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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #750A6E it is the complementary color #8AF591. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #750A6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #750A6E shade: #7A0A69, #8B1C7C, #9C2E8F, #AD40A2 and #BE52B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #750A6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #750A6E shade: #750A6E, #64005B, #530048, #420035 and #310022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #750A6E shade: #750A6E, #750A51, #750A34, #750A17 and #750A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #750A6E shade: #750A6E, #5F0A75, #420A75, #250A75 and #0A0A75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #750A6E shade matches the following richer shades: #750A6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #750A6E shade: #750A6E, #6A1465, #601E5C, #562953 and #4C334A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #750A6E shade: #410A75, #5E0A75, #750A6F, #750A53 and #750A36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #750A6E shade: #290326, #4F064A, #750A6E, #9B0D91 and #C110B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #750A6E shade: #750A6E, #75240A and #0A754F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #750A6E shade: #750A6E, #6F750A and #0A6F75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #750A6E shade: #750A6E, #75240A, #0A750F and #0A5A75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #750A6E shade: #750A6E, #75450A, #0A750F and #0A3A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

Complementary color

CMYK 44 / 0 / 41 / 4

HEX #8AF591

RGB 138 245 145

HSL 123.93, 0.84%, 0.75%

LAB 88.33, -50.85, 38.71

 

CMYK 0 / 92 / 14 / 52

HEX #7A0A69

RGB 122 10 105

HSL 309.11, 0.85%, 0.26%

LAB 27.78, 52.62, -25.08

 

CMYK 0 / 80 / 11 / 45

HEX #8B1C7C

RGB 139 28 124

HSL 308.11, 0.66%, 0.33%

LAB 33.51, 54.99, -27.94

 

CMYK 0 / 71 / 8 / 39

HEX #9C2E8F

RGB 156 46 143

HSL 307.09, 0.54%, 0.4%

LAB 39.59, 56.02, -29.92

 

CMYK 0 / 63 / 6 / 32

HEX #AD40A2

RGB 173 64 162

HSL 306.06, 0.46%, 0.46%

LAB 45.85, 56.25, -31.35

 

CMYK 0 / 57 / 5 / 25

HEX #BE52B5

RGB 190 82 181

HSL 305, 0.45%, 0.53%

LAB 52.19, 56.03, -32.41

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 100 / 9 / 61

HEX #64005B

RGB 100 0 91

HSL 305.4, 1%, 0.2%

LAB 21.82, 48.01, -25.6

 

CMYK 0 / 100 / 13 / 67

HEX #530048

RGB 83 0 72

HSL 307.95, 1%, 0.16%

LAB 17.02, 41.67, -20.53

 

CMYK 0 / 100 / 20 / 74

HEX #420035

RGB 66 0 53

HSL 311.82, 1%, 0.13%

LAB 12.06, 35.1, -15.15

 

CMYK 0 / 100 / 31 / 81

HEX #310022

RGB 49 0 34

HSL 318.37, 1%, 0.1%

LAB 6.94, 28.06, -9.23

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 91 / 31 / 54

HEX #750A51

RGB 117 10 81

HSL 320.19, 0.84%, 0.25%

LAB 25.54, 48.24, -12.84

 

CMYK 0 / 91 / 56 / 54

HEX #750A34

RGB 117 10 52

HSL 336.45, 0.84%, 0.25%

LAB 24.47, 45.26, 5.33

 

CMYK 0 / 91 / 80 / 54

HEX #750A17

RGB 117 10 23

HSL 352.71, 0.84%, 0.25%

LAB 23.87, 43.54, 24.31

 

CMYK 0 / 91 / 91 / 54

HEX #750A0A

RGB 117 10 10

HSL 0, 0.84%, 0.25%

LAB 23.74, 43.16, 31.38

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 19 / 91 / 0 / 54

HEX #5F0A75

RGB 95 10 117

HSL 287.66, 0.84%, 0.25%

LAB 23.45, 49.42, -40.02

 

CMYK 44 / 91 / 0 / 54

HEX #420A75

RGB 66 10 117

HSL 271.4, 0.84%, 0.25%

LAB 18.63, 44.92, -48.1

 

CMYK 68 / 91 / 0 / 54

HEX #250A75

RGB 37 10 117

HSL 255.14, 0.84%, 0.25%

LAB 14.92, 41.81, -54.33

 

CMYK 91 / 91 / 0 / 54

HEX #0A0A75

RGB 10 10 117

HSL 240, 0.84%, 0.25%

LAB 13.02, 40.37, -57.55

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 81 / 5 / 58

HEX #6A1465

RGB 106 20 101

HSL 303.49, 0.68%, 0.25%

LAB 25.27, 46.07, -26.64

 

