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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7405E5 it is the complementary color #8BFA1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7405E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7405E5 shade: #7905E0, #8A17F3, #9B29FF, #AC3BFF and #BD4DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7405E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7405E5 shade: #7405E5, #6300D2, #5200BF, #4100AC and #300099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7405E5 shade: #7404E5, #B104E5, #E504DE, #E504A1 and #E50464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7405E5 shade: #7404E5, #3704E5 and #0404E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7405E5 shade matches the following richer shades: #7404E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7405E5 shade: #7404E5, #7417D2, #742ABF, #743DAC and #745099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7405E5 shade: #040FE5, #3504E5, #7104E5, #AD04E5 and #E504E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7405E5 shade: #4B0395, #5F03BD, #7404E5, #8819FA and #9D41FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7405E5 shade: #7405E5, #E5044C and #04E517

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7405E5 shade: #7405E5, #E57104 and #04E571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7405E5 shade: #7405E5, #E5044C, #79E504 and #04E59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7405E5 shade: #7405E5, #E50408, #79E504 and #04E5E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 98 / 0 / 10

HEX #7405E5

RGB 116 5 229

HSL 269.73, 0.96%, 0.46%

LAB 36.89, 76.2, -85.31

 

Complementary color

CMYK 44 / 0 / 90 / 2

HEX #8BFA1A

RGB 139 250 26

HSL 89.73, 0.96%, 0.54%

LAB 88.89, -62.36, 82.68

 

CMYK 46 / 98 / 0 / 12

HEX #7905E0

RGB 121 5 224

HSL 271.78, 0.96%, 0.45%

LAB 37.03, 75.56, -82.19

 

CMYK 43 / 91 / 0 / 5

HEX #8A17F3

RGB 138 23 243

HSL 271.36, 0.9%, 0.52%

LAB 41.98, 78.63, -84.75

 

CMYK 39 / 84 / 0 / 0

HEX #9B29FF

RGB 155 41 255

HSL 271.96, 1%, 0.58%

LAB 46.68, 78.98, -83.68

 

CMYK 33 / 77 / 0 / 0

HEX #AC3BFF

RGB 172 59 255

HSL 274.59, 1%, 0.62%

LAB 50.83, 75.81, -76.81

 

CMYK 26 / 70 / 0 / 0

HEX #BD4DFF

RGB 189 77 255

HSL 277.75, 1%, 0.65%

LAB 55.43, 72.02, -69.24

 

CMYK 49 / 98 / 0 / 10

HEX #7405E5

RGB 116 5 229

HSL 269.73, 0.96%, 0.46%

LAB 36.89, 76.2, -85.31

 

CMYK 53 / 100 / 0 / 18

HEX #6300D2

RGB 99 0 210

HSL 268.29, 1%, 0.41%

LAB 32.49, 71.46, -81.71

 

CMYK 57 / 100 / 0 / 25

HEX #5200BF

RGB 82 0 191

HSL 265.76, 1%, 0.37%

LAB 28.26, 66.06, -77.66

 

CMYK 62 / 100 / 0 / 33

HEX #4100AC

RGB 65 0 172

HSL 262.67, 1%, 0.34%

LAB 24.01, 60.62, -73.44

 

CMYK 69 / 100 / 0 / 40

HEX #300099

RGB 48 0 153

HSL 258.82, 1%, 0.3%

LAB 19.75, 55.16, -68.98

 

CMYK 49 / 98 / 0 / 10

HEX #7404E5

RGB 116 4 229

HSL 269.87, 0.97%, 0.46%

LAB 36.85, 76.32, -85.37

 

CMYK 23 / 98 / 0 / 10

HEX #B104E5

RGB 177 4 229

HSL 286.13, 0.97%, 0.46%

LAB 45.76, 82.78, -70.41

 

CMYK 0 / 98 / 3 / 10

HEX #E504DE

RGB 229 4 222

HSL 301.87, 0.97%, 0.46%

LAB 54.05, 89.33, -52.63

 

CMYK 0 / 98 / 30 / 10

HEX #E504A1

RGB 229 4 161

HSL 318.13, 0.97%, 0.46%

LAB 51.06, 81.84, -21.91

 

CMYK 0 / 98 / 56 / 10

HEX #E50464

RGB 229 4 100

HSL 334.4, 0.97%, 0.46%

LAB 49.09, 76.66, 12.15

 

CMYK 49 / 98 / 0 / 10

HEX #7404E5

RGB 116 4 229

HSL 269.87, 0.97%, 0.46%

LAB 36.85, 76.32, -85.37

 

CMYK 76 / 98 / 0 / 10

HEX #3704E5

RGB 55 4 229

HSL 253.6, 0.97%, 0.46%

LAB 30.77, 73.09, -95.64

 

CMYK 98 / 98 / 0 / 10

HEX #0404E5

RGB 4 4 229

HSL 240, 0.97%, 0.46%

LAB 28.82, 72.33, -98.95

 

CMYK 49 / 98 / 0 / 10

HEX #7404E5

RGB 116 4 229

HSL 269.87, 0.97%, 0.46%

LAB 36.85, 76.32, -85.37

 

CMYK 49 / 98 / 0 / 10

HEX #7404E5

RGB 116 4 229

HSL 269.87, 0.97%, 0.46%

LAB 36.85, 76.32, -85.37

 

CMYK 45 / 89 / 0 / 18

HEX #7417D2

RGB 116 23 210

HSL 269.84, 0.8%, 0.46%

LAB 35.94, 69.18, -75.94

 

