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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74398D it is the complementary color #8BC672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74398D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74398D shade: #793988, #8A4B9B, #9B5DAE, #AC6FC1 and #BD81D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74398D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74398D shade: #74398D, #63277A, #521567, #410354 and #300041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74398D shade: #74398D, #8A398D, #8D3979, #8D3962 and #8D394B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74398D shade: #74398D, #5D398D, #47398D and #39398D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74398D shade matches the following richer shades: #74398D, #7A299D, #8119AD and #8709BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74398D shade: #74398D, #6D497D, #67596D, #60695C and #5A7A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74398D shade: #47398D, #5D398D, #74398D, #8A398D and #8D3979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74398D shade: #442152, #5C2D6F, #74398D, #8C45AA and #A05CBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74398D shade: #74398D, #8D3942 and #398D52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74398D shade: #74398D, #8D7439 and #398D74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74398D shade: #74398D, #8D3942, #528D39 and #398D84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74398D shade: #74398D, #8D4A39, #528D39 and #397C8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

Complementary color

CMYK 30 / 0 / 42 / 22

HEX #8BC672

RGB 139 198 114

HSL 102.14, 0.42%, 0.61%

LAB 74.25, -34.49, 36.1

 

CMYK 11 / 58 / 0 / 47

HEX #793988

RGB 121 57 136

HSL 288.61, 0.41%, 0.38%

LAB 35.54, 40.61, -32.39

 

CMYK 11 / 52 / 0 / 39

HEX #8A4B9B

RGB 138 75 155

HSL 287.25, 0.35%, 0.45%

LAB 42.46, 39.91, -32.84

 

CMYK 11 / 47 / 0 / 32

HEX #9B5DAE

RGB 155 93 174

HSL 285.93, 0.33%, 0.52%

LAB 49.32, 39.12, -33.17

 

CMYK 11 / 42 / 0 / 24

HEX #AC6FC1

RGB 172 111 193

HSL 284.63, 0.4%, 0.6%

LAB 56.08, 38.32, -33.43

 

CMYK 11 / 39 / 0 / 17

HEX #BD81D4

RGB 189 129 212

HSL 283.37, 0.49%, 0.67%

LAB 62.74, 37.55, -33.66

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 19 / 68 / 0 / 52

HEX #63277A

RGB 99 39 122

HSL 283.37, 0.52%, 0.32%

LAB 28.14, 40.84, -35.63

 

CMYK 20 / 80 / 0 / 60

HEX #521567

RGB 82 21 103

HSL 284.63, 0.66%, 0.24%

LAB 21.24, 40.7, -34.63

 

CMYK 23 / 96 / 0 / 67

HEX #410354

RGB 65 3 84

HSL 285.93, 0.93%, 0.17%

LAB 14.56, 39.42, -32.91

 

CMYK 26 / 100 / 0 / 75

HEX #300041

RGB 48 0 65

HSL 284.31, 1%, 0.13%

LAB 9.07, 33.83, -28.77

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 2 / 60 / 0 / 45

HEX #8A398D

RGB 138 57 141

HSL 297.86, 0.42%, 0.39%

LAB 38.29, 46.32, -30.94

 

CMYK 0 / 60 / 14 / 45

HEX #8D3979

RGB 141 57 121

HSL 314.29, 0.42%, 0.39%

LAB 37.79, 43.65, -19.37

 

CMYK 0 / 60 / 30 / 45

HEX #8D3962

RGB 141 57 98

HSL 330.71, 0.42%, 0.39%

LAB 36.88, 40.19, -6.33

 

CMYK 0 / 60 / 47 / 45

HEX #8D394B

RGB 141 57 75

HSL 347.14, 0.42%, 0.39%

LAB 36.17, 37.4, 7.28

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 34 / 60 / 0 / 45

HEX #5D398D

RGB 93 57 141

HSL 265.71, 0.42%, 0.39%

LAB 32.21, 34.28, -40.99

 

CMYK 50 / 60 / 0 / 45

HEX #47398D

RGB 71 57 141

HSL 250, 0.42%, 0.39%

LAB 29.88, 29.01, -44.85

 

CMYK 60 / 60 / 0 / 45

HEX #39398D

RGB 57 57 141

HSL 240, 0.42%, 0.39%

LAB 28.69, 26.1, -46.84

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 22 / 74 / 0 / 38

HEX #7A299D

RGB 122 41 157

HSL 281.9, 0.59%, 0.39%

LAB 34.31, 52.78, -47.18

 

CMYK 25 / 86 / 0 / 32

HEX #8119AD

RGB 129 25 173

HSL 282.16, 0.75%, 0.39%

LAB 34.76, 62.6, -56.03

 

