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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7534A6 it is the complementary color #8ACB59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7534A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7534A6 shade: #7A34A1, #8B46B4, #9C58C7, #AD6ADA and #BE7CED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7534A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7534A6 shade: #7534A6, #642293, #531080, #42006D and #31005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7534A6 shade: #7534A6, #9434A6, #A6349A, #A6347B and #A6345C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7534A6 shade: #7534A6, #5634A6, #3834A6 and #3434A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7534A6 shade matches the following richer shades: #7534A6, #7822B8 and #7A11CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7534A6 shade: #7534A6, #734694, #705883, #6E6971 and #6B7B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7534A6 shade: #3834A6, #5634A6, #7534A6, #9334A6 and #A6349B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7534A6 shade: #492067, #5F2A87, #7534A6, #8B41C3 and #9E60CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7534A6 shade: #7534A6, #A6344F and #34A647

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7534A6 shade: #7534A6, #A67534 and #34A675

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7534A6 shade: #7534A6, #A6344F, #66A634 and #34A68C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7534A6 shade: #7534A6, #A63C34, #66A634 and #349FA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

Complementary color

CMYK 32 / 0 / 56 / 20

HEX #8ACB59

RGB 138 203 89

HSL 94.21, 0.52%, 0.57%

LAB 75.35, -40.07, 49.58

 

CMYK 24 / 68 / 0 / 37

HEX #7A34A1

RGB 122 52 161

HSL 278.53, 0.51%, 0.42%

LAB 36.3, 48.82, -46.38

 

CMYK 23 / 61 / 0 / 29

HEX #8B46B4

RGB 139 70 180

HSL 277.64, 0.44%, 0.49%

LAB 43.01, 48.28, -46.8

 

CMYK 22 / 56 / 0 / 22

HEX #9C58C7

RGB 156 88 199

HSL 276.76, 0.5%, 0.56%

LAB 49.7, 47.53, -47.05

 

CMYK 21 / 51 / 0 / 15

HEX #AD6ADA

RGB 173 106 218

HSL 275.89, 0.6%, 0.64%

LAB 56.34, 46.71, -47.2

 

CMYK 20 / 48 / 0 / 7

HEX #BE7CED

RGB 190 124 237

HSL 275.04, 0.76%, 0.71%

LAB 62.91, 45.87, -47.3

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 32 / 77 / 0 / 42

HEX #642293

RGB 100 34 147

HSL 275.04, 0.62%, 0.35%

LAB 29.31, 49.05, -49.32

 

CMYK 35 / 88 / 0 / 50

HEX #531080

RGB 83 16 128

HSL 275.89, 0.78%, 0.28%

LAB 22.89, 48.24, -48.04

 

CMYK 39 / 100 / 0 / 57

HEX #42006D

RGB 66 0 109

HSL 276.33, 1%, 0.21%

LAB 16.81, 46.02, -45.9

 

CMYK 46 / 100 / 0 / 65

HEX #31005A

RGB 49 0 90

HSL 272.67, 1%, 0.18%

LAB 11.9, 39.71, -41.46

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 11 / 69 / 0 / 35

HEX #9434A6

RGB 148 52 166

HSL 290.53, 0.52%, 0.43%

LAB 40.42, 55.81, -42.58

 

CMYK 0 / 69 / 7 / 35

HEX #A6349A

RGB 166 52 154

HSL 306.32, 0.52%, 0.43%

LAB 42.61, 58, -31.73

 

CMYK 0 / 69 / 26 / 35

HEX #A6347B

RGB 166 52 123

HSL 322.63, 0.52%, 0.43%

LAB 41.21, 53.42, -15.01

 

CMYK 0 / 69 / 45 / 35

HEX #A6345C

RGB 166 52 92

HSL 338.95, 0.52%, 0.43%

LAB 40.14, 49.78, 2.76

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 48 / 69 / 0 / 35

HEX #5634A6

RGB 86 52 166

HSL 257.89, 0.52%, 0.43%

LAB 32.23, 42.59, -56.2

 

CMYK 66 / 69 / 0 / 35

HEX #3834A6

RGB 56 52 166

HSL 242.11, 0.52%, 0.43%

LAB 29.54, 37.71, -60.71

 

CMYK 69 / 69 / 0 / 35

HEX #3434A6

RGB 52 52 166

HSL 240, 0.52%, 0.43%

LAB 29.26, 37.18, -61.18

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 35 / 82 / 0 / 28

HEX #7822B8

RGB 120 34 184

HSL 274.4, 0.69%, 0.43%

LAB 35.2, 60.86, -61.92

 

