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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7509AD it is the complementary color #8AF652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7509AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7509AD shade: #7A09A8, #8B1BBB, #9C2DCE, #AD3FE1 and #BE51F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7509AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7509AD shade: #7509AD, #64009A, #530087, #420074 and #310061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7509AD shade: #7509AE, #A209AE, #AE098D, #AE0961 and #AE0934

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7509AD shade: #7509AE, #4909AE, #1C09AE and #0909AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7509AD shade matches the following richer shades: #7509AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7509AD shade: #7509AE, #71189F, #6C2690, #673581 and #634473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7509AD shade: #1C09AE, #4809AE, #7409AE, #A009AE and #AE0990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7509AD shade: #400560, #5B0787, #7509AE, #900BD5 and #A717F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7509AD shade: #7509AD, #AE0921 and #09AE32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7509AD shade: #7509AD, #AE7409 and #09AE74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7509AD shade: #7509AD, #AE0921, #43AE09 and #09AE95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7509AD shade: #7509AD, #AE2109, #43AE09 and #0995AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 95 / 0 / 32

HEX #7509AD

RGB 117 9 173

HSL 279.51, 0.9%, 0.36%

LAB 31.79, 64.05, -60.95

 

Complementary color

CMYK 44 / 0 / 67 / 4

HEX #8AF652

RGB 138 246 82

HSL 99.51, 0.9%, 0.64%

LAB 87.93, -58.4, 66.47

 

CMYK 27 / 95 / 0 / 34

HEX #7A09A8

RGB 122 9 168

HSL 282.64, 0.9%, 0.35%

LAB 32.17, 63.72, -57.3

 

CMYK 26 / 86 / 0 / 27

HEX #8B1BBB

RGB 139 27 187

HSL 282, 0.75%, 0.42%

LAB 37.59, 66.44, -59.67

 

CMYK 24 / 78 / 0 / 19

HEX #9C2DCE

RGB 156 45 206

HSL 281.37, 0.64%, 0.49%

LAB 43.36, 67.83, -61.27

 

CMYK 23 / 72 / 0 / 12

HEX #AD3FE1

RGB 173 63 225

HSL 280.74, 0.73%, 0.56%

LAB 49.34, 68.34, -62.36

 

CMYK 22 / 67 / 0 / 4

HEX #BE51F4

RGB 190 81 244

HSL 280.12, 0.88%, 0.64%

LAB 55.44, 68.32, -63.09

 

CMYK 32 / 95 / 0 / 32

HEX #7509AD

RGB 117 9 173

HSL 279.51, 0.9%, 0.36%

LAB 31.79, 64.05, -60.95

 

CMYK 35 / 100 / 0 / 40

HEX #64009A

RGB 100 0 154

HSL 278.96, 1%, 0.3%

LAB 26.86, 59.59, -57.63

 

CMYK 39 / 100 / 0 / 47

HEX #530087

RGB 83 0 135

HSL 276.89, 1%, 0.26%

LAB 22.26, 53.66, -53.48

 

CMYK 43 / 100 / 0 / 55

HEX #420074

RGB 66 0 116

HSL 274.14, 1%, 0.23%

LAB 17.55, 47.6, -49.23

 

CMYK 49 / 100 / 0 / 62

HEX #310061

RGB 49 0 97

HSL 270.31, 1%, 0.19%

LAB 12.71, 41.39, -44.82

 

CMYK 33 / 95 / 0 / 32

HEX #7509AE

RGB 117 9 174

HSL 279.27, 0.9%, 0.36%

LAB 31.88, 64.25, -61.41

 

CMYK 7 / 95 / 0 / 32

HEX #A209AE

RGB 162 9 174

HSL 295.64, 0.9%, 0.36%

LAB 39.47, 70.85, -48.75

 

CMYK 0 / 95 / 19 / 32

HEX #AE098D

RGB 174 9 141

HSL 312, 0.9%, 0.36%

LAB 39.78, 68.25, -28.18

 

CMYK 0 / 95 / 44 / 32

HEX #AE0961

RGB 174 9 97

HSL 328, 0.9%, 0.36%

LAB 37.94, 63.43, -3.44

 

CMYK 0 / 95 / 70 / 32

HEX #AE0934

RGB 174 9 52

HSL 344.36, 0.9%, 0.36%

LAB 36.82, 60.37, 23.96

 

CMYK 33 / 95 / 0 / 32

HEX #7509AE

RGB 117 9 174

HSL 279.27, 0.9%, 0.36%

LAB 31.88, 64.25, -61.41

 

CMYK 58 / 95 / 0 / 32

HEX #4909AE

RGB 73 9 174

HSL 263.27, 0.9%, 0.36%

LAB 25.77, 59.77, -71.7

 

CMYK 84 / 95 / 0 / 32

HEX #1C09AE

RGB 28 9 174

HSL 246.91, 0.9%, 0.36%

LAB 21.94, 57.56, -78.17

 

CMYK 95 / 95 / 0 / 32

HEX #0909AE

RGB 9 9 174

HSL 240, 0.9%, 0.36%

LAB 21.24, 57.22, -79.35

 

CMYK 33 / 95 / 0 / 32

HEX #7509AE

RGB 117 9 174

HSL 279.27, 0.9%, 0.36%

LAB 31.88, 64.25, -61.41

 

CMYK 33 / 95 / 0 / 32

HEX #7509AE

RGB 117 9 174

HSL 279.27, 0.9%, 0.36%

LAB 31.88, 64.25, -61.41

 

