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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7595DF it is the complementary color #8A6A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7595DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7595DF shade: #7A95DA, #8BA7ED, #9CB9FF, #ADCBFF and #BEDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7595DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7595DF shade: #7595DF, #6483CC, #5371B9, #425FA6 and #314D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7595DF shade: #7696DF, #767ADF, #8F76DF, #AB76DF and #C776DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7595DF shade: #7696DF, #767ADF and #7676DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7595DF shade matches the following richer shades: #7696DF, #6990EC and #5B8BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7595DF shade: #7696DF, #849BD1, #91A0C3, #9FA6B6 and #ADABA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7595DF shade: #76CFDF, #76B3DF, #7697DF, #767BDF and #8D76DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7595DF shade: #3362CF, #557CD7, #7696DF, #98AFE6 and #B9C9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7595DF shade: #7595DF, #D276DF and #C1DF76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7595DF shade: #7595DF, #DF7697 and #97DF76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7595DF shade: #7595DF, #D276DF, #DFBD76 and #82DF76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7595DF shade: #7595DF, #DF76CB, #DFBD76 and #76DF89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 33 / 0 / 13

HEX #7595DF

RGB 117 149 223

HSL 221.89, 0.62%, 0.67%

LAB 62.17, 8.71, -41.11

 

Complementary color

CMYK 0 / 23 / 77 / 46

HEX #8A6A20

RGB 138 106 32

HSL 41.89, 0.62%, 0.33%

LAB 46.73, 5.08, 44.08

 

CMYK 44 / 32 / 0 / 15

HEX #7A95DA

RGB 122 149 218

HSL 223.13, 0.56%, 0.67%

LAB 62.25, 8.47, -38.19

 

CMYK 41 / 30 / 0 / 7

HEX #8BA7ED

RGB 139 167 237

HSL 222.86, 0.73%, 0.74%

LAB 68.93, 7.86, -38.16

 

CMYK 39 / 27 / 0 / 0

HEX #9CB9FF

RGB 156 185 255

HSL 222.42, 1%, 0.81%

LAB 75.44, 7.07, -37.7

 

CMYK 32 / 20 / 0 / 0

HEX #ADCBFF

RGB 173 203 255

HSL 218.05, 1%, 0.84%

LAB 81.19, 1.83, -28.75

 

CMYK 25 / 13 / 0 / 0

HEX #BEDDFF

RGB 190 221 255

HSL 211.38, 1%, 0.87%

LAB 86.94, -2.86, -19.9

 

CMYK 48 / 33 / 0 / 13

HEX #7595DF

RGB 117 149 223

HSL 221.89, 0.62%, 0.67%

LAB 62.17, 8.71, -41.11

 

CMYK 51 / 36 / 0 / 20

HEX #6483CC

RGB 100 131 204

HSL 222.12, 0.5%, 0.6%

LAB 55.38, 9.53, -41.21

 

CMYK 55 / 39 / 0 / 27

HEX #5371B9

RGB 83 113 185

HSL 222.35, 0.42%, 0.53%

LAB 48.45, 10.54, -41.35

 

CMYK 60 / 43 / 0 / 35

HEX #425FA6

RGB 66 95 166

HSL 222.6, 0.43%, 0.45%

LAB 41.37, 11.8, -41.55

 

CMYK 67 / 48 / 0 / 42

HEX #314D93

RGB 49 77 147

HSL 222.86, 0.5%, 0.38%

LAB 34.12, 13.42, -41.78

 

CMYK 47 / 33 / 0 / 13

HEX #7696DF

RGB 118 150 223

HSL 221.71, 0.62%, 0.67%

LAB 62.5, 8.37, -40.59

 

CMYK 47 / 45 / 0 / 13

HEX #767ADF

RGB 118 122 223

HSL 237.71, 0.62%, 0.67%

LAB 55.17, 24.92, -52.18

 

CMYK 36 / 47 / 0 / 13

HEX #8F76DF

RGB 143 118 223

HSL 254.29, 0.62%, 0.67%

LAB 56.21, 33.38, -50.4

 

CMYK 23 / 47 / 0 / 13

HEX #AB76DF

RGB 171 118 223

HSL 270.29, 0.62%, 0.67%

LAB 58.92, 40.8, -45.94

 

CMYK 11 / 47 / 0 / 13

HEX #C776DF

RGB 199 118 223

HSL 286.29, 0.62%, 0.67%

LAB 62.02, 48.58, -40.85

 

CMYK 47 / 33 / 0 / 13

HEX #7696DF

RGB 118 150 223

HSL 221.71, 0.62%, 0.67%

LAB 62.5, 8.37, -40.59

 

CMYK 47 / 45 / 0 / 13

HEX #767ADF

RGB 118 122 223

HSL 237.71, 0.62%, 0.67%

LAB 55.17, 24.92, -52.18

 

CMYK 47 / 47 / 0 / 13

HEX #7676DF

RGB 118 118 223

HSL 240, 0.62%, 0.67%

LAB 54.17, 27.31, -53.78

 

CMYK 47 / 33 / 0 / 13

HEX #7696DF

RGB 118 150 223

HSL 221.71, 0.62%, 0.67%

LAB 62.5, 8.37, -40.59

 

CMYK 56 / 39 / 0 / 7

HEX #6990EC

RGB 105 144 236

HSL 222.14, 0.78%, 0.67%

LAB 60.79, 12.97, -50.55

 

CMYK 64 / 44 / 0 / 2

HEX #5B8BFA

RGB 91 139 250

HSL 221.89, 0.94%, 0.67%

LAB 59.52, 17.93, -60.33

 

CMYK 47 / 33 / 0 / 13

HEX #7696DF

RGB 118 150 223

HSL 221.71, 0.62%, 0.67%

LAB 62.5, 8.37, -40.59

 