CMYK 40 / 92 / 0 / 21

HEX #7A11CA

RGB 122 17 202

HSL 274.05, 0.84%, 0.43%

LAB 35.6, 69.35, -71.82

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 22 / 53 / 0 / 42

HEX #734694

RGB 115 70 148

HSL 274.62, 0.36%, 0.43%

LAB 38.13, 34.48, -35.65

 

CMYK 15 / 33 / 0 / 49

HEX #705883

RGB 112 88 131

HSL 273.49, 0.2%, 0.43%

LAB 41.32, 18.68, -20.38

 

CMYK 3 / 7 / 0 / 56

HEX #6E6971

RGB 110 105 113

HSL 277.5, 0.04%, 0.43%

LAB 45.1, 3.59, -3.78

 

CMYK 13 / 0 / 23 / 52

HEX #6B7B5F

RGB 107 123 95

HSL 94.29, 0.13%, 0.43%

LAB 49.64, -11.46, 13.39

 

CMYK 66 / 69 / 0 / 35

HEX #3834A6

RGB 56 52 166

HSL 242.11, 0.52%, 0.43%

LAB 29.54, 37.71, -60.71

 

CMYK 48 / 69 / 0 / 35

HEX #5634A6

RGB 86 52 166

HSL 257.89, 0.52%, 0.43%

LAB 32.23, 42.59, -56.2

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 11 / 69 / 0 / 35

HEX #9334A6

RGB 147 52 166

HSL 290, 0.52%, 0.43%

LAB 40.27, 55.58, -42.83

 

CMYK 0 / 69 / 7 / 35

HEX #A6349B

RGB 166 52 155

HSL 305.79, 0.52%, 0.43%

LAB 42.66, 58.16, -32.25

 

CMYK 29 / 69 / 0 / 60

HEX #492067

RGB 73 32 103

HSL 274.65, 0.53%, 0.26%

LAB 21.69, 33.42, -33.99

 

CMYK 30 / 69 / 0 / 47

HEX #5F2A87

RGB 95 42 135

HSL 274.19, 0.53%, 0.35%

LAB 29, 41.45, -42.43

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 29 / 67 / 0 / 24

HEX #8B41C3

RGB 139 65 195

HSL 274.15, 0.52%, 0.51%

LAB 43.08, 54.15, -55.47

 

CMYK 23 / 53 / 0 / 20

HEX #9E60CD

RGB 158 96 205

HSL 274.13, 0.52%, 0.59%

LAB 51.89, 45.17, -47

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 0 / 69 / 52 / 35

HEX #A6344F

RGB 166 52 79

HSL 345.79, 0.52%, 0.43%

LAB 39.79, 48.57, 10.46

 

CMYK 69 / 0 / 57 / 35

HEX #34A647

RGB 52 166 71

HSL 130, 0.52%, 0.43%

LAB 60.3, -51.71, 39.54

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 0 / 30 / 69 / 35

HEX #A67534

RGB 166 117 52

HSL 34.21, 0.52%, 0.43%

LAB 53.03, 12.69, 42.41

 

CMYK 69 / 0 / 30 / 35

HEX #34A675

RGB 52 166 117

HSL 154.21, 0.52%, 0.43%

LAB 61.03, -43.52, 16.32

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 0 / 69 / 52 / 35

HEX #A6344F

RGB 166 52 79

HSL 345.79, 0.52%, 0.43%

LAB 39.79, 48.57, 10.46

 

CMYK 39 / 0 / 69 / 35

HEX #66A634

RGB 102 166 52

HSL 93.68, 0.52%, 0.43%

LAB 61.95, -39.92, 50.4

 

CMYK 69 / 0 / 16 / 35

HEX #34A68C

RGB 52 166 140

HSL 166.32, 0.52%, 0.43%

LAB 61.56, -38, 4.26

 

CMYK 30 / 69 / 0 / 35

HEX #7534A6

RGB 117 52 166

HSL 274.21, 0.52%, 0.43%

LAB 35.97, 48.86, -49.96

 

CMYK 0 / 64 / 69 / 35

HEX #A63C34

RGB 166 60 52

HSL 4.21, 0.52%, 0.43%

LAB 40.55, 43.17, 28.16

 

CMYK 39 / 0 / 69 / 35

HEX #66A634

RGB 102 166 52

HSL 93.68, 0.52%, 0.43%

LAB 61.95, -39.92, 50.4

 

CMYK 69 / 4 / 0 / 35

HEX #349FA6

RGB 52 159 166

HSL 183.68, 0.52%, 0.43%

LAB 60.14, -27.38, -12.49

 

Description

Color code: HEX #7534A6 | qconv.com Color code: HEX #7534A6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 52 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 52 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 69 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 69% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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