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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74A6D2 it is the complementary color #8B592D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74A6D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74A6D2 shade: #79A6CD, #8AB8E0, #9BCAF3, #ACDCFF and #BDEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74A6D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74A6D2 shade: #74A6D2, #6394BF, #5282AC, #417099 and #305E86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74A6D2 shade: #74A6D2, #748CD2, #7574D2, #8E74D2 and #A774D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74A6D2 shade: #74A6D2, #748CD2 and #7474D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74A6D2 shade matches the following richer shades: #74A6D2, #65A7E0, #56A8EF and #47A9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74A6D2 shade: #74A6D2, #83A5C3, #92A4B4, #A0A3A5 and #AFA296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74A6D2 shade: #74D2CB, #74BFD2, #74A6D2, #748DD2 and #7474D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74A6D2 shade: #3B7DB8, #5592C7, #74A6D2, #93BADC and #B2CEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74A6D2 shade: #74A6D2, #B274D2 and #CBD274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74A6D2 shade: #74A6D2, #D274A6 and #A6D274

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74A6D2 shade: #74A6D2, #B274D2, #D2A074 and #93D274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74A6D2 shade: #74A6D2, #CE74D2, #D2A074 and #77D274

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

Complementary color

CMYK 0 / 36 / 68 / 45

HEX #8B592D

RGB 139 89 45

HSL 28.09, 0.51%, 0.36%

LAB 42.5, 16.21, 33.37

 

CMYK 41 / 19 / 0 / 20

HEX #79A6CD

RGB 121 166 205

HSL 207.86, 0.46%, 0.64%

LAB 66.32, -5.06, -24.67

 

CMYK 38 / 18 / 0 / 12

HEX #8AB8E0

RGB 138 184 224

HSL 207.91, 0.58%, 0.71%

LAB 72.94, -5.32, -24.89

 

CMYK 36 / 17 / 0 / 5

HEX #9BCAF3

RGB 155 202 243

HSL 207.95, 0.79%, 0.78%

LAB 79.43, -5.53, -25.13

 

CMYK 33 / 14 / 0 / 0

HEX #ACDCFF

RGB 172 220 255

HSL 205.3, 1%, 0.84%

LAB 85.59, -7.43, -22.04

 

CMYK 26 / 7 / 0 / 0

HEX #BDEEFF

RGB 189 238 255

HSL 195.45, 1%, 0.87%

LAB 91.32, -11.89, -13.33

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 48 / 23 / 0 / 25

HEX #6394BF

RGB 99 148 191

HSL 208.04, 0.42%, 0.57%

LAB 59.52, -4.56, -27.41

 

CMYK 52 / 24 / 0 / 33

HEX #5282AC

RGB 82 130 172

HSL 208, 0.35%, 0.5%

LAB 52.66, -4.07, -27.25

 

CMYK 58 / 27 / 0 / 40

HEX #417099

RGB 65 112 153

HSL 207.95, 0.4%, 0.43%

LAB 45.65, -3.42, -27.11

 

CMYK 64 / 30 / 0 / 47

HEX #305E86

RGB 48 94 134

HSL 207.91, 0.47%, 0.36%

LAB 38.47, -2.55, -26.98

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 45 / 33 / 0 / 18

HEX #748CD2

RGB 116 140 210

HSL 224.68, 0.51%, 0.64%

LAB 59.09, 9.88, -38.7

 

CMYK 44 / 45 / 0 / 18

HEX #7574D2

RGB 117 116 210

HSL 240.64, 0.51%, 0.64%

LAB 52.87, 24.43, -48.52

 

CMYK 32 / 45 / 0 / 18

HEX #8E74D2

RGB 142 116 210

HSL 256.6, 0.51%, 0.64%

LAB 54.96, 30.86, -45.06

 

CMYK 20 / 45 / 0 / 18

HEX #A774D2

RGB 167 116 210

HSL 272.55, 0.51%, 0.64%

LAB 57.42, 37.81, -41.02

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 45 / 33 / 0 / 18

HEX #748CD2

RGB 116 140 210

HSL 224.68, 0.51%, 0.64%

LAB 59.09, 9.88, -38.7

 

CMYK 45 / 45 / 0 / 18

HEX #7474D2

RGB 116 116 210

HSL 240, 0.51%, 0.64%

LAB 52.79, 24.18, -48.64

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 55 / 25 / 0 / 12

HEX #65A7E0

RGB 101 167 224

HSL 207.8, 0.66%, 0.64%

LAB 66.36, -4.84, -35.19

 

CMYK 64 / 30 / 0 / 6

HEX #56A8EF

RGB 86 168 239

HSL 207.84, 0.83%, 0.64%

LAB 66.68, -3.49, -42.95

 

