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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #751CF3 it is the complementary color #8AE30C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #751CF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #751CF3 shade: #7A1CEE, #8B2EFF, #9C40FF, #AD52FF and #BE64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #751CF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #751CF3 shade: #751CF3, #640AE0, #5300CD, #4200BA and #3100A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #751CF3 shade: #741BF3, #AE1BF3, #E81BF3, #F31BC2 and #F31B88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #751CF3 shade: #741BF3, #3A1BF3 and #1B1BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #751CF3 shade matches the following richer shades: #741BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #751CF3 shade: #741BF3, #772EDF, #7B42CC, #7E55B8 and #8168A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #751CF3 shade: #1B38F3, #381BF3, #711BF3, #AB1BF3 and #E41BF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #751CF3 shade: #4F09B2, #600BD9, #741BF3, #8C42F5 and #A469F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #751CF3 shade: #751CF3, #F31B71 and #1BF31B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #751CF3 shade: #751CF3, #F3711B and #1BF371

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #751CF3 shade: #751CF3, #F31B71, #9CF31B and #1BF39C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #751CF3 shade: #751CF3, #F31B30, #9CF31B and #1BF3DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 88 / 0 / 5

HEX #751CF3

RGB 117 28 243

HSL 264.84, 0.9%, 0.53%

LAB 39.72, 75.54, -88.57

 

Complementary color

CMYK 39 / 0 / 95 / 11

HEX #8AE30C

RGB 138 227 12

HSL 84.84, 0.9%, 0.47%

LAB 82.04, -54.18, 78.81

 

CMYK 49 / 88 / 0 / 7

HEX #7A1CEE

RGB 122 28 238

HSL 266.86, 0.86%, 0.52%

LAB 39.82, 74.88, -85.56

 

CMYK 45 / 82 / 0 / 0

HEX #8B2EFF

RGB 139 46 255

HSL 266.7, 1%, 0.59%

LAB 45.17, 75.54, -86.23

 

CMYK 39 / 75 / 0 / 0

HEX #9C40FF

RGB 156 64 255

HSL 268.9, 1%, 0.63%

LAB 49.44, 71.44, -79.15

 

CMYK 32 / 68 / 0 / 0

HEX #AD52FF

RGB 173 82 255

HSL 271.56, 1%, 0.66%

LAB 54.17, 66.84, -71.36

 

CMYK 25 / 61 / 0 / 0

HEX #BE64FF

RGB 190 100 255

HSL 274.84, 1%, 0.7%

LAB 59.23, 62.04, -63.1

 

CMYK 52 / 88 / 0 / 5

HEX #751CF3

RGB 117 28 243

HSL 264.84, 0.9%, 0.53%

LAB 39.72, 75.54, -88.57

 

CMYK 55 / 96 / 0 / 12

HEX #640AE0

RGB 100 10 224

HSL 265.23, 0.91%, 0.46%

LAB 34.62, 73.24, -86.27

 

CMYK 60 / 100 / 0 / 20

HEX #5300CD

RGB 83 0 205

HSL 264.29, 1%, 0.4%

LAB 30.03, 69.31, -82.95

 

CMYK 65 / 100 / 0 / 27

HEX #4200BA

RGB 66 0 186

HSL 261.29, 1%, 0.36%

LAB 25.87, 63.98, -78.72

 

CMYK 71 / 100 / 0 / 35

HEX #3100A7

RGB 49 0 167

HSL 257.6, 1%, 0.33%

LAB 21.74, 58.65, -74.24

 

CMYK 52 / 89 / 0 / 5

HEX #741BF3

RGB 116 27 243

HSL 264.72, 0.9%, 0.53%

LAB 39.53, 75.69, -88.89

 

CMYK 28 / 89 / 0 / 5

HEX #AE1BF3

RGB 174 27 243

HSL 280.83, 0.9%, 0.53%

LAB 47.31, 82.16, -75.83

 

CMYK 5 / 89 / 0 / 5

HEX #E81BF3

RGB 232 27 243

HSL 296.94, 0.9%, 0.53%

LAB 56.5, 90.73, -60.51

 

CMYK 0 / 89 / 20 / 5

HEX #F31BC2

RGB 243 27 194

HSL 313.61, 0.9%, 0.53%

LAB 55.82, 86.08, -33.64

 

CMYK 0 / 89 / 44 / 5

HEX #F31B88

RGB 243 27 136

HSL 329.72, 0.9%, 0.53%

LAB 53.62, 80.15, -2.86

 

CMYK 52 / 89 / 0 / 5

HEX #741BF3

RGB 116 27 243

HSL 264.72, 0.9%, 0.53%

LAB 39.53, 75.69, -88.89

 

CMYK 76 / 89 / 0 / 5

HEX #3A1BF3

RGB 58 27 243

HSL 248.61, 0.9%, 0.53%

LAB 34.3, 71.97, -97.72

 

CMYK 89 / 89 / 0 / 5

HEX #1B1BF3

RGB 27 27 243

HSL 240, 0.9%, 0.53%

LAB 32.89, 71.09, -100.1

 

CMYK 52 / 89 / 0 / 5

HEX #741BF3

RGB 116 27 243

HSL 264.72, 0.9%, 0.53%

LAB 39.53, 75.69, -88.89

 

CMYK 52 / 89 / 0 / 5

HEX #741BF3

RGB 116 27 243

HSL 264.72, 0.9%, 0.53%

LAB 39.53, 75.69, -88.89

 

