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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747532 it is the complementary color #8B8ACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747532 shade: #79752D, #8A8740, #9B9953, #ACAB66 and #BDBD79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747532 shade: #747532, #63631F, #52510C, #413F00 and #302D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747532 shade: #747532, #756432, #755232, #754032 and #753232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747532 shade: #747532, #627532, #507532, #3E7532 and #327538

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747532 shade matches the following richer shades: #747532, #828324, #8F9117 and #9C9E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747532 shade: #747532, #676840, #5A5A4D, #4D4C5B and #3F3F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747532 shade: #755132, #756332, #757532, #637532 and #517532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747532 shade: #3B3C19, #585826, #747532, #91923E and #AEAF4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747532 shade: #747532, #32753F and #5A3275

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747532 shade: #747532, #327575 and #753275

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747532 shade: #747532, #32753F, #323275 and #753268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747532 shade: #747532, #327554, #323275 and #753254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

Complementary color

CMYK 32 / 33 / 0 / 20

HEX #8B8ACD

RGB 139 138 205

HSL 240.9, 0.4%, 0.67%

LAB 59.96, 15.87, -34.42

 

CMYK 0 / 3 / 63 / 53

HEX #79752D

RGB 121 117 45

HSL 56.84, 0.46%, 0.33%

LAB 48.23, -8.35, 39.2

 

CMYK 0 / 2 / 54 / 46

HEX #8A8740

RGB 138 135 64

HSL 57.57, 0.37%, 0.4%

LAB 55.18, -9.05, 38.08

 

CMYK 0 / 1 / 46 / 39

HEX #9B9953

RGB 155 153 83

HSL 58.33, 0.3%, 0.47%

LAB 61.98, -9.59, 36.85

 

CMYK 0 / 1 / 41 / 33

HEX #ACAB66

RGB 172 171 102

HSL 59.14, 0.3%, 0.54%

LAB 68.65, -10.01, 35.61

 

CMYK 0 / 0 / 36 / 26

HEX #BDBD79

RGB 189 189 121

HSL 60, 0.34%, 0.61%

LAB 75.2, -10.35, 34.41

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 0 / 0 / 69 / 61

HEX #63631F

RGB 99 99 31

HSL 60, 0.52%, 0.25%

LAB 40.7, -9.48, 37.14

 

CMYK 0 / 1 / 85 / 68

HEX #52510C

RGB 82 81 12

HSL 59.14, 0.74%, 0.18%

LAB 33.36, -8.42, 37.23

 

CMYK 0 / 3 / 100 / 75

HEX #413F00

RGB 65 63 0

HSL 58.15, 1%, 0.13%

LAB 25.8, -6.87, 34.55

 

CMYK 0 / 6 / 100 / 81

HEX #302D00

RGB 48 45 0

HSL 56.25, 1%, 0.09%

LAB 17.94, -4.73, 25.64

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 0 / 15 / 57 / 54

HEX #756432

RGB 117 100 50

HSL 44.78, 0.4%, 0.33%

LAB 42.95, -0.05, 30.53

 

CMYK 0 / 30 / 57 / 54

HEX #755232

RGB 117 82 50

HSL 28.66, 0.4%, 0.33%

LAB 37.93, 10.7, 24.44

 

CMYK 0 / 45 / 57 / 54

HEX #754032

RGB 117 64 50

HSL 12.54, 0.4%, 0.33%

LAB 33.31, 21.5, 18.6

 

CMYK 0 / 57 / 57 / 54

HEX #753232

RGB 117 50 50

HSL 0, 0.4%, 0.33%

LAB 30.14, 29.46, 14.45

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 16 / 0 / 57 / 54

HEX #627532

RGB 98 117 50

HSL 77.01, 0.4%, 0.33%

LAB 46.38, -18.22, 34.12

 

CMYK 32 / 0 / 57 / 54

HEX #507532

RGB 80 117 50

HSL 93.13, 0.4%, 0.33%

LAB 45.16, -25.68, 32.4

 

CMYK 47 / 0 / 57 / 54

HEX #3E7532

RGB 62 117 50

HSL 109.25, 0.4%, 0.33%

LAB 44.2, -32.23, 31.02

 

CMYK 57 / 0 / 52 / 54

HEX #327538

RGB 50 117 56

HSL 125.37, 0.4%, 0.33%

LAB 43.78, -35.04, 27.21

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 1 / 0 / 73 / 49

HEX #828324

RGB 130 131 36

HSL 60.63, 0.57%, 0.33%

LAB 53.07, -12.49, 48.36

 

CMYK 1 / 0 / 84 / 43

HEX #8F9117

RGB 143 145 23

HSL 60.98, 0.73%, 0.33%

LAB 58.18, -14.59, 57.64

 

