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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74F301 it is the complementary color #8B0CFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74F301. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74F301 shade: #79F300, #8AFF0F, #9BFF22, #ACFF35 and #BDFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74F301. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74F301 shade: #74F301, #63E100, #52CF00, #41BD00 and #30AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74F301 shade: #74F301, #B5F301, #F3F001, #F3AE01 and #F36D01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74F301 shade: #74F301, #33F301, #01F310, #01F352 and #01F393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74F301 shade matches the following richer shades: #74F301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74F301 shade: #74F301, #75DF15, #76CB28, #77B83C and #78A450

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74F301 shade: #F3EF01, #B6F301, #76F301, #35F301 and #01F30D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74F301 shade: #4DA100, #60CA01, #74F301, #89FD20 and #9FFE49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74F301 shade: #74F301, #01F3AE and #F301D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74F301 shade: #74F301, #0176F3 and #F30176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74F301 shade: #74F301, #01F3AE, #7E01F3 and #F30145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74F301 shade: #74F301, #01EFF3, #7E01F3 and #F30501

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

Complementary color

CMYK 45 / 95 / 0 / 0

HEX #8B0CFE

RGB 139 12 254

HSL 271.49, 0.99%, 0.52%

LAB 42.62, 82.63, -89.86

 

CMYK 50 / 0 / 100 / 5

HEX #79F300

RGB 121 243 0

HSL 90.12, 1%, 0.48%

LAB 86.09, -65.55, 82.72

 

CMYK 46 / 0 / 94 / 0

HEX #8AFF0F

RGB 138 255 15

HSL 89.25, 1%, 0.53%

LAB 90.3, -64.71, 85.14

 

CMYK 39 / 0 / 87 / 0

HEX #9BFF22

RGB 155 255 34

HSL 87.15, 1%, 0.57%

LAB 91.05, -58.99, 83.46

 

CMYK 33 / 0 / 79 / 0

HEX #ACFF35

RGB 172 255 53

HSL 84.65, 1%, 0.6%

LAB 91.93, -52.6, 80.33

 

CMYK 26 / 0 / 72 / 0

HEX #BDFF48

RGB 189 255 72

HSL 81.64, 1%, 0.64%

LAB 92.93, -45.63, 75.93

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 56 / 0 / 100 / 12

HEX #63E100

RGB 99 225 0

HSL 93.6, 1%, 0.44%

LAB 79.9, -65.27, 77.53

 

CMYK 60 / 0 / 100 / 19

HEX #52CF00

RGB 82 207 0

HSL 96.23, 1%, 0.41%

LAB 73.82, -63.43, 72.51

 

CMYK 66 / 0 / 100 / 26

HEX #41BD00

RGB 65 189 0

HSL 99.37, 1%, 0.37%

LAB 67.66, -61.37, 67.44

 

CMYK 72 / 0 / 100 / 33

HEX #30AB00

RGB 48 171 0

HSL 103.16, 1%, 0.34%

LAB 61.44, -58.98, 62.33

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 26 / 0 / 100 / 5

HEX #B5F301

RGB 181 243 1

HSL 75.37, 0.99%, 0.48%

LAB 88.89, -45.51, 86.02

 

CMYK 0 / 1 / 100 / 5

HEX #F3F001

RGB 243 240 1

HSL 59.26, 0.99%, 0.48%

LAB 92.3, -19.34, 90.45

 

CMYK 0 / 28 / 100 / 5

HEX #F3AE01

RGB 243 174 1

HSL 42.89, 0.99%, 0.48%

LAB 75.66, 14.14, 78.66

 

CMYK 0 / 55 / 100 / 5

HEX #F36D01

RGB 243 109 1

HSL 26.78, 0.99%, 0.48%

LAB 61.65, 47.46, 69.8

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 79 / 0 / 100 / 5

HEX #33F301

RGB 51 243 1

HSL 107.6, 0.99%, 0.48%

LAB 84.38, -79.78, 80.56

 

CMYK 100 / 0 / 93 / 5

HEX #01F310

RGB 1 243 16

HSL 123.72, 0.99%, 0.48%

LAB 84.04, -82.81, 78.84

 

CMYK 100 / 0 / 66 / 5

HEX #01F352

RGB 1 243 82

HSL 140.08, 0.99%, 0.48%

LAB 84.34, -79, 61.82

 

CMYK 100 / 0 / 40 / 5

HEX #01F393

RGB 1 243 147

HSL 156.2, 0.99%, 0.48%

LAB 85.11, -69.64, 33

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 48 / 0 / 91 / 13

HEX #75DF15

RGB 117 223 21

HSL 91.49, 0.83%, 0.48%

LAB 79.96, -59.18, 75.66

 