CMYK 47 / 79 / 0 / 13

HEX #772EDF

RGB 119 46 223

HSL 264.75, 0.73%, 0.53%

LAB 39.92, 65.51, -76.87

 

CMYK 40 / 68 / 0 / 20

HEX #7B42CC

RGB 123 66 204

HSL 264.78, 0.58%, 0.53%

LAB 41.95, 52.57, -62.61

 

CMYK 32 / 54 / 0 / 28

HEX #7E55B8

RGB 126 85 184

HSL 264.85, 0.41%, 0.53%

LAB 44.79, 37.84, -46.39

 

CMYK 22 / 37 / 0 / 35

HEX #8168A5

RGB 129 104 165

HSL 264.59, 0.25%, 0.53%

LAB 48.62, 22.77, -29.2

 

CMYK 89 / 77 / 0 / 5

HEX #1B38F3

RGB 27 56 243

HSL 231.94, 0.9%, 0.53%

LAB 36.99, 58.96, -93.28

 

CMYK 77 / 89 / 0 / 5

HEX #381BF3

RGB 56 27 243

HSL 248.06, 0.9%, 0.53%

LAB 34.18, 71.89, -97.92

 

CMYK 53 / 89 / 0 / 5

HEX #711BF3

RGB 113 27 243

HSL 263.89, 0.9%, 0.53%

LAB 39.18, 75.43, -89.47

 

CMYK 30 / 89 / 0 / 5

HEX #AB1BF3

RGB 171 27 243

HSL 280, 0.9%, 0.53%

LAB 46.86, 81.76, -76.57

 

CMYK 6 / 89 / 0 / 5

HEX #E41BF3

RGB 228 27 243

HSL 295.83, 0.9%, 0.53%

LAB 55.84, 90.09, -61.6

 

CMYK 56 / 95 / 0 / 30

HEX #4F09B2

RGB 79 9 178

HSL 264.85, 0.9%, 0.37%

LAB 26.94, 61.2, -72.13

 

CMYK 56 / 95 / 0 / 15

HEX #600BD9

RGB 96 11 217

HSL 264.76, 0.9%, 0.45%

LAB 33.43, 71.23, -84.23

 

CMYK 52 / 89 / 0 / 5

HEX #741BF3

RGB 116 27 243

HSL 264.72, 0.9%, 0.53%

LAB 39.53, 75.69, -88.89

 

CMYK 43 / 73 / 0 / 4

HEX #8C42F5

RGB 140 66 245

HSL 264.8, 0.9%, 0.61%

LAB 47.06, 65.75, -77.54

 

CMYK 34 / 57 / 0 / 3

HEX #A469F7

RGB 164 105 247

HSL 264.93, 0.9%, 0.69%

LAB 56.79, 51.81, -62.75

 

CMYK 52 / 88 / 0 / 5

HEX #751CF3

RGB 117 28 243

HSL 264.84, 0.9%, 0.53%

LAB 39.72, 75.54, -88.57

 

CMYK 0 / 89 / 53 / 5

HEX #F31B71

RGB 243 27 113

HSL 336.11, 0.9%, 0.53%

LAB 52.98, 78.4, 10.08

 

CMYK 89 / 0 / 89 / 5

HEX #1BF31B

RGB 27 243 27

HSL 120, 0.9%, 0.53%

LAB 84.18, -81.46, 77.52

 

CMYK 52 / 88 / 0 / 5

HEX #751CF3

RGB 117 28 243

HSL 264.84, 0.9%, 0.53%

LAB 39.72, 75.54, -88.57

 

CMYK 0 / 53 / 89 / 5

HEX #F3711B

RGB 243 113 27

HSL 23.89, 0.9%, 0.53%

LAB 62.46, 45.84, 64.92

 

CMYK 89 / 0 / 53 / 5

HEX #1BF371

RGB 27 243 113

HSL 143.89, 0.9%, 0.53%

LAB 84.75, -74.26, 49

 

CMYK 52 / 88 / 0 / 5

HEX #751CF3

RGB 117 28 243

HSL 264.84, 0.9%, 0.53%

LAB 39.72, 75.54, -88.57

 

CMYK 0 / 89 / 53 / 5

HEX #F31B71

RGB 243 27 113

HSL 336.11, 0.9%, 0.53%

LAB 52.98, 78.4, 10.08

 

CMYK 36 / 0 / 89 / 5

HEX #9CF31B

RGB 156 243 27

HSL 84.17, 0.9%, 0.53%

LAB 87.61, -54.13, 81.77

 

CMYK 89 / 0 / 36 / 5

HEX #1BF39C

RGB 27 243 156

HSL 155.83, 0.9%, 0.53%

LAB 85.37, -66.98, 28.84

 

CMYK 52 / 88 / 0 / 5

HEX #751CF3

RGB 117 28 243

HSL 264.84, 0.9%, 0.53%

LAB 39.72, 75.54, -88.57

 

CMYK 0 / 89 / 80 / 5

HEX #F31B30

RGB 243 27 48

HSL 354.17, 0.9%, 0.53%

LAB 51.9, 75.32, 47.05

 

CMYK 36 / 0 / 89 / 5

HEX #9CF31B

RGB 156 243 27

HSL 84.17, 0.9%, 0.53%

LAB 87.61, -54.13, 81.77

 

CMYK 89 / 0 / 9 / 5

HEX #1BF3DD

RGB 27 243 221

HSL 173.89, 0.9%, 0.53%

LAB 86.78, -51.72, -2.84

 

Description

Color code: HEX #751CF3 | qconv.com Color code: HEX #751CF3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 28 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 28 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 88 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 88% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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