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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77B71D it is the complementary color #8848E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77B71D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77B71D shade: #7CB718, #8DC92B, #9EDB3E, #AFED51 and #C0FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77B71D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77B71D shade: #77B71D, #66A50A, #559300, #448100 and #336F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77B71D shade: #78B91C, #A2B91C, #B9A51C, #B97B1C and #B9511C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77B71D shade: #78B91C, #4EB91C, #23B91C, #1CB940 and #1CB96A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77B71D shade matches the following richer shades: #78B91C and #7BCA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77B71D shade: #78B91C, #75A72E, #72963F, #6F8550 and #6C7362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77B71D shade: #B9A41C, #A4B91C, #7AB91C, #51B91C and #27B91C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77B71D shade: #497111, #619517, #78B91C, #8FDC22 and #A1E246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77B71D shade: #77B71D, #1CB97A and #B91CB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77B71D shade: #77B71D, #1C7AB9 and #B91C7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77B71D shade: #77B71D, #1CB97A, #5B1CB9 and #B91C5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77B71D shade: #77B71D, #1CB9A9, #5B1CB9 and #B91C2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 84 / 28

HEX #77B71D

RGB 119 183 29

HSL 84.94, 0.73%, 0.42%

LAB 67.93, -42.42, 63.95

 

Complementary color

CMYK 40 / 68 / 0 / 11

HEX #8848E2

RGB 136 72 226

HSL 264.94, 0.73%, 0.58%

LAB 46.12, 57.62, -68.36

 

CMYK 32 / 0 / 87 / 28

HEX #7CB718

RGB 124 183 24

HSL 82.26, 0.77%, 0.41%

LAB 68.18, -40.75, 65.4

 

CMYK 30 / 0 / 79 / 21

HEX #8DC92B

RGB 141 201 43

HSL 82.78, 0.65%, 0.48%

LAB 74.58, -41.48, 66.62

 

CMYK 28 / 0 / 72 / 14

HEX #9EDB3E

RGB 158 219 62

HSL 83.31, 0.69%, 0.55%

LAB 80.89, -42.01, 66.88

 

CMYK 26 / 0 / 66 / 7

HEX #AFED51

RGB 175 237 81

HSL 83.85, 0.81%, 0.62%

LAB 87.13, -42.4, 66.56

 

CMYK 25 / 0 / 61 / 0

HEX #C0FF64

RGB 192 255 100

HSL 84.39, 1%, 0.7%

LAB 93.3, -42.67, 65.89

 

CMYK 35 / 0 / 84 / 28

HEX #77B71D

RGB 119 183 29

HSL 84.94, 0.73%, 0.42%

LAB 67.93, -42.42, 63.95

 

CMYK 38 / 0 / 94 / 35

HEX #66A50A

RGB 102 165 10

HSL 84.39, 0.89%, 0.34%

LAB 61.44, -41.51, 61.76

 

CMYK 42 / 0 / 100 / 42

HEX #559300

RGB 85 147 0

HSL 85.31, 1%, 0.29%

LAB 54.86, -40.26, 57.67

 

CMYK 47 / 0 / 100 / 49

HEX #448100

RGB 68 129 0

HSL 88.37, 1%, 0.25%

LAB 48.17, -38.73, 52.11

 

CMYK 54 / 0 / 100 / 56

HEX #336F00

RGB 51 111 0

HSL 92.43, 1%, 0.22%

LAB 41.33, -37.04, 46.44

 

CMYK 35 / 0 / 85 / 27

HEX #78B91C

RGB 120 185 28

HSL 84.84, 0.74%, 0.42%

LAB 68.59, -42.95, 64.78

 

CMYK 12 / 0 / 85 / 27

HEX #A2B91C

RGB 162 185 28

HSL 68.79, 0.74%, 0.42%

LAB 71.19, -26.32, 68.04

 

