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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747A26 it is the complementary color #8B85D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747A26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747A26 shade: #797A21, #8A8C34, #9B9E47, #ACB05A and #BDC26D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747A26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747A26 shade: #747A26, #636813, #525600, #414400 and #303200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747A26 shade: #727825, #786825, #785125, #783B25 and #782525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747A26 shade: #727825, #5C7825, #457825, #2F7825 and #257831

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747A26 shade matches the following richer shades: #727825, #7D8518 and #88920B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747A26 shade: #727825, #676C31, #5D5F3E, #52524B and #474558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747A26 shade: #785125, #786825, #737825, #5D7825 and #467825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747A26 shade: #363911, #54591B, #727825, #90982E and #AEB838

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747A26 shade: #747A26, #25783B and #5D2578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747A26 shade: #747A26, #257378 and #782573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747A26 shade: #747A26, #25783B, #2A2578 and #782562

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747A26 shade: #747A26, #257854, #2A2578 and #782549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 69 / 52

HEX #747A26

RGB 116 122 38

HSL 64.29, 0.53%, 0.31%

LAB 49.22, -13.88, 43.3

 

Complementary color

CMYK 36 / 39 / 0 / 15

HEX #8B85D9

RGB 139 133 217

HSL 244.29, 0.53%, 0.69%

LAB 59.23, 21.98, -42.29

 

CMYK 1 / 0 / 73 / 52

HEX #797A21

RGB 121 122 33

HSL 60.67, 0.57%, 0.3%

LAB 49.61, -11.89, 45.9

 

CMYK 1 / 0 / 63 / 45

HEX #8A8C34

RGB 138 140 52

HSL 61.36, 0.46%, 0.38%

LAB 56.49, -12.72, 45.33

 

CMYK 2 / 0 / 55 / 38

HEX #9B9E47

RGB 155 158 71

HSL 62.07, 0.38%, 0.45%

LAB 63.24, -13.35, 44.34

 

CMYK 2 / 0 / 49 / 31

HEX #ACB05A

RGB 172 176 90

HSL 62.79, 0.35%, 0.52%

LAB 69.87, -13.85, 43.19

 

CMYK 3 / 0 / 44 / 24

HEX #BDC26D

RGB 189 194 109

HSL 63.53, 0.41%, 0.59%

LAB 76.38, -14.23, 42.01

 

CMYK 5 / 0 / 69 / 52

HEX #747A26

RGB 116 122 38

HSL 64.29, 0.53%, 0.31%

LAB 49.22, -13.88, 43.3

 

CMYK 5 / 0 / 82 / 59

HEX #636813

RGB 99 104 19

HSL 63.53, 0.69%, 0.24%

LAB 42.15, -12.96, 43.35

 

CMYK 5 / 0 / 100 / 66

HEX #525600

RGB 82 86 0

HSL 62.79, 1%, 0.17%

LAB 34.9, -11.76, 42.38

 

CMYK 4 / 0 / 100 / 73

HEX #414400

RGB 65 68 0

HSL 62.65, 1%, 0.13%

LAB 27.46, -9.89, 36.03

 

CMYK 4 / 0 / 100 / 80

HEX #303200

RGB 48 50 0

HSL 62.4, 1%, 0.1%

LAB 19.68, -7.93, 27.67

 

CMYK 5 / 0 / 69 / 53

HEX #727825

RGB 114 120 37

HSL 64.34, 0.53%, 0.31%

LAB 48.44, -13.77, 42.88

 

CMYK 0 / 13 / 69 / 53

HEX #786825

RGB 120 104 37

HSL 48.43, 0.53%, 0.31%

LAB 44.27, -1.98, 38.72

 

CMYK 0 / 33 / 69 / 53

HEX #785125

RGB 120 81 37

HSL 31.81, 0.53%, 0.31%

LAB 37.86, 11.66, 31.79

 

CMYK 0 / 51 / 69 / 53

HEX #783B25

RGB 120 59 37

HSL 15.9, 0.53%, 0.31%

LAB 32.38, 24.67, 25.51

 

CMYK 0 / 69 / 69 / 53

HEX #782525

RGB 120 37 37

HSL 0, 0.53%, 0.31%

LAB 27.98, 36.12, 20.21

 

CMYK 5 / 0 / 69 / 53

HEX #727825

RGB 114 120 37

HSL 64.34, 0.53%, 0.31%

LAB 48.44, -13.77, 42.88

 

CMYK 23 / 0 / 69 / 53

HEX #5C7825

RGB 92 120 37

HSL 80.24, 0.53%, 0.31%

LAB 46.77, -23.5, 40.62

 

CMYK 43 / 0 / 69 / 53

HEX #457825

RGB 69 120 37

HSL 96.87, 0.53%, 0.31%

LAB 45.4, -32.59, 38.77

 

CMYK 61 / 0 / 69 / 53

HEX #2F7825

RGB 47 120 37

HSL 112.77, 0.53%, 0.31%

LAB 44.48, -39.54, 37.5

 

CMYK 69 / 0 / 59 / 53

HEX #257831

RGB 37 120 49

HSL 128.67, 0.53%, 0.31%

LAB 44.3, -40.49, 31.43

 

CMYK 5 / 0 / 69 / 53

HEX #727825

RGB 114 120 37

HSL 64.34, 0.53%, 0.31%

LAB 48.44, -13.77, 42.88

 

CMYK 6 / 0 / 82 / 48

HEX #7D8518

RGB 125 133 24

HSL 64.4, 0.69%, 0.31%

LAB 53.17, -16.37, 52.44

 

CMYK 7 / 0 / 92 / 43

HEX #88920B

RGB 136 146 11

HSL 64.44, 0.86%, 0.31%

LAB 57.86, -18.55, 59.67

 

