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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74D46C it is the complementary color #8B2B93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74D46C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74D46C shade: #79D467, #8AE67A, #9BF88D, #ACFFA0 and #BDFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74D46C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74D46C shade: #74D46C, #63C259, #52B046, #419E33 and #308C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74D46C shade: #74D46C, #90D46C, #ACD46C, #C8D46C and #D4C46C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74D46C shade: #74D46C, #6CD480, #6CD49C, #6CD4B8 and #6CD4D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74D46C shade matches the following richer shades: #74D46C, #67E35D and #5AF34E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74D46C shade: #74D46C, #81C57C, #8EB68B, #9BA69A and #A897A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74D46C shade: #ACD46C, #91D46C, #75D46C, #6CD47F and #6CD49B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74D46C shade: #3FB935, #56CB4C, #74D46C, #92DD8C and #B1E7AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74D46C shade: #74D46C, #6CC8D4 and #D46C9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74D46C shade: #74D46C, #6C75D4 and #D46C75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74D46C shade: #74D46C, #6CC8D4, #CB6CD4 and #D4786C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74D46C shade: #74D46C, #6CA9D4, #CB6CD4 and #D4986C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

Complementary color

CMYK 5 / 71 / 0 / 42

HEX #8B2B93

RGB 139 43 147

HSL 295.38, 0.55%, 0.37%

LAB 36.6, 53.76, -37.28

 

CMYK 43 / 0 / 51 / 17

HEX #79D467

RGB 121 212 103

HSL 110.09, 0.56%, 0.62%

LAB 77.36, -47.9, 45.21

 

CMYK 40 / 0 / 47 / 10

HEX #8AE67A

RGB 138 230 122

HSL 111.11, 0.68%, 0.69%

LAB 83.65, -47.83, 44

 

CMYK 38 / 0 / 43 / 3

HEX #9BF88D

RGB 155 248 141

HSL 112.15, 0.88%, 0.76%

LAB 89.87, -47.69, 42.8

 

CMYK 33 / 0 / 37 / 0

HEX #ACFFA0

RGB 172 255 160

HSL 112.42, 1%, 0.81%

LAB 92.94, -42.76, 37.62

 

CMYK 26 / 0 / 30 / 0

HEX #BDFFB3

RGB 189 255 179

HSL 112.11, 1%, 0.85%

LAB 94.14, -34.48, 29.89

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 49 / 0 / 54 / 24

HEX #63C259

RGB 99 194 89

HSL 114.29, 0.46%, 0.55%

LAB 70.84, -48.74, 43.82

 

CMYK 53 / 0 / 60 / 31

HEX #52B046

RGB 82 176 70

HSL 113.21, 0.43%, 0.48%

LAB 64.39, -48.58, 45.01

 

CMYK 59 / 0 / 68 / 38

HEX #419E33

RGB 65 158 51

HSL 112.15, 0.51%, 0.41%

LAB 57.86, -48.15, 46.01

 

CMYK 66 / 0 / 77 / 45

HEX #308C20

RGB 48 140 32

HSL 111.11, 0.63%, 0.34%

LAB 51.25, -47.28, 46.52

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 32 / 0 / 49 / 17

HEX #90D46C

RGB 144 212 108

HSL 99.23, 0.55%, 0.63%

LAB 78.52, -39.87, 44.48

 

CMYK 19 / 0 / 49 / 17

HEX #ACD46C

RGB 172 212 108

HSL 83.08, 0.55%, 0.63%

LAB 80.15, -29.8, 46.83

 

CMYK 6 / 0 / 49 / 17

HEX #C8D46C

RGB 200 212 108

HSL 66.92, 0.55%, 0.63%

LAB 82.08, -18.95, 49.62

 

CMYK 0 / 8 / 49 / 17

HEX #D4C46C

RGB 212 196 108

HSL 50.77, 0.55%, 0.63%

LAB 78.79, -6.02, 45.88

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 49 / 0 / 40 / 17

HEX #6CD480

RGB 108 212 128

HSL 131.54, 0.55%, 0.63%

LAB 77.18, -48.02, 32.49

 

CMYK 49 / 0 / 26 / 17

HEX #6CD49C

RGB 108 212 156

HSL 147.69, 0.55%, 0.63%

LAB 77.68, -42.95, 18.6

 

CMYK 49 / 0 / 13 / 17

HEX #6CD4B8

RGB 108 212 184

HSL 163.85, 0.55%, 0.63%

LAB 78.31, -36.93, 4.59

 

CMYK 49 / 0 / 0 / 17

HEX #6CD4D4

RGB 108 212 212

HSL 180, 0.55%, 0.63%

LAB 79.06, -30.07, -9.31

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 55 / 0 / 59 / 11

HEX #67E35D

RGB 103 227 93

HSL 115.52, 0.71%, 0.63%

LAB 81.08, -59.93, 54.02

 

