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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7541C5 it is the complementary color #8ABE3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7541C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7541C5 shade: #7A41C0, #8B53D3, #9C65E6, #AD77F9 and #BE89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7541C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7541C5 shade: #7541C5, #642FB2, #531D9F, #420B8C and #310079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7541C5 shade: #743FC4, #973FC4, #BB3FC4, #C43FA9 and #C43F85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7541C5 shade: #743FC4, #503FC4 and #3F3FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7541C5 shade matches the following richer shades: #743FC4, #6F2BD8 and #6B17EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7541C5 shade: #743FC4, #7854B0, #7C689B, #807C87 and #859073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7541C5 shade: #3F53C4, #4F3FC4, #723FC4, #953FC4 and #B93FC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7541C5 shade: #4E2987, #6133A7, #743FC4, #8A5FCD and #A17ED7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7541C5 shade: #7541C5, #C43F77 and #42C43F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7541C5 shade: #7541C5, #C4723F and #3FC472

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7541C5 shade: #7541C5, #C43F77, #91C43F and #3FC48D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7541C5 shade: #7541C5, #C43F4F, #91C43F and #3FC4B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 67 / 0 / 23

HEX #7541C5

RGB 117 65 197

HSL 263.64, 0.53%, 0.51%

LAB 40.56, 50.1, -60.83

 

Complementary color

CMYK 27 / 0 / 69 / 25

HEX #8ABE3A

RGB 138 190 58

HSL 83.64, 0.53%, 0.49%

LAB 71.24, -36.89, 58.26

 

CMYK 36 / 66 / 0 / 25

HEX #7A41C0

RGB 122 65 192

HSL 266.93, 0.5%, 0.5%

LAB 40.77, 49.83, -57.55

 

CMYK 34 / 61 / 0 / 17

HEX #8B53D3

RGB 139 83 211

HSL 266.25, 0.59%, 0.58%

LAB 47.47, 48.91, -57.62

 

CMYK 32 / 56 / 0 / 10

HEX #9C65E6

RGB 156 101 230

HSL 265.58, 0.72%, 0.65%

LAB 54.12, 47.92, -57.6

 

CMYK 31 / 52 / 0 / 2

HEX #AD77F9

RGB 173 119 249

HSL 264.92, 0.92%, 0.72%

LAB 60.71, 46.93, -57.54

 

CMYK 25 / 46 / 0 / 0

HEX #BE89FF

RGB 190 137 255

HSL 266.95, 1%, 0.77%

LAB 66.56, 42.93, -51.42

 

CMYK 41 / 67 / 0 / 23

HEX #7541C5

RGB 117 65 197

HSL 263.64, 0.53%, 0.51%

LAB 40.56, 50.1, -60.83

 

CMYK 44 / 74 / 0 / 30

HEX #642FB2

RGB 100 47 178

HSL 264.27, 0.58%, 0.44%

LAB 33.89, 50.93, -60.6

 

CMYK 48 / 82 / 0 / 38

HEX #531D9F

RGB 83 29 159

HSL 264.92, 0.69%, 0.37%

LAB 27.36, 51.23, -59.95

 

CMYK 53 / 92 / 0 / 45

HEX #420B8C

RGB 66 11 140

HSL 265.58, 0.85%, 0.3%

LAB 21.17, 50.35, -58.49

 

CMYK 60 / 100 / 0 / 53

HEX #310079

RGB 49 0 121

HSL 264.3, 1%, 0.24%

LAB 15.66, 47.28, -55.65

 

CMYK 41 / 68 / 0 / 23

HEX #743FC4

RGB 116 63 196

HSL 263.91, 0.53%, 0.51%

LAB 40, 50.67, -61.16

 

CMYK 23 / 68 / 0 / 23

HEX #973FC4

RGB 151 63 196

HSL 279.7, 0.53%, 0.51%

LAB 44.4, 57.86, -53.83

 

CMYK 5 / 68 / 0 / 23

HEX #BB3FC4

RGB 187 63 196

HSL 295.94, 0.53%, 0.51%

LAB 49.62, 65.82, -45.19

 

CMYK 0 / 68 / 14 / 23

HEX #C43FA9

RGB 196 63 169

HSL 312.18, 0.53%, 0.51%

LAB 49.68, 63.64, -29.23

 

CMYK 0 / 68 / 32 / 23

HEX #C43F85

RGB 196 63 133

HSL 328.42, 0.53%, 0.51%

LAB 48.24, 58.84, -9.97

 

CMYK 41 / 68 / 0 / 23

HEX #743FC4

RGB 116 63 196

HSL 263.91, 0.53%, 0.51%

LAB 40, 50.67, -61.16

 

CMYK 59 / 68 / 0 / 23

HEX #503FC4

RGB 80 63 196

HSL 247.67, 0.53%, 0.51%

LAB 36.45, 44.41, -67.1

 

CMYK 68 / 68 / 0 / 23

HEX #3F3FC4

RGB 63 63 196

HSL 240, 0.53%, 0.51%

LAB 35.2, 42.06, -69.21

 

CMYK 41 / 68 / 0 / 23

HEX #743FC4

RGB 116 63 196

HSL 263.91, 0.53%, 0.51%

LAB 40, 50.67, -61.16

 

CMYK 49 / 80 / 0 / 15

HEX #6F2BD8

RGB 111 43 216

HSL 263.58, 0.69%, 0.51%

LAB 37.96, 63.89, -76.11

 

CMYK 55 / 90 / 0 / 7

HEX #6B17EC

RGB 107 23 236

HSL 263.66, 0.85%, 0.51%

LAB 37.47, 74.22, -88.36

 

