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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7559AC it is the complementary color #8AA653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7559AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7559AC shade: #7A59A7, #8B6BBA, #9C7DCD, #AD8FE0 and #BEA1F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7559AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7559AC shade: #7559AC, #644799, #533586, #422373 and #311160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7559AC shade: #7458AB, #8A58AB, #A158AB, #AB589F and #AB5888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7559AC shade: #7458AB, #5E58AB and #5858AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7559AC shade matches the following richer shades: #7458AB, #6E44BF, #6730D3, #601CE7 and #5A07FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7559AC shade: #7458AB, #7B6D97, #818182, #88956E and #8EA95A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7559AC shade: #5869AB, #5E58AB, #7458AB, #8A58AB and #A058AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7559AC shade: #4F3B76, #614991, #7458AB, #8B74B9 and #A28FC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7559AC shade: #7559AC, #AB587F and #5EAB58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7559AC shade: #7559AC, #AB7458 and #58AB74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7559AC shade: #7559AC, #AB587F, #8FAB58 and #58AB84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7559AC shade: #7559AC, #AB5866, #8FAB58 and #58AB9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 48 / 0 / 33

HEX #7559AC

RGB 117 89 172

HSL 260.24, 0.33%, 0.51%

LAB 44.1, 29.97, -40.51

 

Complementary color

CMYK 17 / 0 / 50 / 35

HEX #8AA653

RGB 138 166 83

HSL 80.24, 0.33%, 0.49%

LAB 64.4, -23.33, 39.5

 

CMYK 27 / 47 / 0 / 35

HEX #7A59A7

RGB 122 89 167

HSL 265.38, 0.31%, 0.5%

LAB 44.34, 30.08, -37.15

 

CMYK 25 / 42 / 0 / 27

HEX #8B6BBA

RGB 139 107 186

HSL 264.3, 0.36%, 0.57%

LAB 51.32, 29.18, -37.11

 

CMYK 24 / 39 / 0 / 20

HEX #9C7DCD

RGB 156 125 205

HSL 263.25, 0.44%, 0.65%

LAB 58.17, 28.36, -37.09

 

CMYK 23 / 36 / 0 / 12

HEX #AD8FE0

RGB 173 143 224

HSL 262.22, 0.57%, 0.72%

LAB 64.89, 27.61, -37.11

 

CMYK 22 / 34 / 0 / 5

HEX #BEA1F3

RGB 190 161 243

HSL 261.22, 0.77%, 0.79%

LAB 71.49, 26.93, -37.15

 

CMYK 32 / 48 / 0 / 33

HEX #7559AC

RGB 117 89 172

HSL 260.24, 0.33%, 0.51%

LAB 44.1, 29.97, -40.51

 

CMYK 35 / 54 / 0 / 40

HEX #644799

RGB 100 71 153

HSL 261.22, 0.37%, 0.44%

LAB 36.96, 31.04, -40.65

 

CMYK 38 / 60 / 0 / 47

HEX #533586

RGB 83 53 134

HSL 262.22, 0.43%, 0.37%

LAB 29.68, 32.21, -40.79

 

CMYK 43 / 70 / 0 / 55

HEX #422373

RGB 66 35 115

HSL 263.25, 0.53%, 0.29%

LAB 22.3, 33.38, -40.82

 

CMYK 49 / 82 / 0 / 62

HEX #311160

RGB 49 17 96

HSL 264.3, 0.7%, 0.22%

LAB 14.94, 34.2, -40.48

 

CMYK 32 / 49 / 0 / 33

HEX #7458AB

RGB 116 88 171

HSL 260.24, 0.33%, 0.51%

LAB 43.7, 30.03, -40.55

 

CMYK 19 / 49 / 0 / 33

HEX #8A58AB

RGB 138 88 171

HSL 276.14, 0.33%, 0.51%

LAB 46.07, 36.25, -36.65

 