CMYK 29 / 85 / 0 / 38

HEX #71189F

RGB 113 24 159

HSL 279.56, 0.74%, 0.36%

LAB 31.04, 57.45, -53.76

 

CMYK 25 / 74 / 0 / 44

HEX #6C2690

RGB 108 38 144

HSL 279.62, 0.58%, 0.36%

LAB 30.85, 48.28, -44.92

 

CMYK 20 / 59 / 0 / 49

HEX #673581

RGB 103 53 129

HSL 279.47, 0.42%, 0.36%

LAB 31.84, 36.18, -34.07

 

CMYK 14 / 41 / 0 / 55

HEX #634473

RGB 99 68 115

HSL 279.57, 0.26%, 0.36%

LAB 34.03, 22.77, -21.9

 

CMYK 84 / 95 / 0 / 32

HEX #1C09AE

RGB 28 9 174

HSL 246.91, 0.9%, 0.36%

LAB 21.94, 57.56, -78.17

 

CMYK 59 / 95 / 0 / 32

HEX #4809AE

RGB 72 9 174

HSL 262.91, 0.9%, 0.36%

LAB 25.65, 59.7, -71.89

 

CMYK 33 / 95 / 0 / 32

HEX #7409AE

RGB 116 9 174

HSL 278.91, 0.9%, 0.36%

LAB 31.73, 64.13, -61.67

 

CMYK 8 / 95 / 0 / 32

HEX #A009AE

RGB 160 9 174

HSL 294.91, 0.9%, 0.36%

LAB 39.11, 70.53, -49.33

 

CMYK 0 / 95 / 17 / 32

HEX #AE0990

RGB 174 9 144

HSL 310.91, 0.9%, 0.36%

LAB 39.93, 68.63, -29.78

 

CMYK 33 / 95 / 0 / 62

HEX #400560

RGB 64 5 96

HSL 278.9, 0.9%, 0.2%

LAB 15.71, 41.2, -39.13

 

CMYK 33 / 95 / 0 / 47

HEX #5B0787

RGB 91 7 135

HSL 279.38, 0.9%, 0.28%

LAB 24.08, 53.12, -50.45

 

CMYK 33 / 95 / 0 / 32

HEX #7509AE

RGB 117 9 174

HSL 279.27, 0.9%, 0.36%

LAB 31.88, 64.25, -61.41

 

CMYK 32 / 95 / 0 / 16

HEX #900BD5

RGB 144 11 213

HSL 279.5, 0.9%, 0.44%

LAB 39.53, 75.03, -71.63

 

CMYK 31 / 90 / 0 / 5

HEX #A717F2

RGB 167 23 242

HSL 279.45, 0.89%, 0.52%

LAB 45.96, 81.74, -77.5

 

CMYK 32 / 95 / 0 / 32

HEX #7509AD

RGB 117 9 173

HSL 279.51, 0.9%, 0.36%

LAB 31.79, 64.05, -60.95

 

CMYK 0 / 95 / 81 / 32

HEX #AE0921

RGB 174 9 33

HSL 351.27, 0.9%, 0.36%

LAB 36.56, 59.65, 35.38

 

CMYK 95 / 0 / 71 / 32

HEX #09AE32

RGB 9 174 50

HSL 134.91, 0.9%, 0.36%

LAB 62.13, -61.72, 50.66

 

CMYK 32 / 95 / 0 / 32

HEX #7509AD

RGB 117 9 173

HSL 279.51, 0.9%, 0.36%

LAB 31.79, 64.05, -60.95

 

CMYK 0 / 33 / 95 / 32

HEX #AE7409

RGB 174 116 9

HSL 38.91, 0.9%, 0.36%

LAB 53.5, 15.35, 58.38

 

CMYK 95 / 0 / 33 / 32

HEX #09AE74

RGB 9 174 116

HSL 158.91, 0.9%, 0.36%

LAB 63, -51.28, 19.48

 

CMYK 32 / 95 / 0 / 32

HEX #7509AD

RGB 117 9 173

HSL 279.51, 0.9%, 0.36%

LAB 31.79, 64.05, -60.95

 

CMYK 0 / 95 / 81 / 32

HEX #AE0921

RGB 174 9 33

HSL 351.27, 0.9%, 0.36%

LAB 36.56, 59.65, 35.38

 

CMYK 61 / 0 / 95 / 32

HEX #43AE09

RGB 67 174 9

HSL 98.91, 0.9%, 0.36%

LAB 62.92, -55.7, 62.52

 

CMYK 95 / 0 / 14 / 32

HEX #09AE95

RGB 9 174 149

HSL 170.91, 0.9%, 0.36%

LAB 63.75, -43.07, 2.33

 

CMYK 32 / 95 / 0 / 32

HEX #7509AD

RGB 117 9 173

HSL 279.51, 0.9%, 0.36%

LAB 31.79, 64.05, -60.95

 

CMYK 0 / 81 / 95 / 32

HEX #AE2109

RGB 174 33 9

HSL 8.73, 0.9%, 0.36%

LAB 38.03, 54.49, 47.95

 

CMYK 61 / 0 / 95 / 32

HEX #43AE09

RGB 67 174 9

HSL 98.91, 0.9%, 0.36%

LAB 62.92, -55.7, 62.52

 

CMYK 95 / 14 / 0 / 32

HEX #0995AE

RGB 9 149 174

HSL 189.09, 0.9%, 0.36%

LAB 56.69, -23.56, -22.33

 

Description

Color code: HEX #7509AD | qconv.com Color code: HEX #7509AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 9 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 9 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 95 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 95% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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