #759FB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 159 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 159 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 10 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 10% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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