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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74778F it is the complementary color #8B8870. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74778F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74778F shade: #79778A, #8A899D, #9B9BB0, #ACADC3 and #BDBFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74778F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74778F shade: #74778F, #63657C, #525369, #414156 and #302F43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74778F shade: #74778F, #78748F, #80748F, #87748F and #8E748F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74778F shade: #74778F and #74748F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74778F shade matches the following richer shades: #74778F, #6067A4, #4B57B8, #3748CC and #2338E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74778F shade: #74778F, #88877B, #9C9667, #B0A653 and #C5B63E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74778F shade: #74868F, #747E8F, #74778F, #78748F and #7F748F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74778F shade: #4F5162, #616479, #74778F, #8B8DA2 and #A2A4B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74778F shade: #74778F, #8F748D and #828F74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74778F shade: #74778F, #8F7477 and #778F74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74778F shade: #74778F, #8F748D, #8F8C74 and #748F76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74778F shade: #74778F, #8F7485, #8F8C74 and #748F7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

Complementary color

CMYK 0 / 2 / 19 / 45

HEX #8B8870

RGB 139 136 112

HSL 53.33, 0.11%, 0.49%

LAB 56.35, -3.14, 13.31

 

CMYK 12 / 14 / 0 / 46

HEX #79778A

RGB 121 119 138

HSL 246.32, 0.08%, 0.5%

LAB 50.8, 4.79, -10.06

 

CMYK 12 / 13 / 0 / 38

HEX #8A899D

RGB 138 137 157

HSL 243, 0.09%, 0.58%

LAB 57.78, 4.52, -10.47

 

CMYK 12 / 12 / 0 / 31

HEX #9B9BB0

RGB 155 155 176

HSL 240, 0.12%, 0.65%

LAB 64.6, 4.27, -10.89

 

CMYK 12 / 11 / 0 / 24

HEX #ACADC3

RGB 172 173 195

HSL 237.39, 0.16%, 0.72%

LAB 71.28, 4.04, -11.31

 

CMYK 12 / 11 / 0 / 16

HEX #BDBFD6

RGB 189 191 214

HSL 235.2, 0.23%, 0.79%

LAB 77.84, 3.83, -11.73

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 20 / 19 / 0 / 51

HEX #63657C

RGB 99 101 124

HSL 235.2, 0.11%, 0.44%

LAB 43.38, 4.51, -13.08

 

CMYK 22 / 21 / 0 / 59

HEX #525369

RGB 82 83 105

HSL 237.39, 0.12%, 0.37%

LAB 35.98, 4.86, -12.79

 

CMYK 24 / 24 / 0 / 66

HEX #414156

RGB 65 65 86

HSL 240, 0.14%, 0.3%

LAB 28.32, 5.26, -12.54

 

CMYK 28 / 30 / 0 / 74

HEX #302F43

RGB 48 47 67

HSL 243, 0.18%, 0.22%

LAB 20.31, 5.76, -12.35

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 16 / 19 / 0 / 44

HEX #78748F

RGB 120 116 143

HSL 248.89, 0.11%, 0.51%

LAB 50.06, 7.36, -14.12

 

CMYK 10 / 19 / 0 / 44

HEX #80748F

RGB 128 116 143

HSL 266.67, 0.11%, 0.51%

LAB 50.76, 10.15, -12.99

 

CMYK 6 / 19 / 0 / 44

HEX #87748F

RGB 135 116 143

HSL 282.22, 0.11%, 0.51%

LAB 51.41, 12.64, -11.95

 

CMYK 1 / 19 / 0 / 44

HEX #8E748F

RGB 142 116 143

HSL 297.78, 0.11%, 0.51%

LAB 52.09, 15.16, -10.85

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 19 / 19 / 0 / 44

HEX #74748F

RGB 116 116 143

HSL 240, 0.11%, 0.51%

LAB 49.72, 5.99, -14.66

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 41 / 37 / 0 / 36

HEX #6067A4

RGB 96 103 164

HSL 233.82, 0.27%, 0.51%

LAB 45.45, 13.34, -33.77

 

CMYK 59 / 53 / 0 / 28

HEX #4B57B8

RGB 75 87 184

HSL 233.39, 0.43%, 0.51%

LAB 40.85, 24.91, -52.95

 

CMYK 73 / 65 / 0 / 20

HEX #3748CC

RGB 55 72 204

HSL 233.15, 0.59%, 0.51%

LAB 37.49, 38.37, -70.12

 

