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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74DC17 it is the complementary color #8B23E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74DC17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74DC17 shade: #79DC12, #8AEE25, #9BFF38, #ACFF4B and #BDFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74DC17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74DC17 shade: #74DC17, #63CA04, #52B800, #41A600 and #309400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74DC17 shade: #74DD17, #AADD17, #DDDB17, #DDA517 and #DD7017

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74DC17 shade: #74DD17, #3FDD17, #17DD24, #17DD5A and #17DD8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74DC17 shade matches the following richer shades: #74DD17 and #73F103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74DC17 shade: #74DD17, #75C92B, #77B53E, #78A252 and #798E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74DC17 shade: #DDDA17, #ABDD17, #77DD17, #42DD17 and #17DD21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74DC17 shade: #4D920F, #61B813, #74DD17, #89E934 and #9FED59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74DC17 shade: #74DC17, #17DDA5 and #DD17C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74DC17 shade: #74DC17, #1777DD and #DD1777

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74DC17 shade: #74DC17, #17DDA5, #7D17DD and #DD174F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74DC17 shade: #74DC17, #17DADD, #7D17DD and #DD1A17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 90 / 14

HEX #74DC17

RGB 116 220 23

HSL 91.68, 0.81%, 0.48%

LAB 79.02, -58.32, 74.56

 

Complementary color

CMYK 40 / 85 / 0 / 9

HEX #8B23E8

RGB 139 35 232

HSL 271.68, 0.81%, 0.52%

LAB 42.03, 73.68, -78.45

 

CMYK 45 / 0 / 92 / 14

HEX #79DC12

RGB 121 220 18

HSL 89.41, 0.85%, 0.47%

LAB 79.21, -56.9, 75.53

 

CMYK 42 / 0 / 84 / 7

HEX #8AEE25

RGB 138 238 37

HSL 89.85, 0.86%, 0.54%

LAB 85.35, -57.85, 77.68

 

CMYK 39 / 0 / 78 / 0

HEX #9BFF38

RGB 155 255 56

HSL 90.15, 1%, 0.61%

LAB 91.13, -58.17, 78.49

 

CMYK 33 / 0 / 71 / 0

HEX #ACFF4B

RGB 172 255 75

HSL 87.67, 1%, 0.65%

LAB 92.04, -51.47, 73.73

 

CMYK 26 / 0 / 63 / 0

HEX #BDFF5E

RGB 189 255 94

HSL 84.6, 1%, 0.68%

LAB 93.08, -44.21, 68.03

 

CMYK 47 / 0 / 90 / 14

HEX #74DC17

RGB 116 220 23

HSL 91.68, 0.81%, 0.48%

LAB 79.02, -58.32, 74.56

 

CMYK 51 / 0 / 98 / 21

HEX #63CA04

RGB 99 202 4

HSL 91.21, 0.96%, 0.4%

LAB 72.83, -57.11, 71.55

 

CMYK 55 / 0 / 100 / 28

HEX #52B800

RGB 82 184 0

HSL 93.26, 1%, 0.36%

LAB 66.58, -55.5, 66.79

 

CMYK 61 / 0 / 100 / 35

HEX #41A600

RGB 65 166 0

HSL 96.51, 1%, 0.33%

LAB 60.25, -53.63, 61.56

 

CMYK 68 / 0 / 100 / 42

HEX #309400

RGB 48 148 0

HSL 100.54, 1%, 0.29%

LAB 53.82, -51.47, 56.27

 

CMYK 48 / 0 / 90 / 13

HEX #74DD17

RGB 116 221 23

HSL 91.82, 0.81%, 0.48%

LAB 79.32, -58.69, 74.81

 

CMYK 23 / 0 / 90 / 13

HEX #AADD17

RGB 170 221 23

HSL 75.45, 0.81%, 0.48%

LAB 82.01, -39.86, 78.13

 

