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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74CF54 it is the complementary color #8B30AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74CF54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74CF54 shade: #79CF4F, #8AE162, #9BF375, #ACFF88 and #BDFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74CF54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74CF54 shade: #74CF54, #63BD41, #52AB2E, #41991B and #308708

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74CF54 shade: #73CE53, #95CE53, #B6CE53, #CEC653 and #CEA553

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74CF54 shade: #73CE53, #53CE55, #53CE76, #53CE97 and #53CEB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74CF54 shade matches the following richer shades: #73CE53, #6BE042 and #62F230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74CF54 shade: #73CE53, #7CBD65, #84AB77, #8D9989 and #95879A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74CF54 shade: #B6CE53, #95CE53, #74CE53, #53CE53 and #53CE74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74CF54 shade: #4CA22D, #5BC236, #73CE53, #8ED774 and #A8E094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74CF54 shade: #74CF54, #53CEC6 and #CE53A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74CF54 shade: #74CF54, #5374CE and #CE5374

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74CF54 shade: #74CF54, #53CEC6, #AE53CE and #CE535C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74CF54 shade: #74CF54, #53B2CE, #AE53CE and #CE7053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 59 / 19

HEX #74CF54

RGB 116 207 84

HSL 104.39, 0.56%, 0.57%

LAB 75.44, -49.53, 51.67

 

Complementary color

CMYK 19 / 72 / 0 / 33

HEX #8B30AB

RGB 139 48 171

HSL 284.39, 0.56%, 0.43%

LAB 38.8, 56.43, -48.23

 

CMYK 42 / 0 / 62 / 19

HEX #79CF4F

RGB 121 207 79

HSL 100.31, 0.57%, 0.56%

LAB 75.61, -48.46, 54.11

 

CMYK 39 / 0 / 56 / 12

HEX #8AE162

RGB 138 225 98

HSL 101.1, 0.68%, 0.63%

LAB 81.91, -48.56, 53.12

 

CMYK 36 / 0 / 52 / 5

HEX #9BF375

RGB 155 243 117

HSL 101.9, 0.84%, 0.71%

LAB 88.14, -48.56, 52.03

 

CMYK 33 / 0 / 47 / 0

HEX #ACFF88

RGB 172 255 136

HSL 101.85, 1%, 0.77%

LAB 92.6, -45.94, 48.8

 

CMYK 26 / 0 / 39 / 0

HEX #BDFF9B

RGB 189 255 155

HSL 99.6, 1%, 0.8%

LAB 93.76, -37.92, 41.31

 

CMYK 44 / 0 / 59 / 19

HEX #74CF54

RGB 116 207 84

HSL 104.39, 0.56%, 0.57%

LAB 75.44, -49.53, 51.67

 

CMYK 48 / 0 / 66 / 26

HEX #63BD41

RGB 99 189 65

HSL 103.55, 0.49%, 0.5%

LAB 69.06, -49.31, 52.58

 

CMYK 52 / 0 / 73 / 33

HEX #52AB2E

RGB 82 171 46

HSL 102.72, 0.58%, 0.43%

LAB 62.61, -48.87, 53.13

 

CMYK 58 / 0 / 82 / 40

HEX #41991B

RGB 65 153 27

HSL 101.9, 0.7%, 0.35%

LAB 56.07, -48.06, 52.93

 

CMYK 64 / 0 / 94 / 47

HEX #308708

RGB 48 135 8

HSL 101.1, 0.89%, 0.28%

LAB 49.46, -46.71, 51.31

 

CMYK 44 / 0 / 60 / 19

HEX #73CE53

RGB 115 206 83

HSL 104.39, 0.56%, 0.57%

LAB 75.08, -49.53, 51.7

 

CMYK 28 / 0 / 60 / 19

HEX #95CE53

RGB 149 206 83

HSL 87.8, 0.56%, 0.57%

LAB 76.77, -38.03, 54.07

 

