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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77DC5F it is the complementary color #8823A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77DC5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77DC5F shade: #7CDC5A, #8DEE6D, #9EFF80, #AFFF93 and #C0FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77DC5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77DC5F shade: #77DC5F, #66CA4C, #55B839, #44A626 and #339413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77DC5F shade: #77DC60, #99DC60, #BADC60, #DCDB60 and #DCBA60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77DC5F shade: #77DC60, #60DC69, #60DC8B, #60DCAC and #60DCCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77DC5F shade matches the following richer shades: #77DC60, #6EEB50 and #64FB40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77DC5F shade: #77DC60, #81CC6F, #8BBC7F, #94AD8F and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77DC5F shade: #BBDC60, #99DC60, #78DC60, #60DC68 and #60DC89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77DC5F shade: #46BF2A, #5BD43E, #77DC60, #94E381 and #B1EAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77DC5F shade: #77DC5F, #60DCDC and #DC60AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77DC5F shade: #77DC5F, #6078DC and #DC6078

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77DC5F shade: #77DC5F, #60DCDC, #C360DC and #DC6060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77DC5F shade: #77DC5F, #60B6DC, #C360DC and #DC8560

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 57 / 14

HEX #77DC5F

RGB 119 220 95

HSL 108.48, 0.64%, 0.62%

LAB 79.58, -52.68, 51.55

 

Complementary color

CMYK 15 / 78 / 0 / 37

HEX #8823A0

RGB 136 35 160

HSL 288.48, 0.64%, 0.38%

LAB 35.93, 58.4, -46.26

 

CMYK 44 / 0 / 59 / 14

HEX #7CDC5A

RGB 124 220 90

HSL 104.31, 0.65%, 0.61%

LAB 79.73, -51.72, 54.01

 

CMYK 41 / 0 / 54 / 7

HEX #8DEE6D

RGB 141 238 109

HSL 105.12, 0.79%, 0.68%

LAB 85.96, -51.78, 52.94

 

CMYK 38 / 0 / 50 / 0

HEX #9EFF80

RGB 158 255 128

HSL 105.83, 1%, 0.75%

LAB 91.84, -51.34, 51.46

 

CMYK 31 / 0 / 42 / 0

HEX #AFFF93

RGB 175 255 147

HSL 104.44, 1%, 0.79%

LAB 92.9, -43.59, 43.95

 

CMYK 25 / 0 / 35 / 0

HEX #C0FFA6

RGB 192 255 166

HSL 102.47, 1%, 0.83%

LAB 94.09, -35.41, 36.35

 

CMYK 46 / 0 / 57 / 14

HEX #77DC5F

RGB 119 220 95

HSL 108.48, 0.64%, 0.62%

LAB 79.58, -52.68, 51.55

 

CMYK 50 / 0 / 62 / 21

HEX #66CA4C

RGB 102 202 76

HSL 107.62, 0.54%, 0.55%

LAB 73.28, -52.5, 52.58

 

CMYK 54 / 0 / 69 / 28

HEX #55B839

RGB 85 184 57

HSL 106.77, 0.53%, 0.47%

LAB 66.91, -52.11, 53.38

 

CMYK 59 / 0 / 77 / 35

HEX #44A626

RGB 68 166 38

HSL 105.94, 0.63%, 0.4%

LAB 60.46, -51.4, 53.67

 

CMYK 66 / 0 / 87 / 42

HEX #339413

RGB 51 148 19

HSL 105.12, 0.77%, 0.33%

LAB 53.95, -50.18, 52.96

 

CMYK 46 / 0 / 56 / 14

HEX #77DC60

RGB 119 220 96

HSL 108.87, 0.64%, 0.62%

LAB 79.59, -52.57, 51.11

 

CMYK 30 / 0 / 56 / 14

HEX #99DC60

RGB 153 220 96

HSL 92.42, 0.64%, 0.62%

LAB 81.18, -41.59, 53.37

 

