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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F020 it is the complementary color #880FDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F020. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F020 shade: #7CF01B, #8DFF2E, #9EFF41, #AFFF54 and #C0FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F020. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F020 shade: #77F020, #66DE0D, #55CC00, #44BA00 and #33A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F020 shade: #76EF1E, #AEEF1E, #E6EF1E, #EFC01E and #EF871E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F020 shade: #76EF1E, #3DEF1E, #1EEF38, #1EEF70 and #1EEFA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F020 shade matches the following richer shades: #76EF1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F020 shade: #76EF1E, #79DC32, #7CC845, #7FB559 and #82A16C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F020 shade: #E8EF1E, #B0EF1E, #79EF1E, #41EF1E and #1EEF33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F020 shade: #50AF0C, #62D60E, #76EF1E, #8DF245 and #A5F46C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F020 shade: #77F020, #1EEFBE and #EF1ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F020 shade: #77F020, #1E79EF and #EF1E79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F020 shade: #77F020, #1EEFBE, #951EEF and #EF1E4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F020 shade: #77F020, #1EE1EF, #951EEF and #EF2C1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 87 / 6

HEX #77F020

RGB 119 240 32

HSL 94.9, 0.87%, 0.53%

LAB 85.17, -64.45, 78.24

 

Complementary color

CMYK 39 / 93 / 0 / 13

HEX #880FDF

RGB 136 15 223

HSL 274.9, 0.87%, 0.47%

LAB 39.42, 75.59, -77.62

 

CMYK 48 / 0 / 89 / 6

HEX #7CF01B

RGB 124 240 27

HSL 92.68, 0.88%, 0.52%

LAB 85.34, -63.17, 79.33

 

CMYK 45 / 0 / 82 / 0

HEX #8DFF2E

RGB 141 255 46

HSL 92.73, 1%, 0.59%

LAB 90.5, -62.98, 80.25

 

CMYK 38 / 0 / 75 / 0

HEX #9EFF41

RGB 158 255 65

HSL 90.63, 1%, 0.63%

LAB 91.31, -56.74, 76.06

 

CMYK 31 / 0 / 67 / 0

HEX #AFFF54

RGB 175 255 84

HSL 88.07, 1%, 0.66%

LAB 92.25, -49.85, 70.77

 

CMYK 25 / 0 / 60 / 0

HEX #C0FF67

RGB 192 255 103

HSL 84.87, 1%, 0.7%

LAB 93.32, -42.43, 64.68

 

CMYK 50 / 0 / 87 / 6

HEX #77F020

RGB 119 240 32

HSL 94.9, 0.87%, 0.53%

LAB 85.17, -64.45, 78.24

 

CMYK 54 / 0 / 94 / 13

HEX #66DE0D

RGB 102 222 13

HSL 94.45, 0.89%, 0.46%

LAB 79.1, -63.25, 75.74

 

CMYK 58 / 0 / 100 / 20

HEX #55CC00

RGB 85 204 0

HSL 95, 1%, 0.4%

LAB 72.97, -61.69, 71.88

 

CMYK 63 / 0 / 100 / 27

HEX #44BA00

RGB 68 186 0

HSL 98.06, 1%, 0.36%

LAB 66.78, -59.72, 66.77

 

CMYK 70 / 0 / 100 / 34

HEX #33A800

RGB 51 168 0

HSL 101.79, 1%, 0.33%

LAB 60.52, -57.45, 61.62

 

CMYK 51 / 0 / 87 / 6

HEX #76EF1E

RGB 118 239 30

HSL 94.74, 0.87%, 0.53%

LAB 84.83, -64.44, 78.3

 

CMYK 27 / 0 / 87 / 6

HEX #AEEF1E

RGB 174 239 30

HSL 78.66, 0.87%, 0.53%

LAB 87.4, -45.99, 81.49

 

CMYK 4 / 0 / 87 / 6

HEX #E6EF1E

RGB 230 239 30

HSL 62.58, 0.87%, 0.53%

LAB 91.08, -23.9, 86

 

CMYK 0 / 20 / 87 / 6

HEX #EFC01E

RGB 239 192 30

HSL 46.51, 0.87%, 0.53%

LAB 79.7, 3.37, 77.28

 

CMYK 0 / 44 / 87 / 6

HEX #EF871E

RGB 239 135 30

HSL 30.14, 0.87%, 0.53%

LAB 66.35, 33.3, 66.78

 

CMYK 51 / 0 / 87 / 6

HEX #76EF1E

RGB 118 239 30

HSL 94.74, 0.87%, 0.53%

LAB 84.83, -64.44, 78.3

 

CMYK 74 / 0 / 87 / 6

HEX #3DEF1E

RGB 61 239 30

HSL 111.1, 0.87%, 0.53%

LAB 83.35, -76.71, 76.44

 

CMYK 87 / 0 / 77 / 6

HEX #1EEF38

RGB 30 239 56

HSL 127.46, 0.87%, 0.53%

LAB 83.07, -78.77, 69.69

 

CMYK 87 / 0 / 53 / 6

HEX #1EEF70

RGB 30 239 112

HSL 143.54, 0.87%, 0.53%

LAB 83.54, -72.97, 47.99

 

CMYK 87 / 0 / 30 / 6

HEX #1EEFA8

RGB 30 239 168

HSL 159.62, 0.87%, 0.53%

LAB 84.4, -62.9, 21.38

 

CMYK 51 / 0 / 87 / 6

HEX #76EF1E

RGB 118 239 30

HSL 94.74, 0.87%, 0.53%

LAB 84.83, -64.44, 78.3

 

CMYK 51 / 0 / 87 / 6

HEX #76EF1E

RGB 118 239 30

HSL 94.74, 0.87%, 0.53%

LAB 84.83, -64.44, 78.3

 

