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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77CFE4 it is the complementary color #88301B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77CFE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77CFE4 shade: #7CCFDF, #8DE1F2, #9EF3FF, #AFFFFF and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77CFE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77CFE4 shade: #77CFE4, #66BDD1, #55ABBE, #4499AB and #338798

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77CFE4 shade: #76CFE4, #76B1E4, #7694E4, #7676E4 and #9476E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77CFE4 shade: #76CFE4, #76B1E4, #7694E4 and #7676E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77CFE4 shade matches the following richer shades: #76CFE4, #69D7F1 and #5CDFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77CFE4 shade: #76CFE4, #83C6D6, #91BEC9, #9EB6BC and #ABAEAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77CFE4 shade: #76E4BD, #76E4DA, #76D0E4, #76B2E4 and #7695E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77CFE4 shade: #31B6D6, #54C2DD, #76CFE4, #99DBEA and #BBE7F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77CFE4 shade: #77CFE4, #A076E4 and #E4CC76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77CFE4 shade: #77CFE4, #E476D0 and #D0E476

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77CFE4 shade: #77CFE4, #A076E4, #E48A76 and #BAE476

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77CFE4 shade: #77CFE4, #C176E4, #E48A76 and #99E476

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 9 / 0 / 11

HEX #77CFE4

RGB 119 207 228

HSL 191.56, 0.67%, 0.68%

LAB 78.55, -20.97, -18.6

 

Complementary color

CMYK 0 / 65 / 80 / 47

HEX #88301B

RGB 136 48 27

HSL 11.56, 0.67%, 0.32%

LAB 32.76, 36.46, 32.48

 

CMYK 44 / 7 / 0 / 13

HEX #7CCFDF

RGB 124 207 223

HSL 189.7, 0.61%, 0.68%

LAB 78.6, -21.13, -15.82

 

CMYK 42 / 7 / 0 / 5

HEX #8DE1F2

RGB 141 225 242

HSL 190.1, 0.8%, 0.75%

LAB 84.96, -21.21, -16.3

 

CMYK 38 / 5 / 0 / 0

HEX #9EF3FF

RGB 158 243 255

HSL 187.42, 1%, 0.81%

LAB 91.05, -22.71, -13.9

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 48 / 9 / 0 / 11

HEX #77CFE4

RGB 119 207 228

HSL 191.56, 0.67%, 0.68%

LAB 78.55, -20.97, -18.6

 

CMYK 51 / 10 / 0 / 18

HEX #66BDD1

RGB 102 189 209

HSL 191.21, 0.54%, 0.61%

LAB 72.11, -20.77, -18.13

 

CMYK 55 / 10 / 0 / 25

HEX #55ABBE

RGB 85 171 190

HSL 190.86, 0.45%, 0.54%

LAB 65.57, -20.49, -17.64

 

CMYK 60 / 11 / 0 / 33

HEX #4499AB

RGB 68 153 171

HSL 190.49, 0.43%, 0.47%

LAB 58.93, -20.1, -17.11

 

CMYK 66 / 11 / 0 / 40

HEX #338798

RGB 51 135 152

HSL 190.1, 0.5%, 0.4%

LAB 52.17, -19.53, -16.53

 

CMYK 48 / 9 / 0 / 11

HEX #76CFE4

RGB 118 207 228

HSL 191.45, 0.67%, 0.68%

LAB 78.51, -21.19, -18.67

 

CMYK 48 / 22 / 0 / 11

HEX #76B1E4

RGB 118 177 228

HSL 207.82, 0.67%, 0.68%

LAB 70.1, -5.41, -31.51

 

CMYK 48 / 35 / 0 / 11

HEX #7694E4

RGB 118 148 228

HSL 223.64, 0.67%, 0.68%

LAB 62.2, 11.02, -43.84

 

CMYK 48 / 48 / 0 / 11

HEX #7676E4

RGB 118 118 228

HSL 240, 0.67%, 0.68%

LAB 54.46, 28.8, -56.12

 

CMYK 35 / 48 / 0 / 11

HEX #9476E4

RGB 148 118 228

HSL 256.36, 0.67%, 0.68%

LAB 56.93, 35.97, -52.03

 

CMYK 48 / 9 / 0 / 11

HEX #76CFE4

RGB 118 207 228

HSL 191.45, 0.67%, 0.68%

LAB 78.51, -21.19, -18.67

 

CMYK 48 / 22 / 0 / 11

HEX #76B1E4

RGB 118 177 228

HSL 207.82, 0.67%, 0.68%

LAB 70.1, -5.41, -31.51

 

CMYK 48 / 35 / 0 / 11

HEX #7694E4

RGB 118 148 228

HSL 223.64, 0.67%, 0.68%

LAB 62.2, 11.02, -43.84

 

CMYK 48 / 48 / 0 / 11

HEX #7676E4

RGB 118 118 228

HSL 240, 0.67%, 0.68%

LAB 54.46, 28.8, -56.12

 

CMYK 48 / 9 / 0 / 11

HEX #76CFE4

RGB 118 207 228

HSL 191.45, 0.67%, 0.68%

LAB 78.51, -21.19, -18.67

 

CMYK 56 / 11 / 0 / 5

HEX #69D7F1

RGB 105 215 241

HSL 191.47, 0.83%, 0.68%

LAB 80.71, -24.3, -22.32

 

CMYK 64 / 12 / 0 / 0

HEX #5CDFFE

RGB 92 223 254

HSL 191.48, 0.99%, 0.68%

LAB 83.02, -26.75, -25.73

 

CMYK 48 / 9 / 0 / 11

HEX #76CFE4

RGB 118 207 228

HSL 191.45, 0.67%, 0.68%

LAB 78.51, -21.19, -18.67

 

