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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #751884 it is the complementary color #8AE77B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #751884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #751884 shade: #7A187F, #8B2A92, #9C3CA5, #AD4EB8 and #BE60CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #751884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #751884 shade: #751884, #640671, #53005E, #42004B and #310038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #751884 shade: #761885, #851877, #851859, #85183C and #85181F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #751884 shade: #761885, #591885, #3B1885, #1E1885 and #181885

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #751884 shade matches the following richer shades: #761885 and #7F0B92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #751884 shade: #761885, #6D2578, #63326C, #5A3E5F and #514B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #751884 shade: #3B1885, #581885, #751885, #851878 and #85185B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #751884 shade: #380B3F, #571262, #761885, #951EA8 and #B425CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #751884 shade: #751884, #851D18 and #188549

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #751884 shade: #751884, #857518 and #188575

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #751884 shade: #751884, #851D18, #288518 and #188085

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #751884 shade: #751884, #853E18, #288518 and #185F85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 82 / 0 / 48

HEX #751884

RGB 117 24 132

HSL 291.67, 0.69%, 0.31%

LAB 29.67, 52.79, -39.3

 

Complementary color

CMYK 40 / 0 / 47 / 9

HEX #8AE77B

RGB 138 231 123

HSL 111.67, 0.69%, 0.69%

LAB 83.96, -48.11, 43.9

 

CMYK 4 / 81 / 0 / 50

HEX #7A187F

RGB 122 24 127

HSL 297.09, 0.68%, 0.3%

LAB 30.21, 52.91, -35.24

 

CMYK 5 / 71 / 0 / 43

HEX #8B2A92

RGB 139 42 146

HSL 295.96, 0.55%, 0.37%

LAB 36.4, 53.96, -36.97

 

CMYK 5 / 64 / 0 / 35

HEX #9C3CA5

RGB 156 60 165

HSL 294.86, 0.47%, 0.44%

LAB 42.79, 54.15, -38.14

 

CMYK 6 / 58 / 0 / 28

HEX #AD4EB8

RGB 173 78 184

HSL 293.77, 0.43%, 0.51%

LAB 49.24, 53.86, -38.95

 

CMYK 6 / 53 / 0 / 20

HEX #BE60CB

RGB 190 96 203

HSL 292.71, 0.51%, 0.59%

LAB 55.71, 53.33, -39.55

 

CMYK 11 / 82 / 0 / 48

HEX #751884

RGB 117 24 132

HSL 291.67, 0.69%, 0.31%

LAB 29.67, 52.79, -39.3

 

CMYK 12 / 95 / 0 / 56

HEX #640671

RGB 100 6 113

HSL 292.71, 0.9%, 0.23%

LAB 23.78, 50.39, -36.88

 

CMYK 12 / 100 / 0 / 63

HEX #53005E

RGB 83 0 94

HSL 292.98, 1%, 0.18%

LAB 18.57, 45.4, -32.99

 

CMYK 12 / 100 / 0 / 71

HEX #42004B

RGB 66 0 75

HSL 292.8, 1%, 0.15%

LAB 13.63, 38.9, -28.24

 

CMYK 13 / 100 / 0 / 78

HEX #310038

RGB 49 0 56

HSL 292.5, 1%, 0.11%

LAB 8.47, 32.12, -23.28

 

CMYK 11 / 82 / 0 / 48

HEX #761885

RGB 118 24 133

HSL 291.74, 0.69%, 0.31%

LAB 29.91, 53.18, -39.53

 

CMYK 0 / 82 / 11 / 48

HEX #851877

RGB 133 24 119

HSL 307.71, 0.69%, 0.31%

LAB 31.74, 53.99, -27.65

 

CMYK 0 / 82 / 33 / 48

HEX #851859

RGB 133 24 89

HSL 324.22, 0.69%, 0.31%

LAB 30.31, 49.86, -10.57

 

CMYK 0 / 82 / 55 / 48

HEX #85183C

RGB 133 24 60

HSL 340.18, 0.69%, 0.31%

LAB 29.33, 46.92, 7.22

 

CMYK 0 / 82 / 77 / 48

HEX #85181F

RGB 133 24 31

HSL 356.15, 0.69%, 0.31%

LAB 28.74, 45.11, 25.6

 

CMYK 11 / 82 / 0 / 48

HEX #761885

RGB 118 24 133

HSL 291.74, 0.69%, 0.31%

LAB 29.91, 53.18, -39.53

 

CMYK 33 / 82 / 0 / 48

HEX #591885

RGB 89 24 133

HSL 275.78, 0.69%, 0.31%

LAB 25.17, 47.71, -47.43

 

CMYK 56 / 82 / 0 / 48

HEX #3B1885

RGB 59 24 133

HSL 259.27, 0.69%, 0.31%

LAB 21.12, 43.04, -54.22

 

CMYK 77 / 82 / 0 / 48

HEX #1E1885

RGB 30 24 133

HSL 243.3, 0.69%, 0.31%

LAB 18.46, 39.98, -58.69

 

CMYK 82 / 82 / 0 / 48

HEX #181885

RGB 24 24 133

HSL 240, 0.69%, 0.31%

LAB 18.1, 39.56, -59.3

 

CMYK 11 / 82 / 0 / 48

HEX #761885

RGB 118 24 133

HSL 291.74, 0.69%, 0.31%

LAB 29.91, 53.18, -39.53

 

CMYK 13 / 92 / 0 / 43

HEX #7F0B92

RGB 127 11 146

HSL 291.56, 0.86%, 0.31%

LAB 31.41, 60.09, -45.1

 

