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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #743018 it is the complementary color #8BCFE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #743018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #743018 shade: #793013, #8A4226, #9B5439, #AC664C and #BD785F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #743018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #743018 shade: #743018, #631E05, #520C00, #410000 and #300000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #743018 shade: #722F17 and #721717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #743018 shade: #722F17, #724717, #726017, #6B7217 and #537217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #743018 shade matches the following richer shades: #722F17, #7D290C and #882401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #743018 shade: #722F17, #673422, #5C392D, #503F38 and #454443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #743018 shade: #721731, #721718, #722E17, #724617 and #725E17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #743018 shade: #2D1209, #502010, #722F17, #943D1E and #B64B25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #743018 shade: #743018, #497217 and #172572

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #743018 shade: #743018, #17722E and #2E1772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #743018 shade: #743018, #497217, #175B72 and #401772

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #743018 shade: #743018, #2E7217, #175B72 and #5B1772

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 79 / 55

HEX #743018

RGB 116 48 24

HSL 15.65, 0.66%, 0.27%

LAB 29.14, 28.36, 29.28

 

Complementary color

CMYK 40 / 10 / 0 / 9

HEX #8BCFE7

RGB 139 207 231

HSL 195.65, 0.66%, 0.73%

LAB 79.55, -15.38, -18.61

 

CMYK 0 / 60 / 84 / 53

HEX #793013

RGB 121 48 19

HSL 17.06, 0.73%, 0.27%

LAB 29.98, 30.23, 33.09

 

CMYK 0 / 52 / 72 / 46

HEX #8A4226

RGB 138 66 38

HSL 16.8, 0.57%, 0.35%

LAB 36.82, 28.49, 30.78

 

CMYK 0 / 46 / 63 / 39

HEX #9B5439

RGB 155 84 57

HSL 16.53, 0.46%, 0.42%

LAB 43.66, 26.89, 28.58

 

CMYK 0 / 41 / 56 / 33

HEX #AC664C

RGB 172 102 76

HSL 16.25, 0.39%, 0.49%

LAB 50.45, 25.48, 26.64

 

CMYK 0 / 37 / 50 / 26

HEX #BD785F

RGB 189 120 95

HSL 15.96, 0.42%, 0.56%

LAB 57.15, 24.25, 24.94

 

CMYK 0 / 59 / 79 / 55

HEX #743018

RGB 116 48 24

HSL 15.65, 0.66%, 0.27%

LAB 29.14, 28.36, 29.28

 

CMYK 0 / 70 / 95 / 61

HEX #631E05

RGB 99 30 5

HSL 15.96, 0.9%, 0.2%

LAB 22.27, 30.01, 30.68

 

CMYK 0 / 85 / 100 / 68

HEX #520C00

RGB 82 12 0

HSL 8.78, 1%, 0.16%

LAB 15.78, 31.1, 24.26

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 100 / 100 / 81

HEX #300000

RGB 48 0 0

HSL 0, 1%, 0.09%

LAB 5.68, 23.6, 8.97

 

CMYK 0 / 59 / 80 / 55

HEX #722F17

RGB 114 47 23

HSL 15.82, 0.66%, 0.27%

LAB 28.57, 28.01, 29.14

 

CMYK 0 / 80 / 80 / 55

HEX #721717

RGB 114 23 23

HSL 0, 0.66%, 0.27%

LAB 24.49, 38.99, 24.79

 

CMYK 0 / 59 / 80 / 55

HEX #722F17

RGB 114 47 23

HSL 15.82, 0.66%, 0.27%

LAB 28.57, 28.01, 29.14

 

CMYK 0 / 38 / 80 / 55

HEX #724717

RGB 114 71 23

HSL 31.65, 0.66%, 0.27%

LAB 34.28, 14.05, 34.91

 

CMYK 0 / 16 / 80 / 55

HEX #726017

RGB 114 96 23

HSL 48.13, 0.66%, 0.27%

LAB 41.22, -0.97, 41.57

 

CMYK 6 / 0 / 80 / 55

HEX #6B7217

RGB 107 114 23

HSL 64.62, 0.66%, 0.27%

LAB 45.94, -14.51, 45.69

 

CMYK 27 / 0 / 80 / 55

HEX #537217

RGB 83 114 23

HSL 80.44, 0.66%, 0.27%

LAB 44.14, -25.25, 43.37

 

CMYK 0 / 59 / 80 / 55

HEX #722F17

RGB 114 47 23

HSL 15.82, 0.66%, 0.27%

LAB 28.57, 28.01, 29.14

 

CMYK 0 / 67 / 90 / 51

HEX #7D290C

RGB 125 41 12

HSL 15.4, 0.82%, 0.27%

LAB 29.34, 35.1, 36.16

 

CMYK 0 / 74 / 99 / 47

HEX #882401

RGB 136 36 1

HSL 15.56, 0.99%, 0.27%

LAB 30.64, 41.08, 42.6

 

CMYK 0 / 59 / 80 / 55

HEX #722F17

RGB 114 47 23

HSL 15.82, 0.66%, 0.27%

LAB 28.57, 28.01, 29.14

 

CMYK 0 / 50 / 67 / 60

HEX #673422

RGB 103 52 34

HSL 15.65, 0.5%, 0.27%

LAB 27.99, 21.05, 21.45

 

