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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7555FA it is the complementary color #8AAA05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7555FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7555FA shade: #7A55F5, #8B67FF, #9C79FF, #AD8BFF and #BE9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7555FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7555FA shade: #7555FA, #6443E7, #5331D4, #421FC1 and #310DAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7555FA shade: #7656F9, #A256F9, #CE56F9, #F956F9 and #F956CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7555FA shade: #7656F9 and #5656F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7555FA shade matches the following richer shades: #7656F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7555FA shade: #7656F9, #7F64EB, #8772DD, #9080CF and #988EC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7555FA shade: #568FF9, #5664F9, #7456F9, #A056F9 and #CB56F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7555FA shade: #3507F6, #552EF8, #7656F9, #967EFB and #B7A6FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7555FA shade: #7555FA, #F956BB and #7AF956

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7555FA shade: #7555FA, #F97456 and #56F974

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7555FA shade: #7555FA, #F956BB, #DBF956 and #56F995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7555FA shade: #7555FA, #F9568A, #DBF956 and #56F9C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 66 / 0 / 2

HEX #7555FA

RGB 117 85 250

HSL 251.64, 0.94%, 0.66%

LAB 48.49, 54.09, -78.09

 

Complementary color

CMYK 19 / 0 / 97 / 33

HEX #8AAA05

RGB 138 170 5

HSL 71.64, 0.94%, 0.34%

LAB 65.09, -29.68, 66.21

 

CMYK 50 / 65 / 0 / 4

HEX #7A55F5

RGB 122 85 245

HSL 253.88, 0.89%, 0.65%

LAB 48.54, 53.51, -75.19

 

CMYK 45 / 60 / 0 / 0

HEX #8B67FF

RGB 139 103 255

HSL 254.21, 1%, 0.7%

LAB 54.46, 49.65, -71.07

 

CMYK 39 / 53 / 0 / 0

HEX #9C79FF

RGB 156 121 255

HSL 255.67, 1%, 0.74%

LAB 59.85, 43.3, -62.3

 

CMYK 32 / 45 / 0 / 0

HEX #AD8BFF

RGB 173 139 255

HSL 257.59, 1%, 0.77%

LAB 65.41, 37.38, -53.35

 

CMYK 25 / 38 / 0 / 0

HEX #BE9DFF

RGB 190 157 255

HSL 260.2, 1%, 0.81%

LAB 71.06, 31.93, -44.34

 

CMYK 53 / 66 / 0 / 2

HEX #7555FA

RGB 117 85 250

HSL 251.64, 0.94%, 0.66%

LAB 48.49, 54.09, -78.09

 

CMYK 57 / 71 / 0 / 9

HEX #6443E7

RGB 100 67 231

HSL 252.07, 0.77%, 0.58%

LAB 41.99, 55.58, -78.1

 

CMYK 61 / 77 / 0 / 17

HEX #5331D4

RGB 83 49 212

HSL 252.52, 0.65%, 0.51%

LAB 35.58, 56.89, -77.83

 

CMYK 66 / 84 / 0 / 24

HEX #421FC1

RGB 66 31 193

HSL 252.96, 0.72%, 0.44%

LAB 29.38, 57.71, -77.03

 

CMYK 72 / 93 / 0 / 32

HEX #310DAE

RGB 49 13 174

HSL 253.42, 0.86%, 0.37%

LAB 23.66, 57.37, -75.26

 

CMYK 53 / 65 / 0 / 2

HEX #7656F9

RGB 118 86 249

HSL 251.78, 0.93%, 0.66%

LAB 48.69, 53.43, -77.19

 

CMYK 35 / 65 / 0 / 2

HEX #A256F9

RGB 162 86 249

HSL 267.98, 0.93%, 0.66%

LAB 53.14, 61.47, -69.76

 

CMYK 17 / 65 / 0 / 2

HEX #CE56F9

RGB 206 86 249

HSL 284.17, 0.93%, 0.66%

LAB 58.62, 70.59, -60.66

 

CMYK 0 / 65 / 0 / 2

HEX #F956F9

RGB 249 86 249

HSL 300, 0.93%, 0.66%

LAB 64.67, 79.99, -50.66

 

CMYK 0 / 65 / 18 / 2

HEX #F956CD

RGB 249 86 205

HSL 316.2, 0.93%, 0.66%

LAB 62.68, 73.48, -29.19

 

CMYK 53 / 65 / 0 / 2

HEX #7656F9

RGB 118 86 249

HSL 251.78, 0.93%, 0.66%

LAB 48.69, 53.43, -77.19

 

CMYK 65 / 65 / 0 / 2

HEX #5656F9

RGB 86 86 249

HSL 240, 0.93%, 0.66%

LAB 46.28, 48.75, -81.24

 

CMYK 53 / 65 / 0 / 2

HEX #7656F9

RGB 118 86 249

HSL 251.78, 0.93%, 0.66%

LAB 48.69, 53.43, -77.19

 

CMYK 53 / 65 / 0 / 2

HEX #7656F9

RGB 118 86 249

HSL 251.78, 0.93%, 0.66%

LAB 48.69, 53.43, -77.19

 

CMYK 46 / 57 / 0 / 8

HEX #7F64EB

RGB 127 100 235

HSL 252, 0.77%, 0.66%

LAB 51.41, 43.34, -64.92

 