CMYK 42 / 0 / 80 / 20

HEX #76CB28

RGB 118 203 40

HSL 91.29, 0.67%, 0.48%

LAB 74.01, -50.55, 66.53

 

CMYK 35 / 0 / 67 / 28

HEX #77B83C

RGB 119 184 60

HSL 91.45, 0.51%, 0.48%

LAB 68.41, -41.08, 54.21

 

CMYK 27 / 0 / 51 / 36

HEX #78A450

RGB 120 164 80

HSL 91.43, 0.34%, 0.48%

LAB 62.61, -29.68, 38.56

 

CMYK 0 / 2 / 100 / 5

HEX #F3EF01

RGB 243 239 1

HSL 59.01, 0.99%, 0.48%

LAB 92.04, -18.85, 90.26

 

CMYK 25 / 0 / 100 / 5

HEX #B6F301

RGB 182 243 1

HSL 75.12, 0.99%, 0.48%

LAB 88.95, -45.13, 86.09

 

CMYK 51 / 0 / 100 / 5

HEX #76F301

RGB 118 243 1

HSL 90.99, 0.99%, 0.48%

LAB 85.98, -66.37, 82.51

 

CMYK 78 / 0 / 100 / 5

HEX #35F301

RGB 53 243 1

HSL 107.11, 0.99%, 0.48%

LAB 84.41, -79.54, 80.6

 

CMYK 100 / 0 / 95 / 5

HEX #01F30D

RGB 1 243 13

HSL 122.98, 0.99%, 0.48%

LAB 84.04, -82.87, 79.14

 

CMYK 52 / 0 / 100 / 37

HEX #4DA100

RGB 77 161 0

HSL 91.3, 1%, 0.32%

LAB 59.04, -48.48, 60.79

 

CMYK 52 / 0 / 100 / 21

HEX #60CA01

RGB 96 202 1

HSL 91.64, 0.99%, 0.4%

LAB 72.71, -58.02, 71.73

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 46 / 0 / 87 / 1

HEX #89FD20

RGB 137 253 32

HSL 91.49, 0.98%, 0.56%

LAB 89.71, -63.92, 82.37

 

CMYK 37 / 0 / 71 / 0

HEX #9FFE49

RGB 159 254 73

HSL 91.49, 0.99%, 0.64%

LAB 91.11, -55.55, 73.28

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 100 / 0 / 28 / 5

HEX #01F3AE

RGB 1 243 174

HSL 162.89, 0.99%, 0.48%

LAB 85.59, -64.11, 19.91

 

CMYK 0 / 100 / 12 / 5

HEX #F301D7

RGB 243 1 215

HSL 306.94, 0.99%, 0.48%

LAB 56.07, 90.92, -45.28

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 100 / 51 / 0 / 5

HEX #0176F3

RGB 1 118 243

HSL 210.99, 0.99%, 0.48%

LAB 51.19, 20.46, -69.99

 

CMYK 0 / 100 / 51 / 5

HEX #F30176

RGB 243 1 118

HSL 330.99, 0.99%, 0.48%

LAB 52.27, 81.19, 6.04

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 100 / 0 / 28 / 5

HEX #01F3AE

RGB 1 243 174

HSL 162.89, 0.99%, 0.48%

LAB 85.59, -64.11, 19.91

 

CMYK 48 / 100 / 0 / 5

HEX #7E01F3

RGB 126 1 243

HSL 270.99, 0.99%, 0.48%

LAB 39.46, 80.42, -88.96

 

CMYK 0 / 100 / 72 / 5

HEX #F30145

RGB 243 1 69

HSL 343.14, 0.99%, 0.48%

LAB 51.27, 78.52, 34.41

 

CMYK 52 / 0 / 100 / 5

HEX #74F301

RGB 116 243 1

HSL 91.49, 0.99%, 0.48%

LAB 85.91, -66.92, 82.43

 

CMYK 100 / 2 / 0 / 5

HEX #01EFF3

RGB 1 239 243

HSL 180.99, 0.99%, 0.48%

LAB 86.11, -44.59, -15.38

 

CMYK 48 / 100 / 0 / 5

HEX #7E01F3

RGB 126 1 243

HSL 270.99, 0.99%, 0.48%

LAB 39.46, 80.42, -88.96

 

CMYK 0 / 98 / 100 / 5

HEX #F30501

RGB 243 5 1

HSL 0.99, 0.99%, 0.48%

LAB 50.88, 76.88, 64.58

 

Description

Color code: HEX #74F301 | qconv.com Color code: HEX #74F301 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 243 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 243 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 100% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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