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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7506F3 it is the complementary color #8AF90C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7506F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7506F3 shade: #7A06EE, #8B18FF, #9C2AFF, #AD3CFF and #BE4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7506F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7506F3 shade: #7506F3, #6400E0, #5300CD, #4200BA and #3100A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7506F3 shade: #7506F3, #B506F3, #F306F1, #F306B1 and #F30671

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7506F3 shade: #7506F3, #3506F3 and #0606F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7506F3 shade matches the following richer shades: #7506F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7506F3 shade: #7506F3, #761ADF, #772ECB, #7942B7 and #7A57A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7506F3 shade: #0616F3, #3506F3, #7506F3, #B406F3 and #F306F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7506F3 shade: #4E04A3, #6205CB, #7506F3, #8A29F9 and #A051FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7506F3 shade: #7506F3, #F30655 and #06F316

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7506F3 shade: #7506F3, #F37506 and #06F375

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7506F3 shade: #7506F3, #F30655, #84F306 and #06F3A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7506F3 shade: #7506F3, #F3060E, #84F306 and #06F3EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

Complementary color

CMYK 45 / 0 / 95 / 2

HEX #8AF90C

RGB 138 249 12

HSL 88.1, 0.95%, 0.51%

LAB 88.53, -62.55, 83.99

 

CMYK 49 / 97 / 0 / 7

HEX #7A06EE

RGB 122 6 238

HSL 270, 0.95%, 0.48%

LAB 38.62, 78.48, -87.54

 

CMYK 45 / 91 / 0 / 0

HEX #8B18FF

RGB 139 24 255

HSL 269.87, 1%, 0.55%

LAB 43.3, 81.08, -89.3

 

CMYK 39 / 84 / 0 / 0

HEX #9C2AFF

RGB 156 42 255

HSL 272.11, 1%, 0.58%

LAB 46.9, 78.83, -83.31

 

CMYK 32 / 76 / 0 / 0

HEX #AD3CFF

RGB 173 60 255

HSL 274.77, 1%, 0.62%

LAB 51.08, 75.62, -76.39

 

CMYK 25 / 69 / 0 / 0

HEX #BE4EFF

RGB 190 78 255

HSL 277.97, 1%, 0.65%

LAB 55.7, 71.81, -68.79

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 55 / 100 / 0 / 12

HEX #6400E0

RGB 100 0 224

HSL 266.79, 1%, 0.44%

LAB 34.17, 74.6, -87.01

 

CMYK 60 / 100 / 0 / 20

HEX #5300CD

RGB 83 0 205

HSL 264.29, 1%, 0.4%

LAB 30.03, 69.31, -82.95

 

CMYK 65 / 100 / 0 / 27

HEX #4200BA

RGB 66 0 186

HSL 261.29, 1%, 0.36%

LAB 25.87, 63.98, -78.72

 

CMYK 71 / 100 / 0 / 35

HEX #3100A7

RGB 49 0 167

HSL 257.6, 1%, 0.33%

LAB 21.74, 58.65, -74.24

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 26 / 98 / 0 / 5

HEX #B506F3

RGB 181 6 243

HSL 284.3, 0.95%, 0.49%

LAB 47.53, 85.57, -75.42

 

CMYK 0 / 98 / 1 / 5

HEX #F306F1

RGB 243 6 241

HSL 300.51, 0.95%, 0.49%

LAB 57.59, 94.08, -57.53

 

CMYK 0 / 98 / 27 / 5

HEX #F306B1

RGB 243 6 177

HSL 316.71, 0.95%, 0.49%

LAB 54.41, 86.12, -25.96

 

CMYK 0 / 98 / 53 / 5

HEX #F30671

RGB 243 6 113

HSL 332.91, 0.95%, 0.49%

LAB 52.26, 80.49, 9.06

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 78 / 98 / 0 / 5

HEX #3506F3

RGB 53 6 243

HSL 251.9, 0.95%, 0.49%

LAB 32.61, 76.07, -100.55

 

CMYK 98 / 98 / 0 / 5

HEX #0606F3

RGB 6 6 243

HSL 240, 0.95%, 0.49%

LAB 30.97, 75.42, -103.32

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 47 / 88 / 0 / 13

HEX #761ADF

RGB 118 26 223

HSL 268.02, 0.79%, 0.49%

LAB 37.69, 71.59, -80.54

 