CMYK 15 / 0 / 56 / 14

HEX #BADC60

RGB 186 220 96

HSL 76.45, 0.64%, 0.62%

LAB 83.16, -29.38, 56.16

 

CMYK 0 / 0 / 56 / 14

HEX #DCDB60

RGB 220 219 96

HSL 59.52, 0.64%, 0.62%

LAB 85.36, -15.37, 59.32

 

CMYK 0 / 15 / 56 / 14

HEX #DCBA60

RGB 220 186 96

HSL 43.55, 0.64%, 0.62%

LAB 76.79, 1.48, 49.5

 

CMYK 46 / 0 / 56 / 14

HEX #77DC60

RGB 119 220 96

HSL 108.87, 0.64%, 0.62%

LAB 79.59, -52.57, 51.11

 

CMYK 56 / 0 / 52 / 14

HEX #60DC69

RGB 96 220 105

HSL 124.35, 0.64%, 0.62%

LAB 78.86, -57.59, 45.87

 

CMYK 56 / 0 / 37 / 14

HEX #60DC8B

RGB 96 220 139

HSL 140.81, 0.64%, 0.62%

LAB 79.35, -52.34, 29.65

 

CMYK 56 / 0 / 22 / 14

HEX #60DCAC

RGB 96 220 172

HSL 156.77, 0.64%, 0.62%

LAB 79.98, -45.82, 13.31

 

CMYK 56 / 0 / 6 / 14

HEX #60DCCE

RGB 96 220 206

HSL 173.23, 0.64%, 0.62%

LAB 80.81, -37.79, -3.55

 

CMYK 46 / 0 / 56 / 14

HEX #77DC60

RGB 119 220 96

HSL 108.87, 0.64%, 0.62%

LAB 79.59, -52.57, 51.11

 

CMYK 53 / 0 / 66 / 8

HEX #6EEB50

RGB 110 235 80

HSL 108.39, 0.79%, 0.62%

LAB 83.61, -62.33, 62.32

 

CMYK 60 / 0 / 75 / 2

HEX #64FB40

RGB 100 251 64

HSL 108.45, 0.96%, 0.62%

LAB 88, -71.49, 72.44

 

CMYK 46 / 0 / 56 / 14

HEX #77DC60

RGB 119 220 96

HSL 108.87, 0.64%, 0.62%

LAB 79.59, -52.57, 51.11

 

CMYK 37 / 0 / 46 / 20

HEX #81CC6F

RGB 129 204 111

HSL 108.39, 0.48%, 0.62%

LAB 75.45, -40.95, 39.03

 

CMYK 26 / 0 / 32 / 26

HEX #8BBC7F

RGB 139 188 127

HSL 108.2, 0.31%, 0.62%

LAB 71.55, -27.86, 25.81

 

CMYK 14 / 0 / 17 / 32

HEX #94AD8F

RGB 148 173 143

HSL 110, 0.15%, 0.62%

LAB 68.14, -14.44, 12.57

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 15 / 0 / 56 / 14

HEX #BBDC60

RGB 187 220 96

HSL 75.97, 0.64%, 0.62%

LAB 83.23, -28.99, 56.25

 

CMYK 30 / 0 / 56 / 14

HEX #99DC60

RGB 153 220 96

HSL 92.42, 0.64%, 0.62%

LAB 81.18, -41.59, 53.37

 

CMYK 45 / 0 / 56 / 14

HEX #78DC60

RGB 120 220 96

HSL 108.39, 0.64%, 0.62%

LAB 79.63, -52.27, 51.16

 

CMYK 56 / 0 / 53 / 14

HEX #60DC68

RGB 96 220 104

HSL 123.87, 0.64%, 0.62%

LAB 78.85, -57.72, 46.33

 

CMYK 56 / 0 / 38 / 14

HEX #60DC89

RGB 96 220 137

HSL 139.84, 0.64%, 0.62%

LAB 79.32, -52.7, 30.63

 

