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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #757B93 it is the complementary color #8A846C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #757B93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #757B93 shade: #7A7B8E, #8B8DA1, #9C9FB4, #ADB1C7 and #BEC3DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #757B93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #757B93 shade: #757B93, #646980, #53576D, #42455A and #313347

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #757B93 shade: #757B93, #777593, #7F7593, #877593 and #8F7593

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #757B93 shade: #757B93 and #757593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #757B93 shade matches the following richer shades: #757B93, #626FA7, #4E64BA, #3A58CE and #264CE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #757B93 shade: #757B93, #89877F, #9D936B, #B19F57 and #C5AB44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #757B93 shade: #758B93, #758393, #757B93, #777593 and #7F7593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #757B93 shade: #505466, #62677D, #757B93, #8D91A5 and #A4A8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #757B93 shade: #757B93, #937593 and #879375

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #757B93 shade: #757B93, #93757B and #7B9375

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #757B93 shade: #757B93, #937593, #938D75 and #759375

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #757B93 shade: #757B93, #93758A, #938D75 and #75937E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

Complementary color

CMYK 0 / 4 / 22 / 46

HEX #8A846C

RGB 138 132 108

HSL 48, 0.12%, 0.48%

LAB 55.06, -1.93, 13.79

 

CMYK 14 / 13 / 0 / 44

HEX #7A7B8E

RGB 122 123 142

HSL 237, 0.08%, 0.52%

LAB 52.13, 3.71, -10.4

 

CMYK 14 / 12 / 0 / 37

HEX #8B8DA1

RGB 139 141 161

HSL 234.55, 0.1%, 0.59%

LAB 59.08, 3.46, -10.81

 

CMYK 13 / 12 / 0 / 29

HEX #9C9FB4

RGB 156 159 180

HSL 232.5, 0.14%, 0.66%

LAB 65.87, 3.24, -11.22

 

CMYK 13 / 11 / 0 / 22

HEX #ADB1C7

RGB 173 177 199

HSL 230.77, 0.19%, 0.73%

LAB 72.53, 3.03, -11.63

 

CMYK 13 / 11 / 0 / 15

HEX #BEC3DA

RGB 190 195 218

HSL 229.29, 0.27%, 0.8%

LAB 79.06, 2.83, -12.05

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 22 / 18 / 0 / 50

HEX #646980

RGB 100 105 128

HSL 229.29, 0.12%, 0.45%

LAB 44.76, 3.43, -13.39

 

CMYK 24 / 20 / 0 / 57

HEX #53576D

RGB 83 87 109

HSL 230.77, 0.14%, 0.38%

LAB 37.41, 3.74, -13.1

 

CMYK 27 / 23 / 0 / 65

HEX #42455A

RGB 66 69 90

HSL 232.5, 0.15%, 0.31%

LAB 29.79, 4.1, -12.85

 

CMYK 31 / 28 / 0 / 72

HEX #313347

RGB 49 51 71

HSL 234.55, 0.18%, 0.24%

LAB 21.86, 4.55, -12.67

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 19 / 20 / 0 / 42

HEX #777593

RGB 119 117 147

HSL 244, 0.12%, 0.52%

LAB 50.39, 7.37, -15.97

 

CMYK 14 / 20 / 0 / 42

HEX #7F7593

RGB 127 117 147

HSL 260, 0.12%, 0.52%

LAB 51.08, 10.11, -14.86

 

CMYK 8 / 20 / 0 / 42

HEX #877593

RGB 135 117 147

HSL 276, 0.12%, 0.52%

LAB 51.81, 12.91, -13.68

 

CMYK 3 / 20 / 0 / 42

HEX #8F7593

RGB 143 117 147

HSL 292, 0.12%, 0.52%

LAB 52.59, 15.75, -12.44

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 20 / 20 / 0 / 42

HEX #757593

RGB 117 117 147

HSL 240, 0.12%, 0.52%

LAB 50.23, 6.7, -16.24

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 41 / 34 / 0 / 35

HEX #626FA7

RGB 98 111 167

HSL 228.7, 0.28%, 0.52%

LAB 47.95, 9.86, -31.61

 

CMYK 58 / 46 / 0 / 27

HEX #4E64BA

RGB 78 100 186

HSL 227.78, 0.44%, 0.52%

LAB 44.63, 17.93, -48.04

 

CMYK 72 / 57 / 0 / 19

HEX #3A58CE

RGB 58 88 206

HSL 227.84, 0.6%, 0.52%

LAB 41.74, 29.32, -64.33

 

