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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747CAE it is the complementary color #8B8351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747CAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747CAE shade: #797CA9, #8A8EBC, #9BA0CF, #ACB2E2 and #BDC4F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747CAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747CAE shade: #747CAE, #636A9B, #525888, #414675 and #303462

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747CAE shade: #747CAD, #7C74AD, #8B74AD, #9B74AD and #AA74AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747CAE shade: #747CAD and #7474AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747CAE shade matches the following richer shades: #747CAD, #636FBF, #5163D1, #3F56E3 and #2D49F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747CAE shade: #747CAD, #86899C, #98968A, #AAA378 and #BBB066

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747CAE shade: #749BAD, #748CAD, #747DAD, #7B74AD and #8A74AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747CAE shade: #4D5483, #5C659D, #747CAD, #8E95BD and #A8ADCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747CAE shade: #747CAE, #AD74AB and #94AD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747CAE shade: #747CAE, #AD747D and #7DAD74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747CAE shade: #747CAE, #AD74AB, #ADA574 and #74AD77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747CAE shade: #747CAE, #AD7499, #ADA574 and #74AD88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 29 / 0 / 32

HEX #747CAE

RGB 116 124 174

HSL 231.72, 0.26%, 0.57%

LAB 53.15, 9.16, -27.48

 

Complementary color

CMYK 0 / 6 / 42 / 45

HEX #8B8351

RGB 139 131 81

HSL 51.72, 0.26%, 0.43%

LAB 54.36, -4.65, 28.09

 

CMYK 28 / 27 / 0 / 34

HEX #797CA9

RGB 121 124 169

HSL 236.25, 0.22%, 0.57%

LAB 53.32, 9.36, -24.29

 

CMYK 27 / 24 / 0 / 26

HEX #8A8EBC

RGB 138 142 188

HSL 235.2, 0.27%, 0.64%

LAB 60.23, 8.92, -24.41

 

CMYK 25 / 23 / 0 / 19

HEX #9BA0CF

RGB 155 160 207

HSL 234.23, 0.35%, 0.71%

LAB 66.99, 8.53, -24.57

 

CMYK 24 / 21 / 0 / 11

HEX #ACB2E2

RGB 172 178 226

HSL 233.33, 0.48%, 0.78%

LAB 73.61, 8.18, -24.75

 

CMYK 23 / 20 / 0 / 4

HEX #BDC4F5

RGB 189 196 245

HSL 232.5, 0.74%, 0.85%

LAB 80.12, 7.85, -24.95

 

CMYK 33 / 29 / 0 / 32

HEX #747CAE

RGB 116 124 174

HSL 231.72, 0.26%, 0.57%

LAB 53.15, 9.16, -27.48

 

CMYK 36 / 32 / 0 / 39

HEX #636A9B

RGB 99 106 155

HSL 232.5, 0.22%, 0.5%

LAB 46.08, 9.73, -27.46

 

CMYK 40 / 35 / 0 / 47

HEX #525888

RGB 82 88 136

HSL 233.33, 0.25%, 0.43%

LAB 38.81, 10.41, -27.52

 

CMYK 44 / 40 / 0 / 54

HEX #414675

RGB 65 70 117

HSL 234.23, 0.29%, 0.36%

LAB 31.32, 11.26, -27.65

 

CMYK 51 / 47 / 0 / 62

HEX #303462

RGB 48 52 98

HSL 235.2, 0.34%, 0.29%

LAB 23.56, 12.37, -27.88

 

CMYK 33 / 28 / 0 / 32

HEX #747CAD

RGB 116 124 173

HSL 231.58, 0.26%, 0.57%

LAB 53.11, 8.9, -26.97

 

CMYK 28 / 33 / 0 / 32

HEX #7C74AD

RGB 124 116 173

HSL 248.42, 0.26%, 0.57%

LAB 51.6, 16.07, -29.25

 

CMYK 20 / 33 / 0 / 32

HEX #8B74AD

RGB 139 116 173

HSL 264.21, 0.26%, 0.57%

LAB 52.95, 20.75, -27.06

 

CMYK 10 / 33 / 0 / 32

HEX #9B74AD

RGB 155 116 173

HSL 281.05, 0.26%, 0.57%

LAB 54.53, 25.92, -24.49

 

CMYK 2 / 33 / 0 / 32

HEX #AA74AD

RGB 170 116 173

HSL 296.84, 0.26%, 0.57%

LAB 56.14, 30.85, -21.87

 

CMYK 33 / 28 / 0 / 32

HEX #747CAD

RGB 116 124 173

HSL 231.58, 0.26%, 0.57%

LAB 53.11, 8.9, -26.97

 

CMYK 33 / 33 / 0 / 32

HEX #7474AD

RGB 116 116 173

HSL 240, 0.26%, 0.57%

LAB 50.94, 13.67, -30.33

 

CMYK 33 / 28 / 0 / 32

HEX #747CAD

RGB 116 124 173

HSL 231.58, 0.26%, 0.57%

LAB 53.11, 8.9, -26.97

 

CMYK 48 / 42 / 0 / 25

HEX #636FBF

RGB 99 111 191

HSL 232.17, 0.42%, 0.57%

LAB 49.23, 17.38, -43.52

 

CMYK 61 / 53 / 0 / 18

HEX #5163D1

RGB 81 99 209

HSL 231.56, 0.58%, 0.57%

LAB 46.01, 26.92, -59.08

 

CMYK 72 / 62 / 0 / 11

HEX #3F56E3

RGB 63 86 227

HSL 231.59, 0.75%, 0.57%

LAB 43.15, 38.64, -74.03

 