CMYK 29 / 95 / 0 / 26

HEX #8709BD

RGB 135 9 189

HSL 282, 0.91%, 0.39%

LAB 36.02, 69.52, -63.43

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 13 / 42 / 0 / 51

HEX #6D497D

RGB 109 73 125

HSL 281.54, 0.26%, 0.39%

LAB 36.92, 25.41, -23.53

 

CMYK 6 / 18 / 0 / 57

HEX #67596D

RGB 103 89 109

HSL 282, 0.1%, 0.39%

LAB 39.8, 9.79, -9.3

 

CMYK 9 / 0 / 12 / 59

HEX #60695C

RGB 96 105 92

HSL 101.54, 0.07%, 0.39%

LAB 43.3, -6.14, 6.14

 

CMYK 26 / 0 / 38 / 52

HEX #5A7A4C

RGB 90 122 76

HSL 101.74, 0.23%, 0.39%

LAB 47.77, -20.74, 21.6

 

CMYK 50 / 60 / 0 / 45

HEX #47398D

RGB 71 57 141

HSL 250, 0.42%, 0.39%

LAB 29.88, 29.01, -44.85

 

CMYK 34 / 60 / 0 / 45

HEX #5D398D

RGB 93 57 141

HSL 265.71, 0.42%, 0.39%

LAB 32.21, 34.28, -40.99

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 2 / 60 / 0 / 45

HEX #8A398D

RGB 138 57 141

HSL 297.86, 0.42%, 0.39%

LAB 38.29, 46.32, -30.94

 

CMYK 0 / 60 / 14 / 45

HEX #8D3979

RGB 141 57 121

HSL 314.29, 0.42%, 0.39%

LAB 37.79, 43.65, -19.37

 

CMYK 17 / 60 / 0 / 68

HEX #442152

RGB 68 33 82

HSL 282.86, 0.43%, 0.23%

LAB 19.74, 26.15, -23.22

 

CMYK 17 / 59 / 0 / 56

HEX #5C2D6F

RGB 92 45 111

HSL 282.73, 0.42%, 0.31%

LAB 27.57, 33.31, -29.59

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 18 / 59 / 0 / 33

HEX #8C45AA

RGB 140 69 170

HSL 282.18, 0.42%, 0.47%

LAB 42.36, 46.83, -41.93

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 0 / 60 / 53 / 45

HEX #8D3942

RGB 141 57 66

HSL 353.57, 0.42%, 0.39%

LAB 35.95, 36.51, 12.71

 

CMYK 60 / 0 / 42 / 45

HEX #398D52

RGB 57 141 82

HSL 137.86, 0.42%, 0.39%

LAB 52.43, -39.1, 24.07

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 0 / 18 / 60 / 45

HEX #8D7439

RGB 141 116 57

HSL 42.14, 0.42%, 0.39%

LAB 50.04, 2.33, 35.75

 

CMYK 60 / 0 / 18 / 45

HEX #398D74

RGB 57 141 116

HSL 162.14, 0.42%, 0.39%

LAB 53.15, -31.71, 5.81

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 0 / 60 / 53 / 45

HEX #8D3942

RGB 141 57 66

HSL 353.57, 0.42%, 0.39%

LAB 35.95, 36.51, 12.71

 

CMYK 42 / 0 / 60 / 45

HEX #528D39

RGB 82 141 57

HSL 102.14, 0.42%, 0.39%

LAB 53.1, -35.42, 38.16

 

CMYK 60 / 0 / 6 / 45

HEX #398D84

RGB 57 141 132

HSL 173.57, 0.42%, 0.39%

LAB 53.58, -27.49, -2.8

 

CMYK 18 / 60 / 0 / 45

HEX #74398D

RGB 116 57 141

HSL 282.14, 0.42%, 0.39%

LAB 35.13, 40.33, -36.15

 

CMYK 0 / 48 / 60 / 45

HEX #8D4A39

RGB 141 74 57

HSL 12.14, 0.42%, 0.39%

LAB 39.34, 26.62, 22.76

 

CMYK 42 / 0 / 60 / 45

HEX #528D39

RGB 82 141 57

HSL 102.14, 0.42%, 0.39%

LAB 53.1, -35.42, 38.16

 

CMYK 60 / 12 / 0 / 45

HEX #397C8D

RGB 57 124 141

HSL 192.14, 0.42%, 0.39%

LAB 48.52, -15.93, -15.63

 

Description

Color code: HEX #74398D | qconv.com Color code: HEX #74398D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 57 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 57 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 60 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 60% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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