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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #740A64 it is the complementary color #8BF59B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #740A64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #740A64 shade: #790A5F, #8A1C72, #9B2E85, #AC4098 and #BD52AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #740A64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #740A64 shade: #740A64, #630051, #52003E, #41002B and #300018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #740A64 shade: #750A65, #750A48, #750A2B, #750A0E and #750A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #740A64 shade: #750A65, #680A75, #4B0A75, #2E0A75 and #110A75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #740A64 shade matches the following richer shades: #750A65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #740A64 shade: #750A65, #6A145D, #601E56, #56294F and #4C3348

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #740A64 shade: #4C0A75, #680A75, #750A65, #750A48 and #750A2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #740A64 shade: #290323, #4F0644, #750A65, #9B0D85 and #C110A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #740A64 shade: #740A64, #752F0A and #0A755A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #740A64 shade: #740A64, #65750A and #0A6575

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #740A64 shade: #740A64, #752F0A, #0A751A and #0A4F75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #740A64 shade: #740A64, #754F0A, #0A751A and #0A2F75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 14 / 55

HEX #740A64

RGB 116 10 100

HSL 309.06, 0.84%, 0.25%

LAB 26.3, 50.6, -24.23

 

Complementary color

CMYK 43 / 0 / 37 / 4

HEX #8BF59B

RGB 139 245 155

HSL 129.06, 0.84%, 0.75%

LAB 88.52, -49.03, 34.01

 

CMYK 0 / 92 / 21 / 53

HEX #790A5F

RGB 121 10 95

HSL 314.05, 0.85%, 0.26%

LAB 27.04, 50.99, -19.73

 

CMYK 0 / 80 / 17 / 46

HEX #8A1C72

RGB 138 28 114

HSL 313.09, 0.66%, 0.33%

LAB 32.81, 53.26, -22.74

 

CMYK 0 / 70 / 14 / 39

HEX #9B2E85

RGB 155 46 133

HSL 312.11, 0.54%, 0.39%

LAB 38.93, 54.2, -24.85

 

CMYK 0 / 63 / 12 / 33

HEX #AC4098

RGB 172 64 152

HSL 311.11, 0.46%, 0.46%

LAB 45.23, 54.36, -26.36

 

CMYK 0 / 57 / 10 / 26

HEX #BD52AB

RGB 189 82 171

HSL 310.09, 0.45%, 0.53%

LAB 51.6, 54.09, -27.51

 

CMYK 0 / 91 / 14 / 55

HEX #740A64

RGB 116 10 100

HSL 309.06, 0.84%, 0.25%

LAB 26.3, 50.6, -24.23

 

CMYK 0 / 100 / 18 / 61

HEX #630051

RGB 99 0 81

HSL 310.91, 1%, 0.19%

LAB 21.01, 46.32, -20.18

 

CMYK 0 / 100 / 24 / 68

HEX #52003E

RGB 82 0 62

HSL 314.63, 1%, 0.16%

LAB 16.21, 39.99, -14.82

 

CMYK 0 / 100 / 34 / 75

HEX #41002B

RGB 65 0 43

HSL 320.31, 1%, 0.13%

LAB 11.26, 33.45, -9.06

 

CMYK 0 / 100 / 50 / 81

HEX #300018

RGB 48 0 24

HSL 330, 1%, 0.09%

LAB 6.27, 26.09, -2.42

 

CMYK 0 / 91 / 14 / 54

HEX #750A65

RGB 117 10 101

HSL 308.97, 0.84%, 0.25%

LAB 26.56, 50.96, -24.47

 

CMYK 0 / 91 / 38 / 54

HEX #750A48

RGB 117 10 72

HSL 325.23, 0.84%, 0.25%

LAB 25.16, 47.19, -7.36

 

CMYK 0 / 91 / 63 / 54

HEX #750A2B

RGB 117 10 43

HSL 341.5, 0.84%, 0.25%

LAB 24.24, 44.59, 11.23

 

CMYK 0 / 91 / 88 / 54

HEX #750A0E

RGB 117 10 14

HSL 357.76, 0.84%, 0.25%

LAB 23.77, 43.25, 29.59

 

CMYK 0 / 91 / 91 / 54

HEX #750A0A

RGB 117 10 10

HSL 0, 0.84%, 0.25%

LAB 23.74, 43.16, 31.38

 

CMYK 0 / 91 / 14 / 54

HEX #750A65

RGB 117 10 101

HSL 308.97, 0.84%, 0.25%

LAB 26.56, 50.96, -24.47

 

CMYK 11 / 91 / 0 / 54

HEX #680A75

RGB 104 10 117

HSL 292.71, 0.84%, 0.25%

LAB 25.09, 51.03, -37.3

 

CMYK 36 / 91 / 0 / 54

HEX #4B0A75

RGB 75 10 117

HSL 276.45, 0.84%, 0.25%

LAB 20.03, 46.19, -45.74

 

CMYK 61 / 91 / 0 / 54

HEX #2E0A75

RGB 46 10 117

HSL 260.19, 0.84%, 0.25%

LAB 15.91, 42.6, -52.67

 

CMYK 85 / 91 / 0 / 54

HEX #110A75

RGB 17 10 117

HSL 243.93, 0.84%, 0.25%

LAB 13.36, 40.61, -56.99

 

CMYK 0 / 91 / 14 / 54

HEX #750A65

RGB 117 10 101

HSL 308.97, 0.84%, 0.25%

LAB 26.56, 50.96, -24.47

 

CMYK 0 / 91 / 14 / 54

HEX #750A65

RGB 117 10 101

HSL 308.97, 0.84%, 0.25%

LAB 26.56, 50.96, -24.47

 

