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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74F82A it is the complementary color #8B07D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74F82A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74F82A shade: #79F825, #8AFF38, #9BFF4B, #ACFF5E and #BDFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74F82A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74F82A shade: #74F82A, #63E617, #52D404, #41C200 and #30B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74F82A shade: #74F82A, #ABF82A, #E3F82A, #F8D52A and #F89E2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74F82A shade: #74F82A, #3CF82A, #2AF84F, #2AF887 and #2AF8BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74F82A shade matches the following richer shades: #74F82A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74F82A shade: #74F82A, #79E63C, #7ED44D, #83C35F and #88B171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74F82A shade: #E3F82A, #ACF82A, #75F82A, #3EF82A and #2AF84C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74F82A shade: #4CC906, #5BF107, #74F82A, #8EF952 and #A8FA7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74F82A shade: #74F82A, #2AF8D6 and #F82AC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74F82A shade: #74F82A, #2A75F8 and #F82A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74F82A shade: #74F82A, #2AF8D6, #AC2AF8 and #F82A4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74F82A shade: #74F82A, #2ADCF8, #AC2AF8 and #F8452A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

Complementary color

CMYK 35 / 97 / 0 / 16

HEX #8B07D5

RGB 139 7 213

HSL 278.45, 0.94%, 0.43%

LAB 38.63, 74.9, -73.14

 

CMYK 51 / 0 / 85 / 3

HEX #79F825

RGB 121 248 37

HSL 96.11, 0.94%, 0.56%

LAB 87.65, -66.56, 79.43

 

CMYK 46 / 0 / 78 / 0

HEX #8AFF38

RGB 138 255 56

HSL 95.28, 1%, 0.61%

LAB 90.42, -63.44, 77.57

 

CMYK 39 / 0 / 71 / 0

HEX #9BFF4B

RGB 155 255 75

HSL 93.33, 1%, 0.65%

LAB 91.23, -57.11, 72.65

 

CMYK 33 / 0 / 63 / 0

HEX #ACFF5E

RGB 172 255 94

HSL 90.93, 1%, 0.68%

LAB 92.18, -50.14, 66.79

 

CMYK 26 / 0 / 56 / 0

HEX #BDFF71

RGB 189 255 113

HSL 87.89, 1%, 0.72%

LAB 93.25, -42.62, 60.27

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 57 / 0 / 90 / 10

HEX #63E617

RGB 99 230 23

HSL 97.97, 0.82%, 0.5%

LAB 81.46, -66.56, 76.36

 

CMYK 61 / 0 / 98 / 17

HEX #52D404

RGB 82 212 4

HSL 97.5, 0.96%, 0.42%

LAB 75.38, -65.02, 73.35

 

CMYK 66 / 0 / 100 / 24

HEX #41C200

RGB 65 194 0

HSL 99.9, 1%, 0.38%

LAB 69.26, -62.98, 68.71

 

CMYK 73 / 0 / 100 / 31

HEX #30B000

RGB 48 176 0

HSL 103.64, 1%, 0.35%

LAB 63.08, -60.55, 63.63

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 31 / 0 / 83 / 3

HEX #ABF82A

RGB 171 248 42

HSL 82.43, 0.94%, 0.57%

LAB 89.84, -50.49, 81.12

 

CMYK 8 / 0 / 83 / 3

HEX #E3F82A

RGB 227 248 42

HSL 66.12, 0.94%, 0.57%

LAB 93.29, -29.07, 85.43

 

CMYK 0 / 14 / 83 / 3

HEX #F8D52A

RGB 248 213 42

HSL 49.81, 0.94%, 0.57%

LAB 85.86, -3.29, 79.89

 

CMYK 0 / 36 / 83 / 3

HEX #F89E2A

RGB 248 158 42

HSL 33.79, 0.94%, 0.57%

LAB 72.61, 25.29, 68.71

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 76 / 0 / 83 / 3

HEX #3CF82A

RGB 60 248 42

HSL 114.76, 0.94%, 0.57%

LAB 86.14, -78.99, 76.43

 

CMYK 83 / 0 / 68 / 3

HEX #2AF84F

RGB 42 248 79

HSL 130.78, 0.94%, 0.57%

LAB 86.1, -78.55, 64.94

 

CMYK 83 / 0 / 46 / 3

HEX #2AF887

RGB 42 248 135

HSL 147.09, 0.94%, 0.57%

LAB 86.69, -71.42, 41.02

 

CMYK 83 / 0 / 23 / 3

HEX #2AF8BE

RGB 42 248 190

HSL 163.11, 0.94%, 0.57%

LAB 87.65, -60.53, 14.58

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 47 / 0 / 74 / 10

HEX #79E63C

RGB 121 230 60

HSL 98.47, 0.77%, 0.57%

LAB 82.37, -58.94, 68.43

 