CMYK 83 / 66 / 0 / 11

HEX #264CE2

RGB 38 76 226

HSL 227.87, 0.76%, 0.52%

LAB 39.7, 42.23, -79.16

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 0 / 1 / 7 / 46

HEX #89877F

RGB 137 135 127

HSL 48, 0.04%, 0.52%

LAB 56.27, -0.77, 4.56

 

CMYK 0 / 6 / 32 / 38

HEX #9D936B

RGB 157 147 107

HSL 48, 0.2%, 0.52%

LAB 60.87, -2.67, 22.55

 

CMYK 0 / 10 / 51 / 31

HEX #B19F57

RGB 177 159 87

HSL 48, 0.37%, 0.52%

LAB 65.62, -3.06, 39.68

 

CMYK 0 / 13 / 65 / 23

HEX #C5AB44

RGB 197 171 68

HSL 47.91, 0.53%, 0.52%

LAB 70.46, -2.32, 54.74

 

CMYK 20 / 5 / 0 / 42

HEX #758B93

RGB 117 139 147

HSL 196, 0.12%, 0.52%

LAB 56.44, -6.02, -6.89

 

CMYK 20 / 11 / 0 / 42

HEX #758393

RGB 117 131 147

HSL 212, 0.12%, 0.52%

LAB 54.16, -1.48, -10.31

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 19 / 20 / 0 / 42

HEX #777593

RGB 119 117 147

HSL 244, 0.12%, 0.52%

LAB 50.39, 7.37, -15.97

 

CMYK 14 / 20 / 0 / 42

HEX #7F7593

RGB 127 117 147

HSL 260, 0.12%, 0.52%

LAB 51.08, 10.11, -14.86

 

CMYK 22 / 18 / 0 / 60

HEX #505466

RGB 80 84 102

HSL 229.09, 0.12%, 0.36%

LAB 35.99, 2.74, -10.91

 

CMYK 22 / 18 / 0 / 51

HEX #62677D

RGB 98 103 125

HSL 228.89, 0.12%, 0.44%

LAB 43.91, 3.2, -12.89

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 15 / 12 / 0 / 35

HEX #8D91A5

RGB 141 145 165

HSL 230, 0.12%, 0.6%

LAB 60.45, 2.76, -11.01

 

CMYK 10 / 8 / 0 / 28

HEX #A4A8B7

RGB 164 168 183

HSL 227.37, 0.12%, 0.68%

LAB 68.98, 1.6, -8.19

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 0 / 20 / 0 / 42

HEX #937593

RGB 147 117 147

HSL 300, 0.12%, 0.52%

LAB 52.98, 17.18, -11.8

 

CMYK 8 / 0 / 20 / 42

HEX #879375

RGB 135 147 117

HSL 84, 0.12%, 0.52%

LAB 59.25, -9.94, 14.46

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 0 / 20 / 16 / 42

HEX #93757B

RGB 147 117 123

HSL 348, 0.12%, 0.52%

LAB 52.24, 12.73, 1.17

 

CMYK 16 / 0 / 20 / 42

HEX #7B9375

RGB 123 147 117

HSL 108, 0.12%, 0.52%

LAB 58.38, -14.48, 13.11

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 0 / 20 / 0 / 42

HEX #937593

RGB 147 117 147

HSL 300, 0.12%, 0.52%

LAB 52.98, 17.18, -11.8

 

CMYK 0 / 4 / 20 / 42

HEX #938D75

RGB 147 141 117

HSL 48, 0.12%, 0.52%

LAB 58.54, -1.94, 13.62

 

CMYK 20 / 0 / 20 / 42

HEX #759375

RGB 117 147 117

HSL 120, 0.12%, 0.52%

LAB 57.97, -16.67, 12.49

 

CMYK 20 / 16 / 0 / 42

HEX #757B93

RGB 117 123 147

HSL 228, 0.12%, 0.52%

LAB 51.9, 3.16, -13.7

 

CMYK 0 / 20 / 6 / 42

HEX #93758A

RGB 147 117 138

HSL 318, 0.12%, 0.52%

LAB 52.69, 15.43, -6.98

 

CMYK 0 / 4 / 20 / 42

HEX #938D75

RGB 147 141 117

HSL 48, 0.12%, 0.52%

LAB 58.54, -1.94, 13.62

 

CMYK 20 / 0 / 14 / 42

HEX #75937E

RGB 117 147 126

HSL 138, 0.12%, 0.52%

LAB 58.18, -14.94, 7.68

 

Description

Color code: HEX #757B93 | qconv.com Color code: HEX #757B93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 123 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 123 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 16 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 16% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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