CMYK 45 / 0 / 77 / 14

HEX #79DC32

RGB 121 220 50

HSL 94.94, 0.71%, 0.53%

LAB 79.32, -55.73, 68.63

 

CMYK 38 / 0 / 66 / 22

HEX #7CC845

RGB 124 200 69

HSL 94.81, 0.54%, 0.53%

LAB 73.56, -45.45, 56.11

 

CMYK 30 / 0 / 51 / 29

HEX #7FB559

RGB 127 181 89

HSL 95.22, 0.38%, 0.53%

LAB 68.23, -34.04, 40.99

 

CMYK 19 / 0 / 33 / 37

HEX #82A16C

RGB 130 161 108

HSL 95.09, 0.22%, 0.53%

LAB 62.78, -20.66, 24.19

 

CMYK 3 / 0 / 87 / 6

HEX #E8EF1E

RGB 232 239 30

HSL 62.01, 0.87%, 0.53%

LAB 91.23, -23.07, 86.19

 

CMYK 26 / 0 / 87 / 6

HEX #B0EF1E

RGB 176 239 30

HSL 78.09, 0.87%, 0.53%

LAB 87.51, -45.24, 81.63

 

CMYK 49 / 0 / 87 / 6

HEX #79EF1E

RGB 121 239 30

HSL 93.88, 0.87%, 0.53%

LAB 84.94, -63.59, 78.44

 

CMYK 73 / 0 / 87 / 6

HEX #41EF1E

RGB 65 239 30

HSL 109.95, 0.87%, 0.53%

LAB 83.42, -76.1, 76.53

 

CMYK 87 / 0 / 79 / 6

HEX #1EEF33

RGB 30 239 51

HSL 126.03, 0.87%, 0.53%

LAB 83.05, -79.09, 71.14

 

CMYK 54 / 0 / 93 / 31

HEX #50AF0C

RGB 80 175 12

HSL 94.97, 0.87%, 0.37%

LAB 63.67, -52.56, 62.91

 

CMYK 54 / 0 / 93 / 16

HEX #62D60E

RGB 98 214 14

HSL 94.8, 0.88%, 0.45%

LAB 76.51, -61.51, 73.46

 

CMYK 51 / 0 / 87 / 6

HEX #76EF1E

RGB 118 239 30

HSL 94.74, 0.87%, 0.53%

LAB 84.83, -64.44, 78.3

 

CMYK 42 / 0 / 71 / 5

HEX #8DF245

RGB 141 242 69

HSL 95.03, 0.87%, 0.61%

LAB 86.8, -56.86, 70.07

 

CMYK 32 / 0 / 56 / 4

HEX #A5F46C

RGB 165 244 108

HSL 94.85, 0.86%, 0.69%

LAB 88.82, -46.64, 57.02

 

CMYK 50 / 0 / 87 / 6

HEX #77F020

RGB 119 240 32

HSL 94.9, 0.87%, 0.53%

LAB 85.17, -64.45, 78.24

 

CMYK 87 / 0 / 21 / 6

HEX #1EEFBE

RGB 30 239 190

HSL 165.93, 0.87%, 0.53%

LAB 84.86, -57.87, 10.6

 

CMYK 0 / 87 / 15 / 6

HEX #EF1ECC

RGB 239 30 204

HSL 310.05, 0.87%, 0.53%

LAB 55.72, 86.12, -39.59

 

CMYK 50 / 0 / 87 / 6

HEX #77F020

RGB 119 240 32

HSL 94.9, 0.87%, 0.53%

LAB 85.17, -64.45, 78.24

 

CMYK 87 / 49 / 0 / 6

HEX #1E79EF

RGB 30 121 239

HSL 213.88, 0.87%, 0.53%

LAB 52.04, 18.07, -66.37

 

CMYK 0 / 87 / 49 / 6

HEX #EF1E79

RGB 239 30 121

HSL 333.88, 0.87%, 0.53%

LAB 52.58, 77.58, 4.55

 

CMYK 50 / 0 / 87 / 6

HEX #77F020

RGB 119 240 32

HSL 94.9, 0.87%, 0.53%

LAB 85.17, -64.45, 78.24

 

CMYK 87 / 0 / 21 / 6

HEX #1EEFBE

RGB 30 239 190

HSL 165.93, 0.87%, 0.53%

LAB 84.86, -57.87, 10.6

 

CMYK 38 / 87 / 0 / 6

HEX #951EEF

RGB 149 30 239

HSL 274.16, 0.87%, 0.53%

LAB 43.58, 77.61, -79.81

 

CMYK 0 / 87 / 67 / 6

HEX #EF1E4F

RGB 239 30 79

HSL 345.93, 0.87%, 0.53%

LAB 51.66, 74.99, 28.73

 

CMYK 50 / 0 / 87 / 6

HEX #77F020

RGB 119 240 32

HSL 94.9, 0.87%, 0.53%

LAB 85.17, -64.45, 78.24

 

CMYK 87 / 6 / 0 / 6

HEX #1EE1EF

RGB 30 225 239

HSL 184.02, 0.87%, 0.53%

LAB 82.03, -38.6, -19.4

 

CMYK 38 / 87 / 0 / 6

HEX #951EEF

RGB 149 30 239

HSL 274.16, 0.87%, 0.53%

LAB 43.58, 77.61, -79.81

 

CMYK 0 / 82 / 87 / 6

HEX #EF2C1E

RGB 239 44 30

HSL 4.02, 0.87%, 0.53%

LAB 52.11, 70.6, 55.72

 

Description

Color code: HEX #77F020 | qconv.com Color code: HEX #77F020 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 240 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 240 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 87 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 87% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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