CMYK 39 / 48 / 0 / 13

HEX #8772DD

RGB 135 114 221

HSL 251.78, 0.61%, 0.66%

LAB 54.46, 33.15, -52.12

 

CMYK 30 / 38 / 0 / 19

HEX #9080CF

RGB 144 128 207

HSL 252.15, 0.45%, 0.66%

LAB 57.92, 23.65, -38.7

 

CMYK 21 / 26 / 0 / 24

HEX #988EC1

RGB 152 142 193

HSL 251.76, 0.29%, 0.66%

LAB 61.54, 14.49, -25.12

 

CMYK 65 / 43 / 0 / 2

HEX #568FF9

RGB 86 143 249

HSL 219.02, 0.93%, 0.66%

LAB 60.3, 14.38, -58.54

 

CMYK 65 / 60 / 0 / 2

HEX #5664F9

RGB 86 100 249

HSL 234.85, 0.93%, 0.66%

LAB 49.41, 40.5, -76.12

 

CMYK 53 / 65 / 0 / 2

HEX #7456F9

RGB 116 86 249

HSL 251.04, 0.93%, 0.66%

LAB 48.52, 53.11, -77.48

 

CMYK 36 / 65 / 0 / 2

HEX #A056F9

RGB 160 86 249

HSL 267.24, 0.93%, 0.66%

LAB 52.92, 61.07, -70.14

 

CMYK 18 / 65 / 0 / 2

HEX #CB56F9

RGB 203 86 249

HSL 283.07, 0.93%, 0.66%

LAB 58.22, 69.95, -61.32

 

CMYK 78 / 97 / 0 / 4

HEX #3507F6

RGB 53 7 246

HSL 251.55, 0.94%, 0.5%

LAB 33.05, 76.64, -101.5

 

CMYK 66 / 81 / 0 / 3

HEX #552EF8

RGB 85 46 248

HSL 251.58, 0.94%, 0.58%

LAB 39.01, 68.34, -92.67

 

CMYK 53 / 65 / 0 / 2

HEX #7656F9

RGB 118 86 249

HSL 251.78, 0.93%, 0.66%

LAB 48.69, 53.43, -77.19

 

CMYK 40 / 50 / 0 / 2

HEX #967EFB

RGB 150 126 251

HSL 251.52, 0.94%, 0.74%

LAB 60.22, 38.02, -59.54

 

CMYK 27 / 34 / 0 / 1

HEX #B7A6FC

RGB 183 166 252

HSL 251.86, 0.93%, 0.82%

LAB 72.47, 24.24, -40.55

 

CMYK 53 / 66 / 0 / 2

HEX #7555FA

RGB 117 85 250

HSL 251.64, 0.94%, 0.66%

LAB 48.49, 54.09, -78.09

 

CMYK 0 / 65 / 25 / 2

HEX #F956BB

RGB 249 86 187

HSL 322.82, 0.93%, 0.66%

LAB 61.98, 71.13, -20.02

 

CMYK 51 / 0 / 65 / 2

HEX #7AF956

RGB 122 249 86

HSL 106.75, 0.93%, 0.66%

LAB 88.24, -63.74, 65.07

 

CMYK 53 / 66 / 0 / 2

HEX #7555FA

RGB 117 85 250

HSL 251.64, 0.94%, 0.66%

LAB 48.49, 54.09, -78.09

 

CMYK 0 / 53 / 65 / 2

HEX #F97456

RGB 249 116 86

HSL 11.04, 0.93%, 0.66%

LAB 64.41, 48.79, 40.77

 

CMYK 65 / 0 / 53 / 2

HEX #56F974

RGB 86 249 116

HSL 131.04, 0.93%, 0.66%

LAB 87.48, -68.66, 51.12

 

CMYK 53 / 66 / 0 / 2

HEX #7555FA

RGB 117 85 250

HSL 251.64, 0.94%, 0.66%

LAB 48.49, 54.09, -78.09

 

CMYK 0 / 65 / 25 / 2

HEX #F956BB

RGB 249 86 187

HSL 322.82, 0.93%, 0.66%

LAB 61.98, 71.13, -20.02

 

CMYK 12 / 0 / 65 / 2

HEX #DBF956

RGB 219 249 86

HSL 71.04, 0.93%, 0.66%

LAB 93.23, -30.81, 71.85

 

CMYK 65 / 0 / 40 / 2

HEX #56F995

RGB 86 249 149

HSL 143.19, 0.93%, 0.66%

LAB 87.92, -63.68, 35.89

 

CMYK 53 / 66 / 0 / 2

HEX #7555FA

RGB 117 85 250

HSL 251.64, 0.94%, 0.66%

LAB 48.49, 54.09, -78.09

 

CMYK 0 / 65 / 45 / 2

HEX #F9568A

RGB 249 86 138

HSL 340.86, 0.93%, 0.66%

LAB 60.45, 65.79, 6.02

 

CMYK 12 / 0 / 65 / 2

HEX #DBF956

RGB 219 249 86

HSL 71.04, 0.93%, 0.66%

LAB 93.23, -30.81, 71.85

 

CMYK 65 / 0 / 20 / 2

HEX #56F9C6

RGB 86 249 198

HSL 161.23, 0.93%, 0.66%

LAB 88.83, -53.95, 12.21

 

Description

Color code: HEX #7555FA | qconv.com Color code: HEX #7555FA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 85 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 85 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 66 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 66% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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