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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #746EA5 it is the complementary color #8B915A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #746EA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #746EA5 shade: #796EA0, #8A80B3, #9B92C6, #ACA4D9 and #BDB6EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #746EA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #746EA5 shade: #746EA5, #635C92, #524A7F, #41386C and #302659

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #746EA5 shade: #746EA4, #836EA4, #916EA4, #A06EA4 and #A46E9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #746EA5 shade: #746EA4 and #6E6EA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #746EA5 shade matches the following richer shades: #746EA4, #655BB7, #5648CA, #4835DD and #3922F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #746EA5 shade: #746EA4, #838191, #92947E, #A1A76B and #AFBA58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #746EA5 shade: #6E86A4, #6E77A4, #746EA4, #826EA4 and #906EA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #746EA5 shade: #4F4A76, #605A8F, #746EA4, #8C88B4 and #A5A1C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #746EA5 shade: #746EA5, #A46E94 and #7EA46E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #746EA5 shade: #746EA5, #A4746E and #6EA474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #746EA5 shade: #746EA5, #A46E94, #9FA46E and #6EA47E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #746EA5 shade: #746EA5, #A46E84, #9FA46E and #6EA48F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 33 / 0 / 35

HEX #746EA5

RGB 116 110 165

HSL 246.55, 0.23%, 0.54%

LAB 48.98, 15.14, -28.72

 

Complementary color

CMYK 4 / 0 / 38 / 43

HEX #8B915A

RGB 139 145 90

HSL 66.55, 0.23%, 0.46%

LAB 58.49, -11.22, 28.47

 

CMYK 24 / 31 / 0 / 37

HEX #796EA0

RGB 121 110 160

HSL 253.2, 0.21%, 0.53%

LAB 49.2, 15.41, -25.43

 

CMYK 23 / 28 / 0 / 30

HEX #8A80B3

RGB 138 128 179

HSL 251.76, 0.25%, 0.6%

LAB 56.18, 14.83, -25.52

 

CMYK 22 / 26 / 0 / 22

HEX #9B92C6

RGB 155 146 198

HSL 250.38, 0.31%, 0.67%

LAB 63.01, 14.32, -25.65

 

CMYK 21 / 24 / 0 / 15

HEX #ACA4D9

RGB 172 164 217

HSL 249.06, 0.41%, 0.75%

LAB 69.7, 13.86, -25.81

 

CMYK 20 / 23 / 0 / 7

HEX #BDB6EC

RGB 189 182 236

HSL 247.78, 0.59%, 0.82%

LAB 76.27, 13.44, -25.99

 

CMYK 30 / 33 / 0 / 35

HEX #746EA5

RGB 116 110 165

HSL 246.55, 0.23%, 0.54%

LAB 48.98, 15.14, -28.72

 

CMYK 32 / 37 / 0 / 43

HEX #635C92

RGB 99 92 146

HSL 247.78, 0.23%, 0.47%

LAB 41.82, 15.85, -28.75

 

CMYK 35 / 42 / 0 / 50

HEX #524A7F

RGB 82 74 127

HSL 249.06, 0.26%, 0.39%

LAB 34.44, 16.7, -28.86

 

CMYK 40 / 48 / 0 / 58

HEX #41386C

RGB 65 56 108

HSL 250.38, 0.32%, 0.32%

LAB 26.83, 17.73, -29.04

 

CMYK 46 / 57 / 0 / 65

HEX #302659

RGB 48 38 89

HSL 251.76, 0.4%, 0.25%

LAB 18.95, 19.03, -29.31

 

CMYK 29 / 33 / 0 / 36

HEX #746EA4

RGB 116 110 164

HSL 246.67, 0.23%, 0.54%

LAB 48.94, 14.88, -28.2

 

CMYK 20 / 33 / 0 / 36

HEX #836EA4

RGB 131 110 164

HSL 263.33, 0.23%, 0.54%

LAB 50.28, 19.59, -26.01

 

