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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #752F56 it is the complementary color #8AD0A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #752F56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #752F56 shade: #7A2F51, #8B4164, #9C5377, #AD658A and #BE779D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #752F56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #752F56 shade: #752F56, #641D43, #530B30, #42001D and #31000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #752F56 shade: #742E55, #742E42, #742E2F and #742E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #752F56 shade: #742E55, #742E68, #6D2E74, #5A2E74 and #482E74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #752F56 shade matches the following richer shades: #742E55, #812157, #8F1458 and #9C065A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #752F56 shade: #742E55, #673B54, #5A4852, #4D5651 and #3F634F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #752F56 shade: #6D2E74, #742E68, #742E56, #742E43 and #742E30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #752F56 shade: #39162A, #57223F, #742E55, #923A6B and #AF4680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #752F56 shade: #752F56, #745A2E and #2E7274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #752F56 shade: #752F56, #56742E and #2E5674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #752F56 shade: #752F56, #745A2E, #2E744C and #2E4874

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #752F56 shade: #752F56, #74702E, #2E744C and #2E3374

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 26 / 54

HEX #752F56

RGB 117 47 86

HSL 326.57, 0.43%, 0.32%

LAB 30.61, 35.4, -8.43

 

Complementary color

CMYK 34 / 0 / 19 / 18

HEX #8AD0A9

RGB 138 208 169

HSL 146.57, 0.43%, 0.68%

LAB 78.1, -30.28, 12.47

 

CMYK 0 / 61 / 34 / 52

HEX #7A2F51

RGB 122 47 81

HSL 332.8, 0.44%, 0.33%

LAB 31.27, 36.4, -4.1

 

CMYK 0 / 53 / 28 / 45

HEX #8B4164

RGB 139 65 100

HSL 331.62, 0.36%, 0.4%

LAB 38.18, 35.69, -5.67

 

CMYK 0 / 47 / 24 / 39

HEX #9C5377

RGB 156 83 119

HSL 330.41, 0.31%, 0.47%

LAB 45.06, 34.85, -6.89

 

CMYK 0 / 42 / 20 / 32

HEX #AD658A

RGB 173 101 138

HSL 329.17, 0.31%, 0.54%

LAB 51.87, 34.01, -7.88

 

CMYK 0 / 37 / 17 / 25

HEX #BE779D

RGB 190 119 157

HSL 327.89, 0.35%, 0.61%

LAB 58.58, 33.19, -8.73

 

CMYK 0 / 60 / 26 / 54

HEX #752F56

RGB 117 47 86

HSL 326.57, 0.43%, 0.32%

LAB 30.61, 35.4, -8.43

 

CMYK 0 / 71 / 33 / 61

HEX #641D43

RGB 100 29 67

HSL 327.89, 0.55%, 0.25%

LAB 23.65, 35.73, -6.58

 

CMYK 0 / 87 / 42 / 67

HEX #530B30

RGB 83 11 48

HSL 329.17, 0.77%, 0.18%

LAB 16.95, 35.03, -3.71

 

CMYK 0 / 100 / 56 / 74

HEX #42001D

RGB 66 0 29

HSL 333.64, 1%, 0.13%

LAB 10.9, 32.13, 0.99

 

CMYK 0 / 100 / 80 / 81

HEX #31000A

RGB 49 0 10

HSL 347.76, 1%, 0.1%

LAB 6.1, 24.99, 5.54

 

CMYK 0 / 60 / 27 / 55

HEX #742E55

RGB 116 46 85

HSL 326.57, 0.43%, 0.32%

LAB 30.21, 35.42, -8.39

 

CMYK 0 / 60 / 43 / 55

HEX #742E42

RGB 116 46 66

HSL 342.86, 0.43%, 0.32%

LAB 29.56, 32.87, 3.13

 

CMYK 0 / 60 / 59 / 55

HEX #742E2F

RGB 116 46 47

HSL 359.14, 0.43%, 0.32%

LAB 29.09, 30.93, 14.98

 

CMYK 0 / 60 / 60 / 55

HEX #742E2E

RGB 116 46 46

HSL 0, 0.43%, 0.32%

LAB 29.07, 30.84, 15.6

 

CMYK 0 / 60 / 27 / 55

HEX #742E55

RGB 116 46 85

HSL 326.57, 0.43%, 0.32%

LAB 30.21, 35.42, -8.39

 

CMYK 0 / 60 / 10 / 55

HEX #742E68

RGB 116 46 104

HSL 310.29, 0.43%, 0.32%

LAB 31.04, 38.52, -19.42

 

CMYK 6 / 60 / 0 / 55

HEX #6D2E74

RGB 109 46 116

HSL 294, 0.43%, 0.32%

LAB 30.56, 38.74, -27.88

 

CMYK 22 / 60 / 0 / 55

HEX #5A2E74

RGB 90 46 116

HSL 277.71, 0.43%, 0.32%

LAB 27.81, 33.38, -32.41

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 0 / 60 / 27 / 55

HEX #742E55

RGB 116 46 85

HSL 326.57, 0.43%, 0.32%

LAB 30.21, 35.42, -8.39

 

CMYK 0 / 74 / 33 / 49

HEX #812157

RGB 129 33 87

HSL 326.25, 0.59%, 0.32%

LAB 30.5, 45.54, -9.03

 

CMYK 0 / 86 / 38 / 44

HEX #8F1458

RGB 143 20 88

HSL 326.83, 0.75%, 0.32%

LAB 31.91, 53.34, -7.3

 

CMYK 0 / 96 / 42 / 39

HEX #9C065A

RGB 156 6 90

HSL 326.4, 0.93%, 0.32%

LAB 33.85, 59.01, -5.42

 