CMYK 41 / 68 / 0 / 23

HEX #743FC4

RGB 116 63 196

HSL 263.91, 0.53%, 0.51%

LAB 40, 50.67, -61.16

 

CMYK 32 / 52 / 0 / 31

HEX #7854B0

RGB 120 84 176

HSL 263.48, 0.37%, 0.51%

LAB 43.46, 34.78, -43.86

 

CMYK 20 / 33 / 0 / 39

HEX #7C689B

RGB 124 104 155

HSL 263.53, 0.2%, 0.51%

LAB 47.69, 18.74, -24.79

 

CMYK 5 / 8 / 0 / 47

HEX #807C87

RGB 128 124 135

HSL 261.82, 0.04%, 0.51%

LAB 52.68, 3.74, -5.43

 

CMYK 8 / 0 / 20 / 44

HEX #859073

RGB 133 144 115

HSL 82.76, 0.12%, 0.51%

LAB 58.2, -9.42, 14.1

 

CMYK 68 / 58 / 0 / 23

HEX #3F53C4

RGB 63 83 196

HSL 230.98, 0.53%, 0.51%

LAB 39.96, 29.62, -61.43

 

CMYK 60 / 68 / 0 / 23

HEX #4F3FC4

RGB 79 63 196

HSL 247.22, 0.53%, 0.51%

LAB 36.37, 44.25, -67.24

 

CMYK 42 / 68 / 0 / 23

HEX #723FC4

RGB 114 63 196

HSL 263.01, 0.53%, 0.51%

LAB 39.78, 50.28, -61.54

 

CMYK 24 / 68 / 0 / 23

HEX #953FC4

RGB 149 63 196

HSL 278.8, 0.53%, 0.51%

LAB 44.13, 57.43, -54.28

 

CMYK 6 / 68 / 0 / 23

HEX #B93FC4

RGB 185 63 196

HSL 295.04, 0.53%, 0.51%

LAB 49.32, 65.37, -45.69

 

CMYK 42 / 70 / 0 / 47

HEX #4E2987

RGB 78 41 135

HSL 263.62, 0.53%, 0.35%

LAB 26.61, 38.25, -46.41

 

CMYK 42 / 69 / 0 / 35

HEX #6133A7

RGB 97 51 167

HSL 263.79, 0.53%, 0.43%

LAB 33.35, 45.49, -54.93

 

CMYK 41 / 68 / 0 / 23

HEX #743FC4

RGB 116 63 196

HSL 263.91, 0.53%, 0.51%

LAB 40, 50.67, -61.16

 

CMYK 33 / 54 / 0 / 20

HEX #8A5FCD

RGB 138 95 205

HSL 263.45, 0.52%, 0.59%

LAB 49.49, 40.58, -50.95

 

CMYK 25 / 41 / 0 / 16

HEX #A17ED7

RGB 161 126 215

HSL 263.6, 0.53%, 0.67%

LAB 59.35, 31.63, -40.85

 

CMYK 41 / 67 / 0 / 23

HEX #7541C5

RGB 117 65 197

HSL 263.64, 0.53%, 0.51%

LAB 40.56, 50.1, -60.83

 

CMYK 0 / 68 / 39 / 23

HEX #C43F77

RGB 196 63 119

HSL 334.74, 0.53%, 0.51%

LAB 47.78, 57.27, -2.17

 

CMYK 66 / 0 / 68 / 23

HEX #42C43F

RGB 66 196 63

HSL 118.65, 0.53%, 0.51%

LAB 70.17, -60.39, 54.28

 

CMYK 41 / 67 / 0 / 23

HEX #7541C5

RGB 117 65 197

HSL 263.64, 0.53%, 0.51%

LAB 40.56, 50.1, -60.83

 

CMYK 0 / 42 / 68 / 23

HEX #C4723F

RGB 196 114 63

HSL 23.01, 0.53%, 0.51%

LAB 56.22, 27.94, 41.46

 

CMYK 68 / 0 / 42 / 23

HEX #3FC472

RGB 63 196 114

HSL 143.01, 0.53%, 0.51%

LAB 70.7, -54.08, 30.94

 

CMYK 41 / 67 / 0 / 23

HEX #7541C5

RGB 117 65 197

HSL 263.64, 0.53%, 0.51%

LAB 40.56, 50.1, -60.83

 

CMYK 0 / 68 / 39 / 23

HEX #C43F77

RGB 196 63 119

HSL 334.74, 0.53%, 0.51%

LAB 47.78, 57.27, -2.17

 

CMYK 26 / 0 / 68 / 23

HEX #91C43F

RGB 145 196 63

HSL 83.01, 0.53%, 0.51%

LAB 73.45, -36.61, 58.74

 

CMYK 68 / 0 / 28 / 23

HEX #3FC48D

RGB 63 196 141

HSL 155.19, 0.53%, 0.51%

LAB 71.19, -48.76, 17.36

 

CMYK 41 / 67 / 0 / 23

HEX #7541C5

RGB 117 65 197

HSL 263.64, 0.53%, 0.51%

LAB 40.56, 50.1, -60.83

 

CMYK 0 / 68 / 60 / 23

HEX #C43F4F

RGB 196 63 79

HSL 352.78, 0.53%, 0.51%

LAB 46.78, 53.76, 20.84

 

CMYK 26 / 0 / 68 / 23

HEX #91C43F

RGB 145 196 63

HSL 83.01, 0.53%, 0.51%

LAB 73.45, -36.61, 58.74

 

CMYK 68 / 0 / 8 / 23

HEX #3FC4B4

RGB 63 196 180

HSL 172.78, 0.53%, 0.51%

LAB 72.12, -39.27, -2.44

 

Description

Color code: HEX #7541C5 | qconv.com Color code: HEX #7541C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 65 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 65 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 67 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 67% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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