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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #745C51 it is the complementary color #8BA3AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #745C51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #745C51 shade: #795C4C, #8A6E5F, #9B8072, #AC9285 and #BDA498

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #745C51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #745C51 shade: #745C51, #634A3E, #52382B, #412618 and #301405

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #745C51 shade: #755C51, #755351 and #755151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #745C51 shade: #755C51, #756651, #757051, #707551 and #677551

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #745C51 shade matches the following richer shades: #755C51, #855641, #955031, #A54A21 and #B54411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #745C51 shade: #755C51, #656261, #556871, #456E81 and #347491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #745C51 shade: #755159, #755251, #755C51, #756551 and #756F51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #745C51 shade: #44362F, #5D4940, #755C51, #8D7062 and #A18578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #745C51 shade: #745C51, #637551 and #515575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #745C51 shade: #745C51, #51755C and #5C5175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #745C51 shade: #745C51, #637551, #516A75 and #635175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #745C51 shade: #745C51, #587551, #516A75 and #6E5175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 30 / 55

HEX #745C51

RGB 116 92 81

HSL 18.86, 0.18%, 0.39%

LAB 41.15, 8.01, 10.04

 

Complementary color

CMYK 20 / 6 / 0 / 32

HEX #8BA3AE

RGB 139 163 174

HSL 198.86, 0.18%, 0.61%

LAB 65.55, -5.9, -8.49

 

CMYK 0 / 24 / 37 / 53

HEX #795C4C

RGB 121 92 76

HSL 21.33, 0.23%, 0.39%

LAB 41.6, 9.46, 13.78

 

CMYK 0 / 20 / 31 / 46

HEX #8A6E5F

RGB 138 110 95

HSL 20.93, 0.18%, 0.46%

LAB 48.74, 8.74, 12.57

 

CMYK 0 / 17 / 26 / 39

HEX #9B8072

RGB 155 128 114

HSL 20.49, 0.17%, 0.53%

LAB 55.71, 8.15, 11.48

 

CMYK 0 / 15 / 23 / 33

HEX #AC9285

RGB 172 146 133

HSL 20, 0.19%, 0.6%

LAB 62.53, 7.63, 10.49

 

CMYK 0 / 13 / 20 / 26

HEX #BDA498

RGB 189 164 152

HSL 19.46, 0.22%, 0.67%

LAB 69.21, 7.19, 9.58

HEX #BDA498

CMYK 0 / 21 / 30 / 55

HEX #745C51

RGB 116 92 81

HSL 18.86, 0.18%, 0.39%

LAB 41.15, 8.01, 10.04

 

CMYK 0 / 25 / 37 / 61

HEX #634A3E

RGB 99 74 62

HSL 19.46, 0.23%, 0.32%

LAB 33.77, 8.75, 11.27

 

CMYK 0 / 32 / 48 / 68

HEX #52382B

RGB 82 56 43

HSL 20, 0.31%, 0.25%

LAB 26.15, 9.71, 12.73

 

CMYK 0 / 42 / 63 / 75

HEX #412618

RGB 65 38 24

HSL 20.49, 0.46%, 0.17%

LAB 18.26, 11.01, 14.54

 

CMYK 0 / 58 / 90 / 81

HEX #301405

RGB 48 20 5

HSL 20.93, 0.81%, 0.1%

LAB 10.1, 12.8, 13.35

 

CMYK 0 / 21 / 31 / 54

HEX #755C51

RGB 117 92 81

HSL 18.33, 0.18%, 0.39%

LAB 41.26, 8.44, 10.21

 

CMYK 0 / 29 / 31 / 54

HEX #755351

RGB 117 83 81

HSL 3.33, 0.18%, 0.39%

LAB 38.83, 13.88, 6.79

 

CMYK 0 / 31 / 31 / 54

HEX #755151

RGB 117 81 81

HSL 0, 0.18%, 0.39%

LAB 38.31, 15.1, 6.05

 

CMYK 0 / 21 / 31 / 54

HEX #755C51

RGB 117 92 81

HSL 18.33, 0.18%, 0.39%

LAB 41.26, 8.44, 10.21

 

CMYK 0 / 13 / 31 / 54

HEX #756651

RGB 117 102 81

HSL 35, 0.18%, 0.39%

LAB 44.06, 2.47, 14.08

 

CMYK 0 / 4 / 31 / 54

HEX #757051

RGB 117 112 81

HSL 51.67, 0.18%, 0.39%

LAB 46.93, -3.37, 17.97

 

CMYK 4 / 0 / 31 / 54

HEX #707551

RGB 112 117 81

HSL 68.33, 0.18%, 0.39%

LAB 47.96, -8.34, 19.28

 

CMYK 12 / 0 / 31 / 54

HEX #677551

RGB 103 117 81

HSL 83.33, 0.18%, 0.39%

LAB 47.24, -12.08, 18.19

 

CMYK 0 / 21 / 31 / 54

HEX #755C51

RGB 117 92 81

HSL 18.33, 0.18%, 0.39%

LAB 41.26, 8.44, 10.21

 

CMYK 0 / 35 / 51 / 48

HEX #855641

RGB 133 86 65

HSL 18.53, 0.34%, 0.39%

LAB 41.25, 16.99, 20.2

 

CMYK 0 / 46 / 67 / 42

HEX #955031

RGB 149 80 49

HSL 18.6, 0.51%, 0.39%

LAB 41.76, 26.04, 30.67

 

CMYK 0 / 55 / 80 / 35

HEX #A54A21

RGB 165 74 33

HSL 18.64, 0.67%, 0.39%

LAB 42.77, 35.07, 41.01

 

CMYK 0 / 62 / 91 / 29

HEX #B54411

RGB 181 68 17

HSL 18.66, 0.83%, 0.39%

LAB 44.23, 43.73, 50.1

 

