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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7579D1 it is the complementary color #8A862E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7579D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7579D1 shade: #7A79CC, #8B8BDF, #9C9DF2, #ADAFFF and #BEC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7579D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7579D1 shade: #7579D1, #6467BE, #5355AB, #424398 and #313185

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7579D1 shade: #7579D1, #8A75D1, #A275D1, #BB75D1 and #D175CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7579D1 shade: #7579D1 and #7575D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7579D1 shade matches the following richer shades: #7579D1, #666BDF, #575EEE and #4850FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7579D1 shade: #7579D1, #8486C2, #9394B3, #A1A1A4 and #B0AF95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7579D1 shade: #75AAD1, #7592D1, #7579D1, #8975D1 and #A175D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7579D1 shade: #3C42B6, #565BC6, #7579D1, #9497DB and #B3B5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7579D1 shade: #7579D1, #D175C3 and #9ED175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7579D1 shade: #7579D1, #D17579 and #79D175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7579D1 shade: #7579D1, #D175C3, #D1CC75 and #75D183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7579D1 shade: #7579D1, #D175A7, #D1CC75 and #75D19E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

Complementary color

CMYK 0 / 3 / 67 / 46

HEX #8A862E

RGB 138 134 46

HSL 57.39, 0.5%, 0.36%

LAB 54.71, -9.89, 46.11

 

CMYK 40 / 41 / 0 / 20

HEX #7A79CC

RGB 122 121 204

HSL 240.72, 0.45%, 0.64%

LAB 54.21, 20.96, -42.96

 

CMYK 38 / 38 / 0 / 13

HEX #8B8BDF

RGB 139 139 223

HSL 240, 0.57%, 0.71%

LAB 61.03, 20.1, -42.8

 

CMYK 36 / 35 / 0 / 5

HEX #9C9DF2

RGB 156 157 242

HSL 239.3, 0.77%, 0.78%

LAB 67.72, 19.36, -42.7

 

CMYK 32 / 31 / 0 / 0

HEX #ADAFFF

RGB 173 175 255

HSL 238.54, 1%, 0.84%

LAB 74.04, 17.17, -39.79

 

CMYK 25 / 24 / 0 / 0

HEX #BEC1FF

RGB 190 193 255

HSL 237.23, 1%, 0.87%

LAB 79.79, 12.08, -30.8

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 47 / 46 / 0 / 25

HEX #6467BE

RGB 100 103 190

HSL 238, 0.41%, 0.57%

LAB 47.14, 22.23, -46.26

 

CMYK 51 / 50 / 0 / 33

HEX #5355AB

RGB 83 85 171

HSL 238.64, 0.35%, 0.5%

LAB 40.04, 23.54, -46.57

 

CMYK 57 / 56 / 0 / 40

HEX #424398

RGB 66 67 152

HSL 239.3, 0.39%, 0.43%

LAB 32.79, 25.13, -46.91

 

CMYK 63 / 63 / 0 / 48

HEX #313185

RGB 49 49 133

HSL 240, 0.46%, 0.36%

LAB 25.39, 27.09, -47.26

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 34 / 44 / 0 / 18

HEX #8A75D1

RGB 138 117 209

HSL 253.7, 0.5%, 0.64%

LAB 54.79, 28.94, -44.79

 

CMYK 22 / 44 / 0 / 18

HEX #A275D1

RGB 162 117 209

HSL 269.35, 0.5%, 0.64%

LAB 57.08, 35.59, -41.02

 

CMYK 11 / 44 / 0 / 18

HEX #BB75D1

RGB 187 117 209

HSL 285.65, 0.5%, 0.64%

LAB 59.79, 42.83, -36.58

 

CMYK 0 / 44 / 2 / 18

HEX #D175CD

RGB 209 117 205

HSL 302.61, 0.5%, 0.64%

LAB 62.24, 48.59, -30.32

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 44 / 44 / 0 / 18

HEX #7575D1

RGB 117 117 209

HSL 240, 0.5%, 0.64%

LAB 53.07, 23.53, -47.63

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 54 / 52 / 0 / 13

HEX #666BDF

RGB 102 107 223

HSL 237.52, 0.65%, 0.64%

LAB 50.3, 30.52, -60.06

 

CMYK 63 / 61 / 0 / 7

HEX #575EEE

RGB 87 94 238

HSL 237.22, 0.82%, 0.64%

LAB 47.24, 40.63, -73.5

 