CMYK 0 / 1 / 90 / 13

HEX #DDDB17

RGB 221 219 23

HSL 59.39, 0.81%, 0.48%

LAB 85.05, -18.12, 82.06

 

CMYK 0 / 25 / 90 / 13

HEX #DDA517

RGB 221 165 23

HSL 43.03, 0.81%, 0.48%

LAB 71.11, 9.64, 71.25

 

CMYK 0 / 49 / 90 / 13

HEX #DD7017

RGB 221 112 23

HSL 26.97, 0.81%, 0.48%

LAB 59, 37.73, 62.04

 

CMYK 48 / 0 / 90 / 13

HEX #74DD17

RGB 116 221 23

HSL 91.82, 0.81%, 0.48%

LAB 79.32, -58.69, 74.81

 

CMYK 71 / 0 / 90 / 13

HEX #3FDD17

RGB 63 221 23

HSL 107.88, 0.81%, 0.48%

LAB 77.78, -71.27, 72.89

 

CMYK 90 / 0 / 84 / 13

HEX #17DD24

RGB 23 221 36

HSL 123.94, 0.81%, 0.48%

LAB 77.29, -75.37, 69.69

 

CMYK 90 / 0 / 59 / 13

HEX #17DD5A

RGB 23 221 90

HSL 140.3, 0.81%, 0.48%

LAB 77.66, -70.79, 51

 

CMYK 90 / 0 / 35 / 13

HEX #17DD8F

RGB 23 221 143

HSL 156.36, 0.81%, 0.48%

LAB 78.39, -62.06, 26.07

 

CMYK 48 / 0 / 90 / 13

HEX #74DD17

RGB 116 221 23

HSL 91.82, 0.81%, 0.48%

LAB 79.32, -58.69, 74.81

 

CMYK 52 / 0 / 99 / 5

HEX #73F103

RGB 115 241 3

HSL 91.76, 0.98%, 0.48%

LAB 85.28, -66.48, 81.75

 

CMYK 48 / 0 / 90 / 13

HEX #74DD17

RGB 116 221 23

HSL 91.82, 0.81%, 0.48%

LAB 79.32, -58.69, 74.81

 

CMYK 42 / 0 / 79 / 21

HEX #75C92B

RGB 117 201 43

HSL 91.9, 0.65%, 0.48%

LAB 73.37, -49.93, 65.06

 

CMYK 34 / 0 / 66 / 29

HEX #77B53E

RGB 119 181 62

HSL 91.26, 0.49%, 0.48%

LAB 67.51, -39.61, 52.44

 

CMYK 26 / 0 / 49 / 36

HEX #78A252

RGB 120 162 82

HSL 91.5, 0.33%, 0.48%

LAB 62.03, -28.48, 36.85

 

CMYK 15 / 0 / 28 / 44

HEX #798E66

RGB 121 142 102

HSL 91.5, 0.16%, 0.48%

LAB 56.46, -15.13, 18.9

 

CMYK 0 / 1 / 90 / 13

HEX #DDDA17

RGB 221 218 23

HSL 59.09, 0.81%, 0.48%

LAB 84.78, -17.63, 81.85

 

CMYK 23 / 0 / 90 / 13

HEX #ABDD17

RGB 171 221 23

HSL 75.15, 0.81%, 0.48%

LAB 82.07, -39.47, 78.2

 

CMYK 46 / 0 / 90 / 13

HEX #77DD17

RGB 119 221 23

HSL 90.91, 0.81%, 0.48%

LAB 79.44, -57.78, 74.96

 

CMYK 70 / 0 / 90 / 13

HEX #42DD17

RGB 66 221 23

HSL 106.97, 0.81%, 0.48%

LAB 77.84, -70.75, 72.96

 

CMYK 90 / 0 / 85 / 13

HEX #17DD21

RGB 23 221 33

HSL 123.03, 0.81%, 0.48%

LAB 77.28, -75.51, 70.36

 

