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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74D493 it is the complementary color #8B2B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74D493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74D493 shade: #79D48E, #8AE6A1, #9BF8B4, #ACFFC7 and #BDFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74D493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74D493 shade: #74D493, #63C280, #52B06D, #419E5A and #308C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74D493 shade: #72D391, #72D377, #87D372, #A1D372 and #BCD372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74D493 shade: #72D391, #72D3AC, #72D3C6, #72C7D3 and #72ACD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74D493 shade matches the following richer shades: #72D391, #63E28C and #54F187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74D493 shade: #72D391, #81C597, #90B69C, #9FA7A1 and #AD98A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74D493 shade: #87D372, #72D377, #72D391, #72D3AB and #72D3C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74D493 shade: #39BA63, #52CA79, #72D391, #92DDAA and #B1E7C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74D493 shade: #74D493, #72A1D3 and #D3727A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74D493 shade: #74D493, #9172D3 and #D39172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74D493 shade: #74D493, #72A1D3, #D372B5 and #D3A472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74D493 shade: #74D493, #7284D3, #D372B5 and #D3C272

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 31 / 17

HEX #74D493

RGB 116 212 147

HSL 139.38, 0.53%, 0.64%

LAB 77.82, -42.59, 23.57

 

Complementary color

CMYK 0 / 69 / 22 / 45

HEX #8B2B6C

RGB 139 43 108

HSL 319.38, 0.53%, 0.36%

LAB 34.6, 47.32, -16.15

 

CMYK 43 / 0 / 33 / 17

HEX #79D48E

RGB 121 212 142

HSL 133.85, 0.51%, 0.65%

LAB 77.94, -42.1, 26.37

 

CMYK 40 / 0 / 30 / 10

HEX #8AE6A1

RGB 138 230 161

HSL 135, 0.65%, 0.72%

LAB 84.26, -41.86, 25.23

 

CMYK 38 / 0 / 27 / 3

HEX #9BF8B4

RGB 155 248 180

HSL 136.13, 0.87%, 0.79%

LAB 90.5, -41.6, 24.15

 

CMYK 33 / 0 / 22 / 0

HEX #ACFFC7

RGB 172 255 199

HSL 139.52, 1%, 0.84%

LAB 93.63, -36.4, 18.9

 

CMYK 26 / 0 / 15 / 0

HEX #BDFFDA

RGB 189 255 218

HSL 146.36, 1%, 0.87%

LAB 94.91, -27.81, 11.1

 

CMYK 45 / 0 / 31 / 17

HEX #74D493

RGB 116 212 147

HSL 139.38, 0.53%, 0.64%

LAB 77.82, -42.59, 23.57

 

CMYK 49 / 0 / 34 / 24

HEX #63C280

RGB 99 194 128

HSL 138.32, 0.44%, 0.57%

LAB 71.42, -42.78, 24.77

 

CMYK 53 / 0 / 38 / 31

HEX #52B06D

RGB 82 176 109

HSL 137.23, 0.37%, 0.51%

LAB 64.92, -42.9, 26.07

 

CMYK 59 / 0 / 43 / 38

HEX #419E5A

RGB 65 158 90

HSL 136.13, 0.42%, 0.44%

LAB 58.34, -42.89, 27.47

 

CMYK 66 / 0 / 49 / 45

HEX #308C47

RGB 48 140 71

HSL 135, 0.49%, 0.37%

LAB 51.66, -42.65, 28.97

 

CMYK 46 / 0 / 31 / 17

HEX #72D391

RGB 114 211 145

HSL 139.18, 0.52%, 0.64%

LAB 77.41, -43.06, 24.04

 

CMYK 46 / 0 / 44 / 17

HEX #72D377

RGB 114 211 119

HSL 123.09, 0.52%, 0.64%

LAB 76.98, -47.36, 36.83

 

CMYK 36 / 0 / 46 / 17

HEX #87D372

RGB 135 211 114

HSL 107.01, 0.52%, 0.64%

LAB 77.85, -41.67, 40.62

 