CMYK 82 / 70 / 0 / 4

HEX #2D49F4

RGB 45 73 244

HSL 231.56, 0.9%, 0.57%

LAB 40.98, 50.75, -87.22

 

CMYK 33 / 28 / 0 / 32

HEX #747CAD

RGB 116 124 173

HSL 231.58, 0.26%, 0.57%

LAB 53.11, 8.9, -26.97

 

CMYK 14 / 12 / 0 / 39

HEX #86899C

RGB 134 137 156

HSL 231.82, 0.1%, 0.57%

LAB 57.42, 2.92, -10.46

 

CMYK 0 / 1 / 9 / 40

HEX #98968A

RGB 152 150 138

HSL 51.43, 0.06%, 0.57%

LAB 61.93, -1.48, 6.58

 

CMYK 0 / 4 / 29 / 33

HEX #AAA378

RGB 170 163 120

HSL 51.6, 0.23%, 0.57%

LAB 66.59, -4.35, 23.3

 

CMYK 0 / 6 / 45 / 27

HEX #BBB066

RGB 187 176 102

HSL 52.24, 0.38%, 0.57%

LAB 71.27, -6.46, 39.16

 

CMYK 33 / 10 / 0 / 32

HEX #749BAD

RGB 116 155 173

HSL 198.95, 0.26%, 0.57%

LAB 61.8, -8.85, -13.68

 

CMYK 33 / 19 / 0 / 32

HEX #748CAD

RGB 116 140 173

HSL 214.74, 0.26%, 0.57%

LAB 57.55, -0.44, -20.14

 

CMYK 33 / 28 / 0 / 32

HEX #747DAD

RGB 116 125 173

HSL 230.53, 0.26%, 0.57%

LAB 53.38, 8.3, -26.54

 

CMYK 29 / 33 / 0 / 32

HEX #7B74AD

RGB 123 116 173

HSL 247.37, 0.26%, 0.57%

LAB 51.52, 15.77, -29.39

 

CMYK 20 / 33 / 0 / 32

HEX #8A74AD

RGB 138 116 173

HSL 263.16, 0.26%, 0.57%

LAB 52.85, 20.43, -27.21

 

CMYK 41 / 36 / 0 / 49

HEX #4D5483

RGB 77 84 131

HSL 232.22, 0.26%, 0.41%

LAB 37.04, 9.99, -27.28

 

CMYK 41 / 36 / 0 / 38

HEX #5C659D

RGB 92 101 157

HSL 231.69, 0.26%, 0.49%

LAB 44.26, 11.39, -31.53

 

CMYK 33 / 28 / 0 / 32

HEX #747CAD

RGB 116 124 173

HSL 231.58, 0.26%, 0.57%

LAB 53.11, 8.9, -26.97

 

CMYK 25 / 21 / 0 / 26

HEX #8E95BD

RGB 142 149 189

HSL 231.06, 0.26%, 0.65%

LAB 62.44, 6.4, -21.56

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 33 / 29 / 0 / 32

HEX #747CAE

RGB 116 124 174

HSL 231.72, 0.26%, 0.57%

LAB 53.15, 9.16, -27.48

 

CMYK 0 / 33 / 1 / 32

HEX #AD74AB

RGB 173 116 171

HSL 302.11, 0.26%, 0.57%

LAB 56.4, 31.46, -20.29

 

CMYK 14 / 0 / 33 / 32

HEX #94AD74

RGB 148 173 116

HSL 86.32, 0.26%, 0.57%

LAB 67.61, -18.79, 26.52

 

CMYK 33 / 29 / 0 / 32

HEX #747CAE

RGB 116 124 174

HSL 231.72, 0.26%, 0.57%

LAB 53.15, 9.16, -27.48

 

CMYK 0 / 33 / 28 / 32

HEX #AD747D

RGB 173 116 125

HSL 350.53, 0.26%, 0.57%

LAB 54.92, 23.71, 4.25

 

CMYK 28 / 0 / 33 / 32

HEX #7DAD74

RGB 125 173 116

HSL 110.53, 0.26%, 0.57%

LAB 66.14, -27.2, 24.31

 

CMYK 33 / 29 / 0 / 32

HEX #747CAE

RGB 116 124 174

HSL 231.72, 0.26%, 0.57%

LAB 53.15, 9.16, -27.48

 

CMYK 0 / 33 / 1 / 32

HEX #AD74AB

RGB 173 116 171

HSL 302.11, 0.26%, 0.57%

LAB 56.4, 31.46, -20.29

 

CMYK 0 / 5 / 33 / 32

HEX #ADA574

RGB 173 165 116

HSL 51.58, 0.26%, 0.57%

LAB 67.32, -4.75, 26.49

 

CMYK 33 / 0 / 31 / 32

HEX #74AD77

RGB 116 173 119

HSL 123.16, 0.26%, 0.57%

LAB 65.7, -29.76, 22

 

CMYK 33 / 29 / 0 / 32

HEX #747CAE

RGB 116 124 174

HSL 231.72, 0.26%, 0.57%

LAB 53.15, 9.16, -27.48

 

CMYK 0 / 33 / 12 / 32

HEX #AD7499

RGB 173 116 153

HSL 321.05, 0.26%, 0.57%

LAB 55.76, 28.18, -10.84

 

CMYK 0 / 5 / 33 / 32

HEX #ADA574

RGB 173 165 116

HSL 51.58, 0.26%, 0.57%

LAB 67.32, -4.75, 26.49

 

CMYK 33 / 0 / 21 / 32

HEX #74AD88

RGB 116 173 136

HSL 141.05, 0.26%, 0.57%

LAB 66.04, -26.62, 13.19

 

Description

Color code: HEX #747CAE | qconv.com Color code: HEX #747CAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 124 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 124 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 29 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 29% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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