CMYK 12 / 0 / 60 / 19

HEX #B6CE53

RGB 182 206 83

HSL 71.71, 0.56%, 0.57%

LAB 78.88, -25.33, 56.99

 

CMYK 0 / 4 / 60 / 19

HEX #CEC653

RGB 206 198 83

HSL 56.1, 0.56%, 0.57%

LAB 78.54, -11.53, 57.14

 

CMYK 0 / 20 / 60 / 19

HEX #CEA553

RGB 206 165 83

HSL 40, 0.56%, 0.57%

LAB 69.93, 5.75, 47.46

 

CMYK 44 / 0 / 60 / 19

HEX #73CE53

RGB 115 206 83

HSL 104.39, 0.56%, 0.57%

LAB 75.08, -49.53, 51.7

 

CMYK 60 / 0 / 59 / 19

HEX #53CE55

RGB 83 206 85

HSL 120.98, 0.56%, 0.57%

LAB 73.96, -57.94, 49.21

 

CMYK 60 / 0 / 43 / 19

HEX #53CE76

RGB 83 206 118

HSL 137.07, 0.56%, 0.57%

LAB 74.37, -53.29, 33.77

 

CMYK 60 / 0 / 27 / 19

HEX #53CE97

RGB 83 206 151

HSL 153.17, 0.56%, 0.57%

LAB 74.96, -47.07, 17.34

 

CMYK 60 / 0 / 11 / 19

HEX #53CEB8

RGB 83 206 184

HSL 169.27, 0.56%, 0.57%

LAB 75.73, -39.43, 0.74

 

CMYK 44 / 0 / 60 / 19

HEX #73CE53

RGB 115 206 83

HSL 104.39, 0.56%, 0.57%

LAB 75.08, -49.53, 51.7

 

CMYK 52 / 0 / 71 / 12

HEX #6BE042

RGB 107 224 66

HSL 104.43, 0.72%, 0.57%

LAB 80.08, -60.26, 63.89

 

CMYK 60 / 0 / 80 / 5

HEX #62F230

RGB 98 242 48

HSL 104.54, 0.88%, 0.57%

LAB 85.16, -69.88, 74.36

 

CMYK 44 / 0 / 60 / 19

HEX #73CE53

RGB 115 206 83

HSL 104.39, 0.56%, 0.57%

LAB 75.08, -49.53, 51.7

 

CMYK 34 / 0 / 47 / 26

HEX #7CBD65

RGB 124 189 101

HSL 104.32, 0.4%, 0.57%

LAB 70.61, -37.25, 37.91

 

CMYK 23 / 0 / 30 / 33

HEX #84AB77

RGB 132 171 119

HSL 105, 0.24%, 0.57%

LAB 66.03, -23.25, 22.61

 

CMYK 8 / 0 / 10 / 40

HEX #8D9989

RGB 141 153 137

HSL 105, 0.07%, 0.57%

LAB 61.87, -7.41, 6.94

 

CMYK 3 / 12 / 0 / 40

HEX #95879A

RGB 149 135 154

HSL 284.21, 0.09%, 0.57%

LAB 58.09, 8.91, -8.2

 

CMYK 12 / 0 / 60 / 19

HEX #B6CE53

RGB 182 206 83

HSL 71.71, 0.56%, 0.57%

LAB 78.88, -25.33, 56.99

 

CMYK 28 / 0 / 60 / 19

HEX #95CE53

RGB 149 206 83

HSL 87.8, 0.56%, 0.57%

LAB 76.77, -38.03, 54.07

 

CMYK 44 / 0 / 60 / 19

HEX #74CE53

RGB 116 206 83

HSL 103.9, 0.56%, 0.57%

LAB 75.13, -49.23, 51.76

 

CMYK 60 / 0 / 60 / 19

HEX #53CE53

RGB 83 206 83

HSL 120, 0.56%, 0.57%

LAB 73.94, -58.17, 50.09

 