CMYK 12 / 33 / 0 / 36

HEX #916EA4

RGB 145 110 164

HSL 278.89, 0.23%, 0.54%

LAB 51.67, 24.15, -23.76

 

CMYK 2 / 33 / 0 / 36

HEX #A06EA4

RGB 160 110 164

HSL 295.56, 0.23%, 0.54%

LAB 53.28, 29.13, -21.14

 

CMYK 0 / 33 / 6 / 36

HEX #A46E9A

RGB 164 110 154

HSL 311.11, 0.23%, 0.54%

LAB 53.36, 28.57, -15.15

 

CMYK 29 / 33 / 0 / 36

HEX #746EA4

RGB 116 110 164

HSL 246.67, 0.23%, 0.54%

LAB 48.94, 14.88, -28.2

 

CMYK 33 / 33 / 0 / 36

HEX #6E6EA4

RGB 110 110 164

HSL 240, 0.23%, 0.54%

LAB 48.44, 13.06, -29.01

 

CMYK 29 / 33 / 0 / 36

HEX #746EA4

RGB 116 110 164

HSL 246.67, 0.23%, 0.54%

LAB 48.94, 14.88, -28.2

 

CMYK 45 / 50 / 0 / 28

HEX #655BB7

RGB 101 91 183

HSL 246.52, 0.39%, 0.54%

LAB 43.75, 27.73, -47.6

 

CMYK 57 / 64 / 0 / 21

HEX #5648CA

RGB 86 72 202

HSL 246.46, 0.55%, 0.54%

LAB 39.37, 42.01, -65.8

 

CMYK 67 / 76 / 0 / 13

HEX #4835DD

RGB 72 53 221

HSL 246.79, 0.71%, 0.54%

LAB 36.26, 56.43, -81.91

 

CMYK 76 / 86 / 0 / 6

HEX #3922F0

RGB 57 34 240

HSL 246.7, 0.87%, 0.54%

LAB 34.61, 68.92, -95.51

 

CMYK 29 / 33 / 0 / 36

HEX #746EA4

RGB 116 110 164

HSL 246.67, 0.23%, 0.54%

LAB 48.94, 14.88, -28.2

 

CMYK 10 / 11 / 0 / 43

HEX #838191

RGB 131 129 145

HSL 247.5, 0.07%, 0.54%

LAB 54.63, 4.06, -8.33

 

CMYK 1 / 0 / 15 / 42

HEX #92947E

RGB 146 148 126

HSL 65.45, 0.09%, 0.54%

LAB 60.6, -4.74, 11.4

 

CMYK 4 / 0 / 36 / 35

HEX #A1A76B

RGB 161 167 107

HSL 66, 0.25%, 0.54%

LAB 66.73, -11.79, 30.35

 

CMYK 6 / 0 / 53 / 27

HEX #AFBA58

RGB 175 186 88

HSL 66.73, 0.42%, 0.54%

LAB 72.85, -17.89, 47.75

 

CMYK 33 / 18 / 0 / 36

HEX #6E86A4

RGB 110 134 164

HSL 213.33, 0.23%, 0.54%

LAB 55.12, -1.16, -18.72

 

CMYK 33 / 27 / 0 / 36

HEX #6E77A4

RGB 110 119 164

HSL 230, 0.23%, 0.54%

LAB 50.91, 7.65, -25.19

 

CMYK 29 / 33 / 0 / 36

HEX #746EA4

RGB 116 110 164

HSL 246.67, 0.23%, 0.54%

LAB 48.94, 14.88, -28.2

 

CMYK 21 / 33 / 0 / 36

HEX #826EA4

RGB 130 110 164

HSL 262.22, 0.23%, 0.54%

LAB 50.19, 19.27, -26.16

 

CMYK 12 / 33 / 0 / 36

HEX #906EA4

RGB 144 110 164

HSL 277.78, 0.23%, 0.54%

LAB 51.57, 23.82, -23.92

 