CMYK 0 / 81 / 12 / 58

HEX #6A145D

RGB 106 20 93

HSL 309.07, 0.68%, 0.25%

LAB 24.81, 44.75, -22.12

 

CMYK 0 / 69 / 10 / 62

HEX #601E56

RGB 96 30 86

HSL 309.09, 0.52%, 0.25%

LAB 23.96, 37.03, -18.95

 

CMYK 0 / 52 / 8 / 66

HEX #56294F

RGB 86 41 79

HSL 309.33, 0.35%, 0.25%

LAB 24.09, 26.74, -14.21

 

CMYK 0 / 33 / 5 / 70

HEX #4C3348

RGB 76 51 72

HSL 309.6, 0.2%, 0.25%

LAB 24.87, 15.29, -8.48

 

CMYK 35 / 91 / 0 / 54

HEX #4C0A75

RGB 76 10 117

HSL 277.01, 0.84%, 0.25%

LAB 20.2, 46.34, -45.47

 

CMYK 11 / 91 / 0 / 54

HEX #680A75

RGB 104 10 117

HSL 292.71, 0.84%, 0.25%

LAB 25.09, 51.03, -37.3

 

CMYK 0 / 91 / 14 / 54

HEX #750A65

RGB 117 10 101

HSL 308.97, 0.84%, 0.25%

LAB 26.56, 50.96, -24.47

 

CMYK 0 / 91 / 38 / 54

HEX #750A48

RGB 117 10 72

HSL 325.23, 0.84%, 0.25%

LAB 25.16, 47.19, -7.36

 

CMYK 0 / 91 / 62 / 54

HEX #750A2C

RGB 117 10 44

HSL 340.93, 0.84%, 0.25%

LAB 24.26, 44.66, 10.57

 

CMYK 0 / 93 / 15 / 84

HEX #290323

RGB 41 3 35

HSL 309.47, 0.86%, 0.09%

LAB 5.94, 23.45, -11.67

 

CMYK 0 / 92 / 14 / 69

HEX #4F0644

RGB 79 6 68

HSL 309.04, 0.86%, 0.17%

LAB 16.55, 38.3, -18.55

 

CMYK 0 / 91 / 14 / 54

HEX #750A65

RGB 117 10 101

HSL 308.97, 0.84%, 0.25%

LAB 26.56, 50.96, -24.47

 

CMYK 0 / 92 / 14 / 39

HEX #9B0D85

RGB 155 13 133

HSL 309.3, 0.85%, 0.33%

LAB 35.89, 62.92, -29.61

 

CMYK 0 / 92 / 14 / 24

HEX #C110A6

RGB 193 16 166

HSL 309.15, 0.85%, 0.41%

LAB 44.89, 74.4, -35.01

 

CMYK 0 / 91 / 14 / 55

HEX #740A64

RGB 116 10 100

HSL 309.06, 0.84%, 0.25%

LAB 26.3, 50.6, -24.23

 

CMYK 0 / 60 / 91 / 54

HEX #752F0A

RGB 117 47 10

HSL 20.75, 0.84%, 0.25%

LAB 29, 28.83, 36.11

 

CMYK 91 / 0 / 23 / 54

HEX #0A755A

RGB 10 117 90

HSL 164.86, 0.84%, 0.25%

LAB 43.54, -34.54, 7.19

 

CMYK 0 / 91 / 14 / 55

HEX #740A64

RGB 116 10 100

HSL 309.06, 0.84%, 0.25%

LAB 26.3, 50.6, -24.23

 

CMYK 14 / 0 / 91 / 54

HEX #65750A

RGB 101 117 10

HSL 68.97, 0.84%, 0.25%

LAB 46.33, -19.34, 49.43

 

CMYK 91 / 14 / 0 / 54

HEX #0A6575

RGB 10 101 117

HSL 188.97, 0.84%, 0.25%

LAB 39, -18.02, -15.88

 

CMYK 0 / 91 / 14 / 55

HEX #740A64

RGB 116 10 100

HSL 309.06, 0.84%, 0.25%

LAB 26.3, 50.6, -24.23

 

CMYK 0 / 60 / 91 / 54

HEX #752F0A

RGB 117 47 10

HSL 20.75, 0.84%, 0.25%

LAB 29, 28.83, 36.11

 

CMYK 91 / 0 / 78 / 54

HEX #0A751A

RGB 10 117 26

HSL 128.97, 0.84%, 0.25%

LAB 42.55, -46.12, 39.83

 

CMYK 91 / 32 / 0 / 54

HEX #0A4F75

RGB 10 79 117

HSL 201.31, 0.84%, 0.25%

LAB 31.67, -4.95, -27.26

 

CMYK 0 / 91 / 14 / 55

HEX #740A64

RGB 116 10 100

HSL 309.06, 0.84%, 0.25%

LAB 26.3, 50.6, -24.23

 

CMYK 0 / 32 / 91 / 54

HEX #754F0A

RGB 117 79 10

HSL 38.69, 0.84%, 0.25%

LAB 36.74, 10.2, 42.31

 

CMYK 91 / 0 / 78 / 54

HEX #0A751A

RGB 10 117 26

HSL 128.97, 0.84%, 0.25%

LAB 42.55, -46.12, 39.83

 

CMYK 91 / 60 / 0 / 54

HEX #0A2F75

RGB 10 47 117

HSL 219.25, 0.84%, 0.25%

LAB 21.51, 17.19, -43.55

 

Description

Color code: HEX #740A64 | qconv.com Color code: HEX #740A64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 10 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 10 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 14 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 14% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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