CMYK 63 / 0 / 78 / 25

HEX #46BF2A

RGB 70 191 42

HSL 108.72, 0.64%, 0.46%

LAB 68.56, -59.46, 60.21

 

CMYK 57 / 0 / 71 / 17

HEX #5BD43E

RGB 91 212 62

HSL 108.4, 0.64%, 0.54%

LAB 75.86, -60.4, 60.84

 

CMYK 46 / 0 / 56 / 14

HEX #77DC60

RGB 119 220 96

HSL 108.87, 0.64%, 0.62%

LAB 79.59, -52.57, 51.11

 

CMYK 35 / 0 / 43 / 11

HEX #94E381

RGB 148 227 129

HSL 108.37, 0.64%, 0.7%

LAB 83.35, -42.48, 40.29

 

CMYK 24 / 0 / 30 / 8

HEX #B1EAA3

RGB 177 234 163

HSL 108.17, 0.63%, 0.78%

LAB 87.41, -31.18, 28.8

 

CMYK 46 / 0 / 57 / 14

HEX #77DC5F

RGB 119 220 95

HSL 108.48, 0.64%, 0.62%

LAB 79.58, -52.68, 51.55

 

CMYK 56 / 0 / 0 / 14

HEX #60DCDC

RGB 96 220 220

HSL 180, 0.64%, 0.62%

LAB 81.2, -34.15, -10.43

 

CMYK 0 / 56 / 23 / 14

HEX #DC60AA

RGB 220 96 170

HSL 324.19, 0.64%, 0.62%

LAB 58.49, 56.56, -15.97

 

CMYK 46 / 0 / 57 / 14

HEX #77DC5F

RGB 119 220 95

HSL 108.48, 0.64%, 0.62%

LAB 79.58, -52.68, 51.55

 

CMYK 56 / 45 / 0 / 14

HEX #6078DC

RGB 96 120 220

HSL 228.39, 0.64%, 0.62%

LAB 53.04, 20.42, -53.97

 

CMYK 0 / 56 / 45 / 14

HEX #DC6078

RGB 220 96 120

HSL 348.39, 0.64%, 0.62%

LAB 57.01, 50.66, 11.02

 

CMYK 46 / 0 / 57 / 14

HEX #77DC5F

RGB 119 220 95

HSL 108.48, 0.64%, 0.62%

LAB 79.58, -52.68, 51.55

 

CMYK 56 / 0 / 0 / 14

HEX #60DCDC

RGB 96 220 220

HSL 180, 0.64%, 0.62%

LAB 81.2, -34.15, -10.43

 

CMYK 11 / 56 / 0 / 14

HEX #C360DC

RGB 195 96 220

HSL 287.9, 0.64%, 0.62%

LAB 57.21, 57.92, -46.78

 

CMYK 0 / 56 / 56 / 14

HEX #DC6060

RGB 220 96 96

HSL 0, 0.64%, 0.62%

LAB 56.51, 48.57, 24.33

 

CMYK 46 / 0 / 57 / 14

HEX #77DC5F

RGB 119 220 95

HSL 108.48, 0.64%, 0.62%

LAB 79.58, -52.68, 51.55

 

CMYK 56 / 17 / 0 / 14

HEX #60B6DC

RGB 96 182 220

HSL 198.39, 0.64%, 0.62%

LAB 70.25, -15.22, -26.99

 

CMYK 11 / 56 / 0 / 14

HEX #C360DC

RGB 195 96 220

HSL 287.9, 0.64%, 0.62%

LAB 57.21, 57.92, -46.78

 

CMYK 0 / 40 / 56 / 14

HEX #DC8560

RGB 220 133 96

HSL 17.9, 0.64%, 0.62%

LAB 64.03, 29.79, 34.01

 

Description

Color code: HEX #77DC5F | qconv.com Color code: HEX #77DC5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 220 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 220 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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