CMYK 33 / 37 / 0 / 54

HEX #4F4A76

RGB 79 74 118

HSL 246.82, 0.23%, 0.38%

LAB 33.71, 13.17, -24.44

 

CMYK 33 / 37 / 0 / 44

HEX #605A8F

RGB 96 90 143

HSL 246.79, 0.23%, 0.46%

LAB 40.87, 15.36, -28.45

 

CMYK 29 / 33 / 0 / 36

HEX #746EA4

RGB 116 110 164

HSL 246.67, 0.23%, 0.54%

LAB 48.94, 14.88, -28.2

 

CMYK 22 / 24 / 0 / 29

HEX #8C88B4

RGB 140 136 180

HSL 245.45, 0.23%, 0.62%

LAB 58.49, 11.05, -22.53

 

CMYK 16 / 18 / 0 / 23

HEX #A5A1C4

RGB 165 161 196

HSL 246.86, 0.23%, 0.7%

LAB 67.63, 8.59, -17.41

 

CMYK 30 / 33 / 0 / 35

HEX #746EA5

RGB 116 110 165

HSL 246.55, 0.23%, 0.54%

LAB 48.98, 15.14, -28.72

 

CMYK 0 / 33 / 10 / 36

HEX #A46E94

RGB 164 110 148

HSL 317.78, 0.23%, 0.54%

LAB 53.15, 27.48, -11.96

 

CMYK 23 / 0 / 33 / 36

HEX #7EA46E

RGB 126 164 110

HSL 102.22, 0.23%, 0.54%

LAB 63.44, -23.35, 23.94

 

CMYK 30 / 33 / 0 / 35

HEX #746EA5

RGB 116 110 165

HSL 246.55, 0.23%, 0.54%

LAB 48.98, 15.14, -28.72

 

CMYK 0 / 29 / 33 / 36

HEX #A4746E

RGB 164 116 110

HSL 6.67, 0.23%, 0.54%

LAB 53.5, 18.07, 10.85

 

CMYK 33 / 0 / 29 / 36

HEX #6EA474

RGB 110 164 116

HSL 126.67, 0.23%, 0.54%

LAB 62.61, -27.92, 19.39

 

CMYK 30 / 33 / 0 / 35

HEX #746EA5

RGB 116 110 165

HSL 246.55, 0.23%, 0.54%

LAB 48.98, 15.14, -28.72

 

CMYK 0 / 33 / 10 / 36

HEX #A46E94

RGB 164 110 148

HSL 317.78, 0.23%, 0.54%

LAB 53.15, 27.48, -11.96

 

CMYK 3 / 0 / 33 / 36

HEX #9FA46E

RGB 159 164 110

HSL 65.56, 0.23%, 0.54%

LAB 65.79, -10.63, 27.48

 

CMYK 33 / 0 / 23 / 36

HEX #6EA47E

RGB 110 164 126

HSL 137.78, 0.23%, 0.54%

LAB 62.82, -26.05, 14.16

 

CMYK 30 / 33 / 0 / 35

HEX #746EA5

RGB 116 110 165

HSL 246.55, 0.23%, 0.54%

LAB 48.98, 15.14, -28.72

 

CMYK 0 / 33 / 20 / 36

HEX #A46E84

RGB 164 110 132

HSL 335.56, 0.23%, 0.54%

LAB 52.63, 24.75, -3.33

 

CMYK 3 / 0 / 33 / 36

HEX #9FA46E

RGB 159 164 110

HSL 65.56, 0.23%, 0.54%

LAB 65.79, -10.63, 27.48

 

CMYK 33 / 0 / 13 / 36

HEX #6EA48F

RGB 110 164 143

HSL 156.67, 0.23%, 0.54%

LAB 63.22, -22.54, 5.25

 

Description

Color code: HEX #746EA5 | qconv.com Color code: HEX #746EA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 110 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 110 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 33 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 33% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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