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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7421B0 it is the complementary color #8BDE4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7421B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7421B0 shade: #7921AB, #8A33BE, #9B45D1, #AC57E4 and #BD69F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7421B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7421B0 shade: #7421B0, #630F9D, #52008A, #410077 and #300064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7421B0 shade: #7321AF, #9A21AF, #AF219E, #AF2178 and #AF2151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7421B0 shade: #7321AF, #4D21AF, #2721AF and #2121AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7421B0 shade matches the following richer shades: #7321AF and #7610C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7421B0 shade: #7321AF, #71329E, #6E438D, #6B547C and #69656B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7421B0 shade: #2621AF, #4C21AF, #7221AF, #9721AF and #AF21A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7421B0 shade: #46146A, #5D1A8C, #7321AF, #8A28D2 and #9D47DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7421B0 shade: #7421B0, #AF2142 and #21AF39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7421B0 shade: #7421B0, #AF7221 and #21AF72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7421B0 shade: #7421B0, #AF2142, #5FAF21 and #21AF8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7421B0 shade: #7421B0, #AF2A21, #5FAF21 and #21A6AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

Complementary color

CMYK 37 / 0 / 64 / 13

HEX #8BDE4F

RGB 139 222 79

HSL 94.83, 0.68%, 0.59%

LAB 80.9, -48.76, 60.15

 

CMYK 29 / 81 / 0 / 33

HEX #7921AB

RGB 121 33 171

HSL 278.26, 0.68%, 0.4%

LAB 34.18, 58.53, -55.84

 

CMYK 27 / 73 / 0 / 25

HEX #8A33BE

RGB 138 51 190

HSL 277.55, 0.58%, 0.47%

LAB 40.39, 59.01, -56.9

 

CMYK 26 / 67 / 0 / 18

HEX #9B45D1

RGB 155 69 209

HSL 276.86, 0.6%, 0.55%

LAB 46.75, 58.84, -57.54

 

CMYK 25 / 62 / 0 / 11

HEX #AC57E4

RGB 172 87 228

HSL 276.17, 0.72%, 0.62%

LAB 53.16, 58.33, -57.92

 

CMYK 23 / 57 / 0 / 3

HEX #BD69F7

RGB 189 105 247

HSL 275.49, 0.9%, 0.69%

LAB 59.56, 57.63, -58.16

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 37 / 90 / 0 / 38

HEX #630F9D

RGB 99 15 157

HSL 275.49, 0.83%, 0.34%

LAB 27.92, 57.28, -57.72

 

CMYK 41 / 100 / 0 / 46

HEX #52008A

RGB 82 0 138

HSL 275.65, 1%, 0.27%

LAB 22.4, 54.2, -55.13

 

CMYK 45 / 100 / 0 / 53

HEX #410077

RGB 65 0 119

HSL 272.77, 1%, 0.23%

LAB 17.72, 48.18, -50.89

 

CMYK 52 / 100 / 0 / 61

HEX #300064

RGB 48 0 100

HSL 268.8, 1%, 0.2%

LAB 12.91, 42.02, -46.49

 

CMYK 34 / 81 / 0 / 31

HEX #7321AF

RGB 115 33 175

HSL 274.65, 0.68%, 0.41%

LAB 33.62, 58.41, -59.17

 

CMYK 12 / 81 / 0 / 31

HEX #9A21AF

RGB 154 33 175

HSL 291.13, 0.68%, 0.41%

LAB 39.67, 65.21, -49.09

 

CMYK 0 / 81 / 10 / 31

HEX #AF219E

RGB 175 33 158

HSL 307.18, 0.68%, 0.41%

LAB 42.26, 66.62, -34.58

 

CMYK 0 / 81 / 31 / 31

HEX #AF2178

RGB 175 33 120

HSL 323.24, 0.68%, 0.41%

LAB 40.5, 61.63, -14.07

 

CMYK 0 / 81 / 54 / 31

HEX #AF2151

RGB 175 33 81

HSL 339.72, 0.68%, 0.41%

LAB 39.23, 57.86, 8.66

 

CMYK 34 / 81 / 0 / 31

HEX #7321AF

RGB 115 33 175

HSL 274.65, 0.68%, 0.41%

LAB 33.62, 58.41, -59.17

 

CMYK 56 / 81 / 0 / 31

HEX #4D21AF

RGB 77 33 175

HSL 258.59, 0.68%, 0.41%

LAB 28.8, 53.06, -67.27

 

CMYK 78 / 81 / 0 / 31

HEX #2721AF

RGB 39 33 175

HSL 242.54, 0.68%, 0.41%

LAB 25.61, 49.56, -72.65

 

CMYK 81 / 81 / 0 / 31

HEX #2121AF

RGB 33 33 175

HSL 240, 0.68%, 0.41%

LAB 25.28, 49.2, -73.2

 

CMYK 34 / 81 / 0 / 31

HEX #7321AF

RGB 115 33 175

HSL 274.65, 0.68%, 0.41%

LAB 33.62, 58.41, -59.17

 