CMYK 0 / 11 / 85 / 27

HEX #B9A51C

RGB 185 165 28

HSL 52.36, 0.74%, 0.42%

LAB 67.51, -6.16, 65.71

 

CMYK 0 / 34 / 85 / 27

HEX #B97B1C

RGB 185 123 28

HSL 36.31, 0.74%, 0.42%

LAB 56.65, 16.76, 56.62

 

CMYK 0 / 56 / 85 / 27

HEX #B9511C

RGB 185 81 28

HSL 20.25, 0.74%, 0.42%

LAB 47.34, 39.26, 48.67

 

CMYK 35 / 0 / 85 / 27

HEX #78B91C

RGB 120 185 28

HSL 84.84, 0.74%, 0.42%

LAB 68.59, -42.95, 64.78

 

CMYK 58 / 0 / 85 / 27

HEX #4EB91C

RGB 78 185 28

HSL 100.89, 0.74%, 0.42%

LAB 66.83, -56.18, 62.55

 

CMYK 81 / 0 / 85 / 27

HEX #23B91C

RGB 35 185 28

HSL 117.32, 0.74%, 0.42%

LAB 65.86, -64.37, 61.32

 

CMYK 85 / 0 / 65 / 27

HEX #1CB940

RGB 28 185 64

HSL 133.76, 0.74%, 0.42%

LAB 65.99, -62.34, 49.14

 

CMYK 85 / 0 / 43 / 27

HEX #1CB96A

RGB 28 185 106

HSL 149.81, 0.74%, 0.42%

LAB 66.51, -56.13, 29.51

 

CMYK 35 / 0 / 85 / 27

HEX #78B91C

RGB 120 185 28

HSL 84.84, 0.74%, 0.42%

LAB 68.59, -42.95, 64.78

 

CMYK 39 / 0 / 95 / 21

HEX #7BCA0B

RGB 123 202 11

HSL 84.82, 0.9%, 0.42%

LAB 73.85, -49.35, 72.07

 

CMYK 35 / 0 / 85 / 27

HEX #78B91C

RGB 120 185 28

HSL 84.84, 0.74%, 0.42%

LAB 68.59, -42.95, 64.78

 

CMYK 30 / 0 / 72 / 35

HEX #75A72E

RGB 117 167 46

HSL 84.79, 0.57%, 0.42%

LAB 63.02, -35.27, 54.1

 

CMYK 24 / 0 / 58 / 41

HEX #72963F

RGB 114 150 63

HSL 84.83, 0.41%, 0.42%

LAB 57.8, -27.07, 41.15

 

CMYK 17 / 0 / 40 / 48

HEX #6F8550

RGB 111 133 80

HSL 84.91, 0.25%, 0.42%

LAB 52.66, -17.63, 26

 

CMYK 6 / 0 / 15 / 55

HEX #6C7362

RGB 108 115 98

HSL 84.71, 0.08%, 0.42%

LAB 47.41, -6.02, 8.51

 

CMYK 0 / 11 / 85 / 27

HEX #B9A41C

RGB 185 164 28

HSL 51.97, 0.74%, 0.42%

LAB 67.24, -5.63, 65.49

 

CMYK 11 / 0 / 85 / 27

HEX #A4B91C

RGB 164 185 28

HSL 68.03, 0.74%, 0.42%

LAB 71.33, -25.48, 68.22

 

CMYK 34 / 0 / 85 / 27

HEX #7AB91C

RGB 122 185 28

HSL 84.08, 0.74%, 0.42%

LAB 68.69, -42.22, 64.91

 

CMYK 56 / 0 / 85 / 27

HEX #51B91C

RGB 81 185 28

HSL 99.75, 0.74%, 0.42%

LAB 66.92, -55.39, 62.68

 

CMYK 79 / 0 / 85 / 27

HEX #27B91C

RGB 39 185 28

HSL 115.8, 0.74%, 0.42%

LAB 65.91, -63.86, 61.39

 

