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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #744B99 it is the complementary color #8BB466. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #744B99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #744B99 shade: #794B94, #8A5DA7, #9B6FBA, #AC81CD and #BD93E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #744B99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #744B99 shade: #744B99, #633986, #522773, #411560 and #30034D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #744B99 shade: #744B99, #894B99, #994B94, #994B7F and #994B6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #744B99 shade: #744B99, #5F4B99 and #4B4B99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #744B99 shade matches the following richer shades: #744B99, #7539AC, #7626BE, #7714D1 and #7801E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #744B99 shade: #744B99, #735E87, #727074, #718362 and #70964F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #744B99 shade: #4B4D99, #5F4B99, #744B99, #884B99 and #994B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #744B99 shade: #4A3062, #5F3E7E, #744B99, #895EB0 and #9D7ABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #744B99 shade: #744B99, #994B61 and #4B9954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #744B99 shade: #744B99, #99744B and #4B9974

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #744B99 shade: #744B99, #994B61, #71994B and #4B9983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #744B99 shade: #744B99, #994D4B, #71994B and #4B9899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

Complementary color

CMYK 23 / 0 / 43 / 29

HEX #8BB466

RGB 139 180 102

HSL 91.54, 0.34%, 0.55%

LAB 68.82, -27.57, 35.33

 

CMYK 18 / 49 / 0 / 42

HEX #794B94

RGB 121 75 148

HSL 277.81, 0.33%, 0.44%

LAB 39.97, 33.34, -32.7

 

CMYK 17 / 44 / 0 / 35

HEX #8A5DA7

RGB 138 93 167

HSL 276.49, 0.3%, 0.51%

LAB 47, 32.47, -32.83

 

CMYK 17 / 40 / 0 / 27

HEX #9B6FBA

RGB 155 111 186

HSL 275.2, 0.35%, 0.58%

LAB 53.9, 31.65, -32.95

 

CMYK 16 / 37 / 0 / 20

HEX #AC81CD

RGB 172 129 205

HSL 273.95, 0.43%, 0.65%

LAB 60.67, 30.88, -33.07

 

CMYK 16 / 34 / 0 / 12

HEX #BD93E0

RGB 189 147 224

HSL 272.73, 0.55%, 0.73%

LAB 67.33, 30.16, -33.2

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 26 / 57 / 0 / 47

HEX #633986

RGB 99 57 134

HSL 272.73, 0.4%, 0.37%

LAB 32.48, 34.04, -36.19

 

CMYK 29 / 66 / 0 / 55

HEX #522773

RGB 82 39 115

HSL 273.95, 0.49%, 0.3%

LAB 25.21, 34.92, -36.01

 

CMYK 32 / 78 / 0 / 62

HEX #411560

RGB 65 21 96

HSL 275.2, 0.64%, 0.23%

LAB 17.94, 35.38, -35.5

 

CMYK 38 / 96 / 0 / 70

HEX #30034D

RGB 48 3 77

HSL 276.49, 0.93%, 0.16%

LAB 10.77, 35.08, -34.42

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 10 / 51 / 0 / 40

HEX #894B99

RGB 137 75 153

HSL 287.69, 0.34%, 0.45%

LAB 42.23, 39.2, -32.02

 

CMYK 0 / 51 / 3 / 40

HEX #994B94

RGB 153 75 148

HSL 303.85, 0.34%, 0.45%

LAB 44.15, 42.99, -25.86

 

CMYK 0 / 51 / 17 / 40

HEX #994B7F

RGB 153 75 127

HSL 320, 0.34%, 0.45%

LAB 43.27, 39.36, -14.51

 

CMYK 0 / 51 / 31 / 40

HEX #994B6A

RGB 153 75 106

HSL 336.15, 0.34%, 0.45%

LAB 42.53, 36.2, -2.73

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 38 / 51 / 0 / 40

HEX #5F4B99

RGB 95 75 153

HSL 255.38, 0.34%, 0.45%

LAB 37.42, 27.27, -39.95

 

CMYK 51 / 51 / 0 / 40

HEX #4B4B99

RGB 75 75 153

HSL 240, 0.34%, 0.45%

LAB 35.65, 22.26, -42.88

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 32 / 67 / 0 / 33

HEX #7539AC

RGB 117 57 172

HSL 271.3, 0.5%, 0.45%

LAB 37.27, 47.85, -51.44

 

CMYK 38 / 80 / 0 / 25

HEX #7626BE

RGB 118 38 190

HSL 271.58, 0.67%, 0.45%

LAB 35.9, 60.52, -64.33

 

CMYK 43 / 90 / 0 / 18

HEX #7714D1

RGB 119 20 209

HSL 271.43, 0.83%, 0.45%

LAB 36.03, 69.94, -75.2

 