CMYK 39 / 78 / 0 / 25

HEX #742ABF

RGB 116 42 191

HSL 269.8, 0.64%, 0.46%

LAB 36.23, 58.94, -64.38

 

CMYK 33 / 65 / 0 / 33

HEX #743DAC

RGB 116 61 172

HSL 269.73, 0.48%, 0.46%

LAB 37.89, 45.59, -50.44

 

CMYK 24 / 48 / 0 / 40

HEX #745099

RGB 116 80 153

HSL 269.59, 0.31%, 0.46%

LAB 40.82, 30.15, -34.42

 

CMYK 98 / 93 / 0 / 10

HEX #040FE5

RGB 4 15 229

HSL 237.07, 0.97%, 0.46%

LAB 29.47, 70.32, -97.86

 

CMYK 77 / 98 / 0 / 10

HEX #3504E5

RGB 53 4 229

HSL 253.07, 0.97%, 0.46%

LAB 30.64, 73.03, -95.86

 

CMYK 51 / 98 / 0 / 10

HEX #7104E5

RGB 113 4 229

HSL 269.07, 0.97%, 0.46%

LAB 36.47, 76.09, -86.01

 

CMYK 24 / 98 / 0 / 10

HEX #AD04E5

RGB 173 4 229

HSL 285.07, 0.97%, 0.46%

LAB 45.12, 82.27, -71.48

 

CMYK 0 / 98 / 1 / 10

HEX #E504E2

RGB 229 4 226

HSL 300.8, 0.97%, 0.46%

LAB 54.28, 89.89, -54.53

 

CMYK 50 / 98 / 0 / 42

HEX #4B0395

RGB 75 3 149

HSL 269.59, 0.96%, 0.3%

LAB 22.76, 55.28, -61.42

 

CMYK 50 / 98 / 0 / 26

HEX #5F03BD

RGB 95 3 189

HSL 269.68, 0.97%, 0.38%

LAB 29.84, 66.07, -73.81

 

CMYK 49 / 98 / 0 / 10

HEX #7404E5

RGB 116 4 229

HSL 269.87, 0.97%, 0.46%

LAB 36.85, 76.32, -85.37

 

CMYK 46 / 90 / 0 / 2

HEX #8819FA

RGB 136 25 250

HSL 269.6, 0.96%, 0.54%

LAB 42.51, 79.53, -87.83

 

CMYK 37 / 74 / 0 / 2

HEX #9D41FB

RGB 157 65 251

HSL 269.68, 0.96%, 0.62%

LAB 49.39, 70.3, -77

 

CMYK 49 / 98 / 0 / 10

HEX #7405E5

RGB 116 5 229

HSL 269.73, 0.96%, 0.46%

LAB 36.89, 76.2, -85.31

 

CMYK 0 / 98 / 67 / 10

HEX #E5044C

RGB 229 4 76

HSL 340.8, 0.97%, 0.46%

LAB 48.59, 75.33, 26.24

 

CMYK 98 / 0 / 90 / 10

HEX #04E517

RGB 4 229 23

HSL 125.07, 0.97%, 0.46%

LAB 79.69, -78.86, 74.27

 

CMYK 49 / 98 / 0 / 10

HEX #7405E5

RGB 116 5 229

HSL 269.73, 0.96%, 0.46%

LAB 36.89, 76.2, -85.31

 

CMYK 0 / 51 / 98 / 10

HEX #E57104

RGB 229 113 4

HSL 29.07, 0.97%, 0.46%

LAB 60.32, 40.16, 67.41

 

CMYK 98 / 0 / 51 / 10

HEX #04E571

RGB 4 229 113

HSL 149.07, 0.97%, 0.46%

LAB 80.32, -70.83, 43.55

 

CMYK 49 / 98 / 0 / 10

HEX #7405E5

RGB 116 5 229

HSL 269.73, 0.96%, 0.46%

LAB 36.89, 76.2, -85.31

 

CMYK 0 / 98 / 67 / 10

HEX #E5044C

RGB 229 4 76

HSL 340.8, 0.97%, 0.46%

LAB 48.59, 75.33, 26.24

 

CMYK 47 / 0 / 98 / 10

HEX #79E504

RGB 121 229 4

HSL 88.8, 0.97%, 0.46%

LAB 81.9, -60.46, 79.09

 

CMYK 98 / 0 / 31 / 10

HEX #04E59E

RGB 4 229 158

HSL 161.07, 0.97%, 0.46%

LAB 81.03, -62.48, 21.9

 

CMYK 49 / 98 / 0 / 10

HEX #7405E5

RGB 116 5 229

HSL 269.73, 0.96%, 0.46%

LAB 36.89, 76.2, -85.31

 

CMYK 0 / 98 / 97 / 10

HEX #E50408

RGB 229 4 8

HSL 358.93, 0.97%, 0.46%

LAB 47.96, 73.59, 59.73

 

CMYK 47 / 0 / 98 / 10

HEX #79E504

RGB 121 229 4

HSL 88.8, 0.97%, 0.46%

LAB 81.9, -60.46, 79.09

 

CMYK 98 / 0 / 1 / 10

HEX #04E5E2

RGB 4 229 226

HSL 179.2, 0.97%, 0.46%

LAB 82.68, -45.11, -11.56

 

Description

Color code: HEX #7405E5 | qconv.com Color code: HEX #7405E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 5 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 5 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 98 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 98% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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