CMYK 37 / 26 / 0 / 18

HEX #849BD1

RGB 132 155 209

HSL 222.08, 0.46%, 0.67%

LAB 64.12, 5.16, -30.22

 

CMYK 26 / 18 / 0 / 24

HEX #91A0C3

RGB 145 160 195

HSL 222, 0.29%, 0.67%

LAB 65.83, 2.57, -19.74

 

CMYK 13 / 9 / 0 / 29

HEX #9FA6B6

RGB 159 166 182

HSL 221.74, 0.14%, 0.67%

LAB 68.04, 0.8, -9.08

 

CMYK 0 / 1 / 3 / 32

HEX #ADABA8

RGB 173 171 168

HSL 36, 0.03%, 0.67%

LAB 70.06, 0.16, 1.78

 

CMYK 47 / 7 / 0 / 13

HEX #76CFDF

RGB 118 207 223

HSL 189.14, 0.62%, 0.67%

LAB 78.35, -22.53, -16.23

 

CMYK 47 / 20 / 0 / 13

HEX #76B3DF

RGB 118 179 223

HSL 205.14, 0.62%, 0.67%

LAB 70.47, -7.92, -28.22

 

CMYK 47 / 32 / 0 / 13

HEX #7697DF

RGB 118 151 223

HSL 221.14, 0.62%, 0.67%

LAB 62.77, 7.79, -40.17

 

CMYK 47 / 45 / 0 / 13

HEX #767BDF

RGB 118 123 223

HSL 237.14, 0.62%, 0.67%

LAB 55.43, 24.32, -51.78

 

CMYK 37 / 47 / 0 / 13

HEX #8D76DF

RGB 141 118 223

HSL 253.14, 0.62%, 0.67%

LAB 56.03, 32.87, -50.7

 

CMYK 75 / 53 / 0 / 19

HEX #3362CF

RGB 51 98 207

HSL 221.92, 0.62%, 0.51%

LAB 44.15, 22.41, -61.01

 

CMYK 60 / 42 / 0 / 16

HEX #557CD7

RGB 85 124 215

HSL 222, 0.62%, 0.59%

LAB 53.23, 14.18, -50.9

 

CMYK 47 / 33 / 0 / 13

HEX #7696DF

RGB 118 150 223

HSL 221.71, 0.62%, 0.67%

LAB 62.5, 8.37, -40.59

 

CMYK 34 / 24 / 0 / 10

HEX #98AFE6

RGB 152 175 230

HSL 222.31, 0.61%, 0.75%

LAB 71.59, 4.99, -30.15

 

CMYK 22 / 16 / 0 / 7

HEX #B9C9EE

RGB 185 201 238

HSL 221.89, 0.61%, 0.83%

LAB 80.88, 2.38, -20.07

 

CMYK 48 / 33 / 0 / 13

HEX #7595DF

RGB 117 149 223

HSL 221.89, 0.62%, 0.67%

LAB 62.17, 8.71, -41.11

 

CMYK 6 / 47 / 0 / 13

HEX #D276DF

RGB 210 118 223

HSL 292.57, 0.62%, 0.67%

LAB 63.33, 51.68, -38.7

 

CMYK 13 / 0 / 47 / 13

HEX #C1DF76

RGB 193 223 118

HSL 77.14, 0.62%, 0.67%

LAB 84.7, -26.03, 47.9

 

CMYK 48 / 33 / 0 / 13

HEX #7595DF

RGB 117 149 223

HSL 221.89, 0.62%, 0.67%

LAB 62.17, 8.71, -41.11

 

CMYK 0 / 47 / 32 / 13

HEX #DF7697

RGB 223 118 151

HSL 341.14, 0.62%, 0.67%

LAB 62.41, 44.38, 0.84

 

CMYK 32 / 0 / 47 / 13

HEX #97DF76

RGB 151 223 118

HSL 101.14, 0.62%, 0.67%

LAB 82.2, -41.16, 44.26

 

CMYK 48 / 33 / 0 / 13

HEX #7595DF

RGB 117 149 223

HSL 221.89, 0.62%, 0.67%

LAB 62.17, 8.71, -41.11

 

CMYK 6 / 47 / 0 / 13

HEX #D276DF

RGB 210 118 223

HSL 292.57, 0.62%, 0.67%

LAB 63.33, 51.68, -38.7

 

CMYK 0 / 15 / 47 / 13

HEX #DFBD76

RGB 223 189 118

HSL 40.57, 0.62%, 0.67%

LAB 78.11, 3.05, 40.26

 

CMYK 42 / 0 / 47 / 13

HEX #82DF76

RGB 130 223 118

HSL 113.14, 0.62%, 0.67%

LAB 81.2, -47.84, 42.8

 

CMYK 48 / 33 / 0 / 13

HEX #7595DF

RGB 117 149 223

HSL 221.89, 0.62%, 0.67%

LAB 62.17, 8.71, -41.11

 

CMYK 0 / 47 / 9 / 13

HEX #DF76CB

RGB 223 118 203

HSL 311.43, 0.62%, 0.67%

LAB 64.13, 51.94, -26.14

 

CMYK 0 / 15 / 47 / 13

HEX #DFBD76

RGB 223 189 118

HSL 40.57, 0.62%, 0.67%

LAB 78.11, 3.05, 40.26

 

CMYK 47 / 0 / 39 / 13

HEX #76DF89

RGB 118 223 137

HSL 130.86, 0.62%, 0.67%

LAB 80.98, -48.47, 32.97

 

Description

Color code: HEX #7595DF | qconv.com Color code: HEX #7595DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 149 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 149 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 33 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 33% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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