CMYK 39 / 92 / 0 / 25

HEX #7610C0

RGB 118 16 192

HSL 274.77, 0.85%, 0.41%

LAB 34.04, 66.96, -68.55

 

CMYK 34 / 81 / 0 / 31

HEX #7321AF

RGB 115 33 175

HSL 274.65, 0.68%, 0.41%

LAB 33.62, 58.41, -59.17

 

CMYK 28 / 68 / 0 / 38

HEX #71329E

RGB 113 50 158

HSL 275, 0.52%, 0.41%

LAB 34.52, 47.07, -47.51

 

CMYK 22 / 52 / 0 / 45

HEX #6E438D

RGB 110 67 141

HSL 274.86, 0.36%, 0.41%

LAB 36.47, 33.08, -34.08

 

CMYK 14 / 32 / 0 / 51

HEX #6B547C

RGB 107 84 124

HSL 274.5, 0.19%, 0.41%

LAB 39.45, 17.76, -19.03

 

CMYK 2 / 6 / 0 / 58

HEX #69656B

RGB 105 101 107

HSL 280, 0.03%, 0.41%

LAB 43.32, 2.81, -2.82

 

CMYK 78 / 81 / 0 / 31

HEX #2621AF

RGB 38 33 175

HSL 242.11, 0.68%, 0.41%

LAB 25.55, 49.49, -72.75

 

CMYK 57 / 81 / 0 / 31

HEX #4C21AF

RGB 76 33 175

HSL 258.17, 0.68%, 0.41%

LAB 28.69, 52.94, -67.45

 

CMYK 35 / 81 / 0 / 31

HEX #7221AF

RGB 114 33 175

HSL 274.23, 0.68%, 0.41%

LAB 33.48, 58.25, -59.41

 

CMYK 14 / 81 / 0 / 31

HEX #9721AF

RGB 151 33 175

HSL 289.86, 0.68%, 0.41%

LAB 39.18, 64.65, -49.91

 

CMYK 0 / 81 / 8 / 31

HEX #AF21A1

RGB 175 33 161

HSL 305.92, 0.68%, 0.41%

LAB 42.42, 67.06, -36.13

 

CMYK 34 / 81 / 0 / 58

HEX #46146A

RGB 70 20 106

HSL 274.88, 0.68%, 0.25%

LAB 19.4, 39.34, -39.67

 

CMYK 34 / 81 / 0 / 45

HEX #5D1A8C

RGB 93 26 140

HSL 275.26, 0.69%, 0.33%

LAB 26.62, 49.29, -49.41

 

CMYK 34 / 81 / 0 / 31

HEX #7321AF

RGB 115 33 175

HSL 274.65, 0.68%, 0.41%

LAB 33.62, 58.41, -59.17

 

CMYK 34 / 81 / 0 / 18

HEX #8A28D2

RGB 138 40 210

HSL 274.59, 0.68%, 0.49%

LAB 40.53, 67.34, -68.3

 

CMYK 29 / 68 / 0 / 14

HEX #9D47DC

RGB 157 71 220

HSL 274.63, 0.68%, 0.57%

LAB 48.06, 60.78, -61.69

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 0 / 81 / 62 / 31

HEX #AF2142

RGB 175 33 66

HSL 346.06, 0.68%, 0.41%

LAB 38.89, 56.81, 17.75

 

CMYK 81 / 0 / 67 / 31

HEX #21AF39

RGB 33 175 57

HSL 130.14, 0.68%, 0.41%

LAB 62.74, -59.38, 48.55

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 0 / 35 / 81 / 31

HEX #AF7221

RGB 175 114 33

HSL 34.23, 0.68%, 0.41%

LAB 53.23, 17.49, 51.37

 

CMYK 81 / 0 / 35 / 31

HEX #21AF72

RGB 33 175 114

HSL 154.23, 0.68%, 0.41%

LAB 63.51, -50.37, 21.28

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 0 / 81 / 62 / 31

HEX #AF2142

RGB 175 33 66

HSL 346.06, 0.68%, 0.41%

LAB 38.89, 56.81, 17.75

 

CMYK 46 / 0 / 81 / 31

HEX #5FAF21

RGB 95 175 33

HSL 93.8, 0.68%, 0.41%

LAB 64.32, -47.24, 59.23

 

CMYK 81 / 0 / 19 / 31

HEX #21AF8E

RGB 33 175 142

HSL 166.06, 0.68%, 0.41%

LAB 64.11, -43.8, 6.76

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 0 / 76 / 81 / 31

HEX #AF2A21

RGB 175 42 33

HSL 3.8, 0.68%, 0.41%

LAB 39.38, 52.54, 38.26

 

CMYK 46 / 0 / 81 / 31

HEX #5FAF21

RGB 95 175 33

HSL 93.8, 0.68%, 0.41%

LAB 64.32, -47.24, 59.23

 

CMYK 81 / 5 / 0 / 31

HEX #21A6AF

RGB 33 166 175

HSL 183.8, 0.68%, 0.41%

LAB 62.25, -30.27, -14.42

 

Description

Color code: HEX #7421B0 | qconv.com Color code: HEX #7421B0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 33 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 33 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 81 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 81% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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