CMYK 0 / 38 / 51 / 64

HEX #5C392D

RGB 92 57 45

HSL 15.32, 0.34%, 0.27%

LAB 27.82, 14.01, 13.91

 

CMYK 0 / 21 / 30 / 69

HEX #503F38

RGB 80 63 56

HSL 17.5, 0.18%, 0.27%

LAB 28.24, 6.17, 7.09

 

CMYK 0 / 1 / 3 / 73

HEX #454443

RGB 69 68 67

HSL 30, 0.01%, 0.27%

LAB 28.91, 0.2, 0.75

 

CMYK 0 / 80 / 57 / 55

HEX #721731

RGB 114 23 49

HSL 342.86, 0.66%, 0.27%

LAB 24.99, 40.61, 8.02

 

CMYK 0 / 80 / 79 / 55

HEX #721718

RGB 114 23 24

HSL 359.34, 0.66%, 0.27%

LAB 24.5, 39.03, 24.18

 

CMYK 0 / 60 / 80 / 55

HEX #722E17

RGB 114 46 23

HSL 15.16, 0.66%, 0.27%

LAB 28.36, 28.55, 28.92

 

CMYK 0 / 39 / 80 / 55

HEX #724617

RGB 114 70 23

HSL 30.99, 0.66%, 0.27%

LAB 34.02, 14.65, 34.65

 

CMYK 0 / 18 / 80 / 55

HEX #725E17

RGB 114 94 23

HSL 46.81, 0.66%, 0.27%

LAB 40.65, 0.21, 41.02

 

CMYK 0 / 60 / 80 / 82

HEX #2D1209

RGB 45 18 9

HSL 15, 0.67%, 0.11%

LAB 9.08, 12.93, 10.18

 

CMYK 0 / 60 / 80 / 69

HEX #502010

RGB 80 32 16

HSL 15, 0.67%, 0.19%

LAB 19.12, 21.33, 21.25

 

CMYK 0 / 59 / 80 / 55

HEX #722F17

RGB 114 47 23

HSL 15.82, 0.66%, 0.27%

LAB 28.57, 28.01, 29.14

 

CMYK 0 / 59 / 80 / 42

HEX #943D1E

RGB 148 61 30

HSL 15.76, 0.66%, 0.35%

LAB 37.35, 34.84, 36.2

 

CMYK 0 / 59 / 80 / 29

HEX #B64B25

RGB 182 75 37

HSL 15.72, 0.66%, 0.43%

LAB 45.79, 41.33, 42.94

 

CMYK 0 / 59 / 79 / 55

HEX #743018

RGB 116 48 24

HSL 15.65, 0.66%, 0.27%

LAB 29.14, 28.36, 29.28

 

CMYK 36 / 0 / 80 / 55

HEX #497217

RGB 73 114 23

HSL 87.03, 0.66%, 0.27%

LAB 43.53, -29.36, 42.57

 

CMYK 80 / 68 / 0 / 55

HEX #172572

RGB 23 37 114

HSL 230.77, 0.66%, 0.27%

LAB 18.89, 24.3, -45.9

 

CMYK 0 / 59 / 79 / 55

HEX #743018

RGB 116 48 24

HSL 15.65, 0.66%, 0.27%

LAB 29.14, 28.36, 29.28

 

CMYK 80 / 0 / 60 / 55

HEX #17722E

RGB 23 114 46

HSL 135.16, 0.66%, 0.27%

LAB 41.87, -41.21, 30.02

 

CMYK 60 / 80 / 0 / 55

HEX #2E1772

RGB 46 23 114

HSL 255.16, 0.66%, 0.27%

LAB 17.5, 36.09, -48.11

 

CMYK 0 / 59 / 79 / 55

HEX #743018

RGB 116 48 24

HSL 15.65, 0.66%, 0.27%

LAB 29.14, 28.36, 29.28

 

CMYK 36 / 0 / 80 / 55

HEX #497217

RGB 73 114 23

HSL 87.03, 0.66%, 0.27%

LAB 43.53, -29.36, 42.57

 

CMYK 80 / 20 / 0 / 55

HEX #175B72

RGB 23 91 114

HSL 195.16, 0.66%, 0.27%

LAB 35.75, -12.17, -19.01

 

CMYK 44 / 80 / 0 / 55

HEX #401772

RGB 64 23 114

HSL 267.03, 0.66%, 0.27%

LAB 19.71, 38.97, -44.4

 

CMYK 0 / 59 / 79 / 55

HEX #743018

RGB 116 48 24

HSL 15.65, 0.66%, 0.27%

LAB 29.14, 28.36, 29.28

 

CMYK 60 / 0 / 80 / 55

HEX #2E7217

RGB 46 114 23

HSL 104.84, 0.66%, 0.27%

LAB 42.27, -38.65, 40.93

 

CMYK 80 / 20 / 0 / 55

HEX #175B72

RGB 23 91 114

HSL 195.16, 0.66%, 0.27%

LAB 35.75, -12.17, -19.01

 

CMYK 20 / 80 / 0 / 55

HEX #5B1772

RGB 91 23 114

HSL 284.84, 0.66%, 0.27%

LAB 23.84, 44.22, -37.5

 

Description

Color code: HEX #743018 | qconv.com Color code: HEX #743018 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 48 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 48 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 79 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 79% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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