CMYK 72 / 68 / 0 / 1

HEX #4850FD

RGB 72 80 253

HSL 237.35, 0.98%, 0.64%

LAB 44.53, 51.9, -86.38

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 32 / 31 / 0 / 24

HEX #8486C2

RGB 132 134 194

HSL 238.06, 0.34%, 0.64%

LAB 57.9, 13.3, -31.45

 

CMYK 18 / 17 / 0 / 30

HEX #9394B3

RGB 147 148 179

HSL 238.13, 0.17%, 0.64%

LAB 62.2, 6.21, -16.26

 

CMYK 2 / 2 / 0 / 36

HEX #A1A1A4

RGB 161 161 164

HSL 240, 0.02%, 0.64%

LAB 66.33, 0.58, -1.56

 

CMYK 0 / 1 / 15 / 31

HEX #B0AF95

RGB 176 175 149

HSL 57.78, 0.15%, 0.64%

LAB 70.91, -4.16, 13.48

 

CMYK 44 / 19 / 0 / 18

HEX #75AAD1

RGB 117 170 209

HSL 205.43, 0.5%, 0.64%

LAB 67.38, -7.19, -25.28

 

CMYK 44 / 30 / 0 / 18

HEX #7592D1

RGB 117 146 209

HSL 221.09, 0.5%, 0.64%

LAB 60.73, 6.35, -35.56

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 23 / 44 / 0 / 18

HEX #A175D1

RGB 161 117 209

HSL 268.7, 0.5%, 0.64%

LAB 56.98, 35.31, -41.19

 

CMYK 67 / 64 / 0 / 29

HEX #3C42B6

RGB 60 66 182

HSL 237.05, 0.5%, 0.47%

LAB 34.47, 35.07, -62.18

 

CMYK 57 / 54 / 0 / 22

HEX #565BC6

RGB 86 91 198

HSL 237.32, 0.5%, 0.56%

LAB 43.56, 29.18, -56.69

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 32 / 31 / 0 / 14

HEX #9497DB

RGB 148 151 219

HSL 237.46, 0.5%, 0.72%

LAB 64.6, 14.57, -34.95

 

CMYK 22 / 21 / 0 / 10

HEX #B3B5E5

RGB 179 181 229

HSL 237.6, 0.49%, 0.8%

LAB 75.01, 9.35, -24.2

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 0 / 44 / 7 / 18

HEX #D175C3

RGB 209 117 195

HSL 309.13, 0.5%, 0.64%

LAB 61.84, 46.84, -25.29

 

CMYK 24 / 0 / 44 / 18

HEX #9ED175

RGB 158 209 117

HSL 93.26, 0.5%, 0.64%

LAB 78.55, -32.51, 40.28

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 0 / 44 / 42 / 18

HEX #D17579

RGB 209 117 121

HSL 357.39, 0.5%, 0.64%

LAB 59.58, 36.35, 13.8

 

CMYK 42 / 0 / 44 / 18

HEX #79D175

RGB 121 209 117

HSL 117.39, 0.5%, 0.64%

LAB 76.65, -44.77, 37.47

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 0 / 44 / 7 / 18

HEX #D175C3

RGB 209 117 195

HSL 309.13, 0.5%, 0.64%

LAB 61.84, 46.84, -25.29

 

CMYK 0 / 2 / 44 / 18

HEX #D1CC75

RGB 209 204 117

HSL 56.74, 0.5%, 0.64%

LAB 80.75, -10.48, 43.8

 

CMYK 44 / 0 / 37 / 18

HEX #75D183

RGB 117 209 131

HSL 129.13, 0.5%, 0.64%

LAB 76.69, -43.79, 30.37

 

CMYK 44 / 42 / 0 / 18

HEX #7579D1

RGB 117 121 209

HSL 237.39, 0.5%, 0.64%

LAB 54.09, 21.13, -46.01

 

CMYK 0 / 44 / 20 / 18

HEX #D175A7

RGB 209 117 167

HSL 327.39, 0.5%, 0.64%

LAB 60.84, 42.32, -10.85

 

CMYK 0 / 2 / 44 / 18

HEX #D1CC75

RGB 209 204 117

HSL 56.74, 0.5%, 0.64%

LAB 80.75, -10.48, 43.8

 

CMYK 44 / 0 / 24 / 18

HEX #75D19E

RGB 117 209 158

HSL 146.74, 0.5%, 0.64%

LAB 77.19, -38.9, 16.91

 

Description

Color code: HEX #7579D1 | qconv.com Color code: HEX #7579D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 121 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 121 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 42 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 42% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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