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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #740D85 it is the complementary color #8BF27A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #740D85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #740D85 shade: #790D80, #8A1F93, #9B31A6, #AC43B9 and #BD55CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #740D85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #740D85 shade: #740D85, #630072, #52005F, #41004C and #300039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #740D85 shade: #750D86, #860D77, #860D56, #860D35 and #860D14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #740D85 shade: #750D86, #540D86, #330D86, #130D86 and #0D0D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #740D85 shade matches the following richer shades: #750D86 and #7D0192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #740D85 shade: #750D86, #6C197A, #64256E, #5B3162 and #533D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #740D85 shade: #330D86, #540D86, #740D86, #860D78 and #860D58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #740D85 shade: #33053B, #540961, #750D86, #9611AC and #B614D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #740D85 shade: #740D85, #86130D and #0D8643

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #740D85 shade: #740D85, #86740D and #0D8674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #740D85 shade: #740D85, #86130D, #1F860D and #0D8086

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #740D85 shade: #740D85, #86370D, #1F860D and #0D5C86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 90 / 0 / 48

HEX #740D85

RGB 116 13 133

HSL 291.5, 0.82%, 0.29%

LAB 28.63, 55.51, -41.61

 

Complementary color

CMYK 43 / 0 / 50 / 5

HEX #8BF27A

RGB 139 242 122

HSL 111.5, 0.82%, 0.71%

LAB 87.19, -52.48, 48.38

 

CMYK 5 / 90 / 0 / 50

HEX #790D80

RGB 121 13 128

HSL 296.35, 0.82%, 0.28%

LAB 29.19, 55.54, -37.52

 

CMYK 6 / 79 / 0 / 42

HEX #8A1F93

RGB 138 31 147

HSL 295.34, 0.65%, 0.35%

LAB 34.98, 57.68, -39.86

 

CMYK 7 / 70 / 0 / 35

HEX #9B31A6

RGB 155 49 166

HSL 294.36, 0.54%, 0.42%

LAB 41.09, 58.59, -41.45

 

CMYK 7 / 64 / 0 / 27

HEX #AC43B9

RGB 172 67 185

HSL 293.39, 0.47%, 0.49%

LAB 47.35, 58.75, -42.54

 

CMYK 7 / 58 / 0 / 20

HEX #BD55CC

RGB 189 85 204

HSL 292.44, 0.54%, 0.57%

LAB 53.68, 58.49, -43.33

 

CMYK 13 / 90 / 0 / 48

HEX #740D85

RGB 116 13 133

HSL 291.5, 0.82%, 0.29%

LAB 28.63, 55.51, -41.61

 

CMYK 13 / 100 / 0 / 55

HEX #630072

RGB 99 0 114

HSL 292.11, 1%, 0.22%

LAB 23.23, 51.69, -38.42

 

CMYK 14 / 100 / 0 / 63

HEX #52005F

RGB 82 0 95

HSL 291.79, 1%, 0.19%

LAB 18.45, 45.42, -33.86

 

CMYK 14 / 100 / 0 / 70

HEX #41004C

RGB 65 0 76

HSL 291.32, 1%, 0.15%

LAB 13.51, 38.92, -29.14

 

CMYK 16 / 100 / 0 / 78

HEX #300039

RGB 48 0 57

HSL 290.53, 1%, 0.11%

LAB 8.34, 32.14, -24.22

 

CMYK 13 / 90 / 0 / 47

HEX #750D86

RGB 117 13 134

HSL 291.57, 0.82%, 0.29%

LAB 28.88, 55.87, -41.82

 

CMYK 0 / 90 / 11 / 47

HEX #860D77

RGB 134 13 119

HSL 307.44, 0.82%, 0.29%

LAB 31.09, 56.66, -28.67

 

CMYK 0 / 90 / 36 / 47

HEX #860D56

RGB 134 13 86

HSL 323.8, 0.82%, 0.29%

LAB 29.48, 52.36, -9.83

 

CMYK 0 / 90 / 60 / 47

HEX #860D35

RGB 134 13 53

HSL 340.17, 0.82%, 0.29%

LAB 28.41, 49.37, 10.7

 

CMYK 0 / 90 / 85 / 47

HEX #860D14

RGB 134 13 20

HSL 356.53, 0.82%, 0.29%

LAB 27.86, 47.77, 31.45

 

CMYK 13 / 90 / 0 / 47

HEX #750D86

RGB 117 13 134

HSL 291.57, 0.82%, 0.29%

LAB 28.88, 55.87, -41.82

 

CMYK 37 / 90 / 0 / 47

HEX #540D86

RGB 84 13 134

HSL 275.21, 0.82%, 0.29%

LAB 23.32, 50.59, -51.11

 

CMYK 62 / 90 / 0 / 47

HEX #330D86

RGB 51 13 134

HSL 258.84, 0.82%, 0.29%

LAB 18.86, 46.75, -58.62

 

CMYK 86 / 90 / 0 / 47

HEX #130D86

RGB 19 13 134

HSL 242.98, 0.82%, 0.29%

LAB 16.24, 44.75, -63.03

 

CMYK 90 / 90 / 0 / 47

HEX #0D0D86

RGB 13 13 134

HSL 240, 0.82%, 0.29%

LAB 15.98, 44.55, -63.49

 

CMYK 13 / 90 / 0 / 47

HEX #750D86

RGB 117 13 134

HSL 291.57, 0.82%, 0.29%

LAB 28.88, 55.87, -41.82

 

CMYK 14 / 99 / 0 / 43

HEX #7D0192

RGB 125 1 146

HSL 291.31, 0.99%, 0.29%

LAB 30.54, 61.29, -46.52

 

