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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F8F0 it is the complementary color #88070F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F8F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F8F0 shade: #7CF8EB, #8DFFFE, #9EFFFF, #AFFFFF and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F8F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F8F0 shade: #77F8F0, #66E6DD, #55D4CA, #44C2B7 and #33B0A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F8F0 shade: #77F7EF, #77F7CD, #77F7AA, #77F787 and #89F777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F8F0 shade: #77F7EF, #77DDF7, #77BAF7, #7797F7 and #7777F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F8F0 shade matches the following richer shades: #77F7EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F8F0 shade: #77F7EF, #82ECE5, #8EE0DB, #99D5D1 and #A5C9C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F8F0 shade: #77F7AA, #77F7CD, #77F7EF, #77DEF7 and #77BBF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F8F0 shade: #28F3E7, #50F5EB, #77F7EF, #9EF9F4 and #C5FBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F8F0 shade: #77F8F0, #8877F7 and #F7BB77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F8F0 shade: #77F8F0, #EF77F7 and #F7EF77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F8F0 shade: #77F8F0, #8877F7, #F7777F and #E6F777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F8F0 shade: #77F8F0, #AF77F7, #F7777F and #C0F777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 3 / 3

HEX #77F8F0

RGB 119 248 240

HSL 176.28, 0.9%, 0.72%

LAB 90.48, -37.56, -7.1

 

Complementary color

CMYK 0 / 95 / 89 / 47

HEX #88070F

RGB 136 7 15

HSL 356.28, 0.9%, 0.28%

LAB 27.9, 49.27, 34.45

 

CMYK 50 / 0 / 5 / 3

HEX #7CF8EB

RGB 124 248 235

HSL 173.71, 0.9%, 0.73%

LAB 90.51, -37.77, -4.43

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFE

RGB 141 255 254

HSL 179.47, 1%, 0.78%

LAB 93.6, -32.71, -9.66

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 52 / 0 / 3 / 3

HEX #77F8F0

RGB 119 248 240

HSL 176.28, 0.9%, 0.72%

LAB 90.48, -37.56, -7.1

 

CMYK 56 / 0 / 4 / 10

HEX #66E6DD

RGB 102 230 221

HSL 175.78, 0.72%, 0.65%

LAB 84.3, -37.41, -6.34

 

CMYK 60 / 0 / 5 / 17

HEX #55D4CA

RGB 85 212 202

HSL 175.28, 0.6%, 0.58%

LAB 78.04, -37.17, -5.53

 

CMYK 65 / 0 / 6 / 24

HEX #44C2B7

RGB 68 194 183

HSL 174.76, 0.51%, 0.51%

LAB 71.71, -36.79, -4.65

 

CMYK 71 / 0 / 7 / 31

HEX #33B0A4

RGB 51 176 164

HSL 174.24, 0.55%, 0.45%

LAB 65.31, -36.23, -3.68

 

CMYK 52 / 0 / 3 / 3

HEX #77F7EF

RGB 119 247 239

HSL 176.25, 0.89%, 0.72%

LAB 90.17, -37.36, -7.03

 

CMYK 52 / 0 / 17 / 3

HEX #77F7CD

RGB 119 247 205

HSL 160.31, 0.89%, 0.72%

LAB 89.32, -45.33, 9.41

 

CMYK 52 / 0 / 31 / 3

HEX #77F7AA

RGB 119 247 170

HSL 143.91, 0.89%, 0.72%

LAB 88.61, -52.4, 26.43

 

CMYK 52 / 0 / 45 / 3

HEX #77F787

RGB 119 247 135

HSL 127.5, 0.89%, 0.72%

LAB 88.06, -58.15, 43.1

 

CMYK 45 / 0 / 52 / 3

HEX #89F777

RGB 137 247 119

HSL 111.56, 0.89%, 0.72%

LAB 88.53, -55.43, 51.39

 

CMYK 52 / 0 / 3 / 3

HEX #77F7EF

RGB 119 247 239

HSL 176.25, 0.89%, 0.72%

LAB 90.17, -37.36, -7.03

 

CMYK 52 / 11 / 0 / 3

HEX #77DDF7

RGB 119 221 247

HSL 192.19, 0.89%, 0.72%

LAB 83.1, -22.85, -21.83

 

CMYK 52 / 25 / 0 / 3

HEX #77BAF7

RGB 119 186 247

HSL 208.59, 0.89%, 0.72%

LAB 73.39, -4.58, -36.74

 

CMYK 52 / 39 / 0 / 3

HEX #7797F7

RGB 119 151 247

HSL 225, 0.89%, 0.72%

LAB 63.97, 15.24, -51.5

 

CMYK 52 / 52 / 0 / 3

HEX #7777F7

RGB 119 119 247

HSL 240, 0.89%, 0.72%

LAB 55.92, 34.16, -64.37

 

CMYK 52 / 0 / 3 / 3

HEX #77F7EF

RGB 119 247 239

HSL 176.25, 0.89%, 0.72%

LAB 90.17, -37.36, -7.03

 

CMYK 52 / 0 / 3 / 3

HEX #77F7EF

RGB 119 247 239

HSL 176.25, 0.89%, 0.72%

LAB 90.17, -37.36, -7.03

 

CMYK 45 / 0 / 3 / 7

HEX #82ECE5

RGB 130 236 229

HSL 176.04, 0.74%, 0.72%

LAB 87.19, -32.35, -6.17

 