CMYK 1 / 0 / 94 / 38

HEX #9C9E09

RGB 156 158 9

HSL 60.81, 0.89%, 0.33%

LAB 62.96, -15.83, 64.63

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 1 / 0 / 38 / 59

HEX #676840

RGB 103 104 64

HSL 61.5, 0.24%, 0.33%

LAB 42.99, -7.21, 22.42

 

CMYK 0 / 0 / 14 / 65

HEX #5A5A4D

RGB 90 90 77

HSL 60, 0.08%, 0.33%

LAB 37.88, -2.57, 7.52

 

CMYK 15 / 16 / 0 / 64

HEX #4D4C5B

RGB 77 76 91

HSL 244, 0.09%, 0.33%

LAB 32.92, 3.9, -8.65

 

CMYK 39 / 39 / 0 / 59

HEX #3F3F68

RGB 63 63 104

HSL 240, 0.25%, 0.33%

LAB 28.41, 11.21, -24.01

 

CMYK 0 / 31 / 57 / 54

HEX #755132

RGB 117 81 50

HSL 27.76, 0.4%, 0.33%

LAB 37.66, 11.3, 24.11

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 0 / 57 / 54

HEX #757532

RGB 117 117 50

HSL 60, 0.4%, 0.33%

LAB 47.92, -9.77, 36.3

 

CMYK 15 / 0 / 57 / 54

HEX #637532

RGB 99 117 50

HSL 76.12, 0.4%, 0.33%

LAB 46.45, -17.79, 34.23

 

CMYK 31 / 0 / 57 / 54

HEX #517532

RGB 81 117 50

HSL 92.24, 0.4%, 0.33%

LAB 45.22, -25.28, 32.48

 

CMYK 2 / 0 / 58 / 76

HEX #3B3C19

RGB 59 60 25

HSL 61.71, 0.41%, 0.17%

LAB 24.42, -6.4, 21.25

 

CMYK 0 / 0 / 57 / 65

HEX #585826

RGB 88 88 38

HSL 60, 0.4%, 0.25%

LAB 36.36, -7.8, 28.59

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 1 / 0 / 58 / 43

HEX #91923E

RGB 145 146 62

HSL 60.71, 0.4%, 0.41%

LAB 58.91, -12.08, 43.5

 

CMYK 1 / 0 / 57 / 31

HEX #AEAF4B

RGB 174 175 75

HSL 60.6, 0.4%, 0.49%

LAB 69.59, -13.78, 50.07

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 57 / 0 / 46 / 54

HEX #32753F

RGB 50 117 63

HSL 131.64, 0.4%, 0.33%

LAB 43.89, -33.89, 23.49

 

CMYK 23 / 57 / 0 / 54

HEX #5A3275

RGB 90 50 117

HSL 275.82, 0.4%, 0.33%

LAB 28.74, 31.32, -31.56

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 57 / 0 / 0 / 54

HEX #327575

RGB 50 117 117

HSL 180, 0.4%, 0.33%

LAB 45.2, -20.96, -6.42

 

CMYK 0 / 57 / 0 / 54

HEX #753275

RGB 117 50 117

HSL 300, 0.4%, 0.33%

LAB 32.59, 39.22, -25.24

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 57 / 0 / 46 / 54

HEX #32753F

RGB 50 117 63

HSL 131.64, 0.4%, 0.33%

LAB 43.89, -33.89, 23.49

 

CMYK 57 / 57 / 0 / 54

HEX #323275

RGB 50 50 117

HSL 240, 0.4%, 0.33%

LAB 24.46, 20.93, -38.67

 

CMYK 0 / 57 / 11 / 54

HEX #753268

RGB 117 50 104

HSL 311.64, 0.4%, 0.33%

LAB 31.95, 36.8, -17.99

 

CMYK 1 / 0 / 57 / 54

HEX #747532

RGB 116 117 50

HSL 60.9, 0.4%, 0.33%

LAB 47.84, -10.22, 36.18

 

CMYK 57 / 0 / 28 / 54

HEX #327554

RGB 50 117 84

HSL 150.45, 0.4%, 0.33%

LAB 44.29, -29.67, 11.92

 

CMYK 57 / 57 / 0 / 54

HEX #323275

RGB 50 50 117

HSL 240, 0.4%, 0.33%

LAB 24.46, 20.93, -38.67

 

CMYK 0 / 57 / 28 / 54

HEX #753254

RGB 117 50 84

HSL 329.55, 0.4%, 0.33%

LAB 31.12, 33.54, -6.36

 

Description

Color code: HEX #747532 | qconv.com Color code: HEX #747532 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 117 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 117 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 57 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 57% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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