CMYK 39 / 7 / 0 / 16

HEX #83C6D6

RGB 131 198 214

HSL 191.57, 0.5%, 0.68%

LAB 76.11, -17.13, -14.69

 

CMYK 28 / 5 / 0 / 21

HEX #91BEC9

RGB 145 190 201

HSL 191.79, 0.34%, 0.68%

LAB 74.23, -12.26, -10.38

 

CMYK 16 / 3 / 0 / 26

HEX #9EB6BC

RGB 158 182 188

HSL 192, 0.18%, 0.68%

LAB 72.47, -6.92, -5.82

 

CMYK 2 / 1 / 0 / 31

HEX #ABAEAF

RGB 171 174 175

HSL 195, 0.02%, 0.68%

LAB 70.89, -0.86, -0.89

 

CMYK 48 / 0 / 17 / 11

HEX #76E4BD

RGB 118 228 189

HSL 158.73, 0.67%, 0.68%

LAB 83.45, -40.7, 9.37

 

CMYK 48 / 0 / 4 / 11

HEX #76E4DA

RGB 118 228 218

HSL 174.55, 0.67%, 0.68%

LAB 84.17, -33.97, -4.88

 

CMYK 48 / 9 / 0 / 11

HEX #76D0E4

RGB 118 208 228

HSL 190.91, 0.67%, 0.68%

LAB 78.79, -21.7, -18.24

 

CMYK 48 / 22 / 0 / 11

HEX #76B2E4

RGB 118 178 228

HSL 207.27, 0.67%, 0.68%

LAB 70.38, -5.96, -31.08

 

CMYK 48 / 35 / 0 / 11

HEX #7695E4

RGB 118 149 228

HSL 223.09, 0.67%, 0.68%

LAB 62.46, 10.43, -43.42

 

CMYK 77 / 15 / 0 / 16

HEX #31B6D6

RGB 49 182 214

HSL 191.64, 0.67%, 0.52%

LAB 68.73, -24.26, -26.17

 

CMYK 62 / 12 / 0 / 13

HEX #54C2DD

RGB 84 194 221

HSL 191.82, 0.67%, 0.6%

LAB 73.34, -23.34, -22.85

 

CMYK 48 / 9 / 0 / 11

HEX #76CFE4

RGB 118 207 228

HSL 191.45, 0.67%, 0.68%

LAB 78.51, -21.19, -18.67

 

CMYK 35 / 6 / 0 / 8

HEX #99DBEA

RGB 153 219 234

HSL 191.11, 0.66%, 0.76%

LAB 83.64, -17.11, -13.98

 

CMYK 22 / 4 / 0 / 5

HEX #BBE7F1

RGB 187 231 241

HSL 191.11, 0.66%, 0.84%

LAB 88.95, -11.99, -9.54

 

CMYK 48 / 9 / 0 / 11

HEX #77CFE4

RGB 119 207 228

HSL 191.56, 0.67%, 0.68%

LAB 78.55, -20.97, -18.6

 

CMYK 30 / 48 / 0 / 11

HEX #A076E4

RGB 160 118 228

HSL 262.91, 0.67%, 0.68%

LAB 58.07, 39.06, -50.16

 

CMYK 0 / 11 / 48 / 11

HEX #E4CC76

RGB 228 204 118

HSL 46.91, 0.67%, 0.68%

LAB 82.37, -2.72, 45.66

 

CMYK 48 / 9 / 0 / 11

HEX #77CFE4

RGB 119 207 228

HSL 191.56, 0.67%, 0.68%

LAB 78.55, -20.97, -18.6

 

CMYK 0 / 48 / 9 / 11

HEX #E476D0

RGB 228 118 208

HSL 310.91, 0.67%, 0.68%

LAB 64.97, 54.25, -27.6

 

CMYK 9 / 0 / 48 / 11

HEX #D0E476

RGB 208 228 118

HSL 70.91, 0.67%, 0.68%

LAB 87.1, -22.67, 51.05

 

CMYK 48 / 9 / 0 / 11

HEX #77CFE4

RGB 119 207 228

HSL 191.56, 0.67%, 0.68%

LAB 78.55, -20.97, -18.6

 

CMYK 30 / 48 / 0 / 11

HEX #A076E4

RGB 160 118 228

HSL 262.91, 0.67%, 0.68%

LAB 58.07, 39.06, -50.16

 

CMYK 0 / 39 / 48 / 11

HEX #E48A76

RGB 228 138 118

HSL 10.91, 0.67%, 0.68%

LAB 66.5, 32.2, 25.34

 

CMYK 18 / 0 / 48 / 11

HEX #BAE476

RGB 186 228 118

HSL 82.91, 0.67%, 0.68%

LAB 85.62, -31.03, 48.92

 

CMYK 48 / 9 / 0 / 11

HEX #77CFE4

RGB 119 207 228

HSL 191.56, 0.67%, 0.68%

LAB 78.55, -20.97, -18.6

 

CMYK 15 / 48 / 0 / 11

HEX #C176E4

RGB 193 118 228

HSL 280.91, 0.67%, 0.68%

LAB 61.56, 47.94, -44.4

 

CMYK 0 / 39 / 48 / 11

HEX #E48A76

RGB 228 138 118

HSL 10.91, 0.67%, 0.68%

LAB 66.5, 32.2, 25.34

 

CMYK 33 / 0 / 48 / 11

HEX #99E476

RGB 153 228 118

HSL 100.91, 0.67%, 0.68%

LAB 83.74, -42.68, 46.19

 

Description

Color code: HEX #77CFE4 | qconv.com Color code: HEX #77CFE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 207 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 207 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 9 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 9% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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