CMYK 13 / 90 / 0 / 47

HEX #750D86

RGB 117 13 134

HSL 291.57, 0.82%, 0.29%

LAB 28.88, 55.87, -41.82

 

CMYK 11 / 80 / 0 / 52

HEX #6C197A

RGB 108 25 122

HSL 291.34, 0.66%, 0.29%

LAB 27.54, 48.72, -36.5

 

CMYK 9 / 66 / 0 / 57

HEX #64256E

RGB 100 37 110

HSL 291.78, 0.5%, 0.29%

LAB 27.18, 39.48, -29.5

 

CMYK 7 / 50 / 0 / 62

HEX #5B3162

RGB 91 49 98

HSL 291.43, 0.33%, 0.29%

LAB 27.58, 27.73, -21.22

 

CMYK 3 / 29 / 0 / 66

HEX #533D56

RGB 83 61 86

HSL 292.8, 0.17%, 0.29%

LAB 29.03, 14.66, -11.29

 

CMYK 62 / 90 / 0 / 47

HEX #330D86

RGB 51 13 134

HSL 258.84, 0.82%, 0.29%

LAB 18.86, 46.75, -58.62

 

CMYK 37 / 90 / 0 / 47

HEX #540D86

RGB 84 13 134

HSL 275.21, 0.82%, 0.29%

LAB 23.32, 50.59, -51.11

 

CMYK 13 / 90 / 0 / 47

HEX #740D86

RGB 116 13 134

HSL 291.07, 0.82%, 0.29%

LAB 28.7, 55.69, -42.12

 

CMYK 0 / 90 / 10 / 47

HEX #860D78

RGB 134 13 120

HSL 306.94, 0.82%, 0.29%

LAB 31.14, 56.81, -29.21

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 14 / 92 / 0 / 77

HEX #33053B

RGB 51 5 59

HSL 291.11, 0.84%, 0.13%

LAB 10.02, 30.55, -22.93

 

CMYK 13 / 91 / 0 / 62

HEX #540961

RGB 84 9 97

HSL 291.14, 0.83%, 0.21%

LAB 19.82, 43.73, -32.97

 

CMYK 13 / 90 / 0 / 47

HEX #750D86

RGB 117 13 134

HSL 291.57, 0.82%, 0.29%

LAB 28.88, 55.87, -41.82

 

CMYK 13 / 90 / 0 / 33

HEX #9611AC

RGB 150 17 172

HSL 291.48, 0.82%, 0.37%

LAB 37.6, 67.49, -50.67

 

CMYK 13 / 90 / 0 / 18

HEX #B614D1

RGB 182 20 209

HSL 291.43, 0.83%, 0.45%

LAB 45.7, 78.41, -59.02

 

CMYK 13 / 90 / 0 / 48

HEX #740D85

RGB 116 13 133

HSL 291.5, 0.82%, 0.29%

LAB 28.63, 55.51, -41.61

 

CMYK 0 / 86 / 90 / 47

HEX #86130D

RGB 134 19 13

HSL 2.98, 0.82%, 0.29%

LAB 28.28, 46.24, 35.6

 

CMYK 90 / 0 / 50 / 47

HEX #0D8643

RGB 13 134 67

HSL 146.78, 0.82%, 0.29%

LAB 48.93, -46.2, 27.55

 

CMYK 13 / 90 / 0 / 48

HEX #740D85

RGB 116 13 133

HSL 291.5, 0.82%, 0.29%

LAB 28.63, 55.51, -41.61

 

CMYK 0 / 13 / 90 / 47

HEX #86740D

RGB 134 116 13

HSL 51.07, 0.82%, 0.29%

LAB 48.99, -3.21, 52.16

 

CMYK 90 / 0 / 13 / 47

HEX #0D8674

RGB 13 134 116

HSL 171.07, 0.82%, 0.29%

LAB 49.97, -34.63, 1.11

 

CMYK 13 / 90 / 0 / 48

HEX #740D85

RGB 116 13 133

HSL 291.5, 0.82%, 0.29%

LAB 28.63, 55.51, -41.61

 

CMYK 0 / 86 / 90 / 47

HEX #86130D

RGB 134 19 13

HSL 2.98, 0.82%, 0.29%

LAB 28.28, 46.24, 35.6

 

CMYK 77 / 0 / 90 / 47

HEX #1F860D

RGB 31 134 13

HSL 111.07, 0.82%, 0.29%

LAB 48.72, -49.72, 49.55

 

CMYK 90 / 4 / 0 / 47

HEX #0D8086

RGB 13 128 134

HSL 182.98, 0.82%, 0.29%

LAB 48.57, -26.17, -11.54

 

CMYK 13 / 90 / 0 / 48

HEX #740D85

RGB 116 13 133

HSL 291.5, 0.82%, 0.29%

LAB 28.63, 55.51, -41.61

 

CMYK 0 / 59 / 90 / 47

HEX #86370D

RGB 134 55 13

HSL 20.83, 0.82%, 0.29%

LAB 33.63, 31.74, 39.87

 

CMYK 77 / 0 / 90 / 47

HEX #1F860D

RGB 31 134 13

HSL 111.07, 0.82%, 0.29%

LAB 48.72, -49.72, 49.55

 

CMYK 90 / 31 / 0 / 47

HEX #0D5C86

RGB 13 92 134

HSL 200.83, 0.82%, 0.29%

LAB 36.86, -6.04, -29.58

 

Description

Color code: HEX #740D85 | qconv.com Color code: HEX #740D85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 13 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 13 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 90 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 90% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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