CMYK 24 / 0 / 46 / 17

HEX #A1D372

RGB 161 211 114

HSL 90.93, 0.52%, 0.64%

LAB 79.26, -32.72, 42.68

 

CMYK 11 / 0 / 46 / 17

HEX #BCD372

RGB 188 211 114

HSL 74.23, 0.52%, 0.64%

LAB 81.01, -22.57, 45.24

 

CMYK 46 / 0 / 31 / 17

HEX #72D391

RGB 114 211 145

HSL 139.18, 0.52%, 0.64%

LAB 77.41, -43.06, 24.04

 

CMYK 46 / 0 / 18 / 17

HEX #72D3AC

RGB 114 211 172

HSL 155.88, 0.52%, 0.64%

LAB 77.96, -37.7, 10.53

 

CMYK 46 / 0 / 6 / 17

HEX #72D3C6

RGB 114 211 198

HSL 171.96, 0.52%, 0.64%

LAB 78.6, -31.75, -2.45

 

CMYK 46 / 6 / 0 / 17

HEX #72C7D3

RGB 114 199 211

HSL 187.42, 0.52%, 0.64%

LAB 75.53, -22.6, -14.02

 

CMYK 46 / 18 / 0 / 17

HEX #72ACD3

RGB 114 172 211

HSL 204.12, 0.52%, 0.64%

LAB 67.86, -8.46, -25.66

 

CMYK 46 / 0 / 31 / 17

HEX #72D391

RGB 114 211 145

HSL 139.18, 0.52%, 0.64%

LAB 77.41, -43.06, 24.04

 

CMYK 56 / 0 / 38 / 11

HEX #63E28C

RGB 99 226 140

HSL 139.37, 0.69%, 0.64%

LAB 81.26, -53.88, 31.69

 

CMYK 65 / 0 / 44 / 5

HEX #54F187

RGB 84 241 135

HSL 139.49, 0.85%, 0.64%

LAB 85.27, -63.45, 39.34

 

CMYK 46 / 0 / 31 / 17

HEX #72D391

RGB 114 211 145

HSL 139.18, 0.52%, 0.64%

LAB 77.41, -43.06, 24.04

 

CMYK 35 / 0 / 23 / 23

HEX #81C597

RGB 129 197 151

HSL 139.41, 0.37%, 0.64%

LAB 74.08, -31.26, 16.39

 

CMYK 21 / 0 / 14 / 29

HEX #90B69C

RGB 144 182 156

HSL 138.95, 0.21%, 0.64%

LAB 70.72, -18.07, 9.07

 

CMYK 5 / 0 / 4 / 35

HEX #9FA7A1

RGB 159 167 161

HSL 135, 0.04%, 0.64%

LAB 67.71, -3.98, 2.11

 

CMYK 0 / 12 / 3 / 32

HEX #AD98A7

RGB 173 152 167

HSL 317.14, 0.11%, 0.64%

LAB 65.07, 10.44, -4.98

 

CMYK 36 / 0 / 46 / 17

HEX #87D372

RGB 135 211 114

HSL 107.01, 0.52%, 0.64%

LAB 77.85, -41.67, 40.62

 

CMYK 46 / 0 / 44 / 17

HEX #72D377

RGB 114 211 119

HSL 123.09, 0.52%, 0.64%

LAB 76.98, -47.36, 36.83

 

CMYK 46 / 0 / 31 / 17

HEX #72D391

RGB 114 211 145

HSL 139.18, 0.52%, 0.64%

LAB 77.41, -43.06, 24.04

 

CMYK 46 / 0 / 19 / 17

HEX #72D3AB

RGB 114 211 171

HSL 155.26, 0.52%, 0.64%

LAB 77.94, -37.91, 11.03

 

CMYK 46 / 0 / 7 / 17

HEX #72D3C5

RGB 114 211 197

HSL 171.34, 0.52%, 0.64%

LAB 78.58, -31.99, -1.96

 

