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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74EE89 it is the complementary color #8B1176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74EE89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74EE89 shade: #79EE84, #8AFF97, #9BFFAA, #ACFFBD and #BDFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74EE89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74EE89 shade: #74EE89, #63DC76, #52CA63, #41B850 and #30A63D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74EE89 shade: #72ED87, #7EED72, #9FED72, #C0ED72 and #E2ED72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74EE89 shade: #72ED87, #72EDA8, #72EDCA, #72EDEB and #72CEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74EE89 shade matches the following richer shades: #72ED87 and #65FA7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74EE89 shade: #72ED87, #7FE08F, #8BD498, #98C7A0 and #A5BAA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74EE89 shade: #9FED72, #7EED72, #72ED86, #72EDA7 and #72EDC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74EE89 shade: #28E449, #4DE968, #72ED87, #97F2A6 and #BBF6C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74EE89 shade: #74EE89, #72C0ED and #ED728F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74EE89 shade: #74EE89, #8672ED and #ED8672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74EE89 shade: #74EE89, #72C0ED, #ED72D9 and #ED9F72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74EE89 shade: #74EE89, #729BED, #ED72D9 and #EDC472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 42 / 7

HEX #74EE89

RGB 116 238 137

HSL 130.33, 0.78%, 0.69%

LAB 85.34, -55.07, 38.63

 

Complementary color

CMYK 0 / 88 / 15 / 45

HEX #8B1176

RGB 139 17 118

HSL 310.33, 0.78%, 0.31%

LAB 32.25, 56.81, -26.13

 

CMYK 49 / 0 / 45 / 7

HEX #79EE84

RGB 121 238 132

HSL 125.64, 0.77%, 0.7%

LAB 85.44, -54.54, 41.25

 

CMYK 46 / 0 / 41 / 0

HEX #8AFF97

RGB 138 255 151

HSL 126.67, 1%, 0.77%

LAB 91.31, -54.04, 39.62

 

CMYK 39 / 0 / 33 / 0

HEX #9BFFAA

RGB 155 255 170

HSL 129, 1%, 0.8%

LAB 92.31, -46.34, 31.65

 

CMYK 33 / 0 / 26 / 0

HEX #ACFFBD

RGB 172 255 189

HSL 132.29, 1%, 0.84%

LAB 93.44, -38.17, 23.73

 

CMYK 26 / 0 / 18 / 0

HEX #BDFFD0

RGB 189 255 208

HSL 137.27, 1%, 0.87%

LAB 94.69, -29.64, 15.92

 

CMYK 51 / 0 / 42 / 7

HEX #74EE89

RGB 116 238 137

HSL 130.33, 0.78%, 0.69%

LAB 85.34, -55.07, 38.63

 

CMYK 55 / 0 / 46 / 14

HEX #63DC76

RGB 99 220 118

HSL 129.42, 0.63%, 0.63%

LAB 79.13, -55.06, 39.94

 

CMYK 59 / 0 / 51 / 21

HEX #52CA63

RGB 82 202 99

HSL 128.5, 0.53%, 0.56%

LAB 72.85, -54.89, 41.3

 

CMYK 65 / 0 / 57 / 28

HEX #41B850

RGB 65 184 80

HSL 127.56, 0.48%, 0.49%

LAB 66.51, -54.48, 42.67

 

CMYK 71 / 0 / 63 / 35

HEX #30A63D

RGB 48 166 61

HSL 126.61, 0.55%, 0.42%

LAB 60.1, -53.7, 43.97

 

CMYK 52 / 0 / 43 / 7

HEX #72ED87

RGB 114 237 135

HSL 130.24, 0.77%, 0.69%

LAB 84.94, -55.48, 39.09

 

CMYK 47 / 0 / 52 / 7

HEX #7EED72

RGB 126 237 114

HSL 114.15, 0.77%, 0.69%

LAB 85.11, -55.2, 49.47

 