CMYK 35 / 0 / 85 / 56

HEX #497111

RGB 73 113 17

HSL 85, 0.74%, 0.25%

LAB 43.16, -29.21, 44.19

 

CMYK 35 / 0 / 85 / 42

HEX #619517

RGB 97 149 23

HSL 84.76, 0.73%, 0.34%

LAB 56.19, -36.04, 54.66

 

CMYK 35 / 0 / 85 / 27

HEX #78B91C

RGB 120 185 28

HSL 84.84, 0.74%, 0.42%

LAB 68.59, -42.95, 64.78

 

CMYK 35 / 0 / 85 / 14

HEX #8FDC22

RGB 143 220 34

HSL 84.84, 0.73%, 0.5%

LAB 80.26, -49.14, 74.01

 

CMYK 29 / 0 / 69 / 11

HEX #A1E246

RGB 161 226 70

HSL 85, 0.73%, 0.58%

LAB 83.13, -43.46, 66.32

 

CMYK 35 / 0 / 84 / 28

HEX #77B71D

RGB 119 183 29

HSL 84.94, 0.73%, 0.42%

LAB 67.93, -42.42, 63.95

 

CMYK 85 / 0 / 34 / 27

HEX #1CB97A

RGB 28 185 122

HSL 155.92, 0.74%, 0.42%

LAB 66.79, -52.94, 21.41

 

CMYK 0 / 85 / 0 / 27

HEX #B91CB9

RGB 185 28 185

HSL 300, 0.74%, 0.42%

LAB 45.15, 73.73, -45.92

 

CMYK 35 / 0 / 84 / 28

HEX #77B71D

RGB 119 183 29

HSL 84.94, 0.73%, 0.42%

LAB 67.93, -42.42, 63.95

 

CMYK 85 / 34 / 0 / 27

HEX #1C7AB9

RGB 28 122 185

HSL 204.08, 0.74%, 0.42%

LAB 49.09, -3.37, -40.47

 

CMYK 0 / 85 / 34 / 27

HEX #B91C7A

RGB 185 28 122

HSL 324.08, 0.74%, 0.42%

LAB 42.08, 65.41, -12.74

 

CMYK 35 / 0 / 84 / 28

HEX #77B71D

RGB 119 183 29

HSL 84.94, 0.73%, 0.42%

LAB 67.93, -42.42, 63.95

 

CMYK 85 / 0 / 34 / 27

HEX #1CB97A

RGB 28 185 122

HSL 155.92, 0.74%, 0.42%

LAB 66.79, -52.94, 21.41

 

CMYK 51 / 85 / 0 / 27

HEX #5B1CB9

RGB 91 28 185

HSL 264.08, 0.74%, 0.42%

LAB 30.78, 59.16, -69.91

 

CMYK 0 / 85 / 51 / 27

HEX #B91C5B

RGB 185 28 91

HSL 335.92, 0.74%, 0.42%

LAB 41.06, 62.5, 5.17

 

CMYK 35 / 0 / 84 / 28

HEX #77B71D

RGB 119 183 29

HSL 84.94, 0.73%, 0.42%

LAB 67.93, -42.42, 63.95

 

CMYK 85 / 0 / 9 / 27

HEX #1CB9A9

RGB 28 185 169

HSL 173.89, 0.74%, 0.42%

LAB 67.88, -41.24, -2.7

 

CMYK 51 / 85 / 0 / 27

HEX #5B1CB9

RGB 91 28 185

HSL 264.08, 0.74%, 0.42%

LAB 30.78, 59.16, -69.91

 

CMYK 0 / 85 / 76 / 27

HEX #B91C2C

RGB 185 28 44

HSL 353.89, 0.74%, 0.42%

LAB 40.13, 59.76, 33.37

 

Description

Color code: HEX #77B71D | qconv.com Color code: HEX #77B71D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 183 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 183 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 84 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 84% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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