CMYK 69 / 0 / 47 / 27

HEX #39BA63

RGB 57 186 99

HSL 139.53, 0.53%, 0.48%

LAB 67.19, -53.95, 34.1

 

CMYK 59 / 0 / 40 / 21

HEX #52CA79

RGB 82 202 121

HSL 139.5, 0.53%, 0.56%

LAB 73.16, -51.43, 30.65

 

CMYK 46 / 0 / 31 / 17

HEX #72D391

RGB 114 211 145

HSL 139.18, 0.52%, 0.64%

LAB 77.41, -43.06, 24.04

 

CMYK 34 / 0 / 23 / 13

HEX #92DDAA

RGB 146 221 170

HSL 139.2, 0.52%, 0.72%

LAB 82.23, -33.81, 17.81

 

CMYK 23 / 0 / 16 / 9

HEX #B1E7C2

RGB 177 231 194

HSL 138.89, 0.53%, 0.8%

LAB 87.19, -24.51, 12.45

 

CMYK 45 / 0 / 31 / 17

HEX #74D493

RGB 116 212 147

HSL 139.38, 0.53%, 0.64%

LAB 77.82, -42.59, 23.57

 

CMYK 46 / 24 / 0 / 17

HEX #72A1D3

RGB 114 161 211

HSL 210.93, 0.52%, 0.64%

LAB 64.78, -2.39, -30.4

 

CMYK 0 / 46 / 42 / 17

HEX #D3727A

RGB 211 114 122

HSL 355.05, 0.52%, 0.64%

LAB 59.24, 38.77, 12.79

 

CMYK 45 / 0 / 31 / 17

HEX #74D493

RGB 116 212 147

HSL 139.38, 0.53%, 0.64%

LAB 77.82, -42.59, 23.57

 

CMYK 31 / 46 / 0 / 17

HEX #9172D3

RGB 145 114 211

HSL 259.18, 0.52%, 0.64%

LAB 54.82, 33.08, -45.84

 

CMYK 0 / 31 / 46 / 17

HEX #D39172

RGB 211 145 114

HSL 19.18, 0.52%, 0.64%

LAB 65.99, 21.36, 26.5

 

CMYK 45 / 0 / 31 / 17

HEX #74D493

RGB 116 212 147

HSL 139.38, 0.53%, 0.64%

LAB 77.82, -42.59, 23.57

 

CMYK 46 / 24 / 0 / 17

HEX #72A1D3

RGB 114 161 211

HSL 210.93, 0.52%, 0.64%

LAB 64.78, -2.39, -30.4

 

CMYK 0 / 46 / 14 / 17

HEX #D372B5

RGB 211 114 181

HSL 318.56, 0.52%, 0.64%

LAB 60.98, 46.68, -18.63

 

CMYK 0 / 22 / 46 / 17

HEX #D3A472

RGB 211 164 114

HSL 30.93, 0.52%, 0.64%

LAB 70.6, 11.07, 32.54

 

CMYK 45 / 0 / 31 / 17

HEX #74D493

RGB 116 212 147

HSL 139.38, 0.53%, 0.64%

LAB 77.82, -42.59, 23.57

 

CMYK 46 / 37 / 0 / 17

HEX #7284D3

RGB 114 132 211

HSL 228.87, 0.52%, 0.64%

LAB 56.86, 14.41, -42.77

 

CMYK 0 / 46 / 14 / 17

HEX #D372B5

RGB 211 114 181

HSL 318.56, 0.52%, 0.64%

LAB 60.98, 46.68, -18.63

 

CMYK 0 / 8 / 46 / 17

HEX #D3C272

RGB 211 194 114

HSL 49.48, 0.52%, 0.64%

LAB 78.26, -4.83, 42.23

 

Description

Color code: HEX #74D493 | qconv.com Color code: HEX #74D493 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 212 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 212 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 31 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 31% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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