CMYK 47 / 0 / 90 / 43

HEX #4D920F

RGB 77 146 15

HSL 91.6, 0.81%, 0.32%

LAB 54.21, -42.22, 54.43

 

CMYK 47 / 0 / 90 / 28

HEX #61B813

RGB 97 184 19

HSL 91.64, 0.81%, 0.4%

LAB 67.18, -50.66, 64.99

 

CMYK 48 / 0 / 90 / 13

HEX #74DD17

RGB 116 221 23

HSL 91.82, 0.81%, 0.48%

LAB 79.32, -58.69, 74.81

 

CMYK 41 / 0 / 78 / 9

HEX #89E934

RGB 137 233 52

HSL 91.82, 0.8%, 0.56%

LAB 83.88, -55.61, 72.58

 

CMYK 33 / 0 / 62 / 7

HEX #9FED59

RGB 159 237 89

HSL 91.62, 0.8%, 0.64%

LAB 86.34, -47.45, 62.26

 

CMYK 47 / 0 / 90 / 14

HEX #74DC17

RGB 116 220 23

HSL 91.68, 0.81%, 0.48%

LAB 79.02, -58.32, 74.56

 

CMYK 90 / 0 / 25 / 13

HEX #17DDA5

RGB 23 221 165

HSL 163.03, 0.81%, 0.48%

LAB 78.82, -57.27, 15.17

 

CMYK 0 / 90 / 10 / 13

HEX #DD17C6

RGB 221 23 198

HSL 306.97, 0.81%, 0.48%

LAB 51.91, 82.98, -42.37

 

CMYK 47 / 0 / 90 / 14

HEX #74DC17

RGB 116 220 23

HSL 91.68, 0.81%, 0.48%

LAB 79.02, -58.32, 74.56

 

CMYK 90 / 46 / 0 / 13

HEX #1777DD

RGB 23 119 221

HSL 210.91, 0.81%, 0.48%

LAB 50.21, 12.01, -59.23

 

CMYK 0 / 90 / 46 / 13

HEX #DD1777

RGB 221 23 119

HSL 330.91, 0.81%, 0.48%

LAB 48.66, 74.34, -0.35

 

CMYK 47 / 0 / 90 / 14

HEX #74DC17

RGB 116 220 23

HSL 91.68, 0.81%, 0.48%

LAB 79.02, -58.32, 74.56

 

CMYK 90 / 0 / 25 / 13

HEX #17DDA5

RGB 23 221 165

HSL 163.03, 0.81%, 0.48%

LAB 78.82, -57.27, 15.17

 

CMYK 43 / 90 / 0 / 13

HEX #7D17DD

RGB 125 23 221

HSL 270.91, 0.81%, 0.48%

LAB 38.19, 72.57, -78.55

 

CMYK 0 / 90 / 64 / 13

HEX #DD174F

RGB 221 23 79

HSL 343.03, 0.81%, 0.48%

LAB 47.69, 71.63, 22.91

 

CMYK 47 / 0 / 90 / 14

HEX #74DC17

RGB 116 220 23

HSL 91.68, 0.81%, 0.48%

LAB 79.02, -58.32, 74.56

 

CMYK 90 / 1 / 0 / 13

HEX #17DADD

RGB 23 218 221

HSL 180.91, 0.81%, 0.48%

LAB 79.35, -41.14, -13.86

 

CMYK 43 / 90 / 0 / 13

HEX #7D17DD

RGB 125 23 221

HSL 270.91, 0.81%, 0.48%

LAB 38.19, 72.57, -78.55

 

CMYK 0 / 88 / 90 / 13

HEX #DD1A17

RGB 221 26 23

HSL 0.91, 0.81%, 0.48%

LAB 47.2, 69.31, 53.42

 

Description

Color code: HEX #74DC17 | qconv.com Color code: HEX #74DC17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 220 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 220 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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