CMYK 33 / 0 / 52 / 7

HEX #9FED72

RGB 159 237 114

HSL 98.05, 0.77%, 0.69%

LAB 86.58, -45.04, 51.59

 

CMYK 19 / 0 / 52 / 7

HEX #C0ED72

RGB 192 237 114

HSL 81.95, 0.77%, 0.69%

LAB 88.44, -33.38, 54.26

 

CMYK 5 / 0 / 52 / 7

HEX #E2ED72

RGB 226 237 114

HSL 65.37, 0.77%, 0.69%

LAB 90.76, -20.36, 57.56

 

CMYK 52 / 0 / 43 / 7

HEX #72ED87

RGB 114 237 135

HSL 130.24, 0.77%, 0.69%

LAB 84.94, -55.48, 39.09

 

CMYK 52 / 0 / 29 / 7

HEX #72EDA8

RGB 114 237 168

HSL 146.34, 0.77%, 0.69%

LAB 85.49, -49.82, 23.15

 

CMYK 52 / 0 / 15 / 7

HEX #72EDCA

RGB 114 237 202

HSL 162.93, 0.77%, 0.69%

LAB 86.21, -42.71, 6.49

 

CMYK 52 / 0 / 1 / 7

HEX #72EDEB

RGB 114 237 235

HSL 179.02, 0.77%, 0.69%

LAB 87.07, -34.74, -9.57

 

CMYK 52 / 13 / 0 / 7

HEX #72CEED

RGB 114 206 237

HSL 195.12, 0.77%, 0.69%

LAB 78.37, -19.09, -23.72

 

CMYK 52 / 0 / 43 / 7

HEX #72ED87

RGB 114 237 135

HSL 130.24, 0.77%, 0.69%

LAB 84.94, -55.48, 39.09

 

CMYK 60 / 0 / 49 / 2

HEX #65FA7F

RGB 101 250 127

HSL 130.47, 0.94%, 0.69%

LAB 88.29, -64.55, 47.09

 

CMYK 52 / 0 / 43 / 7

HEX #72ED87

RGB 114 237 135

HSL 130.24, 0.77%, 0.69%

LAB 84.94, -55.48, 39.09

 

CMYK 43 / 0 / 36 / 12

HEX #7FE08F

RGB 127 224 143

HSL 129.9, 0.61%, 0.69%

LAB 81.73, -45.43, 30.98

 

CMYK 34 / 0 / 28 / 17

HEX #8BD498

RGB 139 212 152

HSL 130.68, 0.46%, 0.69%

LAB 78.95, -35.02, 22.66

 

CMYK 24 / 0 / 20 / 22

HEX #98C7A0

RGB 152 199 160

HSL 130.21, 0.3%, 0.69%

LAB 76.11, -23.2, 14.58

 

CMYK 11 / 0 / 9 / 27

HEX #A5BAA9

RGB 165 186 169

HSL 131.43, 0.13%, 0.69%

LAB 73.53, -10.49, 6.18

 

CMYK 33 / 0 / 52 / 7

HEX #9FED72

RGB 159 237 114

HSL 98.05, 0.77%, 0.69%

LAB 86.58, -45.04, 51.59

 

CMYK 47 / 0 / 52 / 7

HEX #7EED72

RGB 126 237 114

HSL 114.15, 0.77%, 0.69%

LAB 85.11, -55.2, 49.47

 

CMYK 52 / 0 / 43 / 7

HEX #72ED86

RGB 114 237 134

HSL 129.76, 0.77%, 0.69%

LAB 84.93, -55.63, 39.56

 

CMYK 52 / 0 / 30 / 7

HEX #72EDA7

RGB 114 237 167

HSL 145.85, 0.77%, 0.69%

LAB 85.47, -50.01, 23.64

 

CMYK 52 / 0 / 16 / 7

HEX #72EDC8

RGB 114 237 200

HSL 161.95, 0.77%, 0.69%

LAB 86.16, -43.16, 7.47

 