CMYK 47 / 100 / 0 / 11

HEX #7801E4

RGB 120 1 228

HSL 271.45, 0.99%, 0.45%

LAB 37.14, 76.8, -84.3

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 15 / 30 / 0 / 47

HEX #735E87

RGB 115 94 135

HSL 270.73, 0.18%, 0.45%

LAB 43.36, 17, -19.62

 

CMYK 2 / 3 / 0 / 55

HEX #727074

RGB 114 112 116

HSL 270, 0.02%, 0.45%

LAB 47.53, 1.59, -1.95

 

CMYK 14 / 0 / 25 / 49

HEX #718362

RGB 113 131 98

HSL 92.73, 0.14%, 0.45%

LAB 52.54, -12.98, 15.72

 

CMYK 25 / 0 / 47 / 41

HEX #70964F

RGB 112 150 79

HSL 92.11, 0.31%, 0.45%

LAB 57.87, -26.04, 33.15

 

CMYK 51 / 50 / 0 / 40

HEX #4B4D99

RGB 75 77 153

HSL 238.46, 0.34%, 0.45%

LAB 36.18, 20.97, -42.02

 

CMYK 38 / 51 / 0 / 40

HEX #5F4B99

RGB 95 75 153

HSL 255.38, 0.34%, 0.45%

LAB 37.42, 27.27, -39.95

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 11 / 51 / 0 / 40

HEX #884B99

RGB 136 75 153

HSL 286.92, 0.34%, 0.45%

LAB 42.1, 38.9, -32.23

 

CMYK 0 / 51 / 3 / 40

HEX #994B95

RGB 153 75 149

HSL 303.08, 0.34%, 0.45%

LAB 44.2, 43.18, -26.38

 

CMYK 24 / 51 / 0 / 62

HEX #4A3062

RGB 74 48 98

HSL 271.2, 0.34%, 0.29%

LAB 25.11, 22.82, -25.26

 

CMYK 25 / 51 / 0 / 51

HEX #5F3E7E

RGB 95 62 126

HSL 270.94, 0.34%, 0.37%

LAB 32.67, 27.9, -30.96

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 22 / 47 / 0 / 31

HEX #895EB0

RGB 137 94 176

HSL 271.46, 0.34%, 0.53%

LAB 47.57, 33.71, -37.23

 

CMYK 17 / 35 / 0 / 26

HEX #9D7ABD

RGB 157 122 189

HSL 271.34, 0.34%, 0.61%

LAB 56.84, 26.64, -30.08

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 0 / 51 / 37 / 40

HEX #994B61

RGB 153 75 97

HSL 343.08, 0.34%, 0.45%

LAB 42.26, 35.01, 2.43

 

CMYK 51 / 0 / 45 / 40

HEX #4B9954

RGB 75 153 84

HSL 126.92, 0.34%, 0.45%

LAB 57, -39.18, 29.02

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 0 / 24 / 51 / 40

HEX #99744B

RGB 153 116 75

HSL 31.54, 0.34%, 0.45%

LAB 51.58, 9.31, 28.17

 

CMYK 51 / 0 / 24 / 40

HEX #4B9974

RGB 75 153 116

HSL 151.54, 0.34%, 0.45%

LAB 57.6, -33.08, 12.2

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 0 / 51 / 37 / 40

HEX #994B61

RGB 153 75 97

HSL 343.08, 0.34%, 0.45%

LAB 42.26, 35.01, 2.43

 

CMYK 26 / 0 / 51 / 40

HEX #71994B

RGB 113 153 75

HSL 90.77, 0.34%, 0.45%

LAB 58.79, -27.62, 36.36

 

CMYK 51 / 0 / 14 / 40

HEX #4B9983

RGB 75 153 131

HSL 163.08, 0.34%, 0.45%

LAB 57.96, -29.6, 4.23

 

CMYK 24 / 51 / 0 / 40

HEX #744B99

RGB 116 75 153

HSL 271.54, 0.34%, 0.45%

LAB 39.66, 33.09, -36.25

 

CMYK 0 / 50 / 51 / 40

HEX #994D4B

RGB 153 77 75

HSL 1.54, 0.34%, 0.45%

LAB 42.14, 31.46, 15.82

 

CMYK 26 / 0 / 51 / 40

HEX #71994B

RGB 113 153 75

HSL 90.77, 0.34%, 0.45%

LAB 58.79, -27.62, 36.36

 

CMYK 51 / 1 / 0 / 40

HEX #4B9899

RGB 75 152 153

HSL 180.77, 0.34%, 0.45%

LAB 58.28, -23.36, -7.83

 

Description

Color code: HEX #744B99 | qconv.com Color code: HEX #744B99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 75 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 75 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 51 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 51% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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