CMYK 63 / 0 / 68 / 5

HEX #5AF34E

RGB 90 243 78

HSL 115.64, 0.87%, 0.63%

LAB 85.42, -69.95, 64.84

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 35 / 0 / 37 / 23

HEX #81C57C

RGB 129 197 124

HSL 115.89, 0.39%, 0.63%

LAB 73.58, -35.92, 29.99

 

CMYK 22 / 0 / 24 / 29

HEX #8EB68B

RGB 142 182 139

HSL 115.81, 0.23%, 0.63%

LAB 70.23, -21.87, 17.61

 

CMYK 7 / 0 / 7 / 35

HEX #9BA69A

RGB 155 166 154

HSL 115, 0.06%, 0.63%

LAB 66.96, -6.2, 4.87

 

CMYK 1 / 11 / 0 / 34

HEX #A897A9

RGB 168 151 169

HSL 296.67, 0.09%, 0.63%

LAB 64.42, 9.6, -7.11

 

CMYK 19 / 0 / 49 / 17

HEX #ACD46C

RGB 172 212 108

HSL 83.08, 0.55%, 0.63%

LAB 80.15, -29.8, 46.83

 

CMYK 32 / 0 / 49 / 17

HEX #91D46C

RGB 145 212 108

HSL 98.65, 0.55%, 0.63%

LAB 78.57, -39.53, 44.55

 

CMYK 45 / 0 / 49 / 17

HEX #75D46C

RGB 117 212 108

HSL 114.81, 0.55%, 0.63%

LAB 77.25, -48.46, 42.63

 

CMYK 49 / 0 / 40 / 17

HEX #6CD47F

RGB 108 212 127

HSL 130.96, 0.55%, 0.63%

LAB 77.17, -48.18, 32.98

 

CMYK 49 / 0 / 27 / 17

HEX #6CD49B

RGB 108 212 155

HSL 147.12, 0.55%, 0.63%

LAB 77.66, -43.15, 19.1

 

CMYK 66 / 0 / 71 / 27

HEX #3FB935

RGB 63 185 53

HSL 115.45, 0.55%, 0.47%

LAB 66.53, -58.13, 54.33

 

CMYK 58 / 0 / 63 / 20

HEX #56CB4C

RGB 86 203 76

HSL 115.28, 0.55%, 0.55%

LAB 73.03, -57.12, 52.16

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 34 / 0 / 37 / 13

HEX #92DD8C

RGB 146 221 140

HSL 115.56, 0.54%, 0.71%

LAB 81.68, -38.88, 32.6

 

CMYK 23 / 0 / 26 / 9

HEX #B1E7AC

RGB 177 231 172

HSL 114.92, 0.55%, 0.79%

LAB 86.74, -28.34, 23.26

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 49 / 6 / 0 / 17

HEX #6CC8D4

RGB 108 200 212

HSL 186.92, 0.55%, 0.63%

LAB 75.61, -24.19, -14.47

 

CMYK 0 / 49 / 25 / 17

HEX #D46C9E

RGB 212 108 158

HSL 331.15, 0.55%, 0.63%

LAB 59.15, 46.62, -8.16

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 49 / 45 / 0 / 17

HEX #6C75D4

RGB 108 117 212

HSL 234.81, 0.55%, 0.63%

LAB 52.58, 22.3, -50.15

 

CMYK 0 / 49 / 45 / 17

HEX #D46C75

RGB 212 108 117

HSL 354.81, 0.55%, 0.63%

LAB 58.04, 41.69, 14.03

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 49 / 6 / 0 / 17

HEX #6CC8D4

RGB 108 200 212

HSL 186.92, 0.55%, 0.63%

LAB 75.61, -24.19, -14.47

 

CMYK 4 / 49 / 0 / 17

HEX #CB6CD4

RGB 203 108 212

HSL 294.81, 0.55%, 0.63%

LAB 60.05, 52.67, -37.73

 

CMYK 0 / 43 / 49 / 17

HEX #D4786C

RGB 212 120 108

HSL 6.92, 0.55%, 0.63%

LAB 60.35, 34.59, 22.35

 

CMYK 45 / 0 / 49 / 17

HEX #74D46C

RGB 116 212 108

HSL 115.38, 0.55%, 0.63%

LAB 77.21, -48.75, 42.57

 

CMYK 49 / 20 / 0 / 17

HEX #6CA9D4

RGB 108 169 212

HSL 204.81, 0.55%, 0.63%

LAB 66.76, -7.97, -27.92

 

CMYK 4 / 49 / 0 / 17

HEX #CB6CD4

RGB 203 108 212

HSL 294.81, 0.55%, 0.63%

LAB 60.05, 52.67, -37.73

 

CMYK 0 / 28 / 49 / 17

HEX #D4986C

RGB 212 152 108

HSL 25.38, 0.55%, 0.63%

LAB 67.68, 17.38, 31.99

 

Description

Color code: HEX #74D46C | qconv.com Color code: HEX #74D46C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 212 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 212 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 49 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 49% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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