CMYK 84 / 75 / 0 / 12

HEX #2338E0

RGB 35 56 224

HSL 233.33, 0.75%, 0.51%

LAB 35.14, 53.11, -85.55

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 0 / 1 / 10 / 47

HEX #88877B

RGB 136 135 123

HSL 55.38, 0.05%, 0.51%

LAB 56.08, -1.88, 6.58

 

CMYK 0 / 4 / 34 / 39

HEX #9C9667

RGB 156 150 103

HSL 53.21, 0.21%, 0.51%

LAB 61.53, -5.25, 25.63

 

CMYK 0 / 6 / 53 / 31

HEX #B0A653

RGB 176 166 83

HSL 53.55, 0.37%, 0.51%

LAB 67.37, -7.58, 43.76

 

CMYK 0 / 8 / 69 / 23

HEX #C5B63E

RGB 197 182 62

HSL 53.33, 0.54%, 0.51%

LAB 73.33, -8.43, 60.22

 

CMYK 19 / 6 / 0 / 44

HEX #74868F

RGB 116 134 143

HSL 200, 0.11%, 0.51%

LAB 54.81, -4.46, -7.02

 

CMYK 19 / 12 / 0 / 44

HEX #747E8F

RGB 116 126 143

HSL 217.78, 0.11%, 0.51%

LAB 52.53, 0.12, -10.43

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 16 / 19 / 0 / 44

HEX #78748F

RGB 120 116 143

HSL 248.89, 0.11%, 0.51%

LAB 50.06, 7.36, -14.12

 

CMYK 11 / 19 / 0 / 44

HEX #7F748F

RGB 127 116 143

HSL 264.44, 0.11%, 0.51%

LAB 50.67, 9.8, -13.13

 

CMYK 19 / 17 / 0 / 62

HEX #4F5162

RGB 79 81 98

HSL 233.68, 0.11%, 0.35%

LAB 34.86, 3.24, -10.13

 

CMYK 20 / 17 / 0 / 53

HEX #616479

RGB 97 100 121

HSL 232.5, 0.11%, 0.43%

LAB 42.82, 3.68, -12.13

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 14 / 13 / 0 / 36

HEX #8B8DA2

RGB 139 141 162

HSL 234.78, 0.11%, 0.59%

LAB 59.11, 3.69, -11.33

 

CMYK 10 / 9 / 0 / 29

HEX #A2A4B4

RGB 162 164 180

HSL 233.33, 0.11%, 0.67%

LAB 67.67, 2.49, -8.49

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 0 / 19 / 1 / 44

HEX #8F748D

RGB 143 116 141

HSL 304.44, 0.11%, 0.51%

LAB 52.12, 15.12, -9.62

 

CMYK 9 / 0 / 19 / 44

HEX #828F74

RGB 130 143 116

HSL 88.89, 0.11%, 0.51%

LAB 57.7, -9.86, 12.81

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 0 / 19 / 17 / 44

HEX #8F7477

RGB 143 116 119

HSL 353.33, 0.11%, 0.51%

LAB 51.45, 11.06, 2.33

 

CMYK 17 / 0 / 19 / 44

HEX #778F74

RGB 119 143 116

HSL 113.33, 0.11%, 0.51%

LAB 56.91, -14, 11.58

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 0 / 19 / 1 / 44

HEX #8F748D

RGB 143 116 141

HSL 304.44, 0.11%, 0.51%

LAB 52.12, 15.12, -9.62

 

CMYK 0 / 2 / 19 / 44

HEX #8F8C74

RGB 143 140 116

HSL 53.33, 0.11%, 0.51%

LAB 57.9, -3.13, 13.24

 

CMYK 19 / 0 / 17 / 44

HEX #748F76

RGB 116 143 118

HSL 124.44, 0.11%, 0.51%

LAB 56.75, -14.72, 10.19

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 0 / 19 / 7 / 44

HEX #8F7485

RGB 143 116 133

HSL 322.22, 0.11%, 0.51%

LAB 51.86, 13.58, -5.31

 

CMYK 0 / 2 / 19 / 44

HEX #8F8C74

RGB 143 140 116

HSL 53.33, 0.11%, 0.51%

LAB 57.9, -3.13, 13.24

 

CMYK 19 / 0 / 12 / 44

HEX #748F7E

RGB 116 143 126

HSL 142.22, 0.11%, 0.51%

LAB 56.94, -13.14, 5.89

 

Description

Color code: HEX #74778F | qconv.com Color code: HEX #74778F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 119 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 119 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 17 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 17% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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