CMYK 72 / 33 / 0 / 0

HEX #47A9FE

RGB 71 169 254

HSL 207.87, 0.99%, 0.64%

LAB 67.18, -1.26, -50.38

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 33 / 15 / 0 / 24

HEX #83A5C3

RGB 131 165 195

HSL 208.13, 0.35%, 0.64%

LAB 66.27, -4.39, -19.15

 

CMYK 19 / 9 / 0 / 29

HEX #92A4B4

RGB 146 164 180

HSL 208.24, 0.18%, 0.64%

LAB 66.49, -2.83, -10.38

 

CMYK 3 / 1 / 0 / 35

HEX #A0A3A5

RGB 160 163 165

HSL 204, 0.03%, 0.64%

LAB 66.81, -0.68, -1.42

 

CMYK 0 / 7 / 14 / 31

HEX #AFA296

RGB 175 162 150

HSL 28.8, 0.14%, 0.64%

LAB 67.39, 2.65, 7.93

 

CMYK 45 / 0 / 3 / 18

HEX #74D2CB

RGB 116 210 203

HSL 175.53, 0.51%, 0.64%

LAB 78.53, -29.58, -5.23

 

CMYK 45 / 9 / 0 / 18

HEX #74BFD2

RGB 116 191 210

HSL 192.13, 0.51%, 0.64%

LAB 73.3, -18.32, -16.82

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 45 / 33 / 0 / 18

HEX #748DD2

RGB 116 141 210

HSL 224.04, 0.51%, 0.64%

LAB 59.36, 9.3, -38.28

 

CMYK 45 / 45 / 0 / 18

HEX #7474D2

RGB 116 116 210

HSL 240, 0.51%, 0.64%

LAB 52.79, 24.18, -48.64

 

CMYK 68 / 32 / 0 / 28

HEX #3B7DB8

RGB 59 125 184

HSL 208.32, 0.51%, 0.48%

LAB 50.75, -1.73, -37.21

 

CMYK 57 / 27 / 0 / 22

HEX #5592C7

RGB 85 146 199

HSL 207.89, 0.5%, 0.56%

LAB 58.61, -4.12, -33.38

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 33 / 15 / 0 / 14

HEX #93BADC

RGB 147 186 220

HSL 207.95, 0.51%, 0.72%

LAB 73.86, -4.96, -21.26

 

CMYK 23 / 10 / 0 / 10

HEX #B2CEE6

RGB 178 206 230

HSL 207.69, 0.51%, 0.8%

LAB 81.47, -4.19, -14.97

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 15 / 45 / 0 / 18

HEX #B274D2

RGB 178 116 210

HSL 279.57, 0.51%, 0.64%

LAB 58.61, 40.96, -39.07

 

CMYK 3 / 0 / 45 / 18

HEX #CBD274

RGB 203 210 116

HSL 64.47, 0.51%, 0.64%

LAB 81.87, -15.99, 45.56

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 0 / 45 / 21 / 18

HEX #D274A6

RGB 210 116 166

HSL 328.09, 0.51%, 0.64%

LAB 60.73, 43.03, -10.43

 

CMYK 21 / 0 / 45 / 18

HEX #A6D274

RGB 166 210 116

HSL 88.09, 0.51%, 0.64%

LAB 79.31, -30.19, 41.82

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 15 / 45 / 0 / 18

HEX #B274D2

RGB 178 116 210

HSL 279.57, 0.51%, 0.64%

LAB 58.61, 40.96, -39.07

 

CMYK 0 / 24 / 45 / 18

HEX #D2A074

RGB 210 160 116

HSL 28.09, 0.51%, 0.64%

LAB 69.54, 13.02, 30.07

 

CMYK 30 / 0 / 45 / 18

HEX #93D274

RGB 147 210 116

HSL 100.21, 0.51%, 0.64%

LAB 78.2, -36.96, 40.2

 

CMYK 45 / 21 / 0 / 18

HEX #74A6D2

RGB 116 166 210

HSL 208.09, 0.51%, 0.64%

LAB 66.24, -4.96, -27.58

 

CMYK 2 / 45 / 0 / 18

HEX #CE74D2

RGB 206 116 210

HSL 297.45, 0.51%, 0.64%

LAB 61.88, 49.12, -33.72

 

CMYK 0 / 24 / 45 / 18

HEX #D2A074

RGB 210 160 116

HSL 28.09, 0.51%, 0.64%

LAB 69.54, 13.02, 30.07

 

CMYK 43 / 0 / 45 / 18

HEX #77D274

RGB 119 210 116

HSL 118.09, 0.51%, 0.64%

LAB 76.85, -45.94, 38.2

 

Description

Color code: HEX #74A6D2 | qconv.com Color code: HEX #74A6D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 166 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 166 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 21 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 21% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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