CMYK 37 / 0 / 2 / 12

HEX #8EE0DB

RGB 142 224 219

HSL 176.34, 0.57%, 0.72%

LAB 84.06, -26.05, -5.47

 

CMYK 28 / 0 / 2 / 16

HEX #99D5D1

RGB 153 213 209

HSL 176, 0.42%, 0.72%

LAB 81.27, -19.89, -4.2

 

CMYK 18 / 0 / 1 / 21

HEX #A5C9C7

RGB 165 201 199

HSL 176.67, 0.25%, 0.72%

LAB 78.4, -12.32, -2.99

 

CMYK 52 / 0 / 31 / 3

HEX #77F7AA

RGB 119 247 170

HSL 143.91, 0.89%, 0.72%

LAB 88.61, -52.4, 26.43

 

CMYK 52 / 0 / 17 / 3

HEX #77F7CD

RGB 119 247 205

HSL 160.31, 0.89%, 0.72%

LAB 89.32, -45.33, 9.41

 

CMYK 52 / 0 / 3 / 3

HEX #77F7EF

RGB 119 247 239

HSL 176.25, 0.89%, 0.72%

LAB 90.17, -37.36, -7.03

 

CMYK 52 / 10 / 0 / 3

HEX #77DEF7

RGB 119 222 247

HSL 191.72, 0.89%, 0.72%

LAB 83.38, -23.34, -21.41

 

CMYK 52 / 24 / 0 / 3

HEX #77BBF7

RGB 119 187 247

HSL 208.13, 0.89%, 0.72%

LAB 73.66, -5.13, -36.31

 

CMYK 84 / 0 / 5 / 5

HEX #28F3E7

RGB 40 243 231

HSL 176.45, 0.89%, 0.55%

LAB 87.15, -48.27, -7.51

 

CMYK 67 / 0 / 4 / 4

HEX #50F5EB

RGB 80 245 235

HSL 176.36, 0.89%, 0.64%

LAB 88.45, -44.04, -7.61

 

CMYK 52 / 0 / 3 / 3

HEX #77F7EF

RGB 119 247 239

HSL 176.25, 0.89%, 0.72%

LAB 90.17, -37.36, -7.03

 

CMYK 37 / 0 / 2 / 2

HEX #9EF9F4

RGB 158 249 244

HSL 176.7, 0.88%, 0.8%

LAB 92.38, -28.2, -6.21

 

CMYK 22 / 0 / 1 / 2

HEX #C5FBF8

RGB 197 251 248

HSL 176.67, 0.87%, 0.88%

LAB 95.01, -17.55, -4.17

 

CMYK 52 / 0 / 3 / 3

HEX #77F8F0

RGB 119 248 240

HSL 176.28, 0.9%, 0.72%

LAB 90.48, -37.56, -7.1

 

CMYK 45 / 52 / 0 / 3

HEX #8877F7

RGB 136 119 247

HSL 247.97, 0.89%, 0.72%

LAB 57.21, 37.74, -62.21

 

CMYK 0 / 24 / 52 / 3

HEX #F7BB77

RGB 247 187 119

HSL 31.88, 0.89%, 0.72%

LAB 79.98, 13.91, 42.6

 

CMYK 52 / 0 / 3 / 3

HEX #77F8F0

RGB 119 248 240

HSL 176.28, 0.9%, 0.72%

LAB 90.48, -37.56, -7.1

 

CMYK 3 / 52 / 0 / 3

HEX #EF77F7

RGB 239 119 247

HSL 296.25, 0.89%, 0.72%

LAB 68.21, 63.5, -44.07

 

CMYK 0 / 3 / 52 / 3

HEX #F7EF77

RGB 247 239 119

HSL 56.25, 0.89%, 0.72%

LAB 92.94, -12.63, 58.25

 

CMYK 52 / 0 / 3 / 3

HEX #77F8F0

RGB 119 248 240

HSL 176.28, 0.9%, 0.72%

LAB 90.48, -37.56, -7.1

 

CMYK 45 / 52 / 0 / 3

HEX #8877F7

RGB 136 119 247

HSL 247.97, 0.89%, 0.72%

LAB 57.21, 37.74, -62.21

 

CMYK 0 / 52 / 49 / 3

HEX #F7777F

RGB 247 119 127

HSL 356.25, 0.89%, 0.72%

LAB 65.36, 49.65, 19.18

 

CMYK 7 / 0 / 52 / 3

HEX #E6F777

RGB 230 247 119

HSL 67.97, 0.89%, 0.72%

LAB 93.74, -23.17, 58.86

 

CMYK 52 / 0 / 3 / 3

HEX #77F8F0

RGB 119 248 240

HSL 176.28, 0.9%, 0.72%

LAB 90.48, -37.56, -7.1

 

CMYK 29 / 52 / 0 / 3

HEX #AF77F7

RGB 175 119 247

HSL 266.25, 0.89%, 0.72%

LAB 60.8, 46.95, -56.27

 

CMYK 0 / 52 / 49 / 3

HEX #F7777F

RGB 247 119 127

HSL 356.25, 0.89%, 0.72%

LAB 65.36, 49.65, 19.18

 

CMYK 22 / 0 / 52 / 3

HEX #C0F777

RGB 192 247 119

HSL 85.78, 0.89%, 0.72%

LAB 91.26, -37.44, 55.32

 

Description

Color code: HEX #77F8F0 | qconv.com Color code: HEX #77F8F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 248 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 248 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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