CMYK 41 / 0 / 64 / 17

HEX #7ED44D

RGB 126 212 77

HSL 98.22, 0.61%, 0.57%

LAB 77.32, -49.08, 56.9

 

CMYK 33 / 0 / 51 / 24

HEX #83C35F

RGB 131 195 95

HSL 98.4, 0.45%, 0.57%

LAB 72.68, -38.29, 43.5

 

CMYK 23 / 0 / 36 / 31

HEX #88B171

RGB 136 177 113

HSL 98.44, 0.29%, 0.57%

LAB 67.93, -25.7, 28.39

 

CMYK 8 / 0 / 83 / 3

HEX #E3F82A

RGB 227 248 42

HSL 66.12, 0.94%, 0.57%

LAB 93.29, -29.07, 85.43

 

CMYK 31 / 0 / 83 / 3

HEX #ACF82A

RGB 172 248 42

HSL 82.14, 0.94%, 0.57%

LAB 89.89, -50.14, 81.18

 

CMYK 53 / 0 / 83 / 3

HEX #75F82A

RGB 117 248 42

HSL 98.16, 0.94%, 0.57%

LAB 87.53, -67.46, 78.19

 

CMYK 75 / 0 / 83 / 3

HEX #3EF82A

RGB 62 248 42

HSL 114.17, 0.94%, 0.57%

LAB 86.17, -78.72, 76.47

 

CMYK 83 / 0 / 69 / 3

HEX #2AF84C

RGB 42 248 76

HSL 129.9, 0.94%, 0.57%

LAB 86.08, -78.82, 66.03

 

CMYK 62 / 0 / 97 / 21

HEX #4CC906

RGB 76 201 6

HSL 98.46, 0.94%, 0.41%

LAB 71.77, -62.74, 70.18

 

CMYK 62 / 0 / 97 / 5

HEX #5BF107

RGB 91 241 7

HSL 98.46, 0.94%, 0.49%

LAB 84.56, -72.33, 80.55

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 43 / 0 / 67 / 2

HEX #8EF952

RGB 142 249 82

HSL 98.44, 0.93%, 0.65%

LAB 88.98, -58.35, 67.62

 

CMYK 33 / 0 / 51 / 2

HEX #A8FA7A

RGB 168 250 122

HSL 98.44, 0.93%, 0.73%

LAB 90.83, -46.73, 53.11

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 83 / 0 / 14 / 3

HEX #2AF8D6

RGB 42 248 214

HSL 170.1, 0.94%, 0.57%

LAB 88.2, -54.71, 2.91

 

CMYK 0 / 83 / 19 / 3

HEX #F82AC8

RGB 248 42 200

HSL 313.98, 0.94%, 0.57%

LAB 57.83, 85.3, -33.88

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 83 / 53 / 0 / 3

HEX #2A75F8

RGB 42 117 248

HSL 218.16, 0.94%, 0.57%

LAB 51.83, 24.8, -71.71

 

CMYK 0 / 83 / 53 / 3

HEX #F82A75

RGB 248 42 117

HSL 338.16, 0.94%, 0.57%

LAB 54.97, 77.21, 10.6

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 83 / 0 / 14 / 3

HEX #2AF8D6

RGB 42 248 214

HSL 170.1, 0.94%, 0.57%

LAB 88.2, -54.71, 2.91

 

CMYK 31 / 83 / 0 / 3

HEX #AC2AF8

RGB 172 42 248

HSL 277.86, 0.94%, 0.57%

LAB 48.52, 79.56, -76.67

 

CMYK 0 / 83 / 69 / 3

HEX #F82A4C

RGB 248 42 76

HSL 350.1, 0.94%, 0.57%

LAB 54.17, 74.86, 34

 

CMYK 53 / 0 / 83 / 3

HEX #74F82A

RGB 116 248 42

HSL 98.45, 0.94%, 0.57%

LAB 87.49, -67.72, 78.15

 

CMYK 83 / 11 / 0 / 3

HEX #2ADCF8

RGB 42 220 248

HSL 188.16, 0.94%, 0.57%

LAB 80.99, -32.77, -25.74

 

CMYK 31 / 83 / 0 / 3

HEX #AC2AF8

RGB 172 42 248

HSL 277.86, 0.94%, 0.57%

LAB 48.52, 79.56, -76.67

 

CMYK 0 / 72 / 83 / 3

HEX #F8452A

RGB 248 69 42

HSL 7.86, 0.94%, 0.57%

LAB 56.47, 66.23, 54.68

 

Description

Color code: HEX #74F82A | qconv.com Color code: HEX #74F82A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 248 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 248 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 83 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 83% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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