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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75871A it is the complementary color #8A78E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75871A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75871A shade: #7A8715, #8B9928, #9CAB3B, #ADBD4E and #BECF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75871A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75871A shade: #75871A, #647507, #536300, #425100 and #313F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75871A shade: #76891A, #897D1A, #895F1A, #89411A and #89231A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75871A shade: #76891A, #58891A, #3A891A, #1C891A and #1A8935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75871A shade matches the following richer shades: #76891A and #7F960C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75871A shade: #76891A, #6D7B27, #656E34, #5C6141 and #53544E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75871A shade: #895E1A, #897C1A, #78891A, #5A891A and #3D891A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75871A shade: #3A430C, #586613, #76891A, #94AB20 and #B2CE27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75871A shade: #75871A, #1A8940 and #6D1A89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75871A shade: #75871A, #1A7889 and #891A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75871A shade: #75871A, #1A8940, #2A1A89 and #891A62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75871A shade: #75871A, #1A8962, #2A1A89 and #891A40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 81 / 47

HEX #75871A

RGB 117 135 26

HSL 69.91, 0.68%, 0.32%

LAB 53.15, -20.92, 51.58

 

Complementary color

CMYK 40 / 48 / 0 / 10

HEX #8A78E5

RGB 138 120 229

HSL 249.91, 0.68%, 0.68%

LAB 56.58, 32.59, -53.21

 

CMYK 10 / 0 / 84 / 47

HEX #7A8715

RGB 122 135 21

HSL 66.84, 0.73%, 0.31%

LAB 53.51, -18.88, 53.5

 

CMYK 9 / 0 / 74 / 40

HEX #8B9928

RGB 139 153 40

HSL 67.43, 0.59%, 0.38%

LAB 60.27, -19.81, 54.1

 

CMYK 9 / 0 / 65 / 33

HEX #9CAB3B

RGB 156 171 59

HSL 68.04, 0.49%, 0.45%

LAB 66.91, -20.51, 53.76

 

CMYK 8 / 0 / 59 / 26

HEX #ADBD4E

RGB 173 189 78

HSL 68.65, 0.46%, 0.52%

LAB 73.43, -21.05, 52.98

 

CMYK 8 / 0 / 53 / 19

HEX #BECF61

RGB 190 207 97

HSL 69.27, 0.53%, 0.6%

LAB 79.86, -21.47, 51.98

 

CMYK 13 / 0 / 81 / 47

HEX #75871A

RGB 117 135 26

HSL 69.91, 0.68%, 0.32%

LAB 53.15, -20.92, 51.58

 

CMYK 15 / 0 / 94 / 54

HEX #647507

RGB 100 117 7

HSL 69.27, 0.89%, 0.24%

LAB 46.24, -19.87, 49.95

 

CMYK 16 / 0 / 100 / 61

HEX #536300

RGB 83 99 0

HSL 69.7, 1%, 0.19%

LAB 39.18, -18.45, 45.6

 

CMYK 19 / 0 / 100 / 68

HEX #425100

RGB 66 81 0

HSL 71.11, 1%, 0.16%

LAB 31.9, -16.81, 39.54

 

CMYK 22 / 0 / 100 / 75

HEX #313F00

RGB 49 63 0

HSL 73.33, 1%, 0.12%

LAB 24.35, -15.13, 32.66

 

CMYK 14 / 0 / 81 / 46

HEX #76891A

RGB 118 137 26

HSL 70.27, 0.68%, 0.32%

LAB 53.83, -21.5, 52.22

 

CMYK 0 / 9 / 81 / 46

HEX #897D1A

RGB 137 125 26

HSL 53.51, 0.68%, 0.32%

LAB 51.91, -6.43, 51.1

 

CMYK 0 / 31 / 81 / 46

HEX #895F1A

RGB 137 95 26

HSL 37.3, 0.68%, 0.32%

LAB 43.62, 10.76, 43.56

 

CMYK 0 / 53 / 81 / 46

HEX #89411A

RGB 137 65 26

HSL 21.08, 0.68%, 0.32%

LAB 36.32, 28.04, 36.61

 

CMYK 0 / 74 / 81 / 46

HEX #89231A

RGB 137 35 26

HSL 4.86, 0.68%, 0.32%

LAB 30.87, 42.42, 31.16

 

CMYK 14 / 0 / 81 / 46

HEX #76891A

RGB 118 137 26

HSL 70.27, 0.68%, 0.32%

LAB 53.83, -21.5, 52.22

 

CMYK 36 / 0 / 81 / 46

HEX #58891A

RGB 88 137 26

HSL 86.49, 0.68%, 0.32%

LAB 51.88, -33.95, 49.72

 

CMYK 58 / 0 / 81 / 46

HEX #3A891A

RGB 58 137 26

HSL 102.7, 0.68%, 0.32%

LAB 50.53, -44.01, 47.97

 

CMYK 80 / 0 / 81 / 46

HEX #1C891A

RGB 28 137 26

HSL 118.92, 0.68%, 0.32%

LAB 49.75, -50.48, 46.96

 

CMYK 81 / 0 / 61 / 46

HEX #1A8935

RGB 26 137 53

HSL 134.59, 0.68%, 0.32%

LAB 49.94, -48.07, 35.98

 

CMYK 14 / 0 / 81 / 46

HEX #76891A

RGB 118 137 26

HSL 70.27, 0.68%, 0.32%

LAB 53.83, -21.5, 52.22

 

CMYK 15 / 0 / 92 / 41

HEX #7F960C

RGB 127 150 12

HSL 70, 0.85%, 0.32%

LAB 58.37, -24.53, 59.62

 