CMYK 11 / 82 / 0 / 48

HEX #761885

RGB 118 24 133

HSL 291.74, 0.69%, 0.31%

LAB 29.91, 53.18, -39.53

 

CMYK 9 / 69 / 0 / 53

HEX #6D2578

RGB 109 37 120

HSL 292.05, 0.53%, 0.31%

LAB 29.24, 43.85, -32.52

 

CMYK 8 / 54 / 0 / 58

HEX #63326C

RGB 99 50 108

HSL 290.69, 0.37%, 0.31%

LAB 29.45, 31.91, -24.64

 

CMYK 5 / 35 / 0 / 63

HEX #5A3E5F

RGB 90 62 95

HSL 290.91, 0.21%, 0.31%

LAB 30.51, 18.7, -14.76

 

CMYK 1 / 9 / 0 / 68

HEX #514B52

RGB 81 75 82

HSL 291.43, 0.04%, 0.31%

LAB 32.68, 3.98, -3.25

 

CMYK 56 / 82 / 0 / 48

HEX #3B1885

RGB 59 24 133

HSL 259.27, 0.69%, 0.31%

LAB 21.12, 43.04, -54.22

 

CMYK 34 / 82 / 0 / 48

HEX #581885

RGB 88 24 133

HSL 275.23, 0.69%, 0.31%

LAB 25.02, 47.53, -47.68

 

CMYK 12 / 82 / 0 / 48

HEX #751885

RGB 117 24 133

HSL 291.19, 0.69%, 0.31%

LAB 29.73, 52.98, -39.82

 

CMYK 0 / 82 / 10 / 48

HEX #851878

RGB 133 24 120

HSL 307.16, 0.69%, 0.31%

LAB 31.8, 54.14, -28.19

 

CMYK 0 / 82 / 32 / 48

HEX #85185B

RGB 133 24 91

HSL 323.12, 0.69%, 0.31%

LAB 30.39, 50.1, -11.75

 

CMYK 11 / 83 / 0 / 75

HEX #380B3F

RGB 56 11 63

HSL 291.92, 0.7%, 0.15%

LAB 12.21, 29.96, -22.21

 

CMYK 11 / 82 / 0 / 62

HEX #571262

RGB 87 18 98

HSL 291.75, 0.69%, 0.23%

LAB 21.36, 41.87, -31.12

 

CMYK 11 / 82 / 0 / 48

HEX #761885

RGB 118 24 133

HSL 291.74, 0.69%, 0.31%

LAB 29.91, 53.18, -39.53

 

CMYK 11 / 82 / 0 / 34

HEX #951EA8

RGB 149 30 168

HSL 291.74, 0.7%, 0.39%

LAB 38.1, 63.83, -47.48

 

CMYK 11 / 82 / 0 / 20

HEX #B425CB

RGB 180 37 203

HSL 291.69, 0.69%, 0.47%

LAB 46.09, 73.78, -54.94

 

CMYK 11 / 82 / 0 / 48

HEX #751884

RGB 117 24 132

HSL 291.67, 0.69%, 0.31%

LAB 29.67, 52.79, -39.3

 

CMYK 0 / 78 / 82 / 48

HEX #851D18

RGB 133 29 24

HSL 2.75, 0.69%, 0.31%

LAB 29.24, 43.21, 30.4

 

CMYK 82 / 0 / 45 / 48

HEX #188549

RGB 24 133 73

HSL 146.97, 0.69%, 0.31%

LAB 48.82, -43.63, 24.17

 

CMYK 11 / 82 / 0 / 48

HEX #751884

RGB 117 24 132

HSL 291.67, 0.69%, 0.31%

LAB 29.67, 52.79, -39.3

 

CMYK 0 / 12 / 82 / 48

HEX #857518

RGB 133 117 24

HSL 51.19, 0.69%, 0.31%

LAB 49.22, -3.91, 49.22

 

CMYK 82 / 0 / 12 / 48

HEX #188575

RGB 24 133 117

HSL 171.19, 0.69%, 0.31%

LAB 49.8, -32.97, 0.29

 

CMYK 11 / 82 / 0 / 48

HEX #751884

RGB 117 24 132

HSL 291.67, 0.69%, 0.31%

LAB 29.67, 52.79, -39.3

 

CMYK 0 / 78 / 82 / 48

HEX #851D18

RGB 133 29 24

HSL 2.75, 0.69%, 0.31%

LAB 29.24, 43.21, 30.4

 

CMYK 70 / 0 / 82 / 48

HEX #288518

RGB 40 133 24

HSL 111.19, 0.69%, 0.31%

LAB 48.63, -47.11, 46.61

 

CMYK 82 / 4 / 0 / 48

HEX #188085

RGB 24 128 133

HSL 182.75, 0.69%, 0.31%

LAB 48.67, -25.63, -10.78

 

CMYK 11 / 82 / 0 / 48

HEX #751884

RGB 117 24 132

HSL 291.67, 0.69%, 0.31%

LAB 29.67, 52.79, -39.3

 

CMYK 0 / 53 / 82 / 48

HEX #853E18

RGB 133 62 24

HSL 20.92, 0.69%, 0.31%

LAB 35, 27.91, 36.1

 

CMYK 70 / 0 / 82 / 48

HEX #288518

RGB 40 133 24

HSL 111.19, 0.69%, 0.31%

LAB 48.63, -47.11, 46.61

 

CMYK 82 / 29 / 0 / 48

HEX #185F85

RGB 24 95 133

HSL 200.92, 0.69%, 0.31%

LAB 37.97, -7.28, -27.21

 

Description

Color code: HEX #751884 | qconv.com Color code: HEX #751884 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 24 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 24 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 82 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 82% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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