CMYK 0 / 21 / 31 / 54

HEX #755C51

RGB 117 92 81

HSL 18.33, 0.18%, 0.39%

LAB 41.26, 8.44, 10.21

 

CMYK 0 / 3 / 4 / 60

HEX #656261

RGB 101 98 97

HSL 15, 0.02%, 0.39%

LAB 41.79, 0.98, 0.98

 

CMYK 25 / 8 / 0 / 56

HEX #556871

RGB 85 104 113

HSL 199.29, 0.14%, 0.39%

LAB 42.8, -4.88, -7.41

 

CMYK 47 / 15 / 0 / 49

HEX #456E81

RGB 69 110 129

HSL 199, 0.3%, 0.39%

LAB 44.24, -8.86, -14.98

 

CMYK 64 / 20 / 0 / 43

HEX #347491

RGB 52 116 145

HSL 198.71, 0.47%, 0.39%

LAB 46, -11.12, -21.88

 

CMYK 0 / 31 / 24 / 54

HEX #755159

RGB 117 81 89

HSL 346.67, 0.18%, 0.39%

LAB 38.53, 16.36, 1.38

 

CMYK 0 / 30 / 31 / 54

HEX #755251

RGB 117 82 81

HSL 1.67, 0.18%, 0.39%

LAB 38.57, 14.49, 6.42

 

CMYK 0 / 21 / 31 / 54

HEX #755C51

RGB 117 92 81

HSL 18.33, 0.18%, 0.39%

LAB 41.26, 8.44, 10.21

 

CMYK 0 / 14 / 31 / 54

HEX #756551

RGB 117 101 81

HSL 33.33, 0.18%, 0.39%

LAB 43.78, 3.06, 13.69

 

CMYK 0 / 5 / 31 / 54

HEX #756F51

RGB 117 111 81

HSL 50, 0.18%, 0.39%

LAB 46.64, -2.79, 17.58

 

CMYK 0 / 21 / 31 / 73

HEX #44362F

RGB 68 54 47

HSL 20, 0.18%, 0.23%

LAB 23.91, 4.97, 6.75

 

CMYK 0 / 22 / 31 / 64

HEX #5D4940

RGB 93 73 64

HSL 18.62, 0.18%, 0.31%

LAB 32.84, 6.98, 8.61

 

CMYK 0 / 21 / 31 / 54

HEX #755C51

RGB 117 92 81

HSL 18.33, 0.18%, 0.39%

LAB 41.26, 8.44, 10.21

 

CMYK 0 / 21 / 30 / 45

HEX #8D7062

RGB 141 112 98

HSL 19.53, 0.18%, 0.47%

LAB 49.66, 9.26, 12.12

 

CMYK 0 / 17 / 25 / 37

HEX #A18578

RGB 161 133 120

HSL 19.02, 0.18%, 0.55%

LAB 57.76, 8.62, 11

 

CMYK 0 / 21 / 30 / 55

HEX #745C51

RGB 116 92 81

HSL 18.86, 0.18%, 0.39%

LAB 41.15, 8.01, 10.04

 

CMYK 15 / 0 / 31 / 54

HEX #637551

RGB 99 117 81

HSL 90, 0.18%, 0.39%

LAB 46.93, -13.71, 17.73

 

CMYK 31 / 27 / 0 / 54

HEX #515575

RGB 81 85 117

HSL 233.33, 0.18%, 0.39%

LAB 36.99, 6.49, -18.71

 

CMYK 0 / 21 / 30 / 55

HEX #745C51

RGB 116 92 81

HSL 18.86, 0.18%, 0.39%

LAB 41.15, 8.01, 10.04

 

CMYK 31 / 0 / 21 / 54

HEX #51755C

RGB 81 117 92

HSL 138.33, 0.18%, 0.39%

LAB 45.97, -18.47, 9.76

 

CMYK 21 / 31 / 0 / 54

HEX #5C5175

RGB 92 81 117

HSL 258.33, 0.18%, 0.39%

LAB 36.83, 12.72, -18.88

 

CMYK 0 / 21 / 30 / 55

HEX #745C51

RGB 116 92 81

HSL 18.86, 0.18%, 0.39%

LAB 41.15, 8.01, 10.04

 

CMYK 15 / 0 / 31 / 54

HEX #637551

RGB 99 117 81

HSL 90, 0.18%, 0.39%

LAB 46.93, -13.71, 17.73

 

CMYK 31 / 9 / 0 / 54

HEX #516A75

RGB 81 106 117

HSL 198.33, 0.18%, 0.39%

LAB 43.27, -6.35, -9.14

 

CMYK 15 / 31 / 0 / 54

HEX #635175

RGB 99 81 117

HSL 270, 0.18%, 0.39%

LAB 37.52, 15.16, -17.75

 

CMYK 0 / 21 / 30 / 55

HEX #745C51

RGB 116 92 81

HSL 18.86, 0.18%, 0.39%

LAB 41.15, 8.01, 10.04

 

CMYK 25 / 0 / 31 / 54

HEX #587551

RGB 88 117 81

HSL 108.33, 0.18%, 0.39%

LAB 46.17, -18.02, 16.56

 

CMYK 31 / 9 / 0 / 54

HEX #516A75

RGB 81 106 117

HSL 198.33, 0.18%, 0.39%

LAB 43.27, -6.35, -9.14

 

CMYK 6 / 31 / 0 / 54

HEX #6E5175

RGB 110 81 117

HSL 288.33, 0.18%, 0.39%

LAB 38.7, 19.07, -15.84

 

Description

Color code: HEX #745C51 | qconv.com Color code: HEX #745C51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 92 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 92 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 30 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 30% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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