CMYK 14 / 0 / 81 / 46

HEX #76891A

RGB 118 137 26

HSL 70.27, 0.68%, 0.32%

LAB 53.83, -21.5, 52.22

 

CMYK 11 / 0 / 68 / 52

HEX #6D7B27

RGB 109 123 39

HSL 70, 0.52%, 0.32%

LAB 48.96, -17.5, 42.43

 

CMYK 8 / 0 / 53 / 57

HEX #656E34

RGB 101 110 52

HSL 69.31, 0.36%, 0.32%

LAB 44.47, -12.9, 30.9

 

CMYK 5 / 0 / 33 / 62

HEX #5C6141

RGB 92 97 65

HSL 69.38, 0.2%, 0.32%

LAB 39.93, -7.86, 17.64

 

CMYK 1 / 0 / 7 / 67

HEX #53544E

RGB 83 84 78

HSL 70, 0.04%, 0.32%

LAB 35.46, -1.66, 3.36

 

CMYK 0 / 31 / 81 / 46

HEX #895E1A

RGB 137 94 26

HSL 36.76, 0.68%, 0.32%

LAB 43.36, 11.35, 43.32

 

CMYK 0 / 9 / 81 / 46

HEX #897C1A

RGB 137 124 26

HSL 52.97, 0.68%, 0.32%

LAB 51.62, -5.88, 50.84

 

CMYK 12 / 0 / 81 / 46

HEX #78891A

RGB 120 137 26

HSL 69.19, 0.68%, 0.32%

LAB 53.98, -20.62, 52.41

 

CMYK 34 / 0 / 81 / 46

HEX #5A891A

RGB 90 137 26

HSL 85.41, 0.68%, 0.32%

LAB 51.99, -33.18, 49.87

 

CMYK 55 / 0 / 81 / 46

HEX #3D891A

RGB 61 137 26

HSL 101.08, 0.68%, 0.32%

LAB 50.64, -43.15, 48.11

 

CMYK 13 / 0 / 82 / 74

HEX #3A430C

RGB 58 67 12

HSL 69.82, 0.7%, 0.15%

LAB 26.56, -12.22, 30.15

 

CMYK 14 / 0 / 81 / 60

HEX #586613

RGB 88 102 19

HSL 70.12, 0.69%, 0.24%

LAB 40.61, -17.03, 41.6

 

CMYK 14 / 0 / 81 / 46

HEX #76891A

RGB 118 137 26

HSL 70.27, 0.68%, 0.32%

LAB 53.83, -21.5, 52.22

 

CMYK 13 / 0 / 81 / 33

HEX #94AB20

RGB 148 171 32

HSL 69.93, 0.68%, 0.4%

LAB 66.16, -25.29, 62.3

 

CMYK 14 / 0 / 81 / 19

HEX #B2CE27

RGB 178 206 39

HSL 70.06, 0.68%, 0.48%

LAB 78.32, -29.38, 71.95

 

CMYK 13 / 0 / 81 / 47

HEX #75871A

RGB 117 135 26

HSL 69.91, 0.68%, 0.32%

LAB 53.15, -20.92, 51.58

 

CMYK 81 / 0 / 53 / 46

HEX #1A8940

RGB 26 137 64

HSL 140.54, 0.68%, 0.32%

LAB 50.07, -46.45, 30.59

 

CMYK 20 / 81 / 0 / 46

HEX #6D1A89

RGB 109 26 137

HSL 284.86, 0.68%, 0.32%

LAB 28.89, 51.57, -43.74

 

CMYK 13 / 0 / 81 / 47

HEX #75871A

RGB 117 135 26

HSL 69.91, 0.68%, 0.32%

LAB 53.15, -20.92, 51.58

 

CMYK 81 / 12 / 0 / 46

HEX #1A7889

RGB 26 120 137

HSL 189.19, 0.68%, 0.32%

LAB 46.26, -19.92, -16.8

 

CMYK 0 / 81 / 12 / 46

HEX #891A78

RGB 137 26 120

HSL 309.19, 0.68%, 0.32%

LAB 32.73, 54.49, -26.67

 

CMYK 13 / 0 / 81 / 47

HEX #75871A

RGB 117 135 26

HSL 69.91, 0.68%, 0.32%

LAB 53.15, -20.92, 51.58

 

CMYK 81 / 0 / 53 / 46

HEX #1A8940

RGB 26 137 64

HSL 140.54, 0.68%, 0.32%

LAB 50.07, -46.45, 30.59

 

CMYK 69 / 81 / 0 / 46

HEX #2A1A89

RGB 42 26 137

HSL 248.65, 0.68%, 0.32%

LAB 20.19, 41.3, -58.32

 

CMYK 0 / 81 / 28 / 46

HEX #891A62

RGB 137 26 98

HSL 321.08, 0.68%, 0.32%

LAB 31.67, 51.43, -14.27

 

CMYK 13 / 0 / 81 / 47

HEX #75871A

RGB 117 135 26

HSL 69.91, 0.68%, 0.32%

LAB 53.15, -20.92, 51.58

 

CMYK 81 / 0 / 28 / 46

HEX #1A8962

RGB 26 137 98

HSL 158.92, 0.68%, 0.32%

LAB 50.68, -39.56, 12.57

 

CMYK 69 / 81 / 0 / 46

HEX #2A1A89

RGB 42 26 137

HSL 248.65, 0.68%, 0.32%

LAB 20.19, 41.3, -58.32

 

CMYK 0 / 81 / 53 / 46

HEX #891A40

RGB 137 26 64

HSL 339.46, 0.68%, 0.32%

LAB 30.47, 47.81, 6.28

 

Description

Color code: HEX #75871A | qconv.com Color code: HEX #75871A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 135 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 135 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 81 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 81% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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