CMYK 6 / 49 / 0 / 33

HEX #A158AB

RGB 161 88 171

HSL 292.77, 0.33%, 0.51%

LAB 48.88, 42.99, -32.04

 

CMYK 0 / 49 / 7 / 33

HEX #AB589F

RGB 171 88 159

HSL 308.67, 0.33%, 0.51%

LAB 49.67, 43.77, -23.66

 

CMYK 0 / 49 / 20 / 33

HEX #AB5888

RGB 171 88 136

HSL 325.3, 0.33%, 0.51%

LAB 48.78, 39.98, -11.35

 

CMYK 32 / 49 / 0 / 33

HEX #7458AB

RGB 116 88 171

HSL 260.24, 0.33%, 0.51%

LAB 43.7, 30.03, -40.55

 

CMYK 45 / 49 / 0 / 33

HEX #5E58AB

RGB 94 88 171

HSL 244.34, 0.33%, 0.51%

LAB 41.69, 24.26, -43.88

 

CMYK 49 / 49 / 0 / 33

HEX #5858AB

RGB 88 88 171

HSL 240, 0.33%, 0.51%

LAB 41.21, 22.8, -44.68

 

CMYK 32 / 49 / 0 / 33

HEX #7458AB

RGB 116 88 171

HSL 260.24, 0.33%, 0.51%

LAB 43.7, 30.03, -40.55

 

CMYK 42 / 64 / 0 / 25

HEX #6E44BF

RGB 110 68 191

HSL 260.49, 0.49%, 0.51%

LAB 39.93, 45.52, -58.39

 

CMYK 51 / 77 / 0 / 17

HEX #6730D3

RGB 103 48 211

HSL 260.25, 0.65%, 0.51%

LAB 37.3, 59.55, -74.35

 

CMYK 58 / 88 / 0 / 9

HEX #601CE7

RGB 96 28 231

HSL 260.1, 0.81%, 0.51%

LAB 36.15, 70.93, -87.74

 

CMYK 64 / 97 / 0 / 1

HEX #5A07FC

RGB 90 7 252

HSL 260.33, 0.98%, 0.51%

LAB 36.66, 79.39, -98.8

 

CMYK 32 / 49 / 0 / 33

HEX #7458AB

RGB 116 88 171

HSL 260.24, 0.33%, 0.51%

LAB 43.7, 30.03, -40.55

 

CMYK 19 / 28 / 0 / 41

HEX #7B6D97

RGB 123 109 151

HSL 260, 0.17%, 0.51%

LAB 48.74, 14.45, -20.83

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 9 / 0 / 26 / 42

HEX #88956E

RGB 136 149 110

HSL 80, 0.16%, 0.51%

LAB 59.76, -11.77, 19.09

 

CMYK 16 / 0 / 47 / 34

HEX #8EA95A

RGB 142 169 90

HSL 80.51, 0.31%, 0.51%

LAB 65.64, -22.46, 37.54

 

CMYK 49 / 39 / 0 / 33

HEX #5869AB

RGB 88 105 171

HSL 227.71, 0.33%, 0.51%

LAB 45.8, 12.15, -37.39

 

CMYK 45 / 49 / 0 / 33

HEX #5E58AB

RGB 94 88 171

HSL 244.34, 0.33%, 0.51%

LAB 41.69, 24.26, -43.88

 

CMYK 32 / 49 / 0 / 33

HEX #7458AB

RGB 116 88 171

HSL 260.24, 0.33%, 0.51%

LAB 43.7, 30.03, -40.55

 

CMYK 19 / 49 / 0 / 33

HEX #8A58AB

RGB 138 88 171

HSL 276.14, 0.33%, 0.51%

LAB 46.07, 36.25, -36.65

 

CMYK 6 / 49 / 0 / 33

HEX #A058AB

RGB 160 88 171

HSL 292.05, 0.33%, 0.51%

LAB 48.75, 42.69, -32.25

 

