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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75238A it is the complementary color #8ADC75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75238A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75238A shade: #7A2385, #8B3598, #9C47AB, #AD59BE and #BE6BD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75238A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75238A shade: #75238A, #641177, #530064, #420051 and #31003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75238A shade: #75228A, #8A2283, #8A2267, #8A224B and #8A222F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75238A shade: #75228A, #59228A, #3D228A and #22228A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75238A shade matches the following richer shades: #75228A, #7D1498 and #8606A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75238A shade: #75228A, #6D307C, #643E6E, #5C4C60 and #545A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75238A shade: #3C228A, #58228A, #74228A, #8A2285 and #8A2269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75238A shade: #3D1248, #591A69, #75228A, #912AAB and #AD33CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75238A shade: #75238A, #8A2224 and #228A4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75238A shade: #75238A, #8A7422 and #228A74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75238A shade: #75238A, #8A2224, #398A22 and #228A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75238A shade: #75238A, #8A4022, #398A22 and #226D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 75 / 0 / 46

HEX #75238A

RGB 117 35 138

HSL 287.77, 0.6%, 0.34%

LAB 31.39, 50.16, -40.27

 

Complementary color

CMYK 37 / 0 / 47 / 14

HEX #8ADC75

RGB 138 220 117

HSL 107.77, 0.6%, 0.66%

LAB 80.67, -44.23, 42.7

 

CMYK 8 / 74 / 0 / 48

HEX #7A2385

RGB 122 35 133

HSL 293.27, 0.58%, 0.33%

LAB 31.88, 50.3, -36.33

 

CMYK 9 / 65 / 0 / 40

HEX #8B3598

RGB 139 53 152

HSL 292.12, 0.48%, 0.4%

LAB 38.38, 50.53, -37.48

 

CMYK 9 / 58 / 0 / 33

HEX #9C47AB

RGB 156 71 171

HSL 291, 0.41%, 0.47%

LAB 44.96, 50.22, -38.25

 

CMYK 9 / 53 / 0 / 25

HEX #AD59BE

RGB 173 89 190

HSL 289.9, 0.44%, 0.55%

LAB 51.55, 49.65, -38.8

 

CMYK 9 / 49 / 0 / 18

HEX #BE6BD1

RGB 190 107 209

HSL 288.82, 0.53%, 0.62%

LAB 58.1, 48.95, -39.21

 

CMYK 15 / 75 / 0 / 46

HEX #75238A

RGB 117 35 138

HSL 287.77, 0.6%, 0.34%

LAB 31.39, 50.16, -40.27

 

CMYK 16 / 86 / 0 / 53

HEX #641177

RGB 100 17 119

HSL 288.82, 0.75%, 0.27%

LAB 25.08, 48.99, -38.62

 

CMYK 17 / 100 / 0 / 61

HEX #530064

RGB 83 0 100

HSL 289.8, 1%, 0.2%

LAB 19.05, 46.52, -36.19

 

CMYK 19 / 100 / 0 / 68

HEX #420051

RGB 66 0 81

HSL 288.89, 1%, 0.16%

LAB 14.13, 40.07, -31.56

 

CMYK 21 / 100 / 0 / 76

HEX #31003E

RGB 49 0 62

HSL 287.42, 1%, 0.12%

LAB 9, 33.35, -26.75

 

CMYK 15 / 75 / 0 / 46

HEX #75228A

RGB 117 34 138

HSL 287.88, 0.6%, 0.34%

LAB 31.26, 50.55, -40.49

 

CMYK 0 / 75 / 5 / 46

HEX #8A2283

RGB 138 34 131

HSL 304.04, 0.6%, 0.34%

LAB 34.37, 54, -30.97

 

CMYK 0 / 75 / 25 / 46

HEX #8A2267

RGB 138 34 103

HSL 320.19, 0.6%, 0.34%

LAB 32.98, 49.78, -15.47

 

CMYK 0 / 75 / 46 / 46

HEX #8A224B

RGB 138 34 75

HSL 336.35, 0.6%, 0.34%

LAB 31.93, 46.46, 1.14

 

CMYK 0 / 75 / 66 / 46

HEX #8A222F

RGB 138 34 47

HSL 352.5, 0.6%, 0.34%

LAB 31.24, 44.17, 18.57

 

CMYK 15 / 75 / 0 / 46

HEX #75228A

RGB 117 34 138

HSL 287.88, 0.6%, 0.34%

LAB 31.26, 50.55, -40.49

 

CMYK 36 / 75 / 0 / 46

HEX #59228A

RGB 89 34 138

HSL 271.73, 0.6%, 0.34%

LAB 27.03, 44.77, -47.53

 

CMYK 56 / 75 / 0 / 46

HEX #3D228A

RGB 61 34 138

HSL 255.58, 0.6%, 0.34%

LAB 23.58, 39.83, -53.31

 

CMYK 75 / 75 / 0 / 46

HEX #22228A

RGB 34 34 138

HSL 240, 0.6%, 0.34%

LAB 21.28, 36.38, -57.17

 

CMYK 15 / 75 / 0 / 46

HEX #75228A

RGB 117 34 138

HSL 287.88, 0.6%, 0.34%

LAB 31.26, 50.55, -40.49

 

CMYK 18 / 87 / 0 / 40

HEX #7D1498

RGB 125 20 152

HSL 287.73, 0.77%, 0.34%

LAB 32.09, 59.09, -47.69

 

CMYK 19 / 96 / 0 / 35

HEX #8606A6

RGB 134 6 166

HSL 288, 0.93%, 0.34%

LAB 33.88, 65.48, -53.22

 