CMYK 0 / 60 / 27 / 55

HEX #742E55

RGB 116 46 85

HSL 326.57, 0.43%, 0.32%

LAB 30.21, 35.42, -8.39

 

CMYK 0 / 43 / 18 / 60

HEX #673B54

RGB 103 59 84

HSL 325.91, 0.27%, 0.32%

LAB 31, 23.25, -6.76

 

CMYK 0 / 20 / 9 / 65

HEX #5A4852

RGB 90 72 82

HSL 326.67, 0.11%, 0.32%

LAB 32.74, 9.56, -3.05

 

CMYK 10 / 0 / 6 / 66

HEX #4D5651

RGB 77 86 81

HSL 146.67, 0.06%, 0.32%

LAB 35.65, -4.67, 1.69

 

CMYK 36 / 0 / 20 / 61

HEX #3F634F

RGB 63 99 79

HSL 146.67, 0.22%, 0.32%

LAB 38.8, -17.8, 7.32

 

CMYK 6 / 60 / 0 / 55

HEX #6D2E74

RGB 109 46 116

HSL 294, 0.43%, 0.32%

LAB 30.56, 38.74, -27.88

 

CMYK 0 / 60 / 10 / 55

HEX #742E68

RGB 116 46 104

HSL 310.29, 0.43%, 0.32%

LAB 31.04, 38.52, -19.42

 

CMYK 0 / 60 / 26 / 55

HEX #742E56

RGB 116 46 86

HSL 325.71, 0.43%, 0.32%

LAB 30.25, 35.57, -8.99

 

CMYK 0 / 60 / 42 / 55

HEX #742E43

RGB 116 46 67

HSL 342, 0.43%, 0.32%

LAB 29.59, 32.98, 2.51

 

CMYK 0 / 60 / 59 / 55

HEX #742E30

RGB 116 46 48

HSL 358.29, 0.43%, 0.32%

LAB 29.11, 31.01, 14.35

 

CMYK 0 / 61 / 26 / 78

HEX #39162A

RGB 57 22 42

HSL 325.71, 0.44%, 0.15%

LAB 13.3, 20.25, -5.37

 

CMYK 0 / 61 / 28 / 66

HEX #57223F

RGB 87 34 63

HSL 327.17, 0.44%, 0.24%

LAB 22.05, 28.21, -6.49

 

CMYK 0 / 60 / 27 / 55

HEX #742E55

RGB 116 46 85

HSL 326.57, 0.43%, 0.32%

LAB 30.21, 35.42, -8.39

 

CMYK 0 / 60 / 27 / 43

HEX #923A6B

RGB 146 58 107

HSL 326.59, 0.43%, 0.4%

LAB 38.2, 42.59, -9.93

 

CMYK 0 / 60 / 27 / 31

HEX #AF4680

RGB 175 70 128

HSL 326.86, 0.43%, 0.48%

LAB 45.71, 49.02, -11.1

 

CMYK 0 / 60 / 26 / 54

HEX #752F56

RGB 117 47 86

HSL 326.57, 0.43%, 0.32%

LAB 30.61, 35.4, -8.43

 

CMYK 0 / 22 / 60 / 55

HEX #745A2E

RGB 116 90 46

HSL 37.71, 0.43%, 0.32%

LAB 39.95, 5.06, 29.15

 

CMYK 60 / 2 / 0 / 55

HEX #2E7274

RGB 46 114 116

HSL 181.71, 0.43%, 0.32%

LAB 44.06, -20.51, -7.55

 

CMYK 0 / 60 / 26 / 54

HEX #752F56

RGB 117 47 86

HSL 326.57, 0.43%, 0.32%

LAB 30.61, 35.4, -8.43

 

CMYK 26 / 0 / 60 / 55

HEX #56742E

RGB 86 116 46

HSL 85.71, 0.43%, 0.32%

LAB 45.17, -23.19, 34.54

 

CMYK 60 / 26 / 0 / 55

HEX #2E5674

RGB 46 86 116

HSL 205.71, 0.43%, 0.32%

LAB 35, -4.35, -21.35

 

CMYK 0 / 60 / 26 / 54

HEX #752F56

RGB 117 47 86

HSL 326.57, 0.43%, 0.32%

LAB 30.61, 35.4, -8.43

 

CMYK 0 / 22 / 60 / 55

HEX #745A2E

RGB 116 90 46

HSL 37.71, 0.43%, 0.32%

LAB 39.95, 5.06, 29.15

 

CMYK 60 / 0 / 34 / 55

HEX #2E744C

RGB 46 116 76

HSL 145.71, 0.43%, 0.32%

LAB 43.64, -31.95, 15.7

 

CMYK 60 / 38 / 0 / 55

HEX #2E4874

RGB 46 72 116

HSL 217.71, 0.43%, 0.32%

LAB 30.58, 4.68, -28.27

 

CMYK 0 / 60 / 26 / 54

HEX #752F56

RGB 117 47 86

HSL 326.57, 0.43%, 0.32%

LAB 30.61, 35.4, -8.43

 

CMYK 0 / 3 / 60 / 55

HEX #74702E

RGB 116 112 46

HSL 56.57, 0.43%, 0.32%

LAB 46.31, -7.77, 36.46

 

CMYK 60 / 0 / 34 / 55

HEX #2E744C

RGB 46 116 76

HSL 145.71, 0.43%, 0.32%

LAB 43.64, -31.95, 15.7

 

CMYK 60 / 56 / 0 / 55

HEX #2E3374

RGB 46 51 116

HSL 235.71, 0.43%, 0.32%

LAB 24.35, 19.03, -38.22

 

Description

Color code: HEX #752F56 | qconv.com Color code: HEX #752F56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 47 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 47 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 26 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 26% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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