CMYK 82 / 0 / 68 / 11

HEX #28E449

RGB 40 228 73

HSL 130.53, 0.78%, 0.53%

LAB 79.85, -73.4, 60.56

 

CMYK 67 / 0 / 55 / 9

HEX #4DE968

RGB 77 233 104

HSL 130.38, 0.78%, 0.61%

LAB 82.3, -66.36, 50.35

 

CMYK 52 / 0 / 43 / 7

HEX #72ED87

RGB 114 237 135

HSL 130.24, 0.77%, 0.69%

LAB 84.94, -55.48, 39.09

 

CMYK 38 / 0 / 31 / 5

HEX #97F2A6

RGB 151 242 166

HSL 129.89, 0.78%, 0.77%

LAB 88.37, -42.52, 28.34

 

CMYK 24 / 0 / 20 / 4

HEX #BBF6C5

RGB 187 246 197

HSL 130.17, 0.77%, 0.85%

LAB 91.91, -27.97, 17.64

 

CMYK 51 / 0 / 42 / 7

HEX #74EE89

RGB 116 238 137

HSL 130.33, 0.78%, 0.69%

LAB 85.34, -55.07, 38.63

 

CMYK 52 / 19 / 0 / 7

HEX #72C0ED

RGB 114 192 237

HSL 201.95, 0.77%, 0.69%

LAB 74.44, -11.8, -29.73

 

CMYK 0 / 52 / 40 / 7

HEX #ED728F

RGB 237 114 143

HSL 345.85, 0.77%, 0.69%

LAB 63.36, 50.2, 7.05

 

CMYK 51 / 0 / 42 / 7

HEX #74EE89

RGB 116 238 137

HSL 130.33, 0.78%, 0.69%

LAB 85.34, -55.07, 38.63

 

CMYK 43 / 52 / 0 / 7

HEX #8672ED

RGB 134 114 237

HSL 249.76, 0.77%, 0.69%

LAB 55.3, 37.36, -59.75

 

CMYK 0 / 43 / 52 / 7

HEX #ED8672

RGB 237 134 114

HSL 9.76, 0.77%, 0.69%

LAB 66.73, 37.37, 28.06

 

CMYK 51 / 0 / 42 / 7

HEX #74EE89

RGB 116 238 137

HSL 130.33, 0.78%, 0.69%

LAB 85.34, -55.07, 38.63

 

CMYK 52 / 19 / 0 / 7

HEX #72C0ED

RGB 114 192 237

HSL 201.95, 0.77%, 0.69%

LAB 74.44, -11.8, -29.73

 

CMYK 0 / 52 / 8 / 7

HEX #ED72D9

RGB 237 114 217

HSL 309.76, 0.77%, 0.69%

LAB 65.79, 60.22, -31.27

 

CMYK 0 / 33 / 52 / 7

HEX #ED9F72

RGB 237 159 114

HSL 21.95, 0.77%, 0.69%

LAB 72.24, 24.25, 35.2

 

CMYK 51 / 0 / 42 / 7

HEX #74EE89

RGB 116 238 137

HSL 130.33, 0.78%, 0.69%

LAB 85.34, -55.07, 38.63

 

CMYK 52 / 35 / 0 / 7

HEX #729BED

RGB 114 155 237

HSL 220, 0.77%, 0.69%

LAB 64.27, 8.76, -45.56

 

CMYK 0 / 52 / 8 / 7

HEX #ED72D9

RGB 237 114 217

HSL 309.76, 0.77%, 0.69%

LAB 65.79, 60.22, -31.27

 

CMYK 0 / 17 / 52 / 7

HEX #EDC472

RGB 237 196 114

HSL 40, 0.77%, 0.69%

LAB 81.13, 4.72, 46.3

 

Description

Color code: HEX #74EE89 | qconv.com Color code: HEX #74EE89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 238 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 238 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 42 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 42% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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