CMYK 15 / 75 / 0 / 46

HEX #75228A

RGB 117 34 138

HSL 287.88, 0.6%, 0.34%

LAB 31.26, 50.55, -40.49

 

CMYK 12 / 61 / 0 / 51

HEX #6D307C

RGB 109 48 124

HSL 288.16, 0.44%, 0.34%

LAB 31.39, 39.39, -31.6

 

CMYK 9 / 44 / 0 / 57

HEX #643E6E

RGB 100 62 110

HSL 287.5, 0.28%, 0.34%

LAB 32.44, 25.62, -21.23

 

CMYK 4 / 21 / 0 / 62

HEX #5C4C60

RGB 92 76 96

HSL 288, 0.12%, 0.34%

LAB 34.58, 10.81, -9.18

 

CMYK 7 / 0 / 9 / 65

HEX #545A52

RGB 84 90 82

HSL 105, 0.05%, 0.34%

LAB 37.49, -4.07, 3.8

 

CMYK 57 / 75 / 0 / 46

HEX #3C228A

RGB 60 34 138

HSL 255, 0.6%, 0.34%

LAB 23.47, 39.68, -53.49

 

CMYK 36 / 75 / 0 / 46

HEX #58228A

RGB 88 34 138

HSL 271.15, 0.6%, 0.34%

LAB 26.89, 44.58, -47.76

 

CMYK 16 / 75 / 0 / 46

HEX #74228A

RGB 116 34 138

HSL 287.31, 0.6%, 0.34%

LAB 31.1, 50.33, -40.75

 

CMYK 0 / 75 / 4 / 46

HEX #8A2285

RGB 138 34 133

HSL 302.88, 0.6%, 0.34%

LAB 34.48, 54.33, -32.03

 

CMYK 0 / 75 / 24 / 46

HEX #8A2269

RGB 138 34 105

HSL 319.04, 0.6%, 0.34%

LAB 33.06, 50.05, -16.61

 

CMYK 15 / 75 / 0 / 72

HEX #3D1248

RGB 61 18 72

HSL 287.78, 0.6%, 0.18%

LAB 14.91, 30.04, -24.15

 

CMYK 15 / 75 / 0 / 59

HEX #591A69

RGB 89 26 105

HSL 287.85, 0.6%, 0.26%

LAB 23.28, 40.66, -32.6

 

CMYK 15 / 75 / 0 / 46

HEX #75228A

RGB 117 34 138

HSL 287.88, 0.6%, 0.34%

LAB 31.26, 50.55, -40.49

 

CMYK 15 / 75 / 0 / 33

HEX #912AAB

RGB 145 42 171

HSL 287.91, 0.61%, 0.42%

LAB 38.93, 59.93, -47.98

 

CMYK 15 / 75 / 0 / 20

HEX #AD33CC

RGB 173 51 204

HSL 287.84, 0.6%, 0.5%

LAB 46.46, 68.6, -54.99

 

CMYK 15 / 75 / 0 / 46

HEX #75238A

RGB 117 35 138

HSL 287.77, 0.6%, 0.34%

LAB 31.39, 50.16, -40.27

 

CMYK 0 / 75 / 74 / 46

HEX #8A2224

RGB 138 34 36

HSL 358.85, 0.6%, 0.34%

LAB 31.05, 43.55, 25.38

 

CMYK 75 / 0 / 46 / 46

HEX #228A4A

RGB 34 138 74

HSL 143.08, 0.6%, 0.34%

LAB 50.7, -43.96, 26.08

 

CMYK 15 / 75 / 0 / 46

HEX #75238A

RGB 117 35 138

HSL 287.77, 0.6%, 0.34%

LAB 31.39, 50.16, -40.27

 

CMYK 0 / 16 / 75 / 46

HEX #8A7422

RGB 138 116 34

HSL 47.31, 0.6%, 0.34%

LAB 49.51, -0.56, 45.95

 

CMYK 75 / 0 / 16 / 46

HEX #228A74

RGB 34 138 116

HSL 167.31, 0.6%, 0.34%

LAB 51.59, -34.36, 3.48

 

CMYK 15 / 75 / 0 / 46

HEX #75238A

RGB 117 35 138

HSL 287.77, 0.6%, 0.34%

LAB 31.39, 50.16, -40.27

 

CMYK 0 / 75 / 74 / 46

HEX #8A2224

RGB 138 34 36

HSL 358.85, 0.6%, 0.34%

LAB 31.05, 43.55, 25.38

 

CMYK 59 / 0 / 75 / 46

HEX #398A22

RGB 57 138 34

HSL 106.73, 0.6%, 0.34%

LAB 50.88, -44.12, 45.5

 

CMYK 75 / 0 / 1 / 46

HEX #228A88

RGB 34 138 136

HSL 178.85, 0.6%, 0.34%

LAB 52.17, -28.57, -7.28

 

CMYK 15 / 75 / 0 / 46

HEX #75238A

RGB 117 35 138

HSL 287.77, 0.6%, 0.34%

LAB 31.39, 50.16, -40.27

 

CMYK 0 / 54 / 75 / 46

HEX #8A4022

RGB 138 64 34

HSL 17.31, 0.6%, 0.34%

LAB 36.34, 29.37, 32.48

 

CMYK 59 / 0 / 75 / 46

HEX #398A22

RGB 57 138 34

HSL 106.73, 0.6%, 0.34%

LAB 50.88, -44.12, 45.5

 

CMYK 75 / 21 / 0 / 46

HEX #226D8A

RGB 34 109 138

HSL 196.73, 0.6%, 0.34%

LAB 42.93, -12.47, -22.49

 

Description

Color code: HEX #75238A | qconv.com Color code: HEX #75238A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 35 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 35 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 75 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 75% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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