CMYK 0 / 69 / 4 / 62

HEX #601E5C

RGB 96 30 92

HSL 303.64, 0.52%, 0.25%

LAB 24.28, 38.12, -22.41

 

CMYK 0 / 52 / 3 / 66

HEX #562953

RGB 86 41 83

HSL 304, 0.35%, 0.25%

LAB 24.29, 27.54, -16.57

 

CMYK 0 / 33 / 3 / 70

HEX #4C334A

RGB 76 51 74

HSL 304.8, 0.2%, 0.25%

LAB 24.95, 15.72, -9.68

 

CMYK 44 / 91 / 0 / 54

HEX #410A75

RGB 65 10 117

HSL 270.84, 0.84%, 0.25%

LAB 18.48, 44.78, -48.35

 

CMYK 20 / 91 / 0 / 54

HEX #5E0A75

RGB 94 10 117

HSL 287.1, 0.84%, 0.25%

LAB 23.27, 49.25, -40.32

 

CMYK 0 / 91 / 5 / 54

HEX #750A6F

RGB 117 10 111

HSL 303.36, 0.84%, 0.25%

LAB 27.15, 52.5, -30.01

 

CMYK 0 / 91 / 29 / 54

HEX #750A53

RGB 117 10 83

HSL 319.07, 0.84%, 0.25%

LAB 25.63, 48.49, -14.03

 

CMYK 0 / 91 / 54 / 54

HEX #750A36

RGB 117 10 54

HSL 335.33, 0.84%, 0.25%

LAB 24.53, 45.43, 4.03

 

CMYK 0 / 93 / 7 / 84

HEX #290326

RGB 41 3 38

HSL 304.74, 0.86%, 0.09%

LAB 6.11, 24.17, -13.72

 

CMYK 0 / 92 / 6 / 69

HEX #4F064A

RGB 79 6 74

HSL 304.11, 0.86%, 0.17%

LAB 16.93, 39.3, -22.12

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 92 / 6 / 39

HEX #9B0D91

RGB 155 13 145

HSL 304.23, 0.85%, 0.33%

LAB 36.56, 64.64, -35.95

 

CMYK 0 / 92 / 6 / 24

HEX #C110B5

RGB 193 16 181

HSL 304.07, 0.85%, 0.41%

LAB 45.69, 76.46, -42.62

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 69 / 91 / 54

HEX #75240A

RGB 117 36 10

HSL 14.58, 0.84%, 0.25%

LAB 26.92, 34.32, 34.37

 

CMYK 91 / 0 / 32 / 54

HEX #0A754F

RGB 10 117 79

HSL 158.69, 0.84%, 0.25%

LAB 43.29, -37.37, 13.34

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 5 / 0 / 91 / 54

HEX #6F750A

RGB 111 117 10

HSL 63.36, 0.84%, 0.25%

LAB 47.14, -14.71, 50.42

 

CMYK 91 / 5 / 0 / 54

HEX #0A6F75

RGB 10 111 117

HSL 183.36, 0.84%, 0.25%

LAB 42.33, -23.37, -10.81

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 69 / 91 / 54

HEX #75240A

RGB 117 36 10

HSL 14.58, 0.84%, 0.25%

LAB 26.92, 34.32, 34.37

 

CMYK 91 / 0 / 87 / 54

HEX #0A750F

RGB 10 117 15

HSL 122.8, 0.84%, 0.25%

LAB 42.49, -46.9, 43.4

 

CMYK 91 / 23 / 0 / 54

HEX #0A5A75

RGB 10 90 117

HSL 195.14, 0.84%, 0.25%

LAB 35.32, -11.72, -21.55

 

CMYK 0 / 91 / 6 / 54

HEX #750A6E

RGB 117 10 110

HSL 303.93, 0.84%, 0.25%

LAB 27.09, 52.34, -29.46

 

CMYK 0 / 41 / 91 / 54

HEX #75450A

RGB 117 69 10

HSL 33.08, 0.84%, 0.25%

LAB 34.11, 16.21, 40.2

 

CMYK 91 / 0 / 87 / 54

HEX #0A750F

RGB 10 117 15

HSL 122.8, 0.84%, 0.25%

LAB 42.49, -46.9, 43.4

 

CMYK 91 / 50 / 0 / 54

HEX #0A3A75

RGB 10 58 117

HSL 213.08, 0.84%, 0.25%

LAB 24.87, 9.26, -38.1

 

Description

Color code: HEX #750A6E | qconv.com Color code: HEX #750A6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 10 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 10 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 6 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 6% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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