CMYK 60 / 0 / 44 / 19

HEX #53CE74

RGB 83 206 116

HSL 136.1, 0.56%, 0.57%

LAB 74.34, -53.62, 34.75

 

CMYK 53 / 0 / 72 / 36

HEX #4CA22D

RGB 76 162 45

HSL 104.1, 0.57%, 0.41%

LAB 59.5, -47.2, 50.27

 

CMYK 53 / 0 / 72 / 24

HEX #5BC236

RGB 91 194 54

HSL 104.14, 0.56%, 0.49%

LAB 70.23, -54.45, 58.02

 

CMYK 44 / 0 / 60 / 19

HEX #73CE53

RGB 115 206 83

HSL 104.39, 0.56%, 0.57%

LAB 75.08, -49.53, 51.7

 

CMYK 34 / 0 / 46 / 16

HEX #8ED774

RGB 142 215 116

HSL 104.24, 0.55%, 0.65%

LAB 79.39, -40.88, 41.64

 

CMYK 25 / 0 / 34 / 12

HEX #A8E094

RGB 168 224 148

HSL 104.21, 0.55%, 0.73%

LAB 83.85, -31.79, 31.6

 

CMYK 44 / 0 / 59 / 19

HEX #74CF54

RGB 116 207 84

HSL 104.39, 0.56%, 0.57%

LAB 75.44, -49.53, 51.67

 

CMYK 60 / 0 / 4 / 19

HEX #53CEC6

RGB 83 206 198

HSL 176.1, 0.56%, 0.57%

LAB 76.11, -35.81, -6.25

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 44 / 0 / 59 / 19

HEX #74CF54

RGB 116 207 84

HSL 104.39, 0.56%, 0.57%

LAB 75.44, -49.53, 51.67

 

CMYK 60 / 44 / 0 / 19

HEX #5374CE

RGB 83 116 206

HSL 223.9, 0.56%, 0.57%

LAB 50.44, 15.69, -50.25

 

CMYK 0 / 60 / 44 / 19

HEX #CE5374

RGB 206 83 116

HSL 343.9, 0.56%, 0.57%

LAB 52.47, 51.59, 6.65

 

CMYK 44 / 0 / 59 / 19

HEX #74CF54

RGB 116 207 84

HSL 104.39, 0.56%, 0.57%

LAB 75.44, -49.53, 51.67

 

CMYK 60 / 0 / 4 / 19

HEX #53CEC6

RGB 83 206 198

HSL 176.1, 0.56%, 0.57%

LAB 76.11, -35.81, -6.25

 

CMYK 16 / 60 / 0 / 19

HEX #AE53CE

RGB 174 83 206

HSL 284.39, 0.56%, 0.57%

LAB 51.43, 56.06, -48.18

 

CMYK 0 / 60 / 55 / 19

HEX #CE535C

RGB 206 83 92

HSL 355.61, 0.56%, 0.57%

LAB 51.93, 49.44, 20.19

 

CMYK 44 / 0 / 59 / 19

HEX #74CF54

RGB 116 207 84

HSL 104.39, 0.56%, 0.57%

LAB 75.44, -49.53, 51.67

 

CMYK 60 / 14 / 0 / 19

HEX #53B2CE

RGB 83 178 206

HSL 193.66, 0.56%, 0.57%

LAB 68.12, -19.8, -22.62

 

CMYK 16 / 60 / 0 / 19

HEX #AE53CE

RGB 174 83 206

HSL 284.39, 0.56%, 0.57%

LAB 51.43, 56.06, -48.18

 

CMYK 0 / 46 / 60 / 19

HEX #CE7053

RGB 206 112 83

HSL 14.15, 0.56%, 0.57%

LAB 57.4, 34.36, 32.44

 

Description

Color code: HEX #74CF54 | qconv.com Color code: HEX #74CF54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 207 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 207 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 59 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 59% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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