CMYK 5 / 0 / 69 / 53

HEX #727825

RGB 114 120 37

HSL 64.34, 0.53%, 0.31%

LAB 48.44, -13.77, 42.88

 

CMYK 5 / 0 / 55 / 58

HEX #676C31

RGB 103 108 49

HSL 65.08, 0.38%, 0.31%

LAB 43.99, -11.2, 31.96

 

CMYK 2 / 0 / 35 / 63

HEX #5D5F3E

RGB 93 95 62

HSL 63.64, 0.21%, 0.31%

LAB 39.34, -6.7, 18.66

 

CMYK 0 / 0 / 9 / 68

HEX #52524B

RGB 82 82 75

HSL 60, 0.04%, 0.31%

LAB 34.67, -1.45, 4.11

 

CMYK 19 / 22 / 0 / 65

HEX #474558

RGB 71 69 88

HSL 246.32, 0.12%, 0.31%

LAB 30.16, 5.39, -10.97

 

CMYK 0 / 33 / 69 / 53

HEX #785125

RGB 120 81 37

HSL 31.81, 0.53%, 0.31%

LAB 37.86, 11.66, 31.79

 

CMYK 0 / 13 / 69 / 53

HEX #786825

RGB 120 104 37

HSL 48.43, 0.53%, 0.31%

LAB 44.27, -1.98, 38.72

 

CMYK 4 / 0 / 69 / 53

HEX #737825

RGB 115 120 37

HSL 63.61, 0.53%, 0.31%

LAB 48.53, -13.31, 42.99

 

CMYK 23 / 0 / 69 / 53

HEX #5D7825

RGB 93 120 37

HSL 79.52, 0.53%, 0.31%

LAB 46.83, -23.08, 40.71

 

CMYK 42 / 0 / 69 / 53

HEX #467825

RGB 70 120 37

HSL 96.14, 0.53%, 0.31%

LAB 45.45, -32.23, 38.83

 

CMYK 5 / 0 / 70 / 78

HEX #363911

RGB 54 57 17

HSL 64.5, 0.54%, 0.15%

LAB 22.83, -7.87, 23.82

 

CMYK 6 / 0 / 70 / 65

HEX #54591B

RGB 84 89 27

HSL 64.84, 0.53%, 0.23%

LAB 36.19, -11.21, 33.88

 

CMYK 5 / 0 / 69 / 53

HEX #727825

RGB 114 120 37

HSL 64.34, 0.53%, 0.31%

LAB 48.44, -13.77, 42.88

 

CMYK 5 / 0 / 70 / 40

HEX #90982E

RGB 144 152 46

HSL 64.53, 0.54%, 0.39%

LAB 60.41, -16.78, 52.09

 

CMYK 5 / 0 / 70 / 28

HEX #AEB838

RGB 174 184 56

HSL 64.69, 0.53%, 0.47%

LAB 71.94, -19.6, 60.52

 

CMYK 5 / 0 / 69 / 52

HEX #747A26

RGB 116 122 38

HSL 64.29, 0.53%, 0.31%

LAB 49.22, -13.88, 43.3

 

CMYK 69 / 0 / 51 / 53

HEX #25783B

RGB 37 120 59

HSL 135.9, 0.53%, 0.31%

LAB 44.44, -38.95, 26.31

 

CMYK 23 / 69 / 0 / 53

HEX #5D2578

RGB 93 37 120

HSL 280.48, 0.53%, 0.31%

LAB 26.75, 39.89, -36.63

 

CMYK 5 / 0 / 69 / 52

HEX #747A26

RGB 116 122 38

HSL 64.29, 0.53%, 0.31%

LAB 49.22, -13.88, 43.3

 

CMYK 69 / 4 / 0 / 53

HEX #257378

RGB 37 115 120

HSL 183.61, 0.53%, 0.31%

LAB 44.25, -21.44, -9.68

 

CMYK 0 / 69 / 4 / 53

HEX #782573

RGB 120 37 115

HSL 303.61, 0.53%, 0.31%

LAB 30.77, 45.72, -26.8

 

CMYK 5 / 0 / 69 / 52

HEX #747A26

RGB 116 122 38

HSL 64.29, 0.53%, 0.31%

LAB 49.22, -13.88, 43.3

 

CMYK 69 / 0 / 51 / 53

HEX #25783B

RGB 37 120 59

HSL 135.9, 0.53%, 0.31%

LAB 44.44, -38.95, 26.31

 

CMYK 65 / 69 / 0 / 53

HEX #2A2578

RGB 42 37 120

HSL 243.61, 0.53%, 0.31%

LAB 20.72, 29.16, -46.7

 

CMYK 0 / 69 / 18 / 53

HEX #782562

RGB 120 37 98

HSL 315.9, 0.53%, 0.31%

LAB 29.91, 42.89, -17.25

 

CMYK 5 / 0 / 69 / 52

HEX #747A26

RGB 116 122 38

HSL 64.29, 0.53%, 0.31%

LAB 49.22, -13.88, 43.3

 

CMYK 69 / 0 / 30 / 53

HEX #257854

RGB 37 120 84

HSL 153.98, 0.53%, 0.31%

LAB 44.89, -33.91, 12.69

 

CMYK 65 / 69 / 0 / 53

HEX #2A2578

RGB 42 37 120

HSL 243.61, 0.53%, 0.31%

LAB 20.72, 29.16, -46.7

 

CMYK 0 / 69 / 39 / 53

HEX #782549

RGB 120 37 73

HSL 333.98, 0.53%, 0.31%

LAB 28.9, 39.42, -2.39

 

Description

Color code: HEX #747A26 | qconv.com Color code: HEX #747A26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 122 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 122 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 69 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 69% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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