CMYK 33 / 50 / 0 / 54

HEX #4F3B76

RGB 79 59 118

HSL 260.34, 0.33%, 0.35%

LAB 29.66, 22.85, -30.82

 

CMYK 33 / 50 / 0 / 43

HEX #614991

RGB 97 73 145

HSL 260, 0.33%, 0.43%

LAB 36.65, 26.8, -36.31

 

CMYK 32 / 49 / 0 / 33

HEX #7458AB

RGB 116 88 171

HSL 260.24, 0.33%, 0.51%

LAB 43.7, 30.03, -40.55

 

CMYK 25 / 37 / 0 / 27

HEX #8B74B9

RGB 139 116 185

HSL 260, 0.33%, 0.59%

LAB 53.47, 23.66, -33.16

 

CMYK 18 / 28 / 0 / 22

HEX #A28FC6

RGB 162 143 198

HSL 260.73, 0.33%, 0.67%

LAB 62.85, 18.24, -25.85

 

CMYK 32 / 48 / 0 / 33

HEX #7559AC

RGB 117 89 172

HSL 260.24, 0.33%, 0.51%

LAB 44.1, 29.97, -40.51

 

CMYK 0 / 49 / 26 / 33

HEX #AB587F

RGB 171 88 127

HSL 331.81, 0.33%, 0.51%

LAB 48.47, 38.63, -6.41

 

CMYK 45 / 0 / 49 / 33

HEX #5EAB58

RGB 94 171 88

HSL 115.66, 0.33%, 0.51%

LAB 63.52, -40.76, 35.33

 

CMYK 32 / 48 / 0 / 33

HEX #7559AC

RGB 117 89 172

HSL 260.24, 0.33%, 0.51%

LAB 44.1, 29.97, -40.51

 

CMYK 0 / 32 / 49 / 33

HEX #AB7458

RGB 171 116 88

HSL 20.24, 0.33%, 0.51%

LAB 53.87, 18.34, 24.2

 

CMYK 49 / 0 / 32 / 33

HEX #58AB74

RGB 88 171 116

HSL 140.24, 0.33%, 0.51%

LAB 63.72, -37.85, 20.73

 

CMYK 32 / 48 / 0 / 33

HEX #7559AC

RGB 117 89 172

HSL 260.24, 0.33%, 0.51%

LAB 44.1, 29.97, -40.51

 

CMYK 0 / 49 / 26 / 33

HEX #AB587F

RGB 171 88 127

HSL 331.81, 0.33%, 0.51%

LAB 48.47, 38.63, -6.41

 

CMYK 16 / 0 / 49 / 33

HEX #8FAB58

RGB 143 171 88

HSL 80.24, 0.33%, 0.51%

LAB 66.27, -23.29, 39.33

 

CMYK 49 / 0 / 23 / 33

HEX #58AB84

RGB 88 171 132

HSL 151.81, 0.33%, 0.51%

LAB 64.05, -34.6, 12.41

 

CMYK 32 / 48 / 0 / 33

HEX #7559AC

RGB 117 89 172

HSL 260.24, 0.33%, 0.51%

LAB 44.1, 29.97, -40.51

 

CMYK 0 / 49 / 40 / 33

HEX #AB5866

RGB 171 88 102

HSL 349.88, 0.33%, 0.51%

LAB 47.75, 35.36, 7.59

 

CMYK 16 / 0 / 49 / 33

HEX #8FAB58

RGB 143 171 88

HSL 80.24, 0.33%, 0.51%

LAB 66.27, -23.29, 39.33

 

CMYK 49 / 0 / 8 / 33

HEX #58AB9D

RGB 88 171 157

HSL 169.88, 0.33%, 0.51%

LAB 64.67, -28.77, -0.59

 

Description

Color code: HEX #7559AC | qconv.com Color code: HEX #7559AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 89 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 89 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 48 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 48% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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