CMYK 41 / 77 / 0 / 20

HEX #772ECB

RGB 119 46 203

HSL 267.9, 0.63%, 0.49%

LAB 38.18, 60.69, -68.2

 

CMYK 34 / 64 / 0 / 28

HEX #7942B7

RGB 121 66 183

HSL 268.21, 0.47%, 0.49%

LAB 40.21, 46.84, -53.18

 

CMYK 25 / 46 / 0 / 36

HEX #7A57A2

RGB 122 87 162

HSL 268, 0.3%, 0.49%

LAB 43.6, 30, -35.35

 

CMYK 98 / 91 / 0 / 5

HEX #0616F3

RGB 6 22 243

HSL 235.95, 0.95%, 0.49%

LAB 32, 72.27, -101.61

 

CMYK 78 / 98 / 0 / 5

HEX #3506F3

RGB 53 6 243

HSL 251.9, 0.95%, 0.49%

LAB 32.61, 76.07, -100.55

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 26 / 98 / 0 / 5

HEX #B406F3

RGB 180 6 243

HSL 284.05, 0.95%, 0.49%

LAB 47.37, 85.45, -75.68

 

CMYK 0 / 98 / 0 / 5

HEX #F306F3

RGB 243 6 243

HSL 300, 0.95%, 0.49%

LAB 57.71, 94.36, -58.46

 

CMYK 52 / 98 / 0 / 36

HEX #4E04A3

RGB 78 4 163

HSL 267.92, 0.95%, 0.33%

LAB 24.8, 58.57, -66.63

 

CMYK 52 / 98 / 0 / 20

HEX #6205CB

RGB 98 5 203

HSL 268.18, 0.95%, 0.41%

LAB 31.85, 69.1, -78.71

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 45 / 84 / 0 / 2

HEX #8A29F9

RGB 138 41 249

HSL 267.98, 0.95%, 0.57%

LAB 43.99, 75.6, -84.82

 

CMYK 36 / 68 / 0 / 2

HEX #A051FA

RGB 160 81 250

HSL 268.05, 0.94%, 0.65%

LAB 52.13, 63.67, -71.97

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 0 / 98 / 65 / 5

HEX #F30655

RGB 243 6 85

HSL 340, 0.95%, 0.49%

LAB 51.66, 78.86, 25.27

 

CMYK 98 / 0 / 91 / 5

HEX #06F316

RGB 6 243 22

HSL 124.05, 0.95%, 0.49%

LAB 84.07, -82.52, 78.13

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 0 / 52 / 98 / 5

HEX #F37506

RGB 243 117 6

HSL 28.1, 0.95%, 0.49%

LAB 63.17, 43.65, 69.88

 

CMYK 98 / 0 / 52 / 5

HEX #06F375

RGB 6 243 117

HSL 148.1, 0.95%, 0.49%

LAB 84.7, -74.53, 47.06

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 0 / 98 / 65 / 5

HEX #F30655

RGB 243 6 85

HSL 340, 0.95%, 0.49%

LAB 51.66, 78.86, 25.27

 

CMYK 46 / 0 / 98 / 5

HEX #84F306

RGB 132 243 6

HSL 88.1, 0.95%, 0.49%

LAB 86.51, -62.25, 82.76

 

CMYK 98 / 0 / 33 / 5

HEX #06F3A4

RGB 6 243 164

HSL 160, 0.95%, 0.49%

LAB 85.41, -66.13, 24.81

 

CMYK 52 / 98 / 0 / 5

HEX #7506F3

RGB 117 6 243

HSL 268.1, 0.95%, 0.49%

LAB 38.52, 79.16, -90.55

 

CMYK 0 / 98 / 94 / 5

HEX #F3060E

RGB 243 6 14

HSL 357.97, 0.95%, 0.49%

LAB 50.94, 76.9, 61.2

 

CMYK 46 / 0 / 98 / 5

HEX #84F306

RGB 132 243 6

HSL 88.1, 0.95%, 0.49%

LAB 86.51, -62.25, 82.76

 

CMYK 98 / 0 / 3 / 5

HEX #06F3EB

RGB 6 243 235

HSL 177.97, 0.95%, 0.49%

LAB 87.06, -48.52, -9.76

 

Description

Color code: HEX #7506F3 | qconv.com